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Book Synopsis Liverpool University Press Autumn 2010 Catalogue by :
Download or read book Liverpool University Press Autumn 2010 Catalogue written by and published by Liverpool University Press. This book was released on with total page 35 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The early 21st century has seen contemporary art make continued use of audience participation, in which the spectator becomes part of the artwork itself. In this book, Kaija Kaitavuori claims that the `participator' is a new artistic role that does not fall under the auspices of artist or spectator and in proving such she devises a four-group typology of involvement. Her classification distinguishes between different forms of engagement and identifies their specific features. The key criteria she proposes are how concepts of authorship and ownership shift in relation to collectively created work, how contracts regulating the use and production of shared work are arranged and the extent to which involvement in making art can be regarded as democratic. This highly original book thus offers students and teachers the tools with which to improve their understanding of participatory art and removes the confusing terminology that has characterized so many other discussions.
Book Synopsis The Participator in Contemporary Art by : Kaija Kaitavuori
Download or read book The Participator in Contemporary Art written by Kaija Kaitavuori and published by Bloomsbury Publishing. This book was released on 2018-08-30 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: The early 21st century has seen contemporary art make continued use of audience participation, in which the spectator becomes part of the artwork itself. In this book, Kaija Kaitavuori claims that the `participator' is a new artistic role that does not fall under the auspices of artist or spectator and in proving such she devises a four-group typology of involvement. Her classification distinguishes between different forms of engagement and identifies their specific features. The key criteria she proposes are how concepts of authorship and ownership shift in relation to collectively created work, how contracts regulating the use and production of shared work are arranged and the extent to which involvement in making art can be regarded as democratic. This highly original book thus offers students and teachers the tools with which to improve their understanding of participatory art and removes the confusing terminology that has characterized so many other discussions.
In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.
Book Synopsis Bloodflowers by : W. Ian Bourland
Download or read book Bloodflowers written by W. Ian Bourland and published by Duke University Press. This book was released on 2019-01-31 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.
A scholarly edition of the short fiction of Henry James, comprising nine tales including 'The Aspern Papers' and 'The Liar'.
Book Synopsis The Aspern Papers and Other Tales, 1884-1888 by : Henry James
Download or read book The Aspern Papers and Other Tales, 1884-1888 written by Henry James and published by Cambridge Edition of the Complete Fiction of Henry James. This book was released on 2022-04-07 with total page 899 pages. Available in PDF, EPUB and Kindle. Book excerpt: A scholarly edition of the short fiction of Henry James, comprising nine tales including 'The Aspern Papers' and 'The Liar'.
A unique look at America's quest to carve out an artistic identity during the Depression era Through 50 masterpieces of painting, this fascinating catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression seeking to define modern American art. In the process, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism, labor, social protest, and to employ an urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty.
Book Synopsis America After the Fall by : Sarah L. Burns
Download or read book America After the Fall written by Sarah L. Burns and published by Yale University Press. This book was released on 2016-01-01 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique look at America's quest to carve out an artistic identity during the Depression era Through 50 masterpieces of painting, this fascinating catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression seeking to define modern American art. In the process, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism, labor, social protest, and to employ an urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty.
Anna Letitia Barbauld: New Perspectives is the first collection of essays on poet and public intellectual Anna Letitia Barbauld (1743–1825). By international scholars of eighteenth-century and Romantic British literature, these new essays survey Barbauld’s writing from early to late: her versatility as a stylist, her poetry, her books for children, her political writing, her performance as editor and reviewer. They explore themes of sociability, materiality, and affect in Barbauld’s writing, and trace her reception and influence. Rooted in enlightenment philosophy and ethics and dissenting religion, Barbauld’s work exerted a huge impact on the generation of Wordsworth and Coleridge, and on education and ideas about childhood far into the nineteenth century. William McCarthy’s introduction explores the importance of Barbauld’s work today, and co-editor Olivia Murphy assesses the commentary on Barbauld that followed her rediscovery in the early 1990s. Anna Letitia Barbauld: New Perspectives is the indispensible introduction to Barbauld’s work and current thinking about it.
