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This publication showcases Milingimbi Art and Culture Centre's artists, their work and the ancient Yolngu culture and traditions that infuse everyday life in a remote island Community in NE Arnhem Land, Australia.
Book Synopsis Milingimbi Art and Culture by : Milingimbi Art and Culture Aboriginal Corporation
Download or read book Milingimbi Art and Culture written by Milingimbi Art and Culture Aboriginal Corporation and published by . This book was released on 2013-05-26 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication showcases Milingimbi Art and Culture Centre's artists, their work and the ancient Yolngu culture and traditions that infuse everyday life in a remote island Community in NE Arnhem Land, Australia.
Download or read book Milingimbi written by Vanessa Russ and published by . This book was released on 2017-07-29 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
“The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of Sydney’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.
Book Synopsis Djalkiri by : Rebecca J. Conway
Download or read book Djalkiri written by Rebecca J. Conway and published by Sydney University Press. This book was released on 2021-01-01 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of Sydney’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.
This book presents - for the first time - the exquisite bark paintings by 15 artists, as well as ceremonial and utilitarian objects, from the small island community of Milingimbi in far northern Australia. Drawn from a unique collection held at the Art Gallery of New South Wales, this book includes 62 bark paintings produced in the 1950s, as well as woven forms, paperbark objects, carved wooden figures and feathered body ornamentation.
Book Synopsis Art from Milingimbi by : Cara Pinchbeck
Download or read book Art from Milingimbi written by Cara Pinchbeck and published by Thames & Hudson. This book was released on 2016 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents - for the first time - the exquisite bark paintings by 15 artists, as well as ceremonial and utilitarian objects, from the small island community of Milingimbi in far northern Australia. Drawn from a unique collection held at the Art Gallery of New South Wales, this book includes 62 bark paintings produced in the 1950s, as well as woven forms, paperbark objects, carved wooden figures and feathered body ornamentation.
This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today. Focusing on themes of collaboration and dialogue, the book includes two conversations between First Nations and non-Indigenous authors and an historian’s self-reflexive account of mediating between traditional owners and an international art auction house to repatriate art. There are studies of ‘reverse appropriation‘ by early nineteenth-century Aboriginal carvers of tourist artefacts and the production of enigmatic toa. Cross-cultural dialogue is traced from the post-war period to ‘Aboriginalism’ in design and the First Nations fashion industry of today. Transculturation, conceptualism, and collaboration are contextualised in the 1980s, a pivotal decade for the growth of collaborative First Nations exhibitions. Within the current circumstances of political protest in photographic portraiture and against the mining of sacred Aboriginal land, Crosscurrents in Australian First Nations and Non-Indigenous Art testifies to the need for Australian institutions to collaborate with First Nations people more often and better. This book will appeal to students and scholars of art history, Indigenous anthropology, and museum and heritage studies.
Book Synopsis Crosscurrents in Australian First Nations and Non-Indigenous Art by : Sarah Scott
Download or read book Crosscurrents in Australian First Nations and Non-Indigenous Art written by Sarah Scott and published by Taylor & Francis. This book was released on 2023-08-11 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today. Focusing on themes of collaboration and dialogue, the book includes two conversations between First Nations and non-Indigenous authors and an historian’s self-reflexive account of mediating between traditional owners and an international art auction house to repatriate art. There are studies of ‘reverse appropriation‘ by early nineteenth-century Aboriginal carvers of tourist artefacts and the production of enigmatic toa. Cross-cultural dialogue is traced from the post-war period to ‘Aboriginalism’ in design and the First Nations fashion industry of today. Transculturation, conceptualism, and collaboration are contextualised in the 1980s, a pivotal decade for the growth of collaborative First Nations exhibitions. Within the current circumstances of political protest in photographic portraiture and against the mining of sacred Aboriginal land, Crosscurrents in Australian First Nations and Non-Indigenous Art testifies to the need for Australian institutions to collaborate with First Nations people more often and better. This book will appeal to students and scholars of art history, Indigenous anthropology, and museum and heritage studies.
Why did the Methodist missionaries seek out the full blood tribal yolngu (Aborihinal) of north-east Arnhem Land who fiercely resisted intruders into their practically unknown and untamed country? One answer was the Bible, and another was by the 1920s the plight of the Australian Aboriginee because of contact with Europeans across wide Australia. What did happen to the yolngu who lived by their own laws at the time of the arrival of the first Europeans, the Christian mission balanda in 1923, when they settled onto their land? Yolngu from (law) was enforced by the spear throughout their lands until the missionaries with the Bible and the cross of Jesus arrived. The Australian Police then, although the missionaries were only few in number, began to visit to support new western laws that were being introduced to the yolngu where justice was dealt with by the law courts and enforced by the power of the gun, so when the law was broken there was the possibility of imprisonment, and also in those days there was the most deadliest of all western laws - capital punishment. With the arrival of the Mthodist Overseas Mission with modern conveniences and living conditions for the yolngu, it therefore attracted many other yolngu clans living on the mainland to come and live at Milingimbi, The mission in particular became a buffer between the yolngu and the outside encroaching western dominant society, so our yolngu communities began to grow and prosper which was contrary to many communities down south where Aboriginals from their first contact with mainstream Europeans became disempowered, and as their lands were being fenced and taken from them they bagan to die off in large numbers and by the 1920s they were looked upon as a dying race with the possibility of extinction.
