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Margarethe von Trotta

Author: Monika Raesch

Publisher: Univ. Press of Mississippi

Published: 2018-01-19

Total Pages: 224

ISBN-13: 1496815645

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Margarethe von Trotta (b. 1942) entered the film industry in the only way she could in the 1960s--as an actress. Throughout her career, von Trotta added thirty-two acting credits to her name; however, these credits came to a halt in 1975. Her ambition had always been to be a movie director. Though she viewed acting as a detour, it allowed her to be in the right place at the right time, and through her line of work she met such important directors as Rainer Werner Fassbinder and Volker Schlondorff. The latter would eventually provide her with the opportunity to codirect her first film, Die Verlohrene Ehre der Katharina Blum (The Lost Honor of Katharina Blum) in 1975. The debut's success ensured von Trotta's future in the film industry and launched her accomplished film directing career. In Margarethe von Trotta: Interviews, volume editor Monika Raesch furnishes twenty-four illuminating interviews with the auteur. Spanning three decades, from the mid-1980s until today, the interviews reveal not only von Trotta's life in the film industry, but also evolving roles of and opportunities provided to women over that time period. This collection of interviews presents the different dimensions of von Trotta through the lenses of film critics, scholars, and journalists. The volume offers essential reading for anyone seeking a better understanding of an iconic female movie director at a time when this possibility for women just emerged.

Book Synopsis Margarethe von Trotta by : Monika Raesch

Download or read book Margarethe von Trotta written by Monika Raesch and published by Univ. Press of Mississippi. This book was released on 2018-01-19 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Margarethe von Trotta (b. 1942) entered the film industry in the only way she could in the 1960s--as an actress. Throughout her career, von Trotta added thirty-two acting credits to her name; however, these credits came to a halt in 1975. Her ambition had always been to be a movie director. Though she viewed acting as a detour, it allowed her to be in the right place at the right time, and through her line of work she met such important directors as Rainer Werner Fassbinder and Volker Schlondorff. The latter would eventually provide her with the opportunity to codirect her first film, Die Verlohrene Ehre der Katharina Blum (The Lost Honor of Katharina Blum) in 1975. The debut's success ensured von Trotta's future in the film industry and launched her accomplished film directing career. In Margarethe von Trotta: Interviews, volume editor Monika Raesch furnishes twenty-four illuminating interviews with the auteur. Spanning three decades, from the mid-1980s until today, the interviews reveal not only von Trotta's life in the film industry, but also evolving roles of and opportunities provided to women over that time period. This collection of interviews presents the different dimensions of von Trotta through the lenses of film critics, scholars, and journalists. The volume offers essential reading for anyone seeking a better understanding of an iconic female movie director at a time when this possibility for women just emerged.

MARGARETHE VON TROTTA

Author: Renate Hehr

Publisher: Axel Menges

Published: 2000

Total Pages: 128

ISBN-13: 9783930698929

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Margarethe von Trotta's name has been synonymous with high-quality cinema for over 20 years. She sees filmmaking as a critical analysis of society and a way of experiencing oneself. This view is rooted in the '68s student revolts and the '70s women's movement. She deliberately rejects formal experiment, preferring to use the conventional resources of classical narrative cinema in order to reach the widest possible public. Nevertheless her films have a very personal and individual signature that takes them well away from the mainstream. Because all her stories deal with people who are prisoners of social constraint, their social and personal relationships and needs, and not least their own personality, her films have often been called 'prison films'. The conflict with reality that triggers the plot arises from rebellion against this prison situation and giving in to a desire for self-realisation, dreams of a fulfilled life and a more humane society. These attempts to break out always have their price. As a rule they fail. The characters develop in that they subsequently understand their situation better and have thus taken the first step towards change. But Margarethe von Trotta is not interested in conveying messages or offering solutions. She wants to identify problems and reveal reality by exploring human beings in all their facets and showing the relationship between social role, feelings, desires, fantasies and expectations for the future. Her aesthetic concept is based on inner feelings. Recognition of and identification with the characters in her films arise mainly from atmospheric density created by precisely detailed creation of the figures and the background to their lives, carefully considered use of cinematic resources and concentration on what is fundamental and typical. This often leads to the emergence of uncomfortable truths that are painful but still contribute to making the world more comprehensible and open to change, thus meeting one of art's most ambitious claims. Margarethe von Trotta also made her mark as an opera director. Her interpretation of Alban Berg's Lulu in Stuttgart was widely acclaimed.

