Kabuki's Forgotten War

Kabuki's Forgotten War

Author: James R. Brandon

Publisher: University of Hawaii Press

Published: 2008-10-31

Total Pages: 481

ISBN-13: 0824863216

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According to a myth constructed after Japan’s surrender to the Allied Forces in 1945, kabuki was a pure, classical art form with no real place in modern Japanese society. In Kabuki’s Forgotten War, senior theater scholar James R. Brandon calls this view into question and makes a compelling case that, up to the very end of the Pacific War, kabuki was a living theater and, as an institution, an active participant in contemporary events, rising and falling in consonance with Japan’s imperial adventures. Drawing extensively from Japanese sources—books, newspapers, magazines, war reports, speeches, scripts, and diaries—Brandon shows that kabuki played an important role in Japan’s Fifteen-Year Sacred War. He reveals, for example, that kabuki stars raised funds to buy fighter and bomber aircraft for the imperial forces and that pro-ducers arranged large-scale tours for kabuki troupes to entertain soldiers stationed in Manchuria, China, and Korea. Kabuki playwrights contributed no less than 160 new plays that dramatized frontline battles or rewrote history to propagate imperial ideology. Abridged by censors, molded by the Bureau of Information, and partially incorporated into the League of Touring Theaters, kabuki reached new audiences as it expanded along with the new Japanese empire. By the end of the war, however, it had fallen from government favor and in 1944–1946 it nearly expired when Japanese government decrees banished leading kabuki companies to minor urban theaters and the countryside. Kabuki’s Forgotten War includes more than a hundred illustrations, many of which have never been published in an English-language work. It is nothing less than a com-plete revision of kabuki’s recent history and as such goes beyond correcting a significant misconception. This new study remedies a historical absence that has distorted our understanding of Japan’s imperial enterprise and its aftermath.


Book Synopsis Kabuki's Forgotten War by : James R. Brandon

Download or read book Kabuki's Forgotten War written by James R. Brandon and published by University of Hawaii Press. This book was released on 2008-10-31 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: According to a myth constructed after Japan’s surrender to the Allied Forces in 1945, kabuki was a pure, classical art form with no real place in modern Japanese society. In Kabuki’s Forgotten War, senior theater scholar James R. Brandon calls this view into question and makes a compelling case that, up to the very end of the Pacific War, kabuki was a living theater and, as an institution, an active participant in contemporary events, rising and falling in consonance with Japan’s imperial adventures. Drawing extensively from Japanese sources—books, newspapers, magazines, war reports, speeches, scripts, and diaries—Brandon shows that kabuki played an important role in Japan’s Fifteen-Year Sacred War. He reveals, for example, that kabuki stars raised funds to buy fighter and bomber aircraft for the imperial forces and that pro-ducers arranged large-scale tours for kabuki troupes to entertain soldiers stationed in Manchuria, China, and Korea. Kabuki playwrights contributed no less than 160 new plays that dramatized frontline battles or rewrote history to propagate imperial ideology. Abridged by censors, molded by the Bureau of Information, and partially incorporated into the League of Touring Theaters, kabuki reached new audiences as it expanded along with the new Japanese empire. By the end of the war, however, it had fallen from government favor and in 1944–1946 it nearly expired when Japanese government decrees banished leading kabuki companies to minor urban theaters and the countryside. Kabuki’s Forgotten War includes more than a hundred illustrations, many of which have never been published in an English-language work. It is nothing less than a com-plete revision of kabuki’s recent history and as such goes beyond correcting a significant misconception. This new study remedies a historical absence that has distorted our understanding of Japan’s imperial enterprise and its aftermath.


