Download Melody And Harmony Advanced Harmony full books in PDF, epub, and Kindle. Read online Melody And Harmony Advanced Harmony ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Accompanying sound disc contains a large number of the music examples from the textbook.
Book Synopsis Advanced Harmony by : Robert W. Ottman
Download or read book Advanced Harmony written by Robert W. Ottman and published by Pearson. This book was released on 2000 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanying sound disc contains a large number of the music examples from the textbook.
Book Synopsis Theory and Composition of Music by : Preston Ware Orem
Download or read book Theory and Composition of Music written by Preston Ware Orem and published by Philadelphia : Theo. Presser Company. This book was released on 1924 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Melody and harmony [Advanced harmony] : a treatise for the teacher and student by : Stewart Macpherson
Download or read book Melody and harmony [Advanced harmony] : a treatise for the teacher and student written by Stewart Macpherson and published by . This book was released on 1923 with total page 119 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Chromatic Approach to Jazz Harmony and Melody by : Dave Liebman
Download or read book A Chromatic Approach to Jazz Harmony and Melody written by Dave Liebman and published by . This book was released on 2006 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Following on from Harmony, Melody and Composition. this books aims to introduce harmony as a creative subject, not merely a theoretical one. Each chapter deals first with harmony, then with melody, following by creative work sections. A knowledge of melody will show that harmony is more than a series of chords strung together. A combined study of harmony and melody provides meaning to music as a whole for listening, performing and composing. Students will work with the ingredients of music in a creative way. Composition and its importance as an aid to understanding music from within is endorsed. The music is chosen from a wide range of real music, from plainsong to popular music of the present day and students will find this book's approach enjoyable, creative and musical in the best sense of the word.
Book Synopsis Advanced Harmony, Melody and Composition by : Paul Sturman
Download or read book Advanced Harmony, Melody and Composition written by Paul Sturman and published by Cambridge University Press. This book was released on 1986-12-15 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following on from Harmony, Melody and Composition. this books aims to introduce harmony as a creative subject, not merely a theoretical one. Each chapter deals first with harmony, then with melody, following by creative work sections. A knowledge of melody will show that harmony is more than a series of chords strung together. A combined study of harmony and melody provides meaning to music as a whole for listening, performing and composing. Students will work with the ingredients of music in a creative way. Composition and its importance as an aid to understanding music from within is endorsed. The music is chosen from a wide range of real music, from plainsong to popular music of the present day and students will find this book's approach enjoyable, creative and musical in the best sense of the word.
(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
Book Synopsis Connecting Chords with Linear Harmony by :
Download or read book Connecting Chords with Linear Harmony written by and published by Hal Leonard Corporation. This book was released on 1996-05-01 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
Where did the major scale come from? Why does most traditional non-Western music not share Western principles of harmony? What does the inner structure of a canon have to do with religious belief? Why, in historical terms, is J.S. Bach’s music regarded as a perfect combination of melody and harmony? Why do clocks in church towers strike dominant-tonic-dominant-tonic? What do cathedrals have to do with monochords? How can the harmonic series be demonstrated with a rope tied to a doorknob, and how can it be heard by standing next to an electric fan? Why are the free ocean waves in Debussy’s La Mer, the turbulent river waves in Smetana’s Moldau, and the fountain ripples in Ravel’s Jeux d’Eau pushed at times into four-bar phrases? Why is the metric system inherently unsuitable for organizing music and poetry? In what way does Plato’s Timaeus resemble the prelude to Wagner’s Das Rheingold? Just how does Beethoven’s work perfectly illustrate fully functional tonality, and why were long-range works based on this type of tonality impossible before the introduction of equal temperament? In this new century, what promising materials are available to composers in the wake of harmonic experimentation and, some would argue, exhaustion? The answers to these seemingly complicated questions are not the sole province of music professors or orchestra conductors. In fact, as E. Eugene Helm demonstrates, they can just as easily be explained to amateurs, and their answers are important if we are to understand how Western music works. The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.