Book Synopsis MARGARETHE VON TROTTA by : Renate Hehr

Download or read book MARGARETHE VON TROTTA written by Renate Hehr and published by Axel Menges. This book was released on 2000 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Margarethe von Trotta's name has been synonymous with high-quality cinema for over 20 years. She sees filmmaking as a critical analysis of society and a way of experiencing oneself. This view is rooted in the '68s student revolts and the '70s women's movement. She deliberately rejects formal experiment, preferring to use the conventional resources of classical narrative cinema in order to reach the widest possible public. Nevertheless her films have a very personal and individual signature that takes them well away from the mainstream. Because all her stories deal with people who are prisoners of social constraint, their social and personal relationships and needs, and not least their own personality, her films have often been called 'prison films'. The conflict with reality that triggers the plot arises from rebellion against this prison situation and giving in to a desire for self-realisation, dreams of a fulfilled life and a more humane society. These attempts to break out always have their price. As a rule they fail. The characters develop in that they subsequently understand their situation better and have thus taken the first step towards change. But Margarethe von Trotta is not interested in conveying messages or offering solutions. She wants to identify problems and reveal reality by exploring human beings in all their facets and showing the relationship between social role, feelings, desires, fantasies and expectations for the future. Her aesthetic concept is based on inner feelings. Recognition of and identification with the characters in her films arise mainly from atmospheric density created by precisely detailed creation of the figures and the background to their lives, carefully considered use of cinematic resources and concentration on what is fundamental and typical. This often leads to the emergence of uncomfortable truths that are painful but still contribute to making the world more comprehensible and open to change, thus meeting one of art's most ambitious claims. Margarethe von Trotta also made her mark as an opera director. Her interpretation of Alban Berg's Lulu in Stuttgart was widely acclaimed.

Margarethe Von Trotta

Author:

Publisher:

Published: 2009

Total Pages: 281

ISBN-13:

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Book Synopsis Margarethe Von Trotta by :

Download or read book Margarethe Von Trotta written by and published by . This book was released on 2009 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Women and the New German Cinema

Author: Julia Knight

Publisher: Verso

Published: 1992-06-17

Total Pages: 244

ISBN-13: 9780860915683

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There were virtually no women film directors in germany until the 1970s. today there are proportionally more than in any other film-making country6, and their work has been extremely influential. Directors like Margarethe von Trotta, Helma Sanders-Brahms, Ulrike Ottinger and Helke Sander have made a huge contribution to feminist film culture, but until now critical consideration of New German Cinema in Britain and the United States has focused almost exclusively on male directors such as Rainer Werner Fassbinder and Wim Wenders. In Women and the New German Cinema Julia Knight examines how restrictive social, economic and institutional conditions have compounded the neglect of the new women directors. Rejecting the traditional auteur approach, she explores the principal characteristics of women’s film-making in the 1970s and 1980s, in particular the role of the women’s movement, the concern with the notion of a ‘feminine aesthetic’, women’s entry into the mainstream, and the emergence of a so-called post-feminist cinema. This timely and comprehensive study will be essential reading for everyone concerned with contemporary cinema and feminism.

Book Synopsis Women and the New German Cinema by : Julia Knight

Download or read book Women and the New German Cinema written by Julia Knight and published by Verso. This book was released on 1992-06-17 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: There were virtually no women film directors in germany until the 1970s. today there are proportionally more than in any other film-making country6, and their work has been extremely influential. Directors like Margarethe von Trotta, Helma Sanders-Brahms, Ulrike Ottinger and Helke Sander have made a huge contribution to feminist film culture, but until now critical consideration of New German Cinema in Britain and the United States has focused almost exclusively on male directors such as Rainer Werner Fassbinder and Wim Wenders. In Women and the New German Cinema Julia Knight examines how restrictive social, economic and institutional conditions have compounded the neglect of the new women directors. Rejecting the traditional auteur approach, she explores the principal characteristics of women’s film-making in the 1970s and 1980s, in particular the role of the women’s movement, the concern with the notion of a ‘feminine aesthetic’, women’s entry into the mainstream, and the emergence of a so-called post-feminist cinema. This timely and comprehensive study will be essential reading for everyone concerned with contemporary cinema and feminism.

The Collapse of the Conventional

Author: Jaimey Fisher

Publisher: Wayne State University Press

Published: 2010

Total Pages: 444

ISBN-13: 9780814333778

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Analyzes a diverse body of films and investigates the renaissance that has taken place in German cinema since the turn of the twenty-first century.

Book Synopsis The Collapse of the Conventional by : Jaimey Fisher

Download or read book The Collapse of the Conventional written by Jaimey Fisher and published by Wayne State University Press. This book was released on 2010 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzes a diverse body of films and investigates the renaissance that has taken place in German cinema since the turn of the twenty-first century.

German Culture through Film

Author: Robert C. Reimer

Publisher: Hackett Publishing

Published: 2017-09-01

Total Pages: 371

ISBN-13: 158510857X

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German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.

Book Synopsis German Culture through Film by : Robert C. Reimer

Download or read book German Culture through Film written by Robert C. Reimer and published by Hackett Publishing. This book was released on 2017-09-01 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.

New German Cinema

Author: Julia Knight

Publisher: Wallflower Press

Published: 2004

Total Pages: 148

ISBN-13: 9781903364284

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Comprising a discussion of 'Alice in the Cities', 'The Bitter Tears of Petra von Kant', 'Heimat' and 'The American Friend', Julia Knight's study examines the American dominance of German film, the framework of European art cinema and how German cinema engages with contemporary German reality.