Kabuki's Forgotten War

Kabuki's Forgotten War

Author: James R. Brandon

Publisher: University of Hawaii Press

Published: 2008-10-31

Total Pages: 482

ISBN-13: 0824832000

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According to a myth constructed after Japan’s surrender to the Allied Forces in 1945, kabuki was a pure, classical art form with no real place in modern Japanese society. In Kabuki’s Forgotten War, senior theater scholar James R. Brandon calls this view into question and makes a compelling case that, up to the very end of the Pacific War, kabuki was a living theater and, as an institution, an active participant in contemporary events, rising and falling in consonance with Japan’s imperial adventures. Drawing extensively from Japanese sources—books, newspapers, magazines, war reports, speeches, scripts, and diaries—Brandon shows that kabuki played an important role in Japan’s Fifteen-Year Sacred War. He reveals, for example, that kabuki stars raised funds to buy fighter and bomber aircraft for the imperial forces and that pro-ducers arranged large-scale tours for kabuki troupes to entertain soldiers stationed in Manchuria, China, and Korea. Kabuki playwrights contributed no less than 160 new plays that dramatized frontline battles or rewrote history to propagate imperial ideology. Abridged by censors, molded by the Bureau of Information, and partially incorporated into the League of Touring Theaters, kabuki reached new audiences as it expanded along with the new Japanese empire. By the end of the war, however, it had fallen from government favor and in 1944–1946 it nearly expired when Japanese government decrees banished leading kabuki companies to minor urban theaters and the countryside. Kabuki’s Forgotten War includes more than a hundred illustrations, many of which have never been published in an English-language work. It is nothing less than a com-plete revision of kabuki’s recent history and as such goes beyond correcting a significant misconception. This new study remedies a historical absence that has distorted our understanding of Japan’s imperial enterprise and its aftermath.


Book Synopsis Kabuki's Forgotten War by : James R. Brandon

Download or read book Kabuki's Forgotten War written by James R. Brandon and published by University of Hawaii Press. This book was released on 2008-10-31 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: According to a myth constructed after Japan’s surrender to the Allied Forces in 1945, kabuki was a pure, classical art form with no real place in modern Japanese society. In Kabuki’s Forgotten War, senior theater scholar James R. Brandon calls this view into question and makes a compelling case that, up to the very end of the Pacific War, kabuki was a living theater and, as an institution, an active participant in contemporary events, rising and falling in consonance with Japan’s imperial adventures. Drawing extensively from Japanese sources—books, newspapers, magazines, war reports, speeches, scripts, and diaries—Brandon shows that kabuki played an important role in Japan’s Fifteen-Year Sacred War. He reveals, for example, that kabuki stars raised funds to buy fighter and bomber aircraft for the imperial forces and that pro-ducers arranged large-scale tours for kabuki troupes to entertain soldiers stationed in Manchuria, China, and Korea. Kabuki playwrights contributed no less than 160 new plays that dramatized frontline battles or rewrote history to propagate imperial ideology. Abridged by censors, molded by the Bureau of Information, and partially incorporated into the League of Touring Theaters, kabuki reached new audiences as it expanded along with the new Japanese empire. By the end of the war, however, it had fallen from government favor and in 1944–1946 it nearly expired when Japanese government decrees banished leading kabuki companies to minor urban theaters and the countryside. Kabuki’s Forgotten War includes more than a hundred illustrations, many of which have never been published in an English-language work. It is nothing less than a com-plete revision of kabuki’s recent history and as such goes beyond correcting a significant misconception. This new study remedies a historical absence that has distorted our understanding of Japan’s imperial enterprise and its aftermath.


The Forgotten War

The Forgotten War

Author:

Publisher:

Published: 1995

Total Pages:

ISBN-13:

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Book Synopsis The Forgotten War by :

Download or read book The Forgotten War written by and published by . This book was released on 1995 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:


Kabuki at the Crossroads

Kabuki at the Crossroads

Author: Samuel L. Leiter

Publisher: Martinus Nijhoff Publishers

Published: 2013-04-17

Total Pages: 764

ISBN-13: 9004251146

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Samuel L. Leiter's Kabuki at the Crossroads: Years of Crisis, 1952-1965 is the first detailed account of Japan's kabuki theatre in the years immediately following the end of the Occupation. It examines every aspect of this traditional theatre as it struggled to maintain its position in a rapidly changing postwar entertainment environment. It covers acting rivalries, major productions, theatres, international tours, the convention of men playing female roles, name-taking and memorial ceremonies, the company system and managerial strategies. In addition, the volume includes numerous appendixes chronicling the period, including a thorough chronology and 150 summaries of new plays never previously discussed in English.


Book Synopsis Kabuki at the Crossroads by : Samuel L. Leiter

Download or read book Kabuki at the Crossroads written by Samuel L. Leiter and published by Martinus Nijhoff Publishers. This book was released on 2013-04-17 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel L. Leiter's Kabuki at the Crossroads: Years of Crisis, 1952-1965 is the first detailed account of Japan's kabuki theatre in the years immediately following the end of the Occupation. It examines every aspect of this traditional theatre as it struggled to maintain its position in a rapidly changing postwar entertainment environment. It covers acting rivalries, major productions, theatres, international tours, the convention of men playing female roles, name-taking and memorial ceremonies, the company system and managerial strategies. In addition, the volume includes numerous appendixes chronicling the period, including a thorough chronology and 150 summaries of new plays never previously discussed in English.


