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In West German literature in the 1970s and 1980s bodies functioned not as victims of history nor as allegories for the nation but as sites of contested identities. Focusing on conflicts about identity in present-day Germany and on literary texts in which the body is an aesthetic construct, Leslie A. Adelson reformulates questions of embodiment and historical agency—questions that continue to haunt culture studies in general and German studies and women's studies in particular. This interdisciplinary study of history, race, gender, and nationality offers rich readings of three contemporary prose texts that challenge the suppositions of prevalent literary theory—Anne Duden's Übergang, TORKAN's Tufan: Brief an einen islamischen Bruder, and Jeanette Lander's Ein Sommer in der Woche der Itke K. Adelson's discussion of heterogeneous identities in contemporary German culture boldly explores accountability and innovation in historical process.
Book Synopsis Making Bodies, Making History by : Leslie A. Adelson
Download or read book Making Bodies, Making History written by Leslie A. Adelson and published by U of Nebraska Press. This book was released on 1993-01-01 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: In West German literature in the 1970s and 1980s bodies functioned not as victims of history nor as allegories for the nation but as sites of contested identities. Focusing on conflicts about identity in present-day Germany and on literary texts in which the body is an aesthetic construct, Leslie A. Adelson reformulates questions of embodiment and historical agency—questions that continue to haunt culture studies in general and German studies and women's studies in particular. This interdisciplinary study of history, race, gender, and nationality offers rich readings of three contemporary prose texts that challenge the suppositions of prevalent literary theory—Anne Duden's Übergang, TORKAN's Tufan: Brief an einen islamischen Bruder, and Jeanette Lander's Ein Sommer in der Woche der Itke K. Adelson's discussion of heterogeneous identities in contemporary German culture boldly explores accountability and innovation in historical process.
Nose reconstructions have been common in India for centuries. South Korea, Brazil, and Israel have become international centers for procedures ranging from eyelid restructuring to buttock lifts and tummy tucks. Argentina has the highest rate of silicone implants in the world. Around the globe, aesthetic surgery has become a cultural and medical fixture. Sander Gilman seeks to explain why by presenting the first systematic world history and cultural theory of aesthetic surgery. Touching on subjects as diverse as getting a "nose job" as a sweet-sixteen birthday present and the removal of male breasts in seventh-century Alexandria, Gilman argues that aesthetic surgery has such universal appeal because it helps people to "pass," to be seen as a member of a group with which they want to or need to identify. Gilman begins by addressing basic questions about the history of aesthetic surgery. What surgical procedures have been performed? Which are considered aesthetic and why? Who are the patients? What is the place of aesthetic surgery in modern culture? He then turns his attention to that focus of countless human anxieties: the nose. Gilman discusses how people have reshaped their noses to repair the ravages of war and disease (principally syphilis), to match prevailing ideas of beauty, and to avoid association with negative images of the "Jew," the "Irish," the "Oriental," or the "Black." He examines how we have used aesthetic surgery on almost every conceivable part of the body to try to pass as younger, stronger, thinner, and more erotic. Gilman also explores some of the extremes of surgery as personal transformation, discussing transgender surgery, adult circumcision and foreskin restoration, the enhancement of dueling scars, and even a performance artist who had herself altered to resemble the Mona Lisa. The book draws on an extraordinary range of sources. Gilman is as comfortable discussing Nietzsche, Yeats, and Darwin as he is grisly medical details, Michael Jackson, and Barbra Streisand's decision to keep her own nose. The book contains dozens of arresting images of people before, during, and after surgery. This is a profound, provocative, and engaging study of how humans have sought to change their lives by transforming their bodies.
