Michael Sailstorfer

Michael Sailstorfer

Author: Michael Sailstorfer

Publisher: Sternberg Press

Published: 2008

Total Pages: 156

ISBN-13:

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This book discusses Michael Sailstorfer's most recent work, with a special focus on issues of space and site specificity. Pieces such as Study for Breathing House (a detonation which causes a house to shrink and expand, almost imperceptibly), Endless column (a light beaming into the sky through an open ceiling) or Andy Warhol (perfume dispenser) involve light, smell, energy, and noise as suitable material for the artist's sculptural interventions. Characterized by a wild sense of absurdism, subversive poetry and melancholic humor, Sailstorfer's oeuvre can be read against the backdrop of the conceptualization of space. Along the lines of philosopher Franz Xaver Baier's texts, his work involves the experience of invisible, moving, and existential space, where time and distance become relevant categories for a continuing expansion of spatial knowledge. This comprehensive book contains an essay by art critic Jennifer Allen, a text of fiction by the author Ingo Niermann, a text by Schorsch Kamerun, singer, author, and director, extracts from Franz Xaver Baier's book Der Raum and an interview by curator Neville Wakefield. Michael Sailstorfer has forthcoming solo exhibitions at the Schirn Kunsthalle, Frankfurt am Main, and at P.S.1, New York. Contributors Jennifer Allen, Franz Xaver Baier, Schorsch Kamerun, Ingo Niermann, Neville Wakefield


Book Synopsis Michael Sailstorfer by : Michael Sailstorfer

Download or read book Michael Sailstorfer written by Michael Sailstorfer and published by Sternberg Press. This book was released on 2008 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses Michael Sailstorfer's most recent work, with a special focus on issues of space and site specificity. Pieces such as Study for Breathing House (a detonation which causes a house to shrink and expand, almost imperceptibly), Endless column (a light beaming into the sky through an open ceiling) or Andy Warhol (perfume dispenser) involve light, smell, energy, and noise as suitable material for the artist's sculptural interventions. Characterized by a wild sense of absurdism, subversive poetry and melancholic humor, Sailstorfer's oeuvre can be read against the backdrop of the conceptualization of space. Along the lines of philosopher Franz Xaver Baier's texts, his work involves the experience of invisible, moving, and existential space, where time and distance become relevant categories for a continuing expansion of spatial knowledge. This comprehensive book contains an essay by art critic Jennifer Allen, a text of fiction by the author Ingo Niermann, a text by Schorsch Kamerun, singer, author, and director, extracts from Franz Xaver Baier's book Der Raum and an interview by curator Neville Wakefield. Michael Sailstorfer has forthcoming solo exhibitions at the Schirn Kunsthalle, Frankfurt am Main, and at P.S.1, New York. Contributors Jennifer Allen, Franz Xaver Baier, Schorsch Kamerun, Ingo Niermann, Neville Wakefield


Now on Display, Michael Sailstorfer

Now on Display, Michael Sailstorfer

Author: Michael Sailstorfer

Publisher:

Published: 2010

Total Pages: 2

ISBN-13: 9783869841397

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Book Synopsis Now on Display, Michael Sailstorfer by : Michael Sailstorfer

Download or read book Now on Display, Michael Sailstorfer written by Michael Sailstorfer and published by . This book was released on 2010 with total page 2 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Michael Sailstorfer: Forst

Michael Sailstorfer: Forst

Author:

Publisher:

Published: 2012

Total Pages: 68

ISBN-13:

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Book Synopsis Michael Sailstorfer: Forst by :

Download or read book Michael Sailstorfer: Forst written by and published by . This book was released on 2012 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Jahresringe