Book Synopsis Anna Letitia Barbauld by : William McCarthy
Download or read book Anna Letitia Barbauld written by William McCarthy and published by Bucknell University Press. This book was released on 2013-12-24 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anna Letitia Barbauld: New Perspectives is the first collection of essays on poet and public intellectual Anna Letitia Barbauld (1743–1825). By international scholars of eighteenth-century and Romantic British literature, these new essays survey Barbauld’s writing from early to late: her versatility as a stylist, her poetry, her books for children, her political writing, her performance as editor and reviewer. They explore themes of sociability, materiality, and affect in Barbauld’s writing, and trace her reception and influence. Rooted in enlightenment philosophy and ethics and dissenting religion, Barbauld’s work exerted a huge impact on the generation of Wordsworth and Coleridge, and on education and ideas about childhood far into the nineteenth century. William McCarthy’s introduction explores the importance of Barbauld’s work today, and co-editor Olivia Murphy assesses the commentary on Barbauld that followed her rediscovery in the early 1990s. Anna Letitia Barbauld: New Perspectives is the indispensible introduction to Barbauld’s work and current thinking about it.
The figure of the dictator looms large in representations of postcolonial Africa. Since the late 1970s, writers, film-makers and theorists have sought to represent the realities of dictatorship without endorsing the colonialist cliches portraying Africans as incapable of self-government. Against the heavily-politicized responses provoked by this dilemma, Bishop argues for a form of criticism that places the complexity of the reader's or spectator's experiences at the heart of its investigations. Ranging across literature, film and political theory, this study calls for a reengagement with notions - often seen as unwelcome diversions from political questions - such as referentiality, genre and aesthetics. But rather than pit 'political' approaches against formal and aesthetic procedures, the author presents new insights into the interplay of the political and the aesthetic. Cecile Bishop is a Junior Research Fellow in French at Somerville College, Oxford.
Book Synopsis Postcolonial Criticism and Representations of African Dictatorship by : Cecile Bishop
Download or read book Postcolonial Criticism and Representations of African Dictatorship written by Cecile Bishop and published by Routledge. This book was released on 2017-07-05 with total page 125 pages. Available in PDF, EPUB and Kindle. Book excerpt: The figure of the dictator looms large in representations of postcolonial Africa. Since the late 1970s, writers, film-makers and theorists have sought to represent the realities of dictatorship without endorsing the colonialist cliches portraying Africans as incapable of self-government. Against the heavily-politicized responses provoked by this dilemma, Bishop argues for a form of criticism that places the complexity of the reader's or spectator's experiences at the heart of its investigations. Ranging across literature, film and political theory, this study calls for a reengagement with notions - often seen as unwelcome diversions from political questions - such as referentiality, genre and aesthetics. But rather than pit 'political' approaches against formal and aesthetic procedures, the author presents new insights into the interplay of the political and the aesthetic. Cecile Bishop is a Junior Research Fellow in French at Somerville College, Oxford.
RES 59/60 includes “The making of architectural types” by Joseph Rykwert; “Traces of the sun and Inka kinetics” by Tom Cummins and Bruce Mannheim; “Inka water management and display fountains” by Carolyn Dean; “Guaman Poma’s pictures of huacas” by Lisa Trever; “Peruvian nature up close” by Daniela Bleichmar; and other papers.
Book Synopsis Res by : Editor of Res and Associate of Middle American Ethnology Francesco Pellizzi
Download or read book Res written by Editor of Res and Associate of Middle American Ethnology Francesco Pellizzi and published by Peabody Museum Press. This book was released on 2012-01-09 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: RES 59/60 includes “The making of architectural types” by Joseph Rykwert; “Traces of the sun and Inka kinetics” by Tom Cummins and Bruce Mannheim; “Inka water management and display fountains” by Carolyn Dean; “Guaman Poma’s pictures of huacas” by Lisa Trever; “Peruvian nature up close” by Daniela Bleichmar; and other papers.
Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.
Book Synopsis The Architecture of the Christian Holy Land by : Kathryn Blair Moore
Download or read book The Architecture of the Christian Holy Land written by Kathryn Blair Moore and published by Cambridge University Press. This book was released on 2017-02-27 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
Book Synopsis The Poster by : Ruth E. Iskin
Download or read book The Poster written by Ruth E. Iskin and published by Dartmouth College Press. This book was released on 2014-10-07 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.