Book Synopsis Making the Body Beautiful by : Sander L. Gilman
Download or read book Making the Body Beautiful written by Sander L. Gilman and published by Princeton University Press. This book was released on 1999 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nose reconstructions have been common in India for centuries. South Korea, Brazil, and Israel have become international centers for procedures ranging from eyelid restructuring to buttock lifts and tummy tucks. Argentina has the highest rate of silicone implants in the world. Around the globe, aesthetic surgery has become a cultural and medical fixture. Sander Gilman seeks to explain why by presenting the first systematic world history and cultural theory of aesthetic surgery. Touching on subjects as diverse as getting a "nose job" as a sweet-sixteen birthday present and the removal of male breasts in seventh-century Alexandria, Gilman argues that aesthetic surgery has such universal appeal because it helps people to "pass," to be seen as a member of a group with which they want to or need to identify. Gilman begins by addressing basic questions about the history of aesthetic surgery. What surgical procedures have been performed? Which are considered aesthetic and why? Who are the patients? What is the place of aesthetic surgery in modern culture? He then turns his attention to that focus of countless human anxieties: the nose. Gilman discusses how people have reshaped their noses to repair the ravages of war and disease (principally syphilis), to match prevailing ideas of beauty, and to avoid association with negative images of the "Jew," the "Irish," the "Oriental," or the "Black." He examines how we have used aesthetic surgery on almost every conceivable part of the body to try to pass as younger, stronger, thinner, and more erotic. Gilman also explores some of the extremes of surgery as personal transformation, discussing transgender surgery, adult circumcision and foreskin restoration, the enhancement of dueling scars, and even a performance artist who had herself altered to resemble the Mona Lisa. The book draws on an extraordinary range of sources. Gilman is as comfortable discussing Nietzsche, Yeats, and Darwin as he is grisly medical details, Michael Jackson, and Barbra Streisand's decision to keep her own nose. The book contains dozens of arresting images of people before, during, and after surgery. This is a profound, provocative, and engaging study of how humans have sought to change their lives by transforming their bodies.
From the vantage point of nearly sixty years devoted to research and the writing of history, J. H. Elliott steps back from his work to consider the progress of historical scholarship. From his own experiences as a historian of Spain, Europe, and the Americas, he provides a deft and sharp analysis of the work that historians do and how the field has changed since the 1950s.The author begins by explaining the roots of his interest in Spain and its past, then analyzes the challenges of writing the history of a country other than one's own. In succeeding chapters he offers acute observations on such topics as the history of national and imperial decline, political history, biography, and art and cultural history. Elliott concludes with an assessment of changes in the approach to history over the past half-century, including the impact of digital technology, and argues that a comprehensive vision of the past remains essential. Professional historians, students of history, and those who read history for pleasure will find in Elliott's delightful book a new appreciation of what goes into the shaping of historical works and how those works in turn can shape the world of thought and action.
Book Synopsis History in the Making by : J. H. Elliott
Download or read book History in the Making written by J. H. Elliott and published by Yale University Press. This book was released on 2012-09-14 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the vantage point of nearly sixty years devoted to research and the writing of history, J. H. Elliott steps back from his work to consider the progress of historical scholarship. From his own experiences as a historian of Spain, Europe, and the Americas, he provides a deft and sharp analysis of the work that historians do and how the field has changed since the 1950s.The author begins by explaining the roots of his interest in Spain and its past, then analyzes the challenges of writing the history of a country other than one's own. In succeeding chapters he offers acute observations on such topics as the history of national and imperial decline, political history, biography, and art and cultural history. Elliott concludes with an assessment of changes in the approach to history over the past half-century, including the impact of digital technology, and argues that a comprehensive vision of the past remains essential. Professional historians, students of history, and those who read history for pleasure will find in Elliott's delightful book a new appreciation of what goes into the shaping of historical works and how those works in turn can shape the world of thought and action.
If you thought the fitness craze was about being healthy, think again. Although Charles Atlas, Jack LaLanne, Jim Fixx, Jane Fonda, Richard Simmons, and Jillian Michaels might well point the way to a better body, they have done so only if their brands brought in profits. In the first book to tell the full story of the American obsession with fitness and how we got to where we are today, Jonathan Black gives us a backstage look at an industry and the people that have left an indelible mark on the American body and the consciousness it houses. Spanning the nation's fitness obsession from Atlas to Arnold, from Spinning to Zumba, and featuring an outrageous cast of characters bent on whipping us into shape while simultaneously shaping the way we view our bodies, Black tells the story of an outsized but little-examined aspect of our culture. With insights drawn from more than fifty interviews and attention to key developments in bodybuilding, aerobics, equipment, health clubs, running, sports medicine, group exercise, Pilates, and yoga, Making the American Body reveals how a focus on fitness has shaped not only our physiques but also, and more profoundly, American ideas of what "fitness" is.
Book Synopsis Making the American Body by : Jonathan Black
Download or read book Making the American Body written by Jonathan Black and published by U of Nebraska Press. This book was released on 2020-04-01 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: If you thought the fitness craze was about being healthy, think again. Although Charles Atlas, Jack LaLanne, Jim Fixx, Jane Fonda, Richard Simmons, and Jillian Michaels might well point the way to a better body, they have done so only if their brands brought in profits. In the first book to tell the full story of the American obsession with fitness and how we got to where we are today, Jonathan Black gives us a backstage look at an industry and the people that have left an indelible mark on the American body and the consciousness it houses. Spanning the nation's fitness obsession from Atlas to Arnold, from Spinning to Zumba, and featuring an outrageous cast of characters bent on whipping us into shape while simultaneously shaping the way we view our bodies, Black tells the story of an outsized but little-examined aspect of our culture. With insights drawn from more than fifty interviews and attention to key developments in bodybuilding, aerobics, equipment, health clubs, running, sports medicine, group exercise, Pilates, and yoga, Making the American Body reveals how a focus on fitness has shaped not only our physiques but also, and more profoundly, American ideas of what "fitness" is.