Rising from the Flames

Rising from the Flames

Author: Samuel L. Leiter

Publisher: Rowman & Littlefield

Published: 2009

Total Pages: 466

ISBN-13: 9780739128183

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On August 15, 1945, when the war ended, almost all of Tokyo and Osaka's theaters had been destroyed or heavily damaged by American bombs. The Japanese urban infrastructure was reduced to dust, and so, one might have thought, would be the nation's spirit, especially in the face of nuclear bombing and foreign occupation. Yet, less than two weeks after the atom bombs had been dropped, theater began to show signs of life. Before long, all forms of Japanese theater were back on stage, and from death's ashes arose the flower of art. Rising from the Flames contains sixteen essays, many accompanied by photographic illustrations, by thirteen specialists. They explore the triumphs and tribulations of Occupation-period (1945-1952) theater, and cover not only such traditional forms as kabuki, no, kyogen, bunraku puppet theater (as well as the traditional marionette theater, the Yuki-za), and the comic narrator's art of rakugo, but also the modern genres of shingeki, musical comedy, and the all-female Takarazuka Revue. Among the numerous topics discussed are censorship, theater reconstruction, politics, internationalization, unionization, the search for a national identity through drama, and the treatment of the emperor on the pre- and postwar stage. The essays in this volume examine how Japanese theater, subject to oppressive thought control by prewar authorities, responded to the new--if temporarily limited--freedom allowed by the American occupiers, attesting to Japan's remarkable resilience in the face of national defeat.


Book Synopsis Rising from the Flames by : Samuel L. Leiter

Download or read book Rising from the Flames written by Samuel L. Leiter and published by Rowman & Littlefield. This book was released on 2009 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: On August 15, 1945, when the war ended, almost all of Tokyo and Osaka's theaters had been destroyed or heavily damaged by American bombs. The Japanese urban infrastructure was reduced to dust, and so, one might have thought, would be the nation's spirit, especially in the face of nuclear bombing and foreign occupation. Yet, less than two weeks after the atom bombs had been dropped, theater began to show signs of life. Before long, all forms of Japanese theater were back on stage, and from death's ashes arose the flower of art. Rising from the Flames contains sixteen essays, many accompanied by photographic illustrations, by thirteen specialists. They explore the triumphs and tribulations of Occupation-period (1945-1952) theater, and cover not only such traditional forms as kabuki, no, kyogen, bunraku puppet theater (as well as the traditional marionette theater, the Yuki-za), and the comic narrator's art of rakugo, but also the modern genres of shingeki, musical comedy, and the all-female Takarazuka Revue. Among the numerous topics discussed are censorship, theater reconstruction, politics, internationalization, unionization, the search for a national identity through drama, and the treatment of the emperor on the pre- and postwar stage. The essays in this volume examine how Japanese theater, subject to oppressive thought control by prewar authorities, responded to the new--if temporarily limited--freedom allowed by the American occupiers, attesting to Japan's remarkable resilience in the face of national defeat.


Creating Kabuki Plays

Creating Kabuki Plays

Author: Katherine Saltzman-Li

Publisher: BRILL

Published: 2010

Total Pages: 274

ISBN-13: 9004121153

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Significant study of Kabuki playwriting of the Edo Period (1603-1867), based around an examination and translation of the only extant treatise fully devoted to the subject, the 1801 "Kezairoku, Sakusha no Shikiho" (Valuable Notes on Playwriting, A Playwrights Methodology.)


Book Synopsis Creating Kabuki Plays by : Katherine Saltzman-Li

Download or read book Creating Kabuki Plays written by Katherine Saltzman-Li and published by BRILL. This book was released on 2010 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Significant study of Kabuki playwriting of the Edo Period (1603-1867), based around an examination and translation of the only extant treatise fully devoted to the subject, the 1801 "Kezairoku, Sakusha no Shikiho" (Valuable Notes on Playwriting, A Playwrights Methodology.)


