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From the only mediator in the US with a masters degree in creativity, "Mediating with Picasso" is part mediation text, part memoir, and a great read! You will come away from "Mediating with Picasso" convinced you are more creative than you probably think you are. Then, through real life examples, mediation 'war stories, ' quotable quotes, surveys and exercises found in the Workbook, Louise demonstrates how you can increase your creativity, then apply your inherent creativity when you need it most - in conflict situations.
Book Synopsis Mediating With Picasso by : Louise Neilson
Download or read book Mediating With Picasso written by Louise Neilson and published by Lulu.com. This book was released on 2012-11-08 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the only mediator in the US with a masters degree in creativity, "Mediating with Picasso" is part mediation text, part memoir, and a great read! You will come away from "Mediating with Picasso" convinced you are more creative than you probably think you are. Then, through real life examples, mediation 'war stories, ' quotable quotes, surveys and exercises found in the Workbook, Louise demonstrates how you can increase your creativity, then apply your inherent creativity when you need it most - in conflict situations.
Book Synopsis Mediating with Picasso by : Louise Neilson
Download or read book Mediating with Picasso written by Louise Neilson and published by . This book was released on 2011 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt:
"Read this book if you want to understand me."—Pablo Picasso Conversations with Picasso offers a remarkable vision of both Picasso and the entire artistic and intellectual milieu of wartime Paris, a vision provided by the gifted photographer and prolific author who spent the early portion of the 1940s photographing Picasso's work. Brassaï carefully and affectionately records each of his meetings and appointments with the great artist, building along the way a work of remarkable depth, intimate perspective, and great importance to anyone who truly wishes to understand Picasso and his world.
Book Synopsis Conversations with Picasso by : Brassaï
Download or read book Conversations with Picasso written by Brassaï and published by University of Chicago Press. This book was released on 2002-12 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Read this book if you want to understand me."—Pablo Picasso Conversations with Picasso offers a remarkable vision of both Picasso and the entire artistic and intellectual milieu of wartime Paris, a vision provided by the gifted photographer and prolific author who spent the early portion of the 1940s photographing Picasso's work. Brassaï carefully and affectionately records each of his meetings and appointments with the great artist, building along the way a work of remarkable depth, intimate perspective, and great importance to anyone who truly wishes to understand Picasso and his world.
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
Book Synopsis Picasso by : Gertje Utley
Download or read book Picasso written by Gertje Utley and published by Yale University Press. This book was released on 2000-01-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
International exchange in European cultural life in the 19th and 20th centuries From the early nineteenth century till the middle of the twentieth century, cultures in Europe were primarily national. They were organized and conceived of as attributes of the nation states. Nonetheless, these national cultures crossed borders with an unprecedented intensity even before globalization transformed the very concept of culture. During that long period, European cultures have imported and exported products, techniques, values, and ideas, relying on invisible but efficient international networks. The central agents of these networks are considered mediators: translators, publishers, critics, artists, art dealers and collectors, composers. These agents were not only the true architects of intercultural transfer, they also largely contributed to the shaping of a common canon and of aesthetic values that became part of the history of national cultures. Cultural Mediation in Europe, 1800-1950 analyses the strategic transfer roles of cultural mediators active in large parts of Western Europe in domains as varied as literature, music, visual arts, and design. Contributors Amélie Auzoux (Université Paris IV-Sorbonne), Christophe Charle (Université Paris I-Panthéon-Sorbonne), Kate Kangaslahti (KU Leuven), Vesa Kurkela (University of the Arts, Helsinki), Anne O’Connor (University of Galway), Saijaleena Rantanen (University of the Arts, Helsinki), Ágnes Anna Sebestyén (Hungarian Museum of Architecture, Budapest), Inmaculada Serón Ordóñez (University of Málaga), Renske Suijver (Van Gogh Museum, Amsterdam), Tom Toremans (KU Leuven), Dirk Weissmann (Université Toulouse Jean-Jaurès)
