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Kunst & Recht 2023 / Art & Law 2023

Author: Peter Mosimann

Publisher: Stämpfli Verlag

Published: 2024-01-26

Total Pages: 128

ISBN-13: 3727284552

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Dieser Tagungsband enthält die Referate der 12. Basler Kunstrechtstagung Kunst & Recht / Art & Law vom 16. Juni 2023. Der Tagungsband wird mit dem Referat vom US-Kunstrechtler Stephen K. Urice über die überraschenden transatlantischen Entwicklungen im Zusammenhang mit der Frage des «Deaccessioning» von Museumsgut eröffnet. Reto M. Hilty behandelt danach die Werkausführung im Auftrag am Beispiel der «Paris Bar» und Niklaus Ruckstuhl geht mit seinen Ausführungen zu Steinstossen als Kulturgut auf die revidierten Bestimmungen im KGTG ein. Ann Demeester, die Direktorin des Kunsthauses Zürich, berichtet in ihrem Referat «Bilder und ihre Biographie – über Chancen und Fallstricke bei musealen Präsentationen» in englischer Sprache. Hiernach widmet sich Rolf Bolwin der Problematik der künstlerischen Verantwortung von Kollektiven am Beispiel der Documenta 22. Den Abschluss des Tagungsbandes bildet das Referat von Sandrine Giroud zu Fragen der Beschlagnahmung und Einziehung von Kulturgut durch Anwendung von internationalen Sanktionen und durch internationale Strafrechtshilfe.

Book Synopsis Kunst & Recht 2023 / Art & Law 2023 by : Peter Mosimann

Download or read book Kunst & Recht 2023 / Art & Law 2023 written by Peter Mosimann and published by Stämpfli Verlag. This book was released on 2024-01-26 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dieser Tagungsband enthält die Referate der 12. Basler Kunstrechtstagung Kunst & Recht / Art & Law vom 16. Juni 2023. Der Tagungsband wird mit dem Referat vom US-Kunstrechtler Stephen K. Urice über die überraschenden transatlantischen Entwicklungen im Zusammenhang mit der Frage des «Deaccessioning» von Museumsgut eröffnet. Reto M. Hilty behandelt danach die Werkausführung im Auftrag am Beispiel der «Paris Bar» und Niklaus Ruckstuhl geht mit seinen Ausführungen zu Steinstossen als Kulturgut auf die revidierten Bestimmungen im KGTG ein. Ann Demeester, die Direktorin des Kunsthauses Zürich, berichtet in ihrem Referat «Bilder und ihre Biographie – über Chancen und Fallstricke bei musealen Präsentationen» in englischer Sprache. Hiernach widmet sich Rolf Bolwin der Problematik der künstlerischen Verantwortung von Kollektiven am Beispiel der Documenta 22. Den Abschluss des Tagungsbandes bildet das Referat von Sandrine Giroud zu Fragen der Beschlagnahmung und Einziehung von Kulturgut durch Anwendung von internationalen Sanktionen und durch internationale Strafrechtshilfe.

Law, Ethics, and the Visual Arts

Author: John Henry Merryman

Publisher:

Published: 2007

Total Pages: 0

ISBN-13: 9789041125187

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This book describes the collisions between the art world and the law, with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include + the fate of works of art in wartime, + the international trade in stolen and illegally exported cultural property, + artistic freedom, + censorship and state support for art and artists, + copyright, + droit moral and droit de suite, + the artist's professional life and death, + collectors in the art market, + income and estate taxation, + charitable donations and works of art, and + art museums and their collections. The authors are recognised experts in the field who have defined the canon in many aspects of art law.

Book Synopsis Law, Ethics, and the Visual Arts by : John Henry Merryman

Download or read book Law, Ethics, and the Visual Arts written by John Henry Merryman and published by . This book was released on 2007 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book describes the collisions between the art world and the law, with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include + the fate of works of art in wartime, + the international trade in stolen and illegally exported cultural property, + artistic freedom, + censorship and state support for art and artists, + copyright, + droit moral and droit de suite, + the artist's professional life and death, + collectors in the art market, + income and estate taxation, + charitable donations and works of art, and + art museums and their collections. The authors are recognised experts in the field who have defined the canon in many aspects of art law.