Kabuki's Nineteenth Century

Kabuki's Nineteenth Century

Author: Jonathan Zwicker

Publisher: Oxford University Press

Published: 2023-08-09

Total Pages: 305

ISBN-13: 0192890972

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Kabuki's Nineteenth Century examines the theater culture of nineteenth-century Japan from the perspective of the history and materiality of the book, the nature of reception, and the making and making use of images. The aim of this book is to rediscover the kabuki theater of nineteenth-century Japan by shifting our critical focus from performance to print and the public sphere, and thus embedding theater history within the larger world of printed matter by means of which theatricality circulated beyond the stage and through which performance was most often consumed. Fundamental to Kabuki's Nineteenth Century is a reconsideration of the nature of the printed archive itself. The book argues that the archive of printed material related to the theater in nineteenth-century Japan (playbills, actor critiques, theater guides, maps, actor prints, calendars, and broadsheets) is something more than—and more complicated than—a set of materials out of which we might reconstitute the always transient event of performance. Rather, the archive constitutes an object of inquiry unto itself, an object that reveals as much about the interrelations between and among various printed media and genres circulating beyond the confines of the theater as it does about what happened on stage. Even as we use these materials to examine the history of performance, a series of different questions might be asked: what can the production, consumption, and collecting of this enormous body of printed matter tell us about such problems as the role of print in everyday life, the construction of specialized knowledges, and the manner in which a culture archives itself?


Book Synopsis Kabuki's Nineteenth Century by : Jonathan Zwicker

Download or read book Kabuki's Nineteenth Century written by Jonathan Zwicker and published by Oxford University Press. This book was released on 2023-08-09 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kabuki's Nineteenth Century examines the theater culture of nineteenth-century Japan from the perspective of the history and materiality of the book, the nature of reception, and the making and making use of images. The aim of this book is to rediscover the kabuki theater of nineteenth-century Japan by shifting our critical focus from performance to print and the public sphere, and thus embedding theater history within the larger world of printed matter by means of which theatricality circulated beyond the stage and through which performance was most often consumed. Fundamental to Kabuki's Nineteenth Century is a reconsideration of the nature of the printed archive itself. The book argues that the archive of printed material related to the theater in nineteenth-century Japan (playbills, actor critiques, theater guides, maps, actor prints, calendars, and broadsheets) is something more than—and more complicated than—a set of materials out of which we might reconstitute the always transient event of performance. Rather, the archive constitutes an object of inquiry unto itself, an object that reveals as much about the interrelations between and among various printed media and genres circulating beyond the confines of the theater as it does about what happened on stage. Even as we use these materials to examine the history of performance, a series of different questions might be asked: what can the production, consumption, and collecting of this enormous body of printed matter tell us about such problems as the role of print in everyday life, the construction of specialized knowledges, and the manner in which a culture archives itself?


Inventing the Way of the Samurai

Inventing the Way of the Samurai

Author: Oleg Benesch

Publisher: OUP Oxford

Published: 2014-09-12

Total Pages: 305

ISBN-13: 019101673X

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Inventing the Way of the Samurai examines the development of the 'way of the samurai' - bushidō - which is popularly viewed as a defining element of the Japanese national character and even the 'soul of Japan'. Rather than a continuation of ancient traditions, however, bushidō developed from a search for identity during Japan's modernization in the late nineteenth century. The former samurai class were widely viewed as a relic of a bygone age in the 1880s, and the first significant discussions of bushidō at the end of the decade were strongly influenced by contemporary European ideals of gentlemen and chivalry. At the same time, Japanese thinkers increasingly looked to their own traditions in search of sources of national identity, and this process accelerated as national confidence grew with military victories over China and Russia. Inventing the Way of the Samurai considers the people, events, and writings that drove the rapid growth of bushidō, which came to emphasize martial virtues and absolute loyalty to the emperor. In the early twentieth century, bushidō became a core subject in civilian and military education, and was a key ideological pillar supporting the imperial state until its collapse in 1945. The close identification of bushidō with Japanese militarism meant that it was rejected immediately after the war, but different interpretations of bushidō were soon revived by both Japanese and foreign commentators seeking to explain Japan's past, present, and future. This volume further explores the factors behind the resurgence of bushidō, which has proven resilient through 130 years of dramatic social, political, and cultural change.