Book Synopsis Cultural Mediation in Europe, 1800-1950 by : Reine Meylaerts
Download or read book Cultural Mediation in Europe, 1800-1950 written by Reine Meylaerts and published by Leuven University Press. This book was released on 2017-12-14 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: International exchange in European cultural life in the 19th and 20th centuries From the early nineteenth century till the middle of the twentieth century, cultures in Europe were primarily national. They were organized and conceived of as attributes of the nation states. Nonetheless, these national cultures crossed borders with an unprecedented intensity even before globalization transformed the very concept of culture. During that long period, European cultures have imported and exported products, techniques, values, and ideas, relying on invisible but efficient international networks. The central agents of these networks are considered mediators: translators, publishers, critics, artists, art dealers and collectors, composers. These agents were not only the true architects of intercultural transfer, they also largely contributed to the shaping of a common canon and of aesthetic values that became part of the history of national cultures. Cultural Mediation in Europe, 1800-1950 analyses the strategic transfer roles of cultural mediators active in large parts of Western Europe in domains as varied as literature, music, visual arts, and design. Contributors Amélie Auzoux (Université Paris IV-Sorbonne), Christophe Charle (Université Paris I-Panthéon-Sorbonne), Kate Kangaslahti (KU Leuven), Vesa Kurkela (University of the Arts, Helsinki), Anne O’Connor (University of Galway), Saijaleena Rantanen (University of the Arts, Helsinki), Ágnes Anna Sebestyén (Hungarian Museum of Architecture, Budapest), Inmaculada Serón Ordóñez (University of Málaga), Renske Suijver (Van Gogh Museum, Amsterdam), Tom Toremans (KU Leuven), Dirk Weissmann (Université Toulouse Jean-Jaurès)
Michael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla’s mature works and musical identity. Part II traces the evolution of his flamenco-inspired Spanish style through contacts with Claude Debussy, Maurice Ravel and Igor Stravinsky, while Part III explores the impact of post-World War I modernities on Falla’s musical nationalism. The final part reflects on aspects of Falla’s music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla as well as to the wider fields of musical modernism, exoticism, and music and politics.
Book Synopsis Manuel de Falla and Visions of Spanish Music by : Michael Christoforidis
Download or read book Manuel de Falla and Visions of Spanish Music written by Michael Christoforidis and published by Routledge. This book was released on 2017-11-23 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla’s mature works and musical identity. Part II traces the evolution of his flamenco-inspired Spanish style through contacts with Claude Debussy, Maurice Ravel and Igor Stravinsky, while Part III explores the impact of post-World War I modernities on Falla’s musical nationalism. The final part reflects on aspects of Falla’s music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla as well as to the wider fields of musical modernism, exoticism, and music and politics.
As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them as Muses. He was particularly unabashed in the declaration of his feelings to one of them, Marie-Therese Walter, his youthful mistress of 1927. But at that point Picasso was still married to Olga Khokhlova, thus forced to practice the utmost discretion. His marriage to Olga made him increasingly frustrated with her imposed bourgeois expectations. As a release from this marital burden, Marie-Therese was ever present in his work, often portrayed as Aphrodite with a wreath in her hair, a basket of flowers and fruits by her side. Marie-Therese was the Dream the Muse. This fertile period coincided with the strong influence of surrealism which helped liberate Picassos psyche from the straitjacket that Olgas lifestyle imposed on him. By 1935, however, the model and mistress became a mother to Maya, radically changing the role she previously had. The following year Picasso was introduced to a new woman, Dora Maar, an encounter that signalled the beginning of the end of Marie-Thereses exclusive claim on Picassos affections and the closing of an artistic period clearly marked by fertility. The Aphrodite Period (19241936) provides new insights and analysis of Picassos life as recently uncovered through the research of the Online Picasso Project. This time-span is one of the most illustrative periods of Picassos career in that it clearly demonstrates the close interdependence between sexuality and artistic creativity that characterize Picasso's entire output.