Jahresringe

Author: Friedrich Gräfling

Publisher: Lulu.com

Published: 2012-10-22

Total Pages: 65

ISBN-13: 1291142223

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JahresringeSchloss Wiesen08. September - 30. September 2012Exhibition curated by Friedrich GräflingIn conjunction with the 2012 'Monument Day of listed buildings' a combination of historical architecture and contemporary art has been presented at Schloss Wiesen. Especially the contrast between 'young art' and 'ancient walls' seems full of suspense and fascination with nearly 1000 years bridging between the structure and the visual. This catalogue not only presents the exhibited works, but also allows for an insight into one of the oldest buildings in the Spessart with its particularly great, award winning restauration state.Artists exhibted include: Johan Anderson, Maximilian Arnold, Rene Gagnon, Constantin Hartenstein, Damien Hirst, Nathan James, Daniel Lergon, Sarah Maple, Sarah Morris, Mario Pfeifer, Michael Sailstorfer, Siggi Schlee, Hans Schmidt, Stuart Semple, Jorinde Voigt and Dorothy Yoon


Book Synopsis Jahresringe by : Friedrich Gräfling

Download or read book Jahresringe written by Friedrich Gräfling and published by Lulu.com. This book was released on 2012-10-22 with total page 65 pages. Available in PDF, EPUB and Kindle. Book excerpt: JahresringeSchloss Wiesen08. September - 30. September 2012Exhibition curated by Friedrich GräflingIn conjunction with the 2012 'Monument Day of listed buildings' a combination of historical architecture and contemporary art has been presented at Schloss Wiesen. Especially the contrast between 'young art' and 'ancient walls' seems full of suspense and fascination with nearly 1000 years bridging between the structure and the visual. This catalogue not only presents the exhibited works, but also allows for an insight into one of the oldest buildings in the Spessart with its particularly great, award winning restauration state.Artists exhibted include: Johan Anderson, Maximilian Arnold, Rene Gagnon, Constantin Hartenstein, Damien Hirst, Nathan James, Daniel Lergon, Sarah Maple, Sarah Morris, Mario Pfeifer, Michael Sailstorfer, Siggi Schlee, Hans Schmidt, Stuart Semple, Jorinde Voigt and Dorothy Yoon


Landscape into Eco Art

Landscape into Eco Art

Author: Mark Cheetham

Publisher: Penn State Press

Published: 2018-02-14

Total Pages: 409

ISBN-13: 0271081406

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Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.


Book Synopsis Landscape into Eco Art by : Mark Cheetham

Download or read book Landscape into Eco Art written by Mark Cheetham and published by Penn State Press. This book was released on 2018-02-14 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.


Why Only Art Can Save Us

Why Only Art Can Save Us

Author: Santiago Zabala

Publisher: Columbia University Press

Published: 2017-09-05

Total Pages: 218

ISBN-13: 0231544960

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The state of emergency, according to thinkers such as Carl Schmidt, Walter Benjamin, and Giorgio Agamben, is at the heart of any theory of politics. But today the problem is not the crises that we do confront, which are often used by governments to legitimize themselves, but the ones that political realism stops us from recognizing as emergencies, from widespread surveillance to climate change to the systemic shocks of neoliberalism. We need a way of disrupting the existing order that can energize radical democratic action rather than reinforcing the status quo. In this provocative book, Santiago Zabala declares that in an age where the greatest emergency is the absence of emergency, only contemporary art’s capacity to alter reality can save us. Why Only Art Can Save Us advances a new aesthetics centered on the nature of the emergency that characterizes the twenty-first century. Zabala draws on Martin Heidegger’s distinction between works of art that rescue us from emergency and those that are rescuers into emergency. The former are a means of cultural politics, conservers of the status quo that conceal emergencies; the latter are disruptive events that thrust us into emergencies. Building on Arthur Danto, Jacques Rancière, and Gianni Vattimo, who made aesthetics more responsive to contemporary art, Zabala argues that works of art are not simply a means of elevating consumerism or contemplating beauty but are points of departure to change the world. Radical artists create works that disclose and demand active intervention in ongoing crises. Interpreting works of art that aim to propel us into absent emergencies, Zabala shows how art’s ability to create new realities is fundamental to the politics of radical democracy in the state of emergency that is the present.


