Download Making Pictures Of War full books in PDF, epub, and Kindle. Read online Making Pictures Of War ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
This book brings together the main discussions that took place at an international conference on the iconology of war in the ancient Near East, a subject never addressed at an international meeting before.
Book Synopsis Making Pictures of War by : Laura Battini
Download or read book Making Pictures of War written by Laura Battini and published by Archaeopress Publishing Ltd. This book was released on 2016-07-10 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together the main discussions that took place at an international conference on the iconology of war in the ancient Near East, a subject never addressed at an international meeting before.
"This book brings together the main discussions that took place at an international conference on the iconology of war, held in Lyon on 4th December 2012."--Page 1.
Book Synopsis Making Pictures of War by : Laura Battini
Download or read book Making Pictures of War written by Laura Battini and published by Archaeopress Archaeology. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book brings together the main discussions that took place at an international conference on the iconology of war, held in Lyon on 4th December 2012."--Page 1.
Snapshots taken by American soldiers of Iraqi prisoners stripped naked, humiliated and tortured shocked the world in 2004 and more have followed from the conflict in Afghanistan, but whether the public have been horrified by the soldiers' conduct or the fact they have taken pictures has not been clear. In fact, as this remarkable book reveals and relates, soldiers have taken photographs of war and its atrocities for more than 100 years. But their pictures are private, intended mainly for the soldiers themselves, as mementoes or as attempts to make sense of the chaos, brutality and boredom of war. They can be gruesome or sociable, shocking or mundane and they are seldom regarded as serious contributions to a visual culture of war, which since 1939 has been dominated by professional war photography. But with the 21st-century shift to simple digital photography, transmission by the internet available to all, and a new 'citizen journalism', soldiers' pictures are acquiring a new resonance."Private Pictures" traces this unacknowledged genre of photography from the origins of popular photography in the Boer War through to the present day; it discusses how the images have been used and it asks: what effect might the wider appreciation of soldiers' pictures have on the popular perception of war?
Book Synopsis Private Pictures by : Janina Struk
Download or read book Private Pictures written by Janina Struk and published by Routledge. This book was released on 2020-09-14 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Snapshots taken by American soldiers of Iraqi prisoners stripped naked, humiliated and tortured shocked the world in 2004 and more have followed from the conflict in Afghanistan, but whether the public have been horrified by the soldiers' conduct or the fact they have taken pictures has not been clear. In fact, as this remarkable book reveals and relates, soldiers have taken photographs of war and its atrocities for more than 100 years. But their pictures are private, intended mainly for the soldiers themselves, as mementoes or as attempts to make sense of the chaos, brutality and boredom of war. They can be gruesome or sociable, shocking or mundane and they are seldom regarded as serious contributions to a visual culture of war, which since 1939 has been dominated by professional war photography. But with the 21st-century shift to simple digital photography, transmission by the internet available to all, and a new 'citizen journalism', soldiers' pictures are acquiring a new resonance."Private Pictures" traces this unacknowledged genre of photography from the origins of popular photography in the Boer War through to the present day; it discusses how the images have been used and it asks: what effect might the wider appreciation of soldiers' pictures have on the popular perception of war?
"The Moving Picture Boys on the War Front. Or, The Hunt for the Stolen Army Films" by Victor Appleton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Book Synopsis The Moving Picture Boys on the War Front. Or, The Hunt for the Stolen Army Films by : Victor Appleton
Download or read book The Moving Picture Boys on the War Front. Or, The Hunt for the Stolen Army Films written by Victor Appleton and published by Good Press. This book was released on 2023-08-22 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Moving Picture Boys on the War Front. Or, The Hunt for the Stolen Army Films" by Victor Appleton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
"The Moving Picture Boys on the War Front" by Victor Appleton follows the exciting journey of Joe Duncan and his friend, Tom, two young filmmakers who venture to the European battlefields during World War I to capture the realities of war on film. As the Great War rages in Europe, Joe and Tom are deeply moved by the news and images they see in the newspapers and hear from returning soldiers. Eager to contribute to the war effort and provide an accurate portrayal of the war, they decide to travel to Europe and document the conflict through their filmmaking skills. Armed with their motion picture camera and a desire to capture the truth, the boys make their way to the war front. Along the way, they face numerous challenges and dangers, including navigating through war-torn territories, avoiding enemy fire, and witnessing the devastating impact of battle on soldiers and civilians alike. Once at the frontlines, Joe and Tom are determined to film the war as it unfolds. They document the courage and sacrifice of the soldiers, the horror of the trenches, and the bravery of medical personnel tending to the wounded. Through their lens, they also capture the human side of the war, the camaraderie among soldiers, and the resilience of the human spirit in the face of adversity. Amidst the chaos of war, Joe and Tom befriend soldiers from various nations, learning about their experiences and backgrounds. They also encounter journalists and photographers who share their insights into the importance of telling the truth through their work. However, their filmmaking mission takes a dangerous turn when they inadvertently stumble upon vital military information that the enemy is desperate to keep secret. Now, not only are they documenting the war, but they also find themselves in a race against time to deliver this crucial information to the allied forces. "The Moving Picture Boys on the War Front" is a gripping tale of courage, patriotism, and the power of visual storytelling. Victor Appleton skillfully weaves a narrative that not only captures the realities of war but also explores the ethical responsibilities of journalists and filmmakers during times of conflict. Through Joe and Tom's journey, readers gain a deeper understanding of the human cost of war and the importance of accurate and responsible reporting. The book also highlights the transformative power of filmmaking, as the boys' footage plays a role in raising awareness about the war and rallying support for the troops. Young readers will be enthralled by the boys' courage and resourcefulness, their commitment to their craft, and their dedication to truth-telling. "The Moving Picture Boys on the War Front" serves as a poignant reminder of the impact of war on individuals and nations, and the role of media in shaping public perception during historical events."
