Kuki Shuzo

Kuki Shuzo

Author: Michael F. Marra

Publisher: University of Hawaii Press

Published: 2004-04-30

Total Pages: 380

ISBN-13: 9780824827557

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Kuki Shûzô (1888–1941), one of Japan’s most original thinkers of the twentieth century, is best known for his interpretations of Western Continental philosophy. His works on and of poetry are less well known but equally illuminating. During his eight years studying in Europe in the 1920s, Kuki spent time in Paris, where he wrote several collections of poetry and many short poems in the tanka style. Included in this volume are these Paris poems as well as other verses that Kuki appended to a long essay on poetry, "Rhymes in Japanese Poetry," written in 1931. Included as well are translations of two of Kuki’s major critical essays on poetry, "The Genealogy of Feelings: A Guide to Poetry" (1938) and "The Metaphysics of Literature" (1940). Michael Marra, one of the West’s foremost authorities on modern Japanese aesthetics, prefaces his translations with an important essay that gives an account of the current state of Kuki studies in English and presents an intriguing and original interpretation of Kuki’s writings. Marra argues that there is an unresolved tension in Kuki’s thought between a desire to overcome the rigid schemes of metaphysics, garnered from his knowledge of French and German philosophy, on the one hand, and a constant hesitation to let those schemes go, which is expressed in his verse.


Book Synopsis Kuki Shuzo by : Michael F. Marra

Download or read book Kuki Shuzo written by Michael F. Marra and published by University of Hawaii Press. This book was released on 2004-04-30 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kuki Shûzô (1888–1941), one of Japan’s most original thinkers of the twentieth century, is best known for his interpretations of Western Continental philosophy. His works on and of poetry are less well known but equally illuminating. During his eight years studying in Europe in the 1920s, Kuki spent time in Paris, where he wrote several collections of poetry and many short poems in the tanka style. Included in this volume are these Paris poems as well as other verses that Kuki appended to a long essay on poetry, "Rhymes in Japanese Poetry," written in 1931. Included as well are translations of two of Kuki’s major critical essays on poetry, "The Genealogy of Feelings: A Guide to Poetry" (1938) and "The Metaphysics of Literature" (1940). Michael Marra, one of the West’s foremost authorities on modern Japanese aesthetics, prefaces his translations with an important essay that gives an account of the current state of Kuki studies in English and presents an intriguing and original interpretation of Kuki’s writings. Marra argues that there is an unresolved tension in Kuki’s thought between a desire to overcome the rigid schemes of metaphysics, garnered from his knowledge of French and German philosophy, on the one hand, and a constant hesitation to let those schemes go, which is expressed in his verse.


The Structure of Detachment

The Structure of Detachment

Author: Hiroshi Nara

Publisher: University of Hawaii Press

Published: 2004-01-01

Total Pages: 204

ISBN-13: 9780824827359

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The philosopher's controversial link with Heidegger is explored by Jon Mark Mikkelsen in the final essay, which concludes that, although Heidegger's view of art is consistent, both historically and conceptually, with his political involvement with fascism, the same cannot be said of Kuki."


Book Synopsis The Structure of Detachment by : Hiroshi Nara

Download or read book The Structure of Detachment written by Hiroshi Nara and published by University of Hawaii Press. This book was released on 2004-01-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The philosopher's controversial link with Heidegger is explored by Jon Mark Mikkelsen in the final essay, which concludes that, although Heidegger's view of art is consistent, both historically and conceptually, with his political involvement with fascism, the same cannot be said of Kuki."


Kuki Shuzo

Kuki Shuzo

Author: Michael F. Marra

Publisher: University of Hawaii Press

Published: 2004-04-30

Total Pages: 376

ISBN-13: 0824842340

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Kuki Shûzô (1888–1941), one of Japan’s most original thinkers of the twentieth century, is best known for his interpretations of Western Continental philosophy. His works on and of poetry are less well known but equally illuminating. During his eight years studying in Europe in the 1920s, Kuki spent time in Paris, where he wrote several collections of poetry and many short poems in the tanka style. Included in this volume are these Paris poems as well as other verses that Kuki appended to a long essay on poetry, "Rhymes in Japanese Poetry," written in 1931. Included as well are translations of two of Kuki’s major critical essays on poetry, "The Genealogy of Feelings: A Guide to Poetry" (1938) and "The Metaphysics of Literature" (1940). Michael Marra, one of the West’s foremost authorities on modern Japanese aesthetics, prefaces his translations with an important essay that gives an account of the current state of Kuki studies in English and presents an intriguing and original interpretation of Kuki’s writings. Marra argues that there is an unresolved tension in Kuki’s thought between a desire to overcome the rigid schemes of metaphysics, garnered from his knowledge of French and German philosophy, on the one hand, and a constant hesitation to let those schemes go, which is expressed in his verse.