Written by scholars actively producing Native art resources, this book guides readers--students, educators, collectors, and the public--in how to learn about Indigenous cultures as visualized in our creative endeavors.
Book Synopsis Making History by : Institute of American Indian Arts
Download or read book Making History written by Institute of American Indian Arts and published by University of New Mexico Press. This book was released on 2020 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by scholars actively producing Native art resources, this book guides readers--students, educators, collectors, and the public--in how to learn about Indigenous cultures as visualized in our creative endeavors.
Memory and history are always in tension, as people selectively choose memories to make histories that "prove" the legitimacy of their claims to power, prestige, and prerogative. If many African groups have created visual arts to assist in this process, Luba peoples of southeastern Zaire have done so brilliantly, with a stunning array of mnemonic devices ranging from memory boards to beaded emblems, wooden figures to body arts, ornamented staffs and axes to divination devices. The sculpted narratives of these objects and art forms are esoteric, and must be "read" by "men of memory" who have learned their precious skills through initiation to the Mbudye Society. Luba kings, royal titleholders, and outlying chiefs turn to them to interpret the mapped details of origin myths, protocol and prohibitions of the royal court, and other deeply encoded information. The Luba kingdoms are among the most important in central Africa, whose refined royal arts have influenced people hundreds of miles beyond their own Heartland. Luba have an ancient heritage as well, that archaeologists trace back over one thousand years. Although Luba arts are well known for their astounding beauty, Memory: Luba Art and the Making of History is the first study of their intellectual complexity, aesthetic impact, and social contexts.
Book Synopsis Memory by : Mary Nooter Roberts
Download or read book Memory written by Mary Nooter Roberts and published by Prestel Publishing. This book was released on 1996 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Memory and history are always in tension, as people selectively choose memories to make histories that "prove" the legitimacy of their claims to power, prestige, and prerogative. If many African groups have created visual arts to assist in this process, Luba peoples of southeastern Zaire have done so brilliantly, with a stunning array of mnemonic devices ranging from memory boards to beaded emblems, wooden figures to body arts, ornamented staffs and axes to divination devices. The sculpted narratives of these objects and art forms are esoteric, and must be "read" by "men of memory" who have learned their precious skills through initiation to the Mbudye Society. Luba kings, royal titleholders, and outlying chiefs turn to them to interpret the mapped details of origin myths, protocol and prohibitions of the royal court, and other deeply encoded information. The Luba kingdoms are among the most important in central Africa, whose refined royal arts have influenced people hundreds of miles beyond their own Heartland. Luba have an ancient heritage as well, that archaeologists trace back over one thousand years. Although Luba arts are well known for their astounding beauty, Memory: Luba Art and the Making of History is the first study of their intellectual complexity, aesthetic impact, and social contexts.
The history of planning is much more, according to these authors, than the recorded progress of planning as a discipline and a profession. These essays counter the mainstream narrative of rational, scientific development with alternative histories that reveal hitherto invisible planning practices and agendas. While the official story of planning celebrates the state and its traditions of city building and regional development, these stories focus on previously unacknowledged actors and the noir side of planning. Through a variety of critical lenses—feminist, postmodern, and postcolonial—the essays examine a broad range of histories relevant to the preservation and planning professions. Some contributors uncover indigenous planning traditions that have been erased from the record: African American and Native American traditions, for example. Other contributors explore new themes: themes of gendered spaces and racist practices, of planning as an ordering tool, a kind of spatial police, of "bodies, cities, and social order" (influenced by Foucault, Lefebvre, and others), and of resistance. This scrutiny of the class, race, gender, ethnic, or ideological biases of ideas and practices inherent in the notion of planning as a modernist social technology clearly points to the inadequacy of modernist planning histories. Making the Invisible Visible redefines planning as the regulation of the physicality, sociality, and spatiality of the city. Its histories provide the foundation of a new, alternative planning paradigm for the multicultural cities of the future.