Book Synopsis Pablo Picasso by : Dr Enrique Mallen
Download or read book Pablo Picasso written by Dr Enrique Mallen and published by Liverpool University Press. This book was released on 2019-11-14 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them as Muses. He was particularly unabashed in the declaration of his feelings to one of them, Marie-Therese Walter, his youthful mistress of 1927. But at that point Picasso was still married to Olga Khokhlova, thus forced to practice the utmost discretion. His marriage to Olga made him increasingly frustrated with her imposed bourgeois expectations. As a release from this marital burden, Marie-Therese was ever present in his work, often portrayed as Aphrodite with a wreath in her hair, a basket of flowers and fruits by her side. Marie-Therese was the Dream the Muse. This fertile period coincided with the strong influence of surrealism which helped liberate Picassos psyche from the straitjacket that Olgas lifestyle imposed on him. By 1935, however, the model and mistress became a mother to Maya, radically changing the role she previously had. The following year Picasso was introduced to a new woman, Dora Maar, an encounter that signalled the beginning of the end of Marie-Thereses exclusive claim on Picassos affections and the closing of an artistic period clearly marked by fertility. The Aphrodite Period (19241936) provides new insights and analysis of Picassos life as recently uncovered through the research of the Online Picasso Project. This time-span is one of the most illustrative periods of Picassos career in that it clearly demonstrates the close interdependence between sexuality and artistic creativity that characterize Picasso's entire output.
How ornamentation enables a direct and immediate encounter between viewers and art objects Based on universal motifs, ornamentation occurs in many artistic traditions, though it reaches its most expressive, tangible, and unique form in the art of the Islamic world. The Mediation of Ornament shares a veteran art historian’s love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how ornament serves as a consistent intermediary between viewers and artistic works from all cultures and periods. Oleg Grabar analyzes early and medieval Islamic objects, ranging from frontispieces in Yemen to tilework in the Alhambra, and compares them to Western examples, treating all pieces as testimony of the work, life, thought, and emotion experienced in one society. The Mediation of Ornament is essential reading for admirers of Islamic art and anyone interested in the ways of perceiving and understanding the arts more broadly.
Book Synopsis The Mediation of Ornament by : Oleg Grabar
Download or read book The Mediation of Ornament written by Oleg Grabar and published by Princeton University Press. This book was released on 2023-08-15 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: How ornamentation enables a direct and immediate encounter between viewers and art objects Based on universal motifs, ornamentation occurs in many artistic traditions, though it reaches its most expressive, tangible, and unique form in the art of the Islamic world. The Mediation of Ornament shares a veteran art historian’s love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how ornament serves as a consistent intermediary between viewers and artistic works from all cultures and periods. Oleg Grabar analyzes early and medieval Islamic objects, ranging from frontispieces in Yemen to tilework in the Alhambra, and compares them to Western examples, treating all pieces as testimony of the work, life, thought, and emotion experienced in one society. The Mediation of Ornament is essential reading for admirers of Islamic art and anyone interested in the ways of perceiving and understanding the arts more broadly.
It is fitting that Professor Dirk Jan Struik be greeted with this melange of mathematical, scientific, historical, sociological and political essays. The authors are also appropriately varied: different countries, outlooks, religions, generations, and we suppose - of course we did not as- different politics too. Many more would have joined us, we know, but the good friends in this book make a fine and representative assembly of the intersection of two (mathematical!) classes: affectionately respect ful admirers of Dirk Struik, and the best thinkers of this troubled century. Struik has been among the most steadfast supporters of the Boston Colloquium for the Philosophy of Science, that discussion group which we have been holding at Boston University since 1960, but his luminous collaboration has been welcome, in Boston and Cambridge, for nearly five decades among mathematicians, physicists, philosophical and political thinkers, and especially among the students. It has not mattered whether they have been his own students or not, whether at M.LT. or elsewhere, whether scholars or dropouts, nature-lovers or book worms, anarchists or Republicans, Catholics or Unitarians, Communists or communists, prim or liberated. No doubt he has his preferences! But the main thing for Struik has been to educate and respect the other person.