Book Synopsis Kuki Shuzo by : Michael F. Marra

Download or read book Kuki Shuzo written by Michael F. Marra and published by University of Hawaii Press. This book was released on 2004-04-30 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kuki Shûzô (1888–1941), one of Japan’s most original thinkers of the twentieth century, is best known for his interpretations of Western Continental philosophy. His works on and of poetry are less well known but equally illuminating. During his eight years studying in Europe in the 1920s, Kuki spent time in Paris, where he wrote several collections of poetry and many short poems in the tanka style. Included in this volume are these Paris poems as well as other verses that Kuki appended to a long essay on poetry, "Rhymes in Japanese Poetry," written in 1931. Included as well are translations of two of Kuki’s major critical essays on poetry, "The Genealogy of Feelings: A Guide to Poetry" (1938) and "The Metaphysics of Literature" (1940). Michael Marra, one of the West’s foremost authorities on modern Japanese aesthetics, prefaces his translations with an important essay that gives an account of the current state of Kuki studies in English and presents an intriguing and original interpretation of Kuki’s writings. Marra argues that there is an unresolved tension in Kuki’s thought between a desire to overcome the rigid schemes of metaphysics, garnered from his knowledge of French and German philosophy, on the one hand, and a constant hesitation to let those schemes go, which is expressed in his verse.


Reflections on Japanese Taste

Reflections on Japanese Taste

Author: 九鬼周造

Publisher: University of Washington Press

Published: 1997

Total Pages: 172

ISBN-13:

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This is the first English translation of a text outlining a distinctively plebian Japanese aesthetic based on a unique category of taste, "iki"


Book Synopsis Reflections on Japanese Taste by : 九鬼周造

Download or read book Reflections on Japanese Taste written by 九鬼周造 and published by University of Washington Press. This book was released on 1997 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first English translation of a text outlining a distinctively plebian Japanese aesthetic based on a unique category of taste, "iki"


Authenticating Culture in Imperial Japan

Authenticating Culture in Imperial Japan

Author: Leslie Pincus

Publisher: Univ of California Press

Published: 1996

Total Pages: 271

ISBN-13: 9780520201347

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To explore these questions, Leslie Pincus focuses on the work of philosopher Kuki Shuzo, in particular his classic study of Edo style, "Iki" no kozo - a text that demonstrates with unusual clarity the philosophical sources, the modernist affiliations, and the ideological implications of this highly aestheticized discourse on culture in interwar Japan.


Book Synopsis Authenticating Culture in Imperial Japan by : Leslie Pincus

Download or read book Authenticating Culture in Imperial Japan written by Leslie Pincus and published by Univ of California Press. This book was released on 1996 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: To explore these questions, Leslie Pincus focuses on the work of philosopher Kuki Shuzo, in particular his classic study of Edo style, "Iki" no kozo - a text that demonstrates with unusual clarity the philosophical sources, the modernist affiliations, and the ideological implications of this highly aestheticized discourse on culture in interwar Japan.


Shūzō Kuki and Jean-Paul Sartre

Shūzō Kuki and Jean-Paul Sartre

Author: Stephen Light

Publisher:

Published: 1987

Total Pages: 178

ISBN-13:

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For two and a half months in 1928, the Japanese philosopher Shûzô Kuki had weekly talks with a young French student of philosophy—Jean-Paul Sartre. In 1928, Kuki had just come to Paris after having studied with Heidegger and Husserl. Freshly ac­quainted with the new phenomenology, Kuki in­troduced Sartre to this emerging movement in philosophy. In a well-researched introductory essay, Stephen Light details the eight years Kuki spent in Europe in the 1920s, a period during which Kuki came to know Henri Bergson, Heinrich Rickert, and Emile Brehier, as well as Husserl and Heidegger. Light includes translations of two of Kuki’s essays on time and often of his short essays on matters Japanese, culminating in the insightful “General Characteristics of French Philosophy.” None of the Kuki essays were previously available in English. The final section of the book is a facsimile of the never before published notebook Kuki used during his discussions with Sartre.


