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Lucas Cranach the Elder, Martin Luther & the Art of the Reformation examines the collaboration between the revolutionary leader of the Reformation and one of the great artists of early modern Germany, his friend and supporter, Lucas Cranach the elder. On the 500th anniversary of Luther's 95 Theses, this book examines the nature of art and image-making in the context of Reformation iconoclasm and the tradition of Catholic Renaissance art in the North. It focuses on Luther's Doctrine of Justification, which states the path of salvation lies in faith alone, and how it shaped the religious art that helped spread his new vision of Christianity.
Book Synopsis Lucas Cranach the Elder, Martin Luther, and the Art of the Reformation by : Arjun Gupta
Download or read book Lucas Cranach the Elder, Martin Luther, and the Art of the Reformation written by Arjun Gupta and published by . This book was released on 2017-07 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lucas Cranach the Elder, Martin Luther & the Art of the Reformation examines the collaboration between the revolutionary leader of the Reformation and one of the great artists of early modern Germany, his friend and supporter, Lucas Cranach the elder. On the 500th anniversary of Luther's 95 Theses, this book examines the nature of art and image-making in the context of Reformation iconoclasm and the tradition of Catholic Renaissance art in the North. It focuses on Luther's Doctrine of Justification, which states the path of salvation lies in faith alone, and how it shaped the religious art that helped spread his new vision of Christianity.
Law and gospel and the strategies of pictorial rhetoric -- The Schneeberg altarpiece and the structure of worship -- The Wittenberg altarpiece : communal devotion and identity -- Holy visions and pious testimony: Weimar altarpiece -- Public worship to private devotion : Cranach's Reformation Madonna panels.
Book Synopsis Lucas Cranach the Elder by : Bonnie Noble
Download or read book Lucas Cranach the Elder written by Bonnie Noble and published by University Press of America. This book was released on 2009 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Law and gospel and the strategies of pictorial rhetoric -- The Schneeberg altarpiece and the structure of worship -- The Wittenberg altarpiece : communal devotion and identity -- Holy visions and pious testimony: Weimar altarpiece -- Public worship to private devotion : Cranach's Reformation Madonna panels.
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Book Synopsis German Paintings of the Fifteenth Through Seventeenth Centuries by : John Oliver Hand
Download or read book German Paintings of the Fifteenth Through Seventeenth Centuries written by John Oliver Hand and published by Cambridge University Press. This book was released on 1993 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Book Synopsis German Paintings in the Metropolitan Museum of Art, 1350-1600 by : Maryan W. Ainsworth
Download or read book German Paintings in the Metropolitan Museum of Art, 1350-1600 written by Maryan W. Ainsworth and published by Metropolitan Museum of Art. This book was released on 2013 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
Book Synopsis The Origins of Protestant Aesthetics in Early Modern Europe by : William A. Dyrness
Download or read book The Origins of Protestant Aesthetics in Early Modern Europe written by William A. Dyrness and published by Cambridge University Press. This book was released on 2019-05-23 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other's children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became the Protestant Reformation. Steven Ozment, an internationally recognized historian of the Reformation era, reprises the lives and works of Cranach (1472-1553) and Luther (1483-1546) in this generously illustrated book. He contends that Cranach's new art and Luther's oratory released a barrage of criticism upon the Vatican, the force of which secured a new freedom of faith and pluralism of religion in the Western world. Between Luther's pulpit praise of the sex drive within the divine estate of marriage and Cranach's parade of strong, lithe women, a new romantic, familial consciousness was born. The "Cranach woman" and the "Lutheran household"--both products of the merged Renaissance and Reformation worlds--evoked a new organization of society and foretold a new direction for Germany.
Book Synopsis The Serpent and the Lamb by : Steven Ozment
Download or read book The Serpent and the Lamb written by Steven Ozment and published by Yale University Press. This book was released on 2012-01-03 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other's children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became the Protestant Reformation. Steven Ozment, an internationally recognized historian of the Reformation era, reprises the lives and works of Cranach (1472-1553) and Luther (1483-1546) in this generously illustrated book. He contends that Cranach's new art and Luther's oratory released a barrage of criticism upon the Vatican, the force of which secured a new freedom of faith and pluralism of religion in the Western world. Between Luther's pulpit praise of the sex drive within the divine estate of marriage and Cranach's parade of strong, lithe women, a new romantic, familial consciousness was born. The "Cranach woman" and the "Lutheran household"--both products of the merged Renaissance and Reformation worlds--evoked a new organization of society and foretold a new direction for Germany.