Book Synopsis Why Only Art Can Save Us by : Santiago Zabala

Download or read book Why Only Art Can Save Us written by Santiago Zabala and published by Columbia University Press. This book was released on 2017-09-05 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: The state of emergency, according to thinkers such as Carl Schmidt, Walter Benjamin, and Giorgio Agamben, is at the heart of any theory of politics. But today the problem is not the crises that we do confront, which are often used by governments to legitimize themselves, but the ones that political realism stops us from recognizing as emergencies, from widespread surveillance to climate change to the systemic shocks of neoliberalism. We need a way of disrupting the existing order that can energize radical democratic action rather than reinforcing the status quo. In this provocative book, Santiago Zabala declares that in an age where the greatest emergency is the absence of emergency, only contemporary art’s capacity to alter reality can save us. Why Only Art Can Save Us advances a new aesthetics centered on the nature of the emergency that characterizes the twenty-first century. Zabala draws on Martin Heidegger’s distinction between works of art that rescue us from emergency and those that are rescuers into emergency. The former are a means of cultural politics, conservers of the status quo that conceal emergencies; the latter are disruptive events that thrust us into emergencies. Building on Arthur Danto, Jacques Rancière, and Gianni Vattimo, who made aesthetics more responsive to contemporary art, Zabala argues that works of art are not simply a means of elevating consumerism or contemplating beauty but are points of departure to change the world. Radical artists create works that disclose and demand active intervention in ongoing crises. Interpreting works of art that aim to propel us into absent emergencies, Zabala shows how art’s ability to create new realities is fundamental to the politics of radical democracy in the state of emergency that is the present.


Graffiti Scratched, Scrawled, Sprayed

Graffiti Scratched, Scrawled, Sprayed

Author: Ondřej Škrabal, Leah Mascia, Ann Lauren Osthof, Malena Ratzke

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2023-12-04

Total Pages: 532

ISBN-13: 3111326314

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Book Synopsis Graffiti Scratched, Scrawled, Sprayed by : Ondřej Škrabal, Leah Mascia, Ann Lauren Osthof, Malena Ratzke

Download or read book Graffiti Scratched, Scrawled, Sprayed written by Ondřej Škrabal, Leah Mascia, Ann Lauren Osthof, Malena Ratzke and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-12-04 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Sculptural in the (Post-)Digital Age

The Sculptural in the (Post-)Digital Age

Author: Mara-Johanna Kölmel

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2023-06-19

Total Pages: 242

ISBN-13: 311077514X

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Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture


Book Synopsis The Sculptural in the (Post-)Digital Age by : Mara-Johanna Kölmel

Download or read book The Sculptural in the (Post-)Digital Age written by Mara-Johanna Kölmel and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-06-19 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture


Contemporary Art Biennials in Europe

Contemporary Art Biennials in Europe

Author: Nicolas Whybrow

Publisher: Bloomsbury Publishing

Published: 2020-09-17

Total Pages: 237

ISBN-13: 1350166987

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Through its examination of five quite different art events in cities across Europe, Contemporary Art Biennials in Europe offers a compelling exploration of how public art takes place in the modern city. Roughly tracing a central horizontal trajectory from the western to the eastern edges of the continent, Nicolas Whybrow considers the Folkestone Triennial in the UK, Sculpture Projects Münster in Germany, the Venice Biennale in Italy, Belgrade's Mikser Festival in Serbia and the Istanbul Biennial in Turkey. Writing within the context of a thirty-year international 'biennial boom', Whybrow interrogates the extent to which biennial events and their artworks seek to engage with the socio-cultural and political complexity of cities, in particular the work that is involved in this relationship. With its focus on Europe, he also tells a composite story of continental difference at a moment of high tension, centering on issues of migration, political populism and uncertainty around the future form of the European Union.


Book Synopsis Contemporary Art Biennials in Europe by : Nicolas Whybrow

Download or read book Contemporary Art Biennials in Europe written by Nicolas Whybrow and published by Bloomsbury Publishing. This book was released on 2020-09-17 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through its examination of five quite different art events in cities across Europe, Contemporary Art Biennials in Europe offers a compelling exploration of how public art takes place in the modern city. Roughly tracing a central horizontal trajectory from the western to the eastern edges of the continent, Nicolas Whybrow considers the Folkestone Triennial in the UK, Sculpture Projects Münster in Germany, the Venice Biennale in Italy, Belgrade's Mikser Festival in Serbia and the Istanbul Biennial in Turkey. Writing within the context of a thirty-year international 'biennial boom', Whybrow interrogates the extent to which biennial events and their artworks seek to engage with the socio-cultural and political complexity of cities, in particular the work that is involved in this relationship. With its focus on Europe, he also tells a composite story of continental difference at a moment of high tension, centering on issues of migration, political populism and uncertainty around the future form of the European Union.


