Mobility and Identity in US Genre Painting

Mobility and Identity in US Genre Painting

Author: Lacey Baradel

Publisher: Routledge

Published: 2020-12-31

Total Pages: 196

ISBN-13: 1000290468

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This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.


Book Synopsis Mobility and Identity in US Genre Painting by : Lacey Baradel

Download or read book Mobility and Identity in US Genre Painting written by Lacey Baradel and published by Routledge. This book was released on 2020-12-31 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.


Mobility and Identity in US Genre Painting

Mobility and Identity in US Genre Painting

Author: Lacey Baradel

Publisher: Routledge

Published: 2020-12-30

Total Pages: 164

ISBN-13: 1000290409

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This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.


Book Synopsis Mobility and Identity in US Genre Painting by : Lacey Baradel

Download or read book Mobility and Identity in US Genre Painting written by Lacey Baradel and published by Routledge. This book was released on 2020-12-30 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.


The Imperial Patronage of Labor Genre Paintings in Eighteenth-Century China

The Imperial Patronage of Labor Genre Paintings in Eighteenth-Century China

Author: Roslyn Lee Hammers

Publisher: Routledge

Published: 2021-03-30

Total Pages: 317

ISBN-13: 1000339882

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This book examines the agrarian labor genre paintings based on the Pictures of Tilling and Weaving that were commissioned by successive Chinese emperors. Furthermore, this book analyzes the genre’s imagery as well as the poems in their historical context and explains how the paintings contributed to distinctively cosmopolitan Qing imagery that also drew upon European visual styles. Roslyn Lee Hammers contends that technologically-informed imagery was not merely didactic imagery to teach viewers how to grow rice or produce silk. The Qing emperors invested in paintings of labor to substantiate the permanence of the dynasty and to promote the well-being of the people under Manchu governance. The book includes English translations of the poems of the Pictures of Tilling and Weaving as well as other documents that have not been brought together in translation. The book will be of interest to scholars working in art history, Chinese history, Chinese studies, history of science and technology, book history, labor history, and Qing history.


Book Synopsis The Imperial Patronage of Labor Genre Paintings in Eighteenth-Century China by : Roslyn Lee Hammers

Download or read book The Imperial Patronage of Labor Genre Paintings in Eighteenth-Century China written by Roslyn Lee Hammers and published by Routledge. This book was released on 2021-03-30 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the agrarian labor genre paintings based on the Pictures of Tilling and Weaving that were commissioned by successive Chinese emperors. Furthermore, this book analyzes the genre’s imagery as well as the poems in their historical context and explains how the paintings contributed to distinctively cosmopolitan Qing imagery that also drew upon European visual styles. Roslyn Lee Hammers contends that technologically-informed imagery was not merely didactic imagery to teach viewers how to grow rice or produce silk. The Qing emperors invested in paintings of labor to substantiate the permanence of the dynasty and to promote the well-being of the people under Manchu governance. The book includes English translations of the poems of the Pictures of Tilling and Weaving as well as other documents that have not been brought together in translation. The book will be of interest to scholars working in art history, Chinese history, Chinese studies, history of science and technology, book history, labor history, and Qing history.


Re-envisioning the Everyday

Re-envisioning the Everyday

Author: John Fagg

Publisher: Penn State Press

Published:

Total Pages: 393

ISBN-13: 0271095814

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Book Synopsis Re-envisioning the Everyday by : John Fagg

Download or read book Re-envisioning the Everyday written by John Fagg and published by Penn State Press. This book was released on with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Mapping Impressionist Painting in Transnational Contexts

Mapping Impressionist Painting in Transnational Contexts

Author: Emily C. Burns

Publisher: Routledge

Published: 2021-05-03

Total Pages: 318

ISBN-13: 1000372952

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This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.


Book Synopsis Mapping Impressionist Painting in Transnational Contexts by : Emily C. Burns

Download or read book Mapping Impressionist Painting in Transnational Contexts written by Emily C. Burns and published by Routledge. This book was released on 2021-05-03 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.


Italian Painting in the Age of Unification

Italian Painting in the Age of Unification

Author: Laura L. Watts

Publisher: Routledge

Published: 2021-06-15

Total Pages: 332

ISBN-13: 1000400565

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Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchino Toma—from three distinct regions in Italy prior to, during, and directly following political unification in 1861. Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.


Book Synopsis Italian Painting in the Age of Unification by : Laura L. Watts

Download or read book Italian Painting in the Age of Unification written by Laura L. Watts and published by Routledge. This book was released on 2021-06-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchino Toma—from three distinct regions in Italy prior to, during, and directly following political unification in 1861. Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.


History and Art History

History and Art History

Author: Nicholas Chare

Publisher: Routledge

Published: 2020-11-29

Total Pages: 246

ISBN-13: 1000226190

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Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present. Spanning a diverse range of time periods and places, the contributions cumulatively showcase ways in which ongoing dialogue between history and art history raises important aesthetic, ethical and political questions for the disciplines. The volume fosters a methodological awareness that enriches exchanges across these distinct fields of knowledge. This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture and historiography.


Book Synopsis History and Art History by : Nicholas Chare

Download or read book History and Art History written by Nicholas Chare and published by Routledge. This book was released on 2020-11-29 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present. Spanning a diverse range of time periods and places, the contributions cumulatively showcase ways in which ongoing dialogue between history and art history raises important aesthetic, ethical and political questions for the disciplines. The volume fosters a methodological awareness that enriches exchanges across these distinct fields of knowledge. This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture and historiography.


Modern Art in Cold War Beirut

Modern Art in Cold War Beirut

Author: Sarah Rogers

Publisher: Routledge

Published: 2021-06-14

Total Pages: 259

ISBN-13: 0429615310

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Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 1960s. Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism. This book will be of particular interest to scholars in art history, Cold War studies, and Middle East studies.


Book Synopsis Modern Art in Cold War Beirut by : Sarah Rogers

Download or read book Modern Art in Cold War Beirut written by Sarah Rogers