This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other's children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became the Protestant Reformation. Steven Ozment, an internationally recognized historian of the Reformation era, reprises the lives and works of Cranach (1472-1553) and Luther (1483-1546) in this generously illustrated book. He contends that Cranach's new art and Luther's oratory released a barrage of criticism upon the Vatican, the force of which secured a new freedom of faith and pluralism of religion in the Western world. Between Luther's pulpit praise of the sex drive within the divine estate of marriage and Cranach's parade of strong, lithe women, a new romantic, familial consciousness was born. The "Cranach woman" and the "Lutheran household"—both products of the merged Renaissance and Reformation worlds—evoked a new organization of society and foretold a new direction for Germany.
Book Synopsis The Serpent and the Lamb by : Steven Ozment
Download or read book The Serpent and the Lamb written by Steven Ozment and published by Yale University Press. This book was released on 2012-01-03 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other's children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became the Protestant Reformation. Steven Ozment, an internationally recognized historian of the Reformation era, reprises the lives and works of Cranach (1472-1553) and Luther (1483-1546) in this generously illustrated book. He contends that Cranach's new art and Luther's oratory released a barrage of criticism upon the Vatican, the force of which secured a new freedom of faith and pluralism of religion in the Western world. Between Luther's pulpit praise of the sex drive within the divine estate of marriage and Cranach's parade of strong, lithe women, a new romantic, familial consciousness was born. The "Cranach woman" and the "Lutheran household"—both products of the merged Renaissance and Reformation worlds—evoked a new organization of society and foretold a new direction for Germany.
Book Synopsis European Paintings in the Metropolitan Museum of Art by Artists Born in Or Before 1865 by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book European Paintings in the Metropolitan Museum of Art by Artists Born in Or Before 1865 written by Metropolitan Museum of Art (New York, N.Y.) and published by . This book was released on 1980 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt:
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
Book Synopsis The Reformation of the Image by : Joseph Leo Koerner
Download or read book The Reformation of the Image written by Joseph Leo Koerner and published by University of Chicago Press. This book was released on 2004-05-03 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
Martin Luther remains a popular, oft-quoted, referenced, lauded historical figure. He is often seen as the fulcrum upon which the medieval turned into the modern, the last great medieval or the first great modern; or, he is the Protestant hero, the virulent anti-Semite; the destroyer of Catholic decadence, or the betrayer of the peasant cause. An important but contested figure, he was all of these things. Understanding Luther's context helps us to comprehend how a single man could be so many seemingly contradictory things simultaneously. Martin Luther in Context explores the world around Luther in order to make the man and the Reformation movement more understandable. Written by an international team of leading scholars, it includes over forty short, accessible essays, all specially commissioned for this volume, which reconstruct the life and world of Martin Luther. The volume also contextualizes the scholarship and reception of Luther in the popular mind.
Book Synopsis Martin Luther in Context by : David M. Whitford
Download or read book Martin Luther in Context written by David M. Whitford and published by Cambridge University Press. This book was released on 2018-08-30 with total page 813 pages. Available in PDF, EPUB and Kindle. Book excerpt: Martin Luther remains a popular, oft-quoted, referenced, lauded historical figure. He is often seen as the fulcrum upon which the medieval turned into the modern, the last great medieval or the first great modern; or, he is the Protestant hero, the virulent anti-Semite; the destroyer of Catholic decadence, or the betrayer of the peasant cause. An important but contested figure, he was all of these things. Understanding Luther's context helps us to comprehend how a single man could be so many seemingly contradictory things simultaneously. Martin Luther in Context explores the world around Luther in order to make the man and the Reformation movement more understandable. Written by an international team of leading scholars, it includes over forty short, accessible essays, all specially commissioned for this volume, which reconstruct the life and world of Martin Luther. The volume also contextualizes the scholarship and reception of Luther in the popular mind.
