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This book complements a national traveling exhibition of Komar and Melamid's interpretation of the "most wanted' and "most unwanted" paintings of fourteen countries titled: The People's Choice, organized and circulated by ICI - Independant Curators International, touring to museums from September 1998 to December 2000.
Book Synopsis Painting by Numbers by : Vitaly Komar
Download or read book Painting by Numbers written by Vitaly Komar and published by Univ of California Press. This book was released on 1999 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book complements a national traveling exhibition of Komar and Melamid's interpretation of the "most wanted' and "most unwanted" paintings of fourteen countries titled: The People's Choice, organized and circulated by ICI - Independant Curators International, touring to museums from September 1998 to December 2000.
Download or read book Komar & Melamid written by Peter Wollen and published by . This book was released on 1985 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:
For the uninitiated, the Komar-MelaƯmid paintings (their work is a collaboraƯtive effort) no doubt will be a surprise and a delight: it is at once sprightly, intricate, and mystical. Called “Sots” art (for Socialist art), it is a kind of Pop that parodies the propaganda posters and street banners designed for public conƯsumption by Russian officialdom. The Sots subjects from the first show include the stern head of a worker holding his finger to his lips and entitled “Don#x19;t Babble,” several banners with such slogans as “Glory to Labor” and “Our Goal Communism,” and a painting of a “Laika” cigarette pack using as its emƯblem the Soviet dog sent into orbit with “Sputnik II” in 1957.
Book Synopsis Komar/Melamid, Two Soviet Dissident Artists by : Vitaly Komar
Download or read book Komar/Melamid, Two Soviet Dissident Artists written by Vitaly Komar and published by . This book was released on 1979 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the uninitiated, the Komar-MelaƯmid paintings (their work is a collaboraƯtive effort) no doubt will be a surprise and a delight: it is at once sprightly, intricate, and mystical. Called “Sots” art (for Socialist art), it is a kind of Pop that parodies the propaganda posters and street banners designed for public conƯsumption by Russian officialdom. The Sots subjects from the first show include the stern head of a worker holding his finger to his lips and entitled “Don#x19;t Babble,” several banners with such slogans as “Glory to Labor” and “Our Goal Communism,” and a painting of a “Laika” cigarette pack using as its emƯblem the Soviet dog sent into orbit with “Sputnik II” in 1957.
Artwork by Komar & Melamid. Contributions by Dore Ashton, Remo Guidieri, Andrei Bitov.
Book Synopsis Monumental Propaganda by : Vitaly Komar
Download or read book Monumental Propaganda written by Vitaly Komar and published by Independent Curators International. This book was released on 1994 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artwork by Komar & Melamid. Contributions by Dore Ashton, Remo Guidieri, Andrei Bitov.
Book Synopsis Komar & Melamid by : Carter Ratcliff
Download or read book Komar & Melamid written by Carter Ratcliff and published by . This book was released on 1988 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:
For centuries elephants in Thailand have been revered as a national symbol, worshiped as living gods and employed as beasts of burden in the nation's thriving timber industry. But when logging was banned in Thailand in 1990, these noble animals fell on hard times. Reduced to performing tricks for tourists by day and illegal heavy labor by night, Thailand's elephants were exhausted, malnourished, and dying in alarming numbers. Hearing of their plight, a pair of unlikely heroes came to the rescue, Wildly eccentric Russian emigre artists Vitaly Komar and Alexander Melamid devised a brilliant scheme: to create the world's first quadruped occupational retraining program-a network of art schools for unemployed elephants. Taking a cue from elephant trainers in a number of American zoos, Komar and Melamid taught the animals to hold brushes in their trunks and apply paint to canvas. And the results were astonishing: Not only did the elephants' paintings closely resemble the expansive gestural work of such Abstract Expressionist artists as Jackson Pollock, Willem de Kooning, and Franz Kline, but the pachyderm painters also began to develop clearly distinct regional styles-lyrical and expressive in the northern Thai school, subtle and atmospheric in the east, dynamic and angst ridden in the central school. Sanctioned by the World Wildlife Fund, the Asian Elephant Art and Conservation Project has been a remarkable success; paintings by some of the most talented elephant artists have been auctioned at Christie's for thousands of dollars, generating funds to provide proper care for the elephants and support for their trainers. When Elephants Paint follows Komar and Melamid and their eclectic entourage through Thailand's lush jungles and steaming cities, describing the odd encounters and creative cajoling that helped turn this seemingly whimsical idea into a concrete, beneficial reality. Illustrated with more than 100 photographs, including actual elephant paintings, this riotously funny and provocative book offers a valuable lesson in wildlife conservation and startling revelations about the nature of art itself.