Book Synopsis New German Cinema by : Julia Knight

Download or read book New German Cinema written by Julia Knight and published by Wallflower Press. This book was released on 2004 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprising a discussion of 'Alice in the Cities', 'The Bitter Tears of Petra von Kant', 'Heimat' and 'The American Friend', Julia Knight's study examines the American dominance of German film, the framework of European art cinema and how German cinema engages with contemporary German reality.

Women Filmmakers

Author: Jacqueline Levitin

Publisher: Routledge

Published: 2012-12-06

Total Pages: 510

ISBN-13: 1136743057

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This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital to understanding the relationship of women to the art and business of filmmaking.

Book Synopsis Women Filmmakers by : Jacqueline Levitin

Download or read book Women Filmmakers written by Jacqueline Levitin and published by Routledge. This book was released on 2012-12-06 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital to understanding the relationship of women to the art and business of filmmaking.

Sisters on Screen

Author: Eva Rueschmann

Publisher: Temple University Press

Published: 2000

Total Pages: 240

ISBN-13: 9781566397476

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Perhaps the most vital, emotionally complex, and lasting attachments between women occur between sisters. Whether as best friends or antagonists, "sisters remain entangled in a common tapestry of mutual experience and remembrance, family and history," according to author Eva Rueschmann. Although many of the women-centered films in the last three decades depict the relationship between sisters as a pivotal aspect of a character's psychological development, the now substantial body of feminist film criticism has not taken up this theme in any sustained way. InSisters on Screen, Eva Rueschmann explores the sister bond in a wide range of modernist feature films that depart from the conventional cinematic rendering of women's lives. Drawing on the psychoanalytic concept of intersubjectivity, this book emphasizes the role of a woman's relationship and inner world in her continual quest for self-knowledge. Offering an original and absorbing perspective on women's filmic images,Sisters on Screenreveals how post-1960s cinema has articulated the ways in which biological sisters negotiate mutuality and difference, co-author family histories, and profoundly shape each other's political and personal identities. The films in focus question standards of femininity as they probe into memory, fantasy, and desire, bringing women's realities into view in the process. Structuring her discussion in terms of life-cycle stages—adolescence and adulthood—Rueschmann offers an in-depth discussion of such films asAn Angel at My Table,Double Happiness,Eve's Bayou,Gas Food Lodging,Heavenly Creatures,Little Women,Marianne and Julianne,Paura e amore,Peppermint Soda,The Silence,Sweetie, andWelcome to the Dollhouse. Rueschmann draws upon the works of filmmakers from the 1970s to the 1990s. Some of the directors included in her study are Allison Anders, Gillian Armstrong, Ingmar Bergman, Jane Campion, Peter Jackson, Mina Shum, Diane Kurys, Kasi Lemmons, Todd Solondz, and Margarethe von Trotta.Sisters on Screenwill appeal to anyone interested in women's studies, film studies, psychology, psychoanalytic readings of cinema, women directors, and international modern film. Author note:Eva Rueschmannis Assistant Professor of Cultural Studies at Hampshire College.

Book Synopsis Sisters on Screen by : Eva Rueschmann

Download or read book Sisters on Screen written by Eva Rueschmann and published by Temple University Press. This book was released on 2000 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perhaps the most vital, emotionally complex, and lasting attachments between women occur between sisters. Whether as best friends or antagonists, "sisters remain entangled in a common tapestry of mutual experience and remembrance, family and history," according to author Eva Rueschmann. Although many of the women-centered films in the last three decades depict the relationship between sisters as a pivotal aspect of a character's psychological development, the now substantial body of feminist film criticism has not taken up this theme in any sustained way. InSisters on Screen, Eva Rueschmann explores the sister bond in a wide range of modernist feature films that depart from the conventional cinematic rendering of women's lives. Drawing on the psychoanalytic concept of intersubjectivity, this book emphasizes the role of a woman's relationship and inner world in her continual quest for self-knowledge. Offering an original and absorbing perspective on women's filmic images,Sisters on Screenreveals how post-1960s cinema has articulated the ways in which biological sisters negotiate mutuality and difference, co-author family histories, and profoundly shape each other's political and personal identities. The films in focus question standards of femininity as they probe into memory, fantasy, and desire, bringing women's realities into view in the process. Structuring her discussion in terms of life-cycle stages—adolescence and adulthood—Rueschmann offers an in-depth discussion of such films asAn Angel at My Table,Double Happiness,Eve's Bayou,Gas Food Lodging,Heavenly Creatures,Little Women,Marianne and Julianne,Paura e amore,Peppermint Soda,The Silence,Sweetie, andWelcome to the Dollhouse. Rueschmann draws upon the works of filmmakers from the 1970s to the 1990s. Some of the directors included in her study are Allison Anders, Gillian Armstrong, Ingmar Bergman, Jane Campion, Peter Jackson, Mina Shum, Diane Kurys, Kasi Lemmons, Todd Solondz, and Margarethe von Trotta.Sisters on Screenwill appeal to anyone interested in women's studies, film studies, psychology, psychoanalytic readings of cinema, women directors, and international modern film. Author note:Eva Rueschmannis Assistant Professor of Cultural Studies at Hampshire College.