Magill's Cinema Annual, 2002

Magill's Cinema Annual, 2002

Author: Christine Tomassini

Publisher: Saint James Press

Published: 2002-06-21

Total Pages: 0

ISBN-13: 9781558624580

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Book Synopsis Magill's Cinema Annual, 2002 by : Christine Tomassini

Download or read book Magill's Cinema Annual, 2002 written by Christine Tomassini and published by Saint James Press. This book was released on 2002-06-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Magill's Cinema Annual

Magill's Cinema Annual

Author: Christine Tomassini

Publisher: Saint James Press

Published: 2003-05-16

Total Pages: 694

ISBN-13: 9781558624597

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"Magill's Cinema Annual provides comprehensive information on the theatrical releases of each year. Featured are extensive essays, cast and character listings, production credits, running time, country of origin, MPAA rating, nine comprehensive indexes and more.


Book Synopsis Magill's Cinema Annual by : Christine Tomassini

Download or read book Magill's Cinema Annual written by Christine Tomassini and published by Saint James Press. This book was released on 2003-05-16 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Magill's Cinema Annual provides comprehensive information on the theatrical releases of each year. Featured are extensive essays, cast and character listings, production credits, running time, country of origin, MPAA rating, nine comprehensive indexes and more.


Scarlett Johansson

Scarlett Johansson

Author: Kim R. Holston

Publisher: McFarland

Published: 2021-06-21

Total Pages: 256

ISBN-13: 1476673071

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Despite her prominence as an actress, fashionista, social activist and the "sexiest woman in the world," Scarlett Johansson has kept her life private. Her work ethic has been strong since her film debut in North (1994) at age 10. Then in 2003, Lost in Translation brought kudos and launched her adult career. While she never abandoned the independents, Johansson became a leading lady in very big films, including eight outings as former Russian assassin Black Widow thwarting alien incursions in The Avengers and other films in the Marvel Universe. This book surveys Johansson's life and films from childhood to her 2019 Academy Award nominations for Jojo Rabbit and Marriage Story. Each film entry includes a plot synopsis, extracts from contemporary reviews, behind-the-scenes information, and the author's analysis of the film. Looked at in-depth are the three Woody Allen collaborations, her role as Black Widow, and the films in which she becomes "the other."


Book Synopsis Scarlett Johansson by : Kim R. Holston

Download or read book Scarlett Johansson written by Kim R. Holston and published by McFarland. This book was released on 2021-06-21 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite her prominence as an actress, fashionista, social activist and the "sexiest woman in the world," Scarlett Johansson has kept her life private. Her work ethic has been strong since her film debut in North (1994) at age 10. Then in 2003, Lost in Translation brought kudos and launched her adult career. While she never abandoned the independents, Johansson became a leading lady in very big films, including eight outings as former Russian assassin Black Widow thwarting alien incursions in The Avengers and other films in the Marvel Universe. This book surveys Johansson's life and films from childhood to her 2019 Academy Award nominations for Jojo Rabbit and Marriage Story. Each film entry includes a plot synopsis, extracts from contemporary reviews, behind-the-scenes information, and the author's analysis of the film. Looked at in-depth are the three Woody Allen collaborations, her role as Black Widow, and the films in which she becomes "the other."


Millennial Masculinity

Millennial Masculinity

Author: Timothy Shary

Publisher: Wayne State University Press

Published: 2012-12-17

Total Pages: 384

ISBN-13: 0814338445

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In virtually every aspect of culture-health, marriage, family, morals, politics, sex, race, economics-American men of the past two decades have faced changing social conditions and confronted radical questions about themselves. In Millennial Masculinity: Men in Contemporary American Cinema, editor Timothy Shary collects fourteen contributions that consider male representation in films made at the turn of the century to explore precisely how those questions have been dealt with in cinema. Contributors move beyond the recent wave of "masculinity in crisis" arguments to provide sophisticated and often surprising insight into accessible films. Chapters are arranged in four sections: "Performing Masculinity" includes a discussion of Adam Sandler and movies such as Milk; "Patriarchal Problems" looks at issues of fathers from directors such as Martin Scorsese, Wes Anderson, and David Fincher; "Exceptional Sexualities" examines male love and sex through movies like Brokeback Mountain and Wedding Crashers; and "Facing Race" explores masculinity through race in film. Sean Penn, Jackie Chan, Brad Pitt, Will Smith, and Philip Seymour Hoffman are some of the actors included in these analyses, while themes considered include police thrillers, psychotic killers, gay tensions, fashion sense, and the burgeoning "bromance" genre. Taken together, the essays in Millennial Masculinity shed light on the high stakes of masculine roles in contemporary American cinema. Film and television scholars as well as readers interested in gender and sexuality in film will appreciate this timely collection.