Book Synopsis The Moving Picture Boys on the War Front by : Victor Appleton
Download or read book The Moving Picture Boys on the War Front written by Victor Appleton and published by BoD - Books on Demand. This book was released on 2023-07-20 with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Moving Picture Boys on the War Front" by Victor Appleton follows the exciting journey of Joe Duncan and his friend, Tom, two young filmmakers who venture to the European battlefields during World War I to capture the realities of war on film. As the Great War rages in Europe, Joe and Tom are deeply moved by the news and images they see in the newspapers and hear from returning soldiers. Eager to contribute to the war effort and provide an accurate portrayal of the war, they decide to travel to Europe and document the conflict through their filmmaking skills. Armed with their motion picture camera and a desire to capture the truth, the boys make their way to the war front. Along the way, they face numerous challenges and dangers, including navigating through war-torn territories, avoiding enemy fire, and witnessing the devastating impact of battle on soldiers and civilians alike. Once at the frontlines, Joe and Tom are determined to film the war as it unfolds. They document the courage and sacrifice of the soldiers, the horror of the trenches, and the bravery of medical personnel tending to the wounded. Through their lens, they also capture the human side of the war, the camaraderie among soldiers, and the resilience of the human spirit in the face of adversity. Amidst the chaos of war, Joe and Tom befriend soldiers from various nations, learning about their experiences and backgrounds. They also encounter journalists and photographers who share their insights into the importance of telling the truth through their work. However, their filmmaking mission takes a dangerous turn when they inadvertently stumble upon vital military information that the enemy is desperate to keep secret. Now, not only are they documenting the war, but they also find themselves in a race against time to deliver this crucial information to the allied forces. "The Moving Picture Boys on the War Front" is a gripping tale of courage, patriotism, and the power of visual storytelling. Victor Appleton skillfully weaves a narrative that not only captures the realities of war but also explores the ethical responsibilities of journalists and filmmakers during times of conflict. Through Joe and Tom's journey, readers gain a deeper understanding of the human cost of war and the importance of accurate and responsible reporting. The book also highlights the transformative power of filmmaking, as the boys' footage plays a role in raising awareness about the war and rallying support for the troops. Young readers will be enthralled by the boys' courage and resourcefulness, their commitment to their craft, and their dedication to truth-telling. "The Moving Picture Boys on the War Front" serves as a poignant reminder of the impact of war on individuals and nations, and the role of media in shaping public perception during historical events."
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Book Synopsis Civil War in Pictures by : Fletcher Pratt
Download or read book Civil War in Pictures written by Fletcher Pratt and published by . This book was released on 2009-07 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Book Synopsis The Moving Picture Girls in War Plays by : Laura Lee Hope
Download or read book The Moving Picture Girls in War Plays written by Laura Lee Hope and published by BoD - Books on Demand. This book was released on 2023-07-20 with total page 119 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Book Synopsis Making Photography Matter by : Cara A. Finnegan
Download or read book Making Photography Matter written by Cara A. Finnegan and published by University of Illinois Press. This book was released on 2015-05-30 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Book Synopsis U.S. History in Pictures: The Civil War by :
Download or read book U.S. History in Pictures: The Civil War written by and published by Social Studies. This book was released on 2005 with total page 13 pages. Available in PDF, EPUB and Kindle. Book excerpt:
In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation. Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence. Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.
Book Synopsis War Pictures by : Kent Puckett
Download or read book War Pictures written by Kent Puckett and published by Fordham Univ Press. This book was released on 2017-05-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation. Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence. Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.