Book Synopsis Shūzō Kuki and Jean-Paul Sartre by : Stephen Light

Download or read book Shūzō Kuki and Jean-Paul Sartre written by Stephen Light and published by . This book was released on 1987 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: For two and a half months in 1928, the Japanese philosopher Shûzô Kuki had weekly talks with a young French student of philosophy—Jean-Paul Sartre. In 1928, Kuki had just come to Paris after having studied with Heidegger and Husserl. Freshly ac­quainted with the new phenomenology, Kuki in­troduced Sartre to this emerging movement in philosophy. In a well-researched introductory essay, Stephen Light details the eight years Kuki spent in Europe in the 1920s, a period during which Kuki came to know Henri Bergson, Heinrich Rickert, and Emile Brehier, as well as Husserl and Heidegger. Light includes translations of two of Kuki’s essays on time and often of his short essays on matters Japanese, culminating in the insightful “General Characteristics of French Philosophy.” None of the Kuki essays were previously available in English. The final section of the book is a facsimile of the never before published notebook Kuki used during his discussions with Sartre.


Artistic Detachment in Japan and the West

Artistic Detachment in Japan and the West

Author: Steve Odin

Publisher: University of Hawaii Press

Published: 2001-04-01

Total Pages: 310

ISBN-13: 9780824823740

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Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies.


Book Synopsis Artistic Detachment in Japan and the West by : Steve Odin

Download or read book Artistic Detachment in Japan and the West written by Steve Odin and published by University of Hawaii Press. This book was released on 2001-04-01 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies.


Japan in the World

Japan in the World

Author: Masao Miyoshi

Publisher: Duke University Press

Published: 1993-06-29

Total Pages: 380

ISBN-13: 9780822313687

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Since the end of World War II, Japan has determinately remained outside the current of world events and uninvolved in the processes determining global history and politics. In Japan and the World, distinguished scholars, novelists, and intellectuals articulate how Japan—despite unprecedented economic prowess in securing dominance in the world's market—is caught in a complex dependency with the United States. Drawing on critical and postmodernist theory, this timely volume situates this dependency in a broader historical context and assesses Japan's current dealings in international politics, society, and culture. Among the many topics covered are: racism in U.S.-Japanese relations; productivity and workplace discourse; Western cultural hegemony; the constructing of a Japanese cultural history; and the place of the novelist in today's world. Originally published as a special issue of boundary 2 (Fall 1991), this edition includes four new essays on Japanese industrial revolution; the place of English studies in Japan; how American cultural, historical, and political discourse represented Japan and in turn how America's version of Japan became Japan's version of itself; and an "archaeology" of hegemonic relationships between Japan and America and Britain in the first half of the twentieth century. Contributors. Eqbal Ahmad, Perry Anderson, Bruce Cumings, Arif Dirlik, H.D. Harootunian, Kazuo Ishuro, Fredric Jameson, Kojin Karatani, Oe Kenzaburo, Masao Miyoshi, Tetsuo Najita, Leslie Pincus, Naoki Sakai, Miriam Silverberg, Christena Turner, Rob Wilson, Mitsuhiro Yoshimoto