Art and its Market

Author: Dirk Boll

Publisher: Hatje Cantz Verlag

Published: 2024-07-17

Total Pages: 450

ISBN-13: 3775757945

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The new look on the history of art and its blind spots, the far-reaching digitization of structures and content, the changing role of museums and art criticism, new forces from influencers to NFTs: Hardly any market system has evolved as profoundly in the last decade as the distribution of art. With 25 years of experience in the art industry, Dirk Boll acts as a continuous chronicler and seasonal commentator of these pervasive developments. His handbook Art for Sale is a reliable source of in-depth knowledge about the inner workings of global art market systems. How do auctions, the network of galleries, and fairs work? How are prices being made, and how do trends both in the production of art as well as its collection emerge? What is more, this edition provides comprehensive information on the practical issues of art acquisition: What are the customs and pitfalls, the economic interdependencies between the artists, buyers and other market players, and the legal regulations governing the trade with art?

Book Synopsis Art and its Market by : Dirk Boll

Download or read book Art and its Market written by Dirk Boll and published by Hatje Cantz Verlag. This book was released on 2024-07-17 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: The new look on the history of art and its blind spots, the far-reaching digitization of structures and content, the changing role of museums and art criticism, new forces from influencers to NFTs: Hardly any market system has evolved as profoundly in the last decade as the distribution of art. With 25 years of experience in the art industry, Dirk Boll acts as a continuous chronicler and seasonal commentator of these pervasive developments. His handbook Art for Sale is a reliable source of in-depth knowledge about the inner workings of global art market systems. How do auctions, the network of galleries, and fairs work? How are prices being made, and how do trends both in the production of art as well as its collection emerge? What is more, this edition provides comprehensive information on the practical issues of art acquisition: What are the customs and pitfalls, the economic interdependencies between the artists, buyers and other market players, and the legal regulations governing the trade with art?

Art and Museum Law

Author: Robert C. Lind

Publisher:

Published: 2002

Total Pages: 752

ISBN-13:

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Book Synopsis Art and Museum Law by : Robert C. Lind

Download or read book Art and Museum Law written by Robert C. Lind and published by . This book was released on 2002 with total page 752 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Art, Cultural Heritage, and the Law

Author: Patty Gerstenblith

Publisher:

Published: 2004

Total Pages: 952

ISBN-13:

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Art, Cultural Heritage, and the Law is one of the first legal casebooks to address the rapidly emerging fields of art and cultural heritage law, utilizing an interdisciplinary approach. This book addresses artists? rights (freedom of expression, copyright, moral rights and rights in architectural works and historic preservation); the functioning of the art market (dealers and auction houses, warranties of quality and authenticity, transfer of title and recovery of stolen art works, and the role of museums), and finally cultural heritage (the fate of art works and cultural objects in time of war, the international trade in art works and cultural objects, the archaeological and underwater heritage of the United States, and indigenous cultures, focusing on restitution of Native American cultural objects and human remains, and appropriation of indigenous culture).This book is intended for the law school classroom but will also be useful to any lawyer or scholar interested in these timely issues and emerging fields of legal practice. The book provides an appendix of international conventions and national statutes the addresses the art market and disposition of cultural objects. Combining both legal and non-legal source materials and several very recent legal decisions, the book presents an interdisciplinary approach and addresses some of the most contentious ethical aspects of these issues. In addition, images of many of the art works that were at issue in the legal cases are presented so that the reader can gain an appreciation of the artistic and cultural values at stake.

Book Synopsis Art, Cultural Heritage, and the Law by : Patty Gerstenblith

Download or read book Art, Cultural Heritage, and the Law written by Patty Gerstenblith and published by . This book was released on 2004 with total page 952 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art, Cultural Heritage, and the Law is one of the first legal casebooks to address the rapidly emerging fields of art and cultural heritage law, utilizing an interdisciplinary approach. This book addresses artists? rights (freedom of expression, copyright, moral rights and rights in architectural works and historic preservation); the functioning of the art market (dealers and auction houses, warranties of quality and authenticity, transfer of title and recovery of stolen art works, and the role of museums), and finally cultural heritage (the fate of art works and cultural objects in time of war, the international trade in art works and cultural objects, the archaeological and underwater heritage of the United States, and indigenous cultures, focusing on restitution of Native American cultural objects and human remains, and appropriation of indigenous culture).This book is intended for the law school classroom but will also be useful to any lawyer or scholar interested in these timely issues and emerging fields of legal practice. The book provides an appendix of international conventions and national statutes the addresses the art market and disposition of cultural objects. Combining both legal and non-legal source materials and several very recent legal decisions, the book presents an interdisciplinary approach and addresses some of the most contentious ethical aspects of these issues. In addition, images of many of the art works that were at issue in the legal cases are presented so that the reader can gain an appreciation of the artistic and cultural values at stake.