Book Synopsis Melody, Harmony, Tonality by : E. Eugene Helm
Download or read book Melody, Harmony, Tonality written by E. Eugene Helm and published by Scarecrow Press. This book was released on 2012-12-06 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where did the major scale come from? Why does most traditional non-Western music not share Western principles of harmony? What does the inner structure of a canon have to do with religious belief? Why, in historical terms, is J.S. Bach’s music regarded as a perfect combination of melody and harmony? Why do clocks in church towers strike dominant-tonic-dominant-tonic? What do cathedrals have to do with monochords? How can the harmonic series be demonstrated with a rope tied to a doorknob, and how can it be heard by standing next to an electric fan? Why are the free ocean waves in Debussy’s La Mer, the turbulent river waves in Smetana’s Moldau, and the fountain ripples in Ravel’s Jeux d’Eau pushed at times into four-bar phrases? Why is the metric system inherently unsuitable for organizing music and poetry? In what way does Plato’s Timaeus resemble the prelude to Wagner’s Das Rheingold? Just how does Beethoven’s work perfectly illustrate fully functional tonality, and why were long-range works based on this type of tonality impossible before the introduction of equal temperament? In this new century, what promising materials are available to composers in the wake of harmonic experimentation and, some would argue, exhaustion? The answers to these seemingly complicated questions are not the sole province of music professors or orchestra conductors. In fact, as E. Eugene Helm demonstrates, they can just as easily be explained to amateurs, and their answers are important if we are to understand how Western music works. The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.
A basic two year course book of 176 pages, it provides a comprehensive coverage of the work necessary to prepare for GCSE examinations. Essentially a practically based rather than an academic course, each chapter of Harmony, Melody and Composition reveals music from two sides at once: harmony and melody. All principles and examples are drawn directly from musical literature. At every stage the student is called upon to examine and think about the technical processes as they occur in a wide range of music. There are work pages related to each chapter and these contain assignments in analysis, writing, singing and playing. Harmony, Melody and Composition provides a systematic study beginning with basic principles.
Book Synopsis Harmony, Melody and Composition by : Paul Sturman
Download or read book Harmony, Melody and Composition written by Paul Sturman and published by Cambridge University Press. This book was released on 1983-07-11 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: A basic two year course book of 176 pages, it provides a comprehensive coverage of the work necessary to prepare for GCSE examinations. Essentially a practically based rather than an academic course, each chapter of Harmony, Melody and Composition reveals music from two sides at once: harmony and melody. All principles and examples are drawn directly from musical literature. At every stage the student is called upon to examine and think about the technical processes as they occur in a wide range of music. There are work pages related to each chapter and these contain assignments in analysis, writing, singing and playing. Harmony, Melody and Composition provides a systematic study beginning with basic principles.
Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email [email protected] for more information.
Book Synopsis Harmony Through Melody by : Charles Horton
Download or read book Harmony Through Melody written by Charles Horton and published by Rowman & Littlefield. This book was released on 2020-10-15 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt: Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email [email protected] for more information.
The primary aim of this book is to help the reader to understand the language of music and how it works in relation to the guitar. It is not intended as a substitute for all other lines of study, but it will provide a basic knowledge that can be expanded and developed. the reader is urged to read as wide a range of books as possible and to examine whatever music he or she possesses to identify further examples of the points discussed. the examples should be played and carefully listened to. the study of music is sterile if confined to making marks on paper, no matter how well understood intellectually; no real value attaches to a theoretical study of music unless it is directly related to aural experience and its value is reduced further if it is not related to the music of one's instrument.Contents include Musical Sounds and Their Origins, the Organization of single notes, Melody, Intervals, the Beginning of Harmony-Triads, Functional Harmony and Cadences, Primary Harmony and Cadences, Primary Triads and Substitution, Modulation and Transition, Secondary Sevenths, Other Diatonic Secondary Sevenths, the Cadential Six-four, the Dominant Ninth, Secondary Ninths, Chords of the Eleventh and Thirteenth, Chromatic Alteration of Diatonic Chords, chromatic Harmony, Remote Modulation, Pedal Points, and Steps Beyond
Book Synopsis Melody & Harmony for Guitarists by : JOHN W. DUARTE
Download or read book Melody & Harmony for Guitarists written by JOHN W. DUARTE and published by Mel Bay Publications. This book was released on 2010-10-07 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: The primary aim of this book is to help the reader to understand the language of music and how it works in relation to the guitar. It is not intended as a substitute for all other lines of study, but it will provide a basic knowledge that can be expanded and developed. the reader is urged to read as wide a range of books as possible and to examine whatever music he or she possesses to identify further examples of the points discussed. the examples should be played and carefully listened to. the study of music is sterile if confined to making marks on paper, no matter how well understood intellectually; no real value attaches to a theoretical study of music unless it is directly related to aural experience and its value is reduced further if it is not related to the music of one's instrument.Contents include Musical Sounds and Their Origins, the Organization of single notes, Melody, Intervals, the Beginning of Harmony-Triads, Functional Harmony and Cadences, Primary Harmony and Cadences, Primary Triads and Substitution, Modulation and Transition, Secondary Sevenths, Other Diatonic Secondary Sevenths, the Cadential Six-four, the Dominant Ninth, Secondary Ninths, Chords of the Eleventh and Thirteenth, Chromatic Alteration of Diatonic Chords, chromatic Harmony, Remote Modulation, Pedal Points, and Steps Beyond