Book Synopsis Making the Invisible Visible by : Leonie Sandercock
Download or read book Making the Invisible Visible written by Leonie Sandercock and published by Univ of California Press. This book was released on 2023-04-28 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of planning is much more, according to these authors, than the recorded progress of planning as a discipline and a profession. These essays counter the mainstream narrative of rational, scientific development with alternative histories that reveal hitherto invisible planning practices and agendas. While the official story of planning celebrates the state and its traditions of city building and regional development, these stories focus on previously unacknowledged actors and the noir side of planning. Through a variety of critical lenses—feminist, postmodern, and postcolonial—the essays examine a broad range of histories relevant to the preservation and planning professions. Some contributors uncover indigenous planning traditions that have been erased from the record: African American and Native American traditions, for example. Other contributors explore new themes: themes of gendered spaces and racist practices, of planning as an ordering tool, a kind of spatial police, of "bodies, cities, and social order" (influenced by Foucault, Lefebvre, and others), and of resistance. This scrutiny of the class, race, gender, ethnic, or ideological biases of ideas and practices inherent in the notion of planning as a modernist social technology clearly points to the inadequacy of modernist planning histories. Making the Invisible Visible redefines planning as the regulation of the physicality, sociality, and spatiality of the city. Its histories provide the foundation of a new, alternative planning paradigm for the multicultural cities of the future.
Making History Happen: Caribbean Poetry in America examines Lorna Goodison’s Turn Thanks (1999), McCallum’s The Water Between Us (1999), and Claudia Rankine’s Plot (2001) and Don’t Let Me Be Lonely (2004). Engaging familiar themes and issues of time, language, and identity, the readings focus on “Signifying” moments in the works of the poets under discussion. Reflecting on some of the ways that transnational women poets of the black diaspora are using tropes of mobility to create a renewed sense of identity and a sense of belonging to a communal network, the readings also demonstrate that the project of re-writing individual self-identity in light of one’s expanding consciousness or awareness of the “other” is more urgent, and more demandingly realistic, in contemporary poetry written by women poets who occupy transnational spaces. In these works, re-memory becomes a process that transforms, the gathering of memory reflecting the interrelatedness of communal and individual subjective identities. Rankine’s poetry collections are used to close the discourse in this book, for the call they make. An intriguing crossing of genres, their structural use of time and space reflects the stylistic inventiveness that has become a hallmark of transnational poets of the black diaspora. In its transformation of language, and of images that remain open-ended in their meanings, Don’t Let Me Be Lonely fuses poetry, dialogue, and prose with images from television and other forms of communication media to create a poetic collection that is relentless in its confrontation with the way we make cultural meanings. The collection of essays in this book calls attention to an emerging poetic body of Caribbean writing in America that requires naming, for it is new.
Book Synopsis Making History Happen by : Derrilyn E. Morrison
Download or read book Making History Happen written by Derrilyn E. Morrison and published by Cambridge Scholars Publishing. This book was released on 2015-10-05 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making History Happen: Caribbean Poetry in America examines Lorna Goodison’s Turn Thanks (1999), McCallum’s The Water Between Us (1999), and Claudia Rankine’s Plot (2001) and Don’t Let Me Be Lonely (2004). Engaging familiar themes and issues of time, language, and identity, the readings focus on “Signifying” moments in the works of the poets under discussion. Reflecting on some of the ways that transnational women poets of the black diaspora are using tropes of mobility to create a renewed sense of identity and a sense of belonging to a communal network, the readings also demonstrate that the project of re-writing individual self-identity in light of one’s expanding consciousness or awareness of the “other” is more urgent, and more demandingly realistic, in contemporary poetry written by women poets who occupy transnational spaces. In these works, re-memory becomes a process that transforms, the gathering of memory reflecting the interrelatedness of communal and individual subjective identities. Rankine’s poetry collections are used to close the discourse in this book, for the call they make. An intriguing crossing of genres, their structural use of time and space reflects the stylistic inventiveness that has become a hallmark of transnational poets of the black diaspora. In its transformation of language, and of images that remain open-ended in their meanings, Don’t Let Me Be Lonely fuses poetry, dialogue, and prose with images from television and other forms of communication media to create a poetic collection that is relentless in its confrontation with the way we make cultural meanings. The collection of essays in this book calls attention to an emerging poetic body of Caribbean writing in America that requires naming, for it is new.