The 1970 UNESCO and 1995 UNIDROIT Conventions on Stolen or Illegally Transferred Cultural Property

Author:

Publisher: Oxford University Press

Published: 2024-02-29

Total Pages: 945

ISBN-13: 0192662341

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The illicit traffic in cultural objects is a grave concern to the general public and international community. The resulting cultural damage fuels debates on how best to regulate the trade in cultural objects and inform legal responses at all levels for the protection of movable cultural heritage. Treaties concerning the treatment of cultural objects during peacetime and war represent some of the earliest multilateral initiatives on cultural heritage in the modern era. They also remain some of the most deeply contested, representing shifting fault lines within the international community. Authored by leading scholars and practitioners from around the world, this Commentary is the first to cover the two leading multilateral treaties on movable cultural heritage in one volume: the Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property adopted by UNESCO in 1970 and the Convention on Stolen or Illegally Exported Cultural Objects adopted by UNIDROIT in 1995. This Commentary is designed to be the authoritative text for academics, lawyers, policymakers, and diplomats on the protection and regulation of cultural objects. Encompassing both public and private international law rules on the trade in cultural objects, it provides a detailed historical and thematic overview. Drawing on the travaux preparatoires and intergovernmental and state practice over the last half century, the Commentary provides an article-by-article analysis of the interpretation and application of these treaties. The texts 1970 UNESCO and 1995 UNIDROIT Conventions are examined in the working context of other culture conventions including the World Heritage Convention and the Intangible Heritage Convention, as well as related fields of international law, such as international humanitarian law, international criminal law, human rights law, and international economic law. The volume also offers a critical examination of current trends and future directions which are informing the field.

Book Synopsis The 1970 UNESCO and 1995 UNIDROIT Conventions on Stolen or Illegally Transferred Cultural Property by :

Download or read book The 1970 UNESCO and 1995 UNIDROIT Conventions on Stolen or Illegally Transferred Cultural Property written by and published by Oxford University Press. This book was released on 2024-02-29 with total page 945 pages. Available in PDF, EPUB and Kindle. Book excerpt: The illicit traffic in cultural objects is a grave concern to the general public and international community. The resulting cultural damage fuels debates on how best to regulate the trade in cultural objects and inform legal responses at all levels for the protection of movable cultural heritage. Treaties concerning the treatment of cultural objects during peacetime and war represent some of the earliest multilateral initiatives on cultural heritage in the modern era. They also remain some of the most deeply contested, representing shifting fault lines within the international community. Authored by leading scholars and practitioners from around the world, this Commentary is the first to cover the two leading multilateral treaties on movable cultural heritage in one volume: the Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property adopted by UNESCO in 1970 and the Convention on Stolen or Illegally Exported Cultural Objects adopted by UNIDROIT in 1995. This Commentary is designed to be the authoritative text for academics, lawyers, policymakers, and diplomats on the protection and regulation of cultural objects. Encompassing both public and private international law rules on the trade in cultural objects, it provides a detailed historical and thematic overview. Drawing on the travaux preparatoires and intergovernmental and state practice over the last half century, the Commentary provides an article-by-article analysis of the interpretation and application of these treaties. The texts 1970 UNESCO and 1995 UNIDROIT Conventions are examined in the working context of other culture conventions including the World Heritage Convention and the Intangible Heritage Convention, as well as related fields of international law, such as international humanitarian law, international criminal law, human rights law, and international economic law. The volume also offers a critical examination of current trends and future directions which are informing the field.

The Art Collecting Legal Handbook

Author: Bruno W. Boesch

Publisher: Edward Elgar Publishing

Published: 2023-11-03

Total Pages: 527

ISBN-13: 1035300621

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The Art Collecting Legal Handbook, now in its third edition, is a cross-border legal guide to the ever-changing maze of rules and regulations when acquiring, moving, and sharing works of art and antiquities.

Book Synopsis The Art Collecting Legal Handbook by : Bruno W. Boesch

Download or read book The Art Collecting Legal Handbook written by Bruno W. Boesch and published by Edward Elgar Publishing. This book was released on 2023-11-03 with total page 527 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Art Collecting Legal Handbook, now in its third edition, is a cross-border legal guide to the ever-changing maze of rules and regulations when acquiring, moving, and sharing works of art and antiquities.