Book Synopsis When Elephants Paint by : Komar & Melamid
Download or read book When Elephants Paint written by Komar & Melamid and published by Harper. This book was released on 2000-11-21 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: For centuries elephants in Thailand have been revered as a national symbol, worshiped as living gods and employed as beasts of burden in the nation's thriving timber industry. But when logging was banned in Thailand in 1990, these noble animals fell on hard times. Reduced to performing tricks for tourists by day and illegal heavy labor by night, Thailand's elephants were exhausted, malnourished, and dying in alarming numbers. Hearing of their plight, a pair of unlikely heroes came to the rescue, Wildly eccentric Russian emigre artists Vitaly Komar and Alexander Melamid devised a brilliant scheme: to create the world's first quadruped occupational retraining program-a network of art schools for unemployed elephants. Taking a cue from elephant trainers in a number of American zoos, Komar and Melamid taught the animals to hold brushes in their trunks and apply paint to canvas. And the results were astonishing: Not only did the elephants' paintings closely resemble the expansive gestural work of such Abstract Expressionist artists as Jackson Pollock, Willem de Kooning, and Franz Kline, but the pachyderm painters also began to develop clearly distinct regional styles-lyrical and expressive in the northern Thai school, subtle and atmospheric in the east, dynamic and angst ridden in the central school. Sanctioned by the World Wildlife Fund, the Asian Elephant Art and Conservation Project has been a remarkable success; paintings by some of the most talented elephant artists have been auctioned at Christie's for thousands of dollars, generating funds to provide proper care for the elephants and support for their trainers. When Elephants Paint follows Komar and Melamid and their eclectic entourage through Thailand's lush jungles and steaming cities, describing the odd encounters and creative cajoling that helped turn this seemingly whimsical idea into a concrete, beneficial reality. Illustrated with more than 100 photographs, including actual elephant paintings, this riotously funny and provocative book offers a valuable lesson in wildlife conservation and startling revelations about the nature of art itself.
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
Book Synopsis The Museum as Muse by : Kynaston McShine
Download or read book The Museum as Muse written by Kynaston McShine and published by ABRAMS. This book was released on 1999 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
The rise of performance art as chronicled by renowned critic Sally Banes. Her approach to the complex matrix of art, community, and culture draws on histories and theories of painting, photography, dance, theater, and folklore. Her vivid descriptions and provocative interpretations fill a gap in the history of contemporary performance--where the avant-garde met the mainstream.
Book Synopsis Subversive Expectations by : Sally Banes
Download or read book Subversive Expectations written by Sally Banes and published by University of Michigan Press. This book was released on 1998 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rise of performance art as chronicled by renowned critic Sally Banes. Her approach to the complex matrix of art, community, and culture draws on histories and theories of painting, photography, dance, theater, and folklore. Her vivid descriptions and provocative interpretations fill a gap in the history of contemporary performance--where the avant-garde met the mainstream.
"Matthew Jesse Jackson's writing and quality of mind put him in the forefront of the next wave in modern art studies." Thomas E. Crow, Institute of Fine Arts --
Book Synopsis The Experimental Group by : Matthew Jesse Jackson
Download or read book The Experimental Group written by Matthew Jesse Jackson and published by University of Chicago Press. This book was released on 2010-07-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Matthew Jesse Jackson's writing and quality of mind put him in the forefront of the next wave in modern art studies." Thomas E. Crow, Institute of Fine Arts --
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Book Synopsis After the End of Art by : Arthur C. Danto
Download or read book After the End of Art written by Arthur C. Danto and published by Princeton University Press. This book was released on 2021-06-08 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