Book Synopsis Millennial Masculinity by : Timothy Shary

Download or read book Millennial Masculinity written by Timothy Shary and published by Wayne State University Press. This book was released on 2012-12-17 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: In virtually every aspect of culture-health, marriage, family, morals, politics, sex, race, economics-American men of the past two decades have faced changing social conditions and confronted radical questions about themselves. In Millennial Masculinity: Men in Contemporary American Cinema, editor Timothy Shary collects fourteen contributions that consider male representation in films made at the turn of the century to explore precisely how those questions have been dealt with in cinema. Contributors move beyond the recent wave of "masculinity in crisis" arguments to provide sophisticated and often surprising insight into accessible films. Chapters are arranged in four sections: "Performing Masculinity" includes a discussion of Adam Sandler and movies such as Milk; "Patriarchal Problems" looks at issues of fathers from directors such as Martin Scorsese, Wes Anderson, and David Fincher; "Exceptional Sexualities" examines male love and sex through movies like Brokeback Mountain and Wedding Crashers; and "Facing Race" explores masculinity through race in film. Sean Penn, Jackie Chan, Brad Pitt, Will Smith, and Philip Seymour Hoffman are some of the actors included in these analyses, while themes considered include police thrillers, psychotic killers, gay tensions, fashion sense, and the burgeoning "bromance" genre. Taken together, the essays in Millennial Masculinity shed light on the high stakes of masculine roles in contemporary American cinema. Film and television scholars as well as readers interested in gender and sexuality in film will appreciate this timely collection.


American Film Musical Themes and Forms

American Film Musical Themes and Forms

Author: Michael Dunne

Publisher: McFarland

Published: 2014-12-24

Total Pages: 224

ISBN-13: 0786483377

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The musical has been called "the most popular form of entertainment in the world." This work examines the subjects, themes, and contemporary relevance of Hollywood musicals through their long popularity, placing each show in historical and political context and analyzing it in detail. A chapter is devoted to how Golddiggers of 1933 (1933) and Stand Up and Cheer (1934) deal with the economic crises of the Depressions. Another addresses race issues by examining the prevalence of blackface minstrelsy in the 1930s and 1940s, looking at productions like Swing Time (1936) and Dixie (1943). Rock and roll culture, which started in the 1950s and threatened America with teenage sex and rebellion, is addressed through such hits as Girl Crazy (1943), Bye Bye Birdie (1963), and Grease (1978). The work also explores dance as a signifier of character, the geography of musicals (such as New York or "the South"), fantasy settings, Fred Astaire and Gene Kelly, and the musical biopic (mentioning biographies of such figures as Ziegfeld, Cohan, Rogers and Hart, Cole Porter, and Jerome Kern). A later chapter discusses intertextuality in such shows as Singin' in the Rain (1952), which refers to many earlier musicals; Kiss Me Kate (1953) which refers to Taming of the Shrew; and All That Jazz (1970) which refers to the life and work of Bob Fosse. The work concludes with an examination of the continuing popularity of the musical with such hits as Moulin Rouge (2001) and Chicago (2002). Instructors considering this book for use in a course may request an examination copy here.