This study examines the ways in which memory is understood and aestheticized in Romantic texts, and argues that these works reveal serious doubt about the explanatory ability of the philosophical, psychological and aesthetic discourses against which modern thought is constructed. The Jena Romantics represent the experience and presentation of memory as privileged and creative, but also as not always capable of giving reliable information about the actual past. But rather than depicting signifiers with no stable referents, their portrayal of memory and remembering as creative displays a belief that meaning is accessible through its representations. This belief results in an emphasis on originality over imitation, but also blurs distinctions between memory and historiography. The form of the fragment embodies the dilemmas and possibilities that the Romantics associate with memory. The book includes a survey of theories of memory and how they contribute to a specifically Romantic model for memory that can lead to new interpretations of Romantic fragments; chapters on eighteenth-century aesthetic and psychological theories of memory that precede and influence Romantic texts, and on understandings of memory in critical and idealist philosophy; interpretations of the poetic and philosophical production of Novalis and Friedrich Schlegel; and a conclusion that demonstrates the persistence of the Romantic model for memory in contemporary memory theory and cultural production.
Book Synopsis The Art of Recollection in Jena Romanticism by : Laurie Ruth Johnson
Download or read book The Art of Recollection in Jena Romanticism written by Laurie Ruth Johnson and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-02-06 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines the ways in which memory is understood and aestheticized in Romantic texts, and argues that these works reveal serious doubt about the explanatory ability of the philosophical, psychological and aesthetic discourses against which modern thought is constructed. The Jena Romantics represent the experience and presentation of memory as privileged and creative, but also as not always capable of giving reliable information about the actual past. But rather than depicting signifiers with no stable referents, their portrayal of memory and remembering as creative displays a belief that meaning is accessible through its representations. This belief results in an emphasis on originality over imitation, but also blurs distinctions between memory and historiography. The form of the fragment embodies the dilemmas and possibilities that the Romantics associate with memory. The book includes a survey of theories of memory and how they contribute to a specifically Romantic model for memory that can lead to new interpretations of Romantic fragments; chapters on eighteenth-century aesthetic and psychological theories of memory that precede and influence Romantic texts, and on understandings of memory in critical and idealist philosophy; interpretations of the poetic and philosophical production of Novalis and Friedrich Schlegel; and a conclusion that demonstrates the persistence of the Romantic model for memory in contemporary memory theory and cultural production.
The eight essays collected in this volume examine the practice of gender history and its impact on our understanding of European history. Each essay takes up a major methodological or theoretical issue in feminist history and illustrates the necessity of critiquing and redefining the concepts of body, citizenship, class, and experience through historical case studies. Kathleen Canning opens the book with a new overview of the state of the art in European gender history. She considers how gender history has revised the master narratives in some fields within modern European history (such as the French Revolution) but has had a lesser impact in others (Weimar and Nazi Germany).Gender History in Practice includes two essays now regarded as classics?"Feminist History after the 'Linguistic Turn'" and "The Body as Method"--as well as new chapters on experience, citizenship, and subjectivity. Other essays in the book draw on Canning's work at the intersection of labor history, the history of the welfare state, and the history of the body, showing how the gendered "social body" was shaped in Imperial Germany. The book concludes with a pair of essays on the concepts of class and citizenship in German history, offering critical perspectives on feminist understandings of citizenship. Featuring an extensive thematic bibliography of influential works in gender history and theory that will prove invaluable to students and scholars, Gender History in Practice offers new insights into the history of Germany and Central Europe as well as a timely assessment of gender history's accomplishments and challenges.
Book Synopsis Gender History in Practice by : Kathleen Canning
Download or read book Gender History in Practice written by Kathleen Canning and published by Cornell University Press. This book was released on 2006 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eight essays collected in this volume examine the practice of gender history and its impact on our understanding of European history. Each essay takes up a major methodological or theoretical issue in feminist history and illustrates the necessity of critiquing and redefining the concepts of body, citizenship, class, and experience through historical case studies. Kathleen Canning opens the book with a new overview of the state of the art in European gender history. She considers how gender history has revised the master narratives in some fields within modern European history (such as the French Revolution) but has had a lesser impact in others (Weimar and Nazi Germany).Gender History in Practice includes two essays now regarded as classics?"Feminist History after the 'Linguistic Turn'" and "The Body as Method"--as well as new chapters on experience, citizenship, and subjectivity. Other essays in the book draw on Canning's work at the intersection of labor history, the history of the welfare state, and the history of the body, showing how the gendered "social body" was shaped in Imperial Germany. The book concludes with a pair of essays on the concepts of class and citizenship in German history, offering critical perspectives on feminist understandings of citizenship. Featuring an extensive thematic bibliography of influential works in gender history and theory that will prove invaluable to students and scholars, Gender History in Practice offers new insights into the history of Germany and Central Europe as well as a timely assessment of gender history's accomplishments and challenges.