Book Synopsis The Spear the Cross and the Gun by : Djandjay Baker
Download or read book The Spear the Cross and the Gun written by Djandjay Baker and published by Xlibris Corporation. This book was released on 2023-11-16 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did the Methodist missionaries seek out the full blood tribal yolngu (Aborihinal) of north-east Arnhem Land who fiercely resisted intruders into their practically unknown and untamed country? One answer was the Bible, and another was by the 1920s the plight of the Australian Aboriginee because of contact with Europeans across wide Australia. What did happen to the yolngu who lived by their own laws at the time of the arrival of the first Europeans, the Christian mission balanda in 1923, when they settled onto their land? Yolngu from (law) was enforced by the spear throughout their lands until the missionaries with the Bible and the cross of Jesus arrived. The Australian Police then, although the missionaries were only few in number, began to visit to support new western laws that were being introduced to the yolngu where justice was dealt with by the law courts and enforced by the power of the gun, so when the law was broken there was the possibility of imprisonment, and also in those days there was the most deadliest of all western laws - capital punishment. With the arrival of the Mthodist Overseas Mission with modern conveniences and living conditions for the yolngu, it therefore attracted many other yolngu clans living on the mainland to come and live at Milingimbi, The mission in particular became a buffer between the yolngu and the outside encroaching western dominant society, so our yolngu communities began to grow and prosper which was contrary to many communities down south where Aboriginals from their first contact with mainstream Europeans became disempowered, and as their lands were being fenced and taken from them they bagan to die off in large numbers and by the 1920s they were looked upon as a dying race with the possibility of extinction.
Museums, Societies and the Creation of Value focuses on the ways in which museums and the use of their collections have contributed to, and continue to be engaged with, value creation processes. Including chapters from many of the leading figures in museum anthropology, as well as from outstanding early-career researchers, this volume presents a diverse range of international case studies that bridge the gap between theory and practice. It demonstrates that ethnographic collections and the museums that hold and curate them have played a central role in the value creation processes that have changed attitudes to cultural differences. The essays engage richly with many of the important issues of contemporary museum discourse and practice. They show how collections exist at the ever-changing point of articulation between the source communities and the people and cultures of the museum and challenge presentist critiques of museums that position them as locked into the time that they emerged. Museums, Societies and the Creation of Value provides examples of the productive outcomes of collaborative work and relationships, showing how they can be mutually beneficial. The book will be of great interest to researchers and students engaged in the study of museums and heritage, anthropology, culture, Indigenous peoples, postcolonialism, history and sociology. It will also be of interest to museum professionals.
Book Synopsis Museums, Societies and the Creation of Value by : Howard Morphy
Download or read book Museums, Societies and the Creation of Value written by Howard Morphy and published by Routledge. This book was released on 2021-12-30 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Museums, Societies and the Creation of Value focuses on the ways in which museums and the use of their collections have contributed to, and continue to be engaged with, value creation processes. Including chapters from many of the leading figures in museum anthropology, as well as from outstanding early-career researchers, this volume presents a diverse range of international case studies that bridge the gap between theory and practice. It demonstrates that ethnographic collections and the museums that hold and curate them have played a central role in the value creation processes that have changed attitudes to cultural differences. The essays engage richly with many of the important issues of contemporary museum discourse and practice. They show how collections exist at the ever-changing point of articulation between the source communities and the people and cultures of the museum and challenge presentist critiques of museums that position them as locked into the time that they emerged. Museums, Societies and the Creation of Value provides examples of the productive outcomes of collaborative work and relationships, showing how they can be mutually beneficial. The book will be of great interest to researchers and students engaged in the study of museums and heritage, anthropology, culture, Indigenous peoples, postcolonialism, history and sociology. It will also be of interest to museum professionals.
For nearly four decades, Ian Keen has been an important, challenging, and engaging presence in Australian anthropology. Beginning with his PhD research in the mid-1970s and through to the present, he has been a leading scholar of Yolngu society and culture, and has made lasting contributions to a range of debates. His scholarly productivity, however, has never been limited to the Yolngu, and he has conducted research and published widely on many other facets of Australian Aboriginal society: on Aboriginal culture in ‘settled’ Australia; comparative historical work on Aboriginal societies at the threshold of colonisation; a continuing interest in kinship; ongoing writing on language and society; and a set of significant land claims across the continent. In this volume of essays in his honour, a group of Keen’s former students and current colleagues celebrate the diversity of his scholarly interests and his inspiring influence as a mentor and a friend, with contributions ranging across language structure, meaning, and use; the post-colonial engagement of Aboriginal Australians with the ideas and structures of ‘mainstream’ society; ambiguity and indeterminacy in Aboriginal symbolic systems and ritual practices; and many other interconnected themes, each of which represents a string that he has woven into the rich tapestry of his scholarly work.