Book Synopsis American Film Musical Themes and Forms by : Michael Dunne

Download or read book American Film Musical Themes and Forms written by Michael Dunne and published by McFarland. This book was released on 2014-12-24 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The musical has been called "the most popular form of entertainment in the world." This work examines the subjects, themes, and contemporary relevance of Hollywood musicals through their long popularity, placing each show in historical and political context and analyzing it in detail. A chapter is devoted to how Golddiggers of 1933 (1933) and Stand Up and Cheer (1934) deal with the economic crises of the Depressions. Another addresses race issues by examining the prevalence of blackface minstrelsy in the 1930s and 1940s, looking at productions like Swing Time (1936) and Dixie (1943). Rock and roll culture, which started in the 1950s and threatened America with teenage sex and rebellion, is addressed through such hits as Girl Crazy (1943), Bye Bye Birdie (1963), and Grease (1978). The work also explores dance as a signifier of character, the geography of musicals (such as New York or "the South"), fantasy settings, Fred Astaire and Gene Kelly, and the musical biopic (mentioning biographies of such figures as Ziegfeld, Cohan, Rogers and Hart, Cole Porter, and Jerome Kern). A later chapter discusses intertextuality in such shows as Singin' in the Rain (1952), which refers to many earlier musicals; Kiss Me Kate (1953) which refers to Taming of the Shrew; and All That Jazz (1970) which refers to the life and work of Bob Fosse. The work concludes with an examination of the continuing popularity of the musical with such hits as Moulin Rouge (2001) and Chicago (2002). Instructors considering this book for use in a course may request an examination copy here.


American Reference Books Annual

American Reference Books Annual

Author: Bohdan S. Wynar

Publisher:

Published: 2003

Total Pages: 824

ISBN-13:

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1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.


Book Synopsis American Reference Books Annual by : Bohdan S. Wynar

Download or read book American Reference Books Annual written by Bohdan S. Wynar and published by . This book was released on 2003 with total page 824 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.


The Unseen Force

The Unseen Force

Author: John Kenneth Muir

Publisher: Hal Leonard Corporation

Published: 2004

Total Pages: 372

ISBN-13: 9781557836076

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(Applause Books). Following his highly successful An Askew View: The Films of Kevin Smith (Applause), John Kenneth Muir now turns to the life and work of legendary cult-film director Sam Raimi. Raimi exploded on the movie scene in 1982, when he was 23 years old, with the audacious, independently produced horror film The Evil Dead . Re-igniting the horror genre to such a degree that Wes Craven credited Raimi on-screen in A Nightmare on Elm Street , Raimi went on to direct two Evil Dead sequels, his own comic-book superhero, Darkman , and an over-the-top, post-modern western, The Quick and the Dead . Raimi's influence on other filmmakers continues to be enormous from the "shaky cam" shots of the Coen brothers to the early oeuvre of Lord of the Rings director Peter Jackson, both of whom have been termed the "direct progeny" of Raimi's works.In 2002, Raimi's Spider-Man had the biggest opening weekend in history, earning more than $114 million at the box office. The Unseen Force also features a sneak peek at the much anticipated Spider-Man 2 . Included are 30 first-person accounts and interviews from a number of eclectic sources from the cinematographers who shot Raimi's early films to the producers, screenwriters, actors, special effects magicians and composers who collaborated to make his films the stuff of legend, earn mainstream success, and still be the focus of obsessive cult followings.


Book Synopsis The Unseen Force by : John Kenneth Muir

Download or read book The Unseen Force written by John Kenneth Muir and published by Hal Leonard Corporation. This book was released on 2004 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Applause Books). Following his highly successful An Askew View: The Films of Kevin Smith (Applause), John Kenneth Muir now turns to the life and work of legendary cult-film director Sam Raimi. Raimi exploded on the movie scene in 1982, when he was 23 years old, with the audacious, independently produced horror film The Evil Dead . Re-igniting the horror genre to such a degree that Wes Craven credited Raimi on-screen in A Nightmare on Elm Street , Raimi went on to direct two Evil Dead sequels, his own comic-book superhero, Darkman , and an over-the-top, post-modern western, The Quick and the Dead . Raimi's influence on other filmmakers continues to be enormous from the "shaky cam" shots of the Coen brothers to the early oeuvre of Lord of the Rings director Peter Jackson, both of whom have been termed the "direct progeny" of Raimi's works.In 2002, Raimi's Spider-Man had the biggest opening weekend in history, earning more than $114 million at the box office. The Unseen Force also features a sneak peek at the much anticipated Spider-Man 2 . Included are 30 first-person accounts and interviews from a number of eclectic sources from the cinematographers who shot Raimi's early films to the producers, screenwriters, actors, special effects magicians and composers who collaborated to make his films the stuff of legend, earn mainstream success, and still be the focus of obsessive cult followings.