Book Synopsis For Dirk Struik by : Robert S. Cohen
Download or read book For Dirk Struik written by Robert S. Cohen and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 651 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is fitting that Professor Dirk Jan Struik be greeted with this melange of mathematical, scientific, historical, sociological and political essays. The authors are also appropriately varied: different countries, outlooks, religions, generations, and we suppose - of course we did not as- different politics too. Many more would have joined us, we know, but the good friends in this book make a fine and representative assembly of the intersection of two (mathematical!) classes: affectionately respect ful admirers of Dirk Struik, and the best thinkers of this troubled century. Struik has been among the most steadfast supporters of the Boston Colloquium for the Philosophy of Science, that discussion group which we have been holding at Boston University since 1960, but his luminous collaboration has been welcome, in Boston and Cambridge, for nearly five decades among mathematicians, physicists, philosophical and political thinkers, and especially among the students. It has not mattered whether they have been his own students or not, whether at M.LT. or elsewhere, whether scholars or dropouts, nature-lovers or book worms, anarchists or Republicans, Catholics or Unitarians, Communists or communists, prim or liberated. No doubt he has his preferences! But the main thing for Struik has been to educate and respect the other person.
An exploration of the representational culture of Alzheimer’s disease and how media technologies shape our ideas of cognition and aging With no known cause or cure despite a century of research, Alzheimer’s disease is a true medical mystery. In Mediating Alzheimer’s, Scott Selberg examines the nature of this enduring national health crisis by looking at the disease’s relationship to media and representation. He shows how collective investments in different kinds of media have historically shaped how we understand, treat, and live with this disease. Selberg demonstrates how the cognitive abilities that Alzheimer’s threatens—memory, for example—are integrated into the operations of representational technologies, from Polaroid photographs to Post-its to digital artificial intelligence. Focusing on a wide variety of media technologies, such as neuroimaging, art therapy, virtual reality, and social media, he shows how these cognitively oriented media ultimately help define personhood for people with Alzheimer’s. Media have changed the practices of successful aging in the United States, and Selberg takes us deep into how technologies like digital brain-training and online care networks shape ideas of cognition and healthy aging. Packed with startlingly fresh insights, Mediating Alzheimer’s contributes to debates around bioethics, the labor of caregiving, and a national economy increasingly invested in communication and digital media. Probing the very technologies that promise to save and understand our brains, it gives us new ways of understanding Alzheimer’s disease and aging in America.
Book Synopsis Mediating Alzheimer's by : Scott Selberg
Download or read book Mediating Alzheimer's written by Scott Selberg and published by U of Minnesota Press. This book was released on 2022-05-24 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the representational culture of Alzheimer’s disease and how media technologies shape our ideas of cognition and aging With no known cause or cure despite a century of research, Alzheimer’s disease is a true medical mystery. In Mediating Alzheimer’s, Scott Selberg examines the nature of this enduring national health crisis by looking at the disease’s relationship to media and representation. He shows how collective investments in different kinds of media have historically shaped how we understand, treat, and live with this disease. Selberg demonstrates how the cognitive abilities that Alzheimer’s threatens—memory, for example—are integrated into the operations of representational technologies, from Polaroid photographs to Post-its to digital artificial intelligence. Focusing on a wide variety of media technologies, such as neuroimaging, art therapy, virtual reality, and social media, he shows how these cognitively oriented media ultimately help define personhood for people with Alzheimer’s. Media have changed the practices of successful aging in the United States, and Selberg takes us deep into how technologies like digital brain-training and online care networks shape ideas of cognition and healthy aging. Packed with startlingly fresh insights, Mediating Alzheimer’s contributes to debates around bioethics, the labor of caregiving, and a national economy increasingly invested in communication and digital media. Probing the very technologies that promise to save and understand our brains, it gives us new ways of understanding Alzheimer’s disease and aging in America.