Book Synopsis Inventing the Way of the Samurai by : Oleg Benesch

Download or read book Inventing the Way of the Samurai written by Oleg Benesch and published by OUP Oxford. This book was released on 2014-09-12 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inventing the Way of the Samurai examines the development of the 'way of the samurai' - bushidō - which is popularly viewed as a defining element of the Japanese national character and even the 'soul of Japan'. Rather than a continuation of ancient traditions, however, bushidō developed from a search for identity during Japan's modernization in the late nineteenth century. The former samurai class were widely viewed as a relic of a bygone age in the 1880s, and the first significant discussions of bushidō at the end of the decade were strongly influenced by contemporary European ideals of gentlemen and chivalry. At the same time, Japanese thinkers increasingly looked to their own traditions in search of sources of national identity, and this process accelerated as national confidence grew with military victories over China and Russia. Inventing the Way of the Samurai considers the people, events, and writings that drove the rapid growth of bushidō, which came to emphasize martial virtues and absolute loyalty to the emperor. In the early twentieth century, bushidō became a core subject in civilian and military education, and was a key ideological pillar supporting the imperial state until its collapse in 1945. The close identification of bushidō with Japanese militarism meant that it was rejected immediately after the war, but different interpretations of bushidō were soon revived by both Japanese and foreign commentators seeking to explain Japan's past, present, and future. This volume further explores the factors behind the resurgence of bushidō, which has proven resilient through 130 years of dramatic social, political, and cultural change.


Forms of the Body in Contemporary Japanese Society, Literature, and Culture

Forms of the Body in Contemporary Japanese Society, Literature, and Culture

Author: Irina Holca

Publisher: Rowman & Littlefield

Published: 2020-05-21

Total Pages: 317

ISBN-13: 1793623880

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This collection brings together fifteen chapters written by scholars specializing in disciplines ranging from anthropology and sociology to literature, film, and performance studies. These scholars analyze complex questions about how the body is lived and imagined as a locus of meaning-making in contemporary Japan. Exploring such topics as mind-body dualism, aging and illness, spirit possession, beauty, performance, and gender, this collection addresses the wide array of socio-cultural and literary contexts in which the body is interpreted in Japanese culture and thought.


Book Synopsis Forms of the Body in Contemporary Japanese Society, Literature, and Culture by : Irina Holca

Download or read book Forms of the Body in Contemporary Japanese Society, Literature, and Culture written by Irina Holca and published by Rowman & Littlefield. This book was released on 2020-05-21 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together fifteen chapters written by scholars specializing in disciplines ranging from anthropology and sociology to literature, film, and performance studies. These scholars analyze complex questions about how the body is lived and imagined as a locus of meaning-making in contemporary Japan. Exploring such topics as mind-body dualism, aging and illness, spirit possession, beauty, performance, and gender, this collection addresses the wide array of socio-cultural and literary contexts in which the body is interpreted in Japanese culture and thought.


The Columbia Anthology of Modern Japanese Drama

The Columbia Anthology of Modern Japanese Drama

Author: J. Thomas Rimer

Publisher: Columbia University Press

Published: 2014-04-29

Total Pages: 737

ISBN-13: 0231537131

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This anthology is the first to survey the full range of modern Japanese drama and make available Japan's best and most representative twentieth- and early-twenty-first-century works in one volume. It opens with a comprehensive introduction to Meiji-period drama and follows with six chronological sections: "The Age of Taisho Drama"; The Tsukiji Little Theater and Its Aftermath"; "Wartime and Postwar Drama"; "The 1960s and Underground Theater"; "The 1980s and Beyond"; and "Popular Theater," providing a complete history of modern Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Morimoto Kaoru (A Woman's Life), Abe Kobo (The Man Who Turned into a Stick), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine Seller's Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, M. Cody Poulton, John K. Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the plays' productions, and photographs of their stage performances. The volume complements any study of modern Japanese literature and modern drama in China, Korea, or other Asian or contemporary Western nations.


Book Synopsis The Columbia Anthology of Modern Japanese Drama by : J. Thomas Rimer

Download or read book The Columbia Anthology of Modern Japanese Drama written by J. Thomas Rimer and published by Columbia University Press. This book was released on 2014-04-29 with total page 737 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology is the first to survey the full range of modern Japanese drama and make available Japan's best and most representative twentieth- and early-twenty-first-century works in one volume. It opens with a comprehensive introduction to Meiji-period drama and follows with six chronological sections: "The Age of Taisho Drama"; The Tsukiji Little Theater and Its Aftermath"; "Wartime and Postwar Drama"; "The 1960s and Underground Theater"; "The 1980s and Beyond"; and "Popular Theater," providing a complete history of modern Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Morimoto Kaoru (A Woman's Life), Abe Kobo (The Man Who Turned into a Stick), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine Seller's Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, M. Cody Poulton, John K. Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the plays' productions, and photographs of their stage performances. The volume complements any study of modern Japanese literature and modern drama in China, Korea, or other Asian or contemporary Western nations.