Public Art (Now)

Public Art (Now)

Author: Claire Doherty

Publisher: Art / Books

Published: 2015-03-09

Total Pages: 259

ISBN-13: 1908970170

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Public Art (Now): Out of Time, Out of Place is the first survey of progressive public art from around the world. It presents some of the most significant artworks in the public realm from the last decade, challenging preconceptions about where, when and how public art takes place. The face of public art is changing. For decades, art in the public realm has been characterized by the landmark sculpture or spectacular outdoor event that helps to define or brand a place. But in recent years, a new wave of international artists and producers has rejected the monumental scale and mass appeal of such artworks. Instead, these individuals and groups favour unconventional forms that unsettle rather than authenticate a place's identity; disrupt rather than embellish a particular location; and contest rather than validate the design and function of public space. Performed interactions, collaborative social movements and small-scale subversive acts are just some of the unorthodox approaches taken by these artists. Their works challenge preconceived ideas about the role of art in place-making as they seek to remake places through radical forms and practices. Public Art (Now): Out of Time, Out of Place presents the artists who have been redefining the practice of public art over the past decade. They directly address the most pressing issues of our time, including the encroachment of corporate concerns on public space, the implications of global migration and the isolation of the individual, and the potential of collective action to share the future of our towns and cities. Some forty key works from around the world are organized into five sections – 'Displacement', 'Intervention', 'Disorientation', 'Occupation' and 'Perpetuation' – with detailed descriptions and dozens of installation and process shots. Interviews and quotes from practitioners, commissioners and commentators reveal the impetus and context for the projects, while the editor's introduction sets out the conceptual, practical and ethical issues raised by the works. Bringing together the most significant artworks in the public realm of the last ten years – from ephemeral interventions to long-term ongoing projects – this dynamic survey is an essential reference for anyone interested in the ideas, issues and impulses behind progressive public art, and an accessible introduction to one of the most vibrant areas of contemporary art.


Book Synopsis Public Art (Now) by : Claire Doherty

Download or read book Public Art (Now) written by Claire Doherty and published by Art / Books. This book was released on 2015-03-09 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Public Art (Now): Out of Time, Out of Place is the first survey of progressive public art from around the world. It presents some of the most significant artworks in the public realm from the last decade, challenging preconceptions about where, when and how public art takes place. The face of public art is changing. For decades, art in the public realm has been characterized by the landmark sculpture or spectacular outdoor event that helps to define or brand a place. But in recent years, a new wave of international artists and producers has rejected the monumental scale and mass appeal of such artworks. Instead, these individuals and groups favour unconventional forms that unsettle rather than authenticate a place's identity; disrupt rather than embellish a particular location; and contest rather than validate the design and function of public space. Performed interactions, collaborative social movements and small-scale subversive acts are just some of the unorthodox approaches taken by these artists. Their works challenge preconceived ideas about the role of art in place-making as they seek to remake places through radical forms and practices. Public Art (Now): Out of Time, Out of Place presents the artists who have been redefining the practice of public art over the past decade. They directly address the most pressing issues of our time, including the encroachment of corporate concerns on public space, the implications of global migration and the isolation of the individual, and the potential of collective action to share the future of our towns and cities. Some forty key works from around the world are organized into five sections – 'Displacement', 'Intervention', 'Disorientation', 'Occupation' and 'Perpetuation' – with detailed descriptions and dozens of installation and process shots. Interviews and quotes from practitioners, commissioners and commentators reveal the impetus and context for the projects, while the editor's introduction sets out the conceptual, practical and ethical issues raised by the works. Bringing together the most significant artworks in the public realm of the last ten years – from ephemeral interventions to long-term ongoing projects – this dynamic survey is an essential reference for anyone interested in the ideas, issues and impulses behind progressive public art, and an accessible introduction to one of the most vibrant areas of contemporary art.