The State and the Art

Author: Richard Van Herzeele

Publisher: Gompel&Svacina

Published:

Total Pages: 290

ISBN-13: 9463715134

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The role of private actors in policing has become a topic in both research and policy, as police forces face budgetary and expertise-related constraints. These challenges are evident in art crime policing, where a lack of prioritisation often means limited resources are allocated for a crime that requires significant expertise to tackle. Cooperating with private actors has been mooted as a solution to this deficit, but empirical research to support this suggestion is scarce. This book helps fill this gap by examining the interaction between specialist art crime police units and private actors in Belgium, the United Kingdom, and France. Its central questions are whether cooperation already exists in art crime policing, and why, or not. It was found that while limits to police capacity are an important driver for private outreach, several other factors also significantly affect cooperation. This book is relevant for policy, practice, and research, as it examines a hitherto less discussed topic which is nonetheless urgent as art crime shows little signs of abating.

Book Synopsis The State and the Art by : Richard Van Herzeele

Download or read book The State and the Art written by Richard Van Herzeele and published by Gompel&Svacina. This book was released on with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: The role of private actors in policing has become a topic in both research and policy, as police forces face budgetary and expertise-related constraints. These challenges are evident in art crime policing, where a lack of prioritisation often means limited resources are allocated for a crime that requires significant expertise to tackle. Cooperating with private actors has been mooted as a solution to this deficit, but empirical research to support this suggestion is scarce. This book helps fill this gap by examining the interaction between specialist art crime police units and private actors in Belgium, the United Kingdom, and France. Its central questions are whether cooperation already exists in art crime policing, and why, or not. It was found that while limits to police capacity are an important driver for private outreach, several other factors also significantly affect cooperation. This book is relevant for policy, practice, and research, as it examines a hitherto less discussed topic which is nonetheless urgent as art crime shows little signs of abating.

Confronting Colonial Objects

Author: Carsten Stahn

Publisher: Oxford University Press

Published: 2023-10-13

Total Pages: 593

ISBN-13: 019269412X

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The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.

Book Synopsis Confronting Colonial Objects by : Carsten Stahn

Download or read book Confronting Colonial Objects written by Carsten Stahn and published by Oxford University Press. This book was released on 2023-10-13 with total page 593 pages. Available in PDF, EPUB and Kindle. Book excerpt: The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.

NFTs, Creativity and the Law

Author: Enrico Bonadio

Publisher: Taylor & Francis

Published: 2024-06-14

Total Pages: 293

ISBN-13: 1040043003

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Non-Fungible Tokens (NFTs) have emerged as an important medium for the creation, sale and collection of art, with many major business and fashion houses creating their own NFT projects. This book investigates the eruption of NFT crypto art, and its impact on copyright law. Chapters address topics at the intersection between AI, smart contracts, data science, copyright law and arts administration. With snapshots of the ongoing heated debates around copyright law, the book investigates whether NFTs violate copyright and moral rights, the liability of NFTs platforms, impacts on ethical issues such as counterfeiting. The first book published on this emergent topic, this book offers a comprehensive overview of opportunities and challenges raised by NFTs to copyright law and, more generally, to the regulation and economics of the creative and cultural industries. The book is addressed to law and tech enthusiasts as well as academics, students, practitioners and policy makers interested in the intersection between copyright rules and new forms of technology.

Book Synopsis NFTs, Creativity and the Law by : Enrico Bonadio

Download or read book NFTs, Creativity and the Law written by Enrico Bonadio and published by Taylor & Francis. This book was released on 2024-06-14 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Non-Fungible Tokens (NFTs) have emerged as an important medium for the creation, sale and collection of art, with many major business and fashion houses creating their own NFT projects. This book investigates the eruption of NFT crypto art, and its impact on copyright law. Chapters address topics at the intersection between AI, smart contracts, data science, copyright law and arts administration. With snapshots of the ongoing heated debates around copyright law, the book investigates whether NFTs violate copyright and moral rights, the liability of NFTs platforms, impacts on ethical issues such as counterfeiting. The first book published on this emergent topic, this book offers a comprehensive overview of opportunities and challenges raised by NFTs to copyright law and, more generally, to the regulation and economics of the creative and cultural industries. The book is addressed to law and tech enthusiasts as well as academics, students, practitioners and policy makers interested in the intersection between copyright rules and new forms of technology.