Book Synopsis Japan in the World by : Masao Miyoshi

Download or read book Japan in the World written by Masao Miyoshi and published by Duke University Press. This book was released on 1993-06-29 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the end of World War II, Japan has determinately remained outside the current of world events and uninvolved in the processes determining global history and politics. In Japan and the World, distinguished scholars, novelists, and intellectuals articulate how Japan—despite unprecedented economic prowess in securing dominance in the world's market—is caught in a complex dependency with the United States. Drawing on critical and postmodernist theory, this timely volume situates this dependency in a broader historical context and assesses Japan's current dealings in international politics, society, and culture. Among the many topics covered are: racism in U.S.-Japanese relations; productivity and workplace discourse; Western cultural hegemony; the constructing of a Japanese cultural history; and the place of the novelist in today's world. Originally published as a special issue of boundary 2 (Fall 1991), this edition includes four new essays on Japanese industrial revolution; the place of English studies in Japan; how American cultural, historical, and political discourse represented Japan and in turn how America's version of Japan became Japan's version of itself; and an "archaeology" of hegemonic relationships between Japan and America and Britain in the first half of the twentieth century. Contributors. Eqbal Ahmad, Perry Anderson, Bruce Cumings, Arif Dirlik, H.D. Harootunian, Kazuo Ishuro, Fredric Jameson, Kojin Karatani, Oe Kenzaburo, Masao Miyoshi, Tetsuo Najita, Leslie Pincus, Naoki Sakai, Miriam Silverberg, Christena Turner, Rob Wilson, Mitsuhiro Yoshimoto


Before the Nation

Before the Nation

Author: Susan L Burns

Publisher: Duke University Press

Published: 2003-12-02

Total Pages: 300

ISBN-13: 9780822331728

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DIVShows how a modern nationalism was constructed in Japan from existing notions of community, at a time before the idea of “nation.”/div


Book Synopsis Before the Nation by : Susan L Burns

Download or read book Before the Nation written by Susan L Burns and published by Duke University Press. This book was released on 2003-12-02 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVShows how a modern nationalism was constructed in Japan from existing notions of community, at a time before the idea of “nation.”/div


The Structure of Detachment

The Structure of Detachment

Author: Hiroshi Nara

Publisher: University of Hawaii Press

Published: 2004-04-30

Total Pages: 197

ISBN-13: 0824865057

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Published in 1930, when Japan was struggling to define and assert its national and cultural identity, The Structure of Iki (Iki no kôzô) re-introduced the Japanese to a sophisticated tradition of urbane and spirited stylishness (iki) that was forged in the Edo period. Upon his return from Europe, Kuki Shûzô (1888–1941) made use of the new theoretical frameworks based on Western Continental methodology to redefine the significance of iki in Japanese society and culture. By applying Heidegger’s hermeneutics to this cultural phenomenon, he attempted to recast traditional understanding in the context of Western aesthetic theory and reestablish the centrality of a purely Japanese sense of "taste." The three critical essays that accompany this new translation of The Structure of Iki look at various aspects of Kuki, his work, and the historical context that influenced his thinking. Hiroshi Nara first traces Kuki’s interest in a philosophy of life through his exposure to Husserl, Heidegger, and Bergson. In the second essay, J. Thomas Rimer compels readers to reexamine The Structure of Iki as a work in the celebrated tradition of zuihitsu (stream-of-consciousness writings) and takes into account French literary influences on Kuki. The philosopher’s controversial link with Heidegger is explored by Jon Mark Mikkelsen in the final essay.


Book Synopsis The Structure of Detachment by : Hiroshi Nara

Download or read book The Structure of Detachment written by Hiroshi Nara and published by University of Hawaii Press. This book was released on 2004-04-30 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in 1930, when Japan was struggling to define and assert its national and cultural identity, The Structure of Iki (Iki no kôzô) re-introduced the Japanese to a sophisticated tradition of urbane and spirited stylishness (iki) that was forged in the Edo period. Upon his return from Europe, Kuki Shûzô (1888–1941) made use of the new theoretical frameworks based on Western Continental methodology to redefine the significance of iki in Japanese society and culture. By applying Heidegger’s hermeneutics to this cultural phenomenon, he attempted to recast traditional understanding in the context of Western aesthetic theory and reestablish the centrality of a purely Japanese sense of "taste." The three critical essays that accompany this new translation of The Structure of Iki look at various aspects of Kuki, his work, and the historical context that influenced his thinking. Hiroshi Nara first traces Kuki’s interest in a philosophy of life through his exposure to Husserl, Heidegger, and Bergson. In the second essay, J. Thomas Rimer compels readers to reexamine The Structure of Iki as a work in the celebrated tradition of zuihitsu (stream-of-consciousness writings) and takes into account French literary influences on Kuki. The philosopher’s controversial link with Heidegger is explored by Jon Mark Mikkelsen in the final essay.