Book Synopsis Strings of Connectedness by : P.G. Toner
Download or read book Strings of Connectedness written by P.G. Toner and published by ANU Press. This book was released on 2015-09-18 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: For nearly four decades, Ian Keen has been an important, challenging, and engaging presence in Australian anthropology. Beginning with his PhD research in the mid-1970s and through to the present, he has been a leading scholar of Yolngu society and culture, and has made lasting contributions to a range of debates. His scholarly productivity, however, has never been limited to the Yolngu, and he has conducted research and published widely on many other facets of Australian Aboriginal society: on Aboriginal culture in ‘settled’ Australia; comparative historical work on Aboriginal societies at the threshold of colonisation; a continuing interest in kinship; ongoing writing on language and society; and a set of significant land claims across the continent. In this volume of essays in his honour, a group of Keen’s former students and current colleagues celebrate the diversity of his scholarly interests and his inspiring influence as a mentor and a friend, with contributions ranging across language structure, meaning, and use; the post-colonial engagement of Aboriginal Australians with the ideas and structures of ‘mainstream’ society; ambiguity and indeterminacy in Aboriginal symbolic systems and ritual practices; and many other interconnected themes, each of which represents a string that he has woven into the rich tapestry of his scholarly work.
The forum, Milingimbi Makarrata: Bringing the Past into the Future, was held at Milingimbi from 11th to 14th August 2016. This book gives insight into the forum and gives context to a singularly unique document-the Milingimbi Makarrata Resolution. The Resolution is a direct outcome of the forum and provides a framework for Yolngu to engage with their cultural heritage in museums. The Resolution was signed by attendees and others who gave support for the event. Photographs of the signing of the resolution by these people are included. This booklet provides additional detail on collaborative projects developed between the Milingimbi community and the cultural institutions that emerged from the forum.
Book Synopsis The Milingimbi Makarrata by : Louise Hamby
Download or read book The Milingimbi Makarrata written by Louise Hamby and published by . This book was released on 2020-05-15 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The forum, Milingimbi Makarrata: Bringing the Past into the Future, was held at Milingimbi from 11th to 14th August 2016. This book gives insight into the forum and gives context to a singularly unique document-the Milingimbi Makarrata Resolution. The Resolution is a direct outcome of the forum and provides a framework for Yolngu to engage with their cultural heritage in museums. The Resolution was signed by attendees and others who gave support for the event. Photographs of the signing of the resolution by these people are included. This booklet provides additional detail on collaborative projects developed between the Milingimbi community and the cultural institutions that emerged from the forum.
Museums, Infinity and the Culture of Protocols enters a dialogue about museums’ responsibility for the curation of their collections into an infinite future while also tackling contentious issues of repatriation and digital access to collections. Bringing into focus a number of key debates centred on ethnographic collections and their relationship with source communities, Morphy considers the value material objects have to different ‘local’ communities – the museum and the source community – and the value-creation processes with which they are entangled. The focus on values and value brings the issue of repatriation and access into a dialogue between the two locals, questioning who has access to collections and whose values are taken into consideration. Placing the museum itself firmly at the centre of the debate, Morphy posits that museums constitute a kind of ‘local’ embedded in a trajectory of value. Museums, Infinity and the Culture of Protocols challenges aspects of postcolonial theory that position museums in the past by presenting an argument that places relationships with communities as central to the future of museums. This makes the book essential reading for academics and students working in the fields of museum and heritage studies, anthropology, archaeology, Indigenous studies, cultural studies, and history.
Book Synopsis Museums, Infinity and the Culture of Protocols by : Howard Morphy
Download or read book Museums, Infinity and the Culture of Protocols written by Howard Morphy and published by Routledge. This book was released on 2019-10-17 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: Museums, Infinity and the Culture of Protocols enters a dialogue about museums’ responsibility for the curation of their collections into an infinite future while also tackling contentious issues of repatriation and digital access to collections. Bringing into focus a number of key debates centred on ethnographic collections and their relationship with source communities, Morphy considers the value material objects have to different ‘local’ communities – the museum and the source community – and the value-creation processes with which they are entangled. The focus on values and value brings the issue of repatriation and access into a dialogue between the two locals, questioning who has access to collections and whose values are taken into consideration. Placing the museum itself firmly at the centre of the debate, Morphy posits that museums constitute a kind of ‘local’ embedded in a trajectory of value. Museums, Infinity and the Culture of Protocols challenges aspects of postcolonial theory that position museums in the past by presenting an argument that places relationships with communities as central to the future of museums. This makes the book essential reading for academics and students working in the fields of museum and heritage studies, anthropology, archaeology, Indigenous studies, cultural studies, and history.