Index to American Reference Books Annual

Index to American Reference Books Annual

Author:

Publisher:

Published: 2000

Total Pages: 354

ISBN-13:

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Book Synopsis Index to American Reference Books Annual by :

Download or read book Index to American Reference Books Annual written by and published by . This book was released on 2000 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Best in Show

Best in Show

Author: John Kenneth Muir

Publisher: Hal Leonard Corporation

Published: 2004

Total Pages: 284

ISBN-13: 9781557836090

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(Applause Books). Best in Show is the first in-depth look at the method behind film director and actor Christopher Guest's madness and genius. John Kenneth Muir focuses his attention on the acclaimed Guest-directed trilogy of what some call "mockumentaries": Waiting for Guffman , Best in Show and A Mighty Wind . In these films Guest has escorted rapt audiences into the purportedly real worlds of a small-town theatrical company, dog show competition, and folk music festival. Muir also details the events that lead to Rob Reiner's influential and legendary This Is Spinal Tap , which Rolling Stone called the best rock and roll movie of all time, and in which Guest played the part of guitarist Nigel Tufnel. Much of Best in Show exemplifies the unique process by which Guest directs films. He employs a common repertory company, improvises scenes often without any rehearsal, and does not use any screenplay with dialogue, instead following a detailed outline often co-authored with his ace actor/writer Eugene Levy. Company members that have been interviewed for this book include Fred Willard, Harry Shearer, Bob Balaban and Michael Hitchcock. Guest's influences Saturday Night Live , National Lampoon as well as his more conventional comedies, such as The Big Picture and Almost Heroes , are studied. Best in Show is general enough to bring new fans to the table, yet detailed enough to satisfy the most in-the-know Guest fan and film student. A complete filmography with Guest's directing, acting and writing credits is included, as is the appendix, "You Know You're in a Christopher Guest Film When ..." Guest once commented, "I am drawn to people who have dreams that are slightly out of reach." Now, thanks to John Kenneth Muir, the fascinating world of Christopher Guest and company is substantially more within reach.


Book Synopsis Best in Show by : John Kenneth Muir

Download or read book Best in Show written by John Kenneth Muir and published by Hal Leonard Corporation. This book was released on 2004 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Applause Books). Best in Show is the first in-depth look at the method behind film director and actor Christopher Guest's madness and genius. John Kenneth Muir focuses his attention on the acclaimed Guest-directed trilogy of what some call "mockumentaries": Waiting for Guffman , Best in Show and A Mighty Wind . In these films Guest has escorted rapt audiences into the purportedly real worlds of a small-town theatrical company, dog show competition, and folk music festival. Muir also details the events that lead to Rob Reiner's influential and legendary This Is Spinal Tap , which Rolling Stone called the best rock and roll movie of all time, and in which Guest played the part of guitarist Nigel Tufnel. Much of Best in Show exemplifies the unique process by which Guest directs films. He employs a common repertory company, improvises scenes often without any rehearsal, and does not use any screenplay with dialogue, instead following a detailed outline often co-authored with his ace actor/writer Eugene Levy. Company members that have been interviewed for this book include Fred Willard, Harry Shearer, Bob Balaban and Michael Hitchcock. Guest's influences Saturday Night Live , National Lampoon as well as his more conventional comedies, such as The Big Picture and Almost Heroes , are studied. Best in Show is general enough to bring new fans to the table, yet detailed enough to satisfy the most in-the-know Guest fan and film student. A complete filmography with Guest's directing, acting and writing credits is included, as is the appendix, "You Know You're in a Christopher Guest Film When ..." Guest once commented, "I am drawn to people who have dreams that are slightly out of reach." Now, thanks to John Kenneth Muir, the fascinating world of Christopher Guest and company is substantially more within reach.


Veiled Desires

Veiled Desires

Author: Maureen Sabine

Publisher: Fordham Univ Press

Published: 2013-08-22

Total Pages: 352

ISBN-13: 0823252116

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Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.


Book Synopsis Veiled Desires by : Maureen Sabine

Download or read book Veiled Desires written by Maureen Sabine and published by Fordham Univ Press. This book was released on 2013-08-22 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.