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Book Synopsis Manoel de Oliveira e o cinema português by :
Download or read book Manoel de Oliveira e o cinema português written by and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Manoel de Oliveira is the only filmmaker whose career spans from the silent era to the digital age, and yet there is little written in English about his extensive filmography. This volume, the first to discuss Oliveira's later works in English, fills this incredible gap in scholarship on the director with fresh and original analysis of over 50 of Oliveira's films, ranging from 1963's Rite of Spring to 2009's Eccentricities of a Blonde-haired Girl. Organized by tropes and topics, rather than chronological order of release, The Cinema of Manoel de Oliveira creates a unique lens through which to consider the director and the ways in which his work links cinema, literature, and other artforms. Hajnal Király sheds new light on Oliveira's filmography with new readings of his work in relation to 20th and 21st century history.
Book Synopsis The Cinema of Manoel de Oliveira by : Hajnal Király
Download or read book The Cinema of Manoel de Oliveira written by Hajnal Király and published by Bloomsbury Publishing USA. This book was released on 2022-05-19 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Manoel de Oliveira is the only filmmaker whose career spans from the silent era to the digital age, and yet there is little written in English about his extensive filmography. This volume, the first to discuss Oliveira's later works in English, fills this incredible gap in scholarship on the director with fresh and original analysis of over 50 of Oliveira's films, ranging from 1963's Rite of Spring to 2009's Eccentricities of a Blonde-haired Girl. Organized by tropes and topics, rather than chronological order of release, The Cinema of Manoel de Oliveira creates a unique lens through which to consider the director and the ways in which his work links cinema, literature, and other artforms. Hajnal Király sheds new light on Oliveira's filmography with new readings of his work in relation to 20th and 21st century history.
Understanding the iconoclastic work of a lifelong cinematic pioneer Manoel de Oliveira's eighty-five year career made him a filmmaking icon and a cultural giant in his native Portugal. A lifelong cinematic pioneer, Oliveira merged distinctive formal techniques with philosophical treatments of universal themes--frustrated love, aging, nationhood, evil, and divine grace--in films that always moved against mainstream currents. Randal Johnson navigates Oliveira's massive feature film oeuvre. Locating the director's work within the broader context of Portuguese and European cinema, Johnson discusses historical and political influences on Oliveira's work, particularly Portugal's transformation from dictatorship to social democracy. He ranges from Oliveira's early concerns with cinematic specificity to hybrid discourses that suggest a tenuous line between film and theater on the one hand, and between fiction and documentary on the other. A rare English-language portrait of the director, Manoel de Oliveira invites students and scholars alike to explore the work of one of the cinema's greatest and most prolific artists.
Book Synopsis Manoel de Oliveira by : Randal Johnson
Download or read book Manoel de Oliveira written by Randal Johnson and published by University of Illinois Press. This book was released on 2023-12-11 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Understanding the iconoclastic work of a lifelong cinematic pioneer Manoel de Oliveira's eighty-five year career made him a filmmaking icon and a cultural giant in his native Portugal. A lifelong cinematic pioneer, Oliveira merged distinctive formal techniques with philosophical treatments of universal themes--frustrated love, aging, nationhood, evil, and divine grace--in films that always moved against mainstream currents. Randal Johnson navigates Oliveira's massive feature film oeuvre. Locating the director's work within the broader context of Portuguese and European cinema, Johnson discusses historical and political influences on Oliveira's work, particularly Portugal's transformation from dictatorship to social democracy. He ranges from Oliveira's early concerns with cinematic specificity to hybrid discourses that suggest a tenuous line between film and theater on the one hand, and between fiction and documentary on the other. A rare English-language portrait of the director, Manoel de Oliveira invites students and scholars alike to explore the work of one of the cinema's greatest and most prolific artists.
Book Synopsis Manoel de Oliveira by : Randal Johnson
Download or read book Manoel de Oliveira written by Randal Johnson and published by University of Illinois Press. This book was released on 2007 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country's size belies its cultural impact. From the prestige of directors Manoel de Oliveira, Pedro Costa and Miguel Gomes, to box-office hit La Cage Doree, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy prompts the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage. Chapters argue that film industry professionals and artisans must navigate complex globalised systems that inform their filmmaking decisions. Expectations from multi-cultural audiences, as well as demands from business investors and the criteria for critical accolades put pressure on Portuguese cinema to negotiate, for example, how far to retain national identities on screen and how to interact with `popular' and `art' film tropes and labels. Exploring themes typical of Portuguese visual culture - including social exclusion and unemployment, issues of realism and authenticity, and addressing Portugal's postcolonial status - this book is a valuable study of interest to the ever-growing number of scholars looking outside the usual canons of European cinema, and those researching the ongoing implications of national cinema's global networks.
Book Synopsis Portugal's Global Cinema by : Mariana Liz
Download or read book Portugal's Global Cinema written by Mariana Liz and published by Bloomsbury Publishing. This book was released on 2017-11-30 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country's size belies its cultural impact. From the prestige of directors Manoel de Oliveira, Pedro Costa and Miguel Gomes, to box-office hit La Cage Doree, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy prompts the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage. Chapters argue that film industry professionals and artisans must navigate complex globalised systems that inform their filmmaking decisions. Expectations from multi-cultural audiences, as well as demands from business investors and the criteria for critical accolades put pressure on Portuguese cinema to negotiate, for example, how far to retain national identities on screen and how to interact with `popular' and `art' film tropes and labels. Exploring themes typical of Portuguese visual culture - including social exclusion and unemployment, issues of realism and authenticity, and addressing Portugal's postcolonial status - this book is a valuable study of interest to the ever-growing number of scholars looking outside the usual canons of European cinema, and those researching the ongoing implications of national cinema's global networks.
"Once or twice a generation a film critic comes along who expands or even redefines how we talk about the medium. Jonathan Rosenbaum is one of these figures."—Alan Williams, author of Republic of Images
Book Synopsis Placing Movies by : Jonathan Rosenbaum
Download or read book Placing Movies written by Jonathan Rosenbaum and published by Univ of California Press. This book was released on 1995-05-10 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Once or twice a generation a film critic comes along who expands or even redefines how we talk about the medium. Jonathan Rosenbaum is one of these figures."—Alan Williams, author of Republic of Images
On December 8, 2008, the Portuguese filmmaker Manoel de Oliveira will celebrate his 100th birthday. This special issue of Dekalog pays homage not only to the world's oldest living filmmaker but also to an outstanding artist who has both captivated and bewildered audiences throughout his career. The first British publication on the filmmaker, this issue of Dekalog will enhance the study of Oliveira's work in the West. It unites researchers from Brazil, Germany, Portugal, and the United States who have devoted much of their scholarship to an analysis of the filmmaker's work.
Book Synopsis Dekalog 2 by : Carolin Overhoff Ferreira
Download or read book Dekalog 2 written by Carolin Overhoff Ferreira and published by Wallflower Press. This book was released on 2008 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: On December 8, 2008, the Portuguese filmmaker Manoel de Oliveira will celebrate his 100th birthday. This special issue of Dekalog pays homage not only to the world's oldest living filmmaker but also to an outstanding artist who has both captivated and bewildered audiences throughout his career. The first British publication on the filmmaker, this issue of Dekalog will enhance the study of Oliveira's work in the West. It unites researchers from Brazil, Germany, Portugal, and the United States who have devoted much of their scholarship to an analysis of the filmmaker's work.
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Book Synopsis A Short History of Film, Third Edition by : Wheeler Winston Dixon
Download or read book A Short History of Film, Third Edition written by Wheeler Winston Dixon and published by Rutgers University Press. This book was released on 2018-03-30 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Portuguese Film, 1930-1960: The Staging of the New State Regime provides groundbreaking analysis of Portuguese feature films produced in the first three decades of the New State (Estado Novo), a right-wing totalitarian regime that lasted between 1933 and 1974. These films, sponsored by the National Propaganda Institute (Secretariado Nacional de Propaganda), convey a conservative image of both mainland Portugal and the country's overseas African colonies (Angola, Mozambique, Cape Verde, Guinea-Bissau and St. Thomas and Principe). The films about the mainland emphasize traditional values, the importance of obedience to authorities and a strict division of gender roles, whereby women are relegated to the domestic sphere. The Portuguese countryside, where age-old customs and a strong social hierarchy prevailed, is presented in these movies as a model for the rest of the country. The films about the colonies, in turn, underline the benefits of the Portuguese presence in Africa and portray the colonized as docile subjects to Portuguese rule. The book includes chapter summaries in the introduction, in-depth analyses of the most important Portuguese films produced between 1930 and 1960, a discussion of the main topics of Portuguese cinema from the New State, and a comprehensive bibliography that guides students who wish to read further on a specific topic. First published in Portuguese to wide acclaim, Portuguese Film, 1930-1960: The Staging of the New State Regime fills a gap in English-language scholarship on the history of the national cinema of the Iberian peninsula. Films covered include Fatima, Land of Faith (Terra de Fe), Spell of the Empire (Feitico do Imperio), and Chaimite.
Book Synopsis Portuguese Film, 1930-1960 by : Patricia Vieira
Download or read book Portuguese Film, 1930-1960 written by Patricia Vieira and published by Bloomsbury Publishing USA. This book was released on 2013-08-29 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portuguese Film, 1930-1960: The Staging of the New State Regime provides groundbreaking analysis of Portuguese feature films produced in the first three decades of the New State (Estado Novo), a right-wing totalitarian regime that lasted between 1933 and 1974. These films, sponsored by the National Propaganda Institute (Secretariado Nacional de Propaganda), convey a conservative image of both mainland Portugal and the country's overseas African colonies (Angola, Mozambique, Cape Verde, Guinea-Bissau and St. Thomas and Principe). The films about the mainland emphasize traditional values, the importance of obedience to authorities and a strict division of gender roles, whereby women are relegated to the domestic sphere. The Portuguese countryside, where age-old customs and a strong social hierarchy prevailed, is presented in these movies as a model for the rest of the country. The films about the colonies, in turn, underline the benefits of the Portuguese presence in Africa and portray the colonized as docile subjects to Portuguese rule. The book includes chapter summaries in the introduction, in-depth analyses of the most important Portuguese films produced between 1930 and 1960, a discussion of the main topics of Portuguese cinema from the New State, and a comprehensive bibliography that guides students who wish to read further on a specific topic. First published in Portuguese to wide acclaim, Portuguese Film, 1930-1960: The Staging of the New State Regime fills a gap in English-language scholarship on the history of the national cinema of the Iberian peninsula. Films covered include Fatima, Land of Faith (Terra de Fe), Spell of the Empire (Feitico do Imperio), and Chaimite.
In this book, Wheeler Winston Dixon argues that 21st-century mainstream filmmaking is increasingly and troublingly dominated by "synthetic cinema." He details how movies over the last two decades have fundamentally abandoned traditional filmmaking values through the overwhelming use of computer generated imagery, digital touch ups for the actors, and extensive use of green screen technology that replace sets and location shooting. Combined with the shift to digital cinematography, as well as the rise of comic book and franchise cinema, the temptation to augment movies with lavish, computer generated spectacle has proven irresistible to both directors and audiences, to the point that, Dixon argues, 21st-century commercial cinema is so far removed from the real world that it has created a new era of flawless, fake movies.
Book Synopsis Synthetic Cinema by : Wheeler Winston Dixon
Download or read book Synthetic Cinema written by Wheeler Winston Dixon and published by Springer. This book was released on 2019-02-05 with total page 91 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Wheeler Winston Dixon argues that 21st-century mainstream filmmaking is increasingly and troublingly dominated by "synthetic cinema." He details how movies over the last two decades have fundamentally abandoned traditional filmmaking values through the overwhelming use of computer generated imagery, digital touch ups for the actors, and extensive use of green screen technology that replace sets and location shooting. Combined with the shift to digital cinematography, as well as the rise of comic book and franchise cinema, the temptation to augment movies with lavish, computer generated spectacle has proven irresistible to both directors and audiences, to the point that, Dixon argues, 21st-century commercial cinema is so far removed from the real world that it has created a new era of flawless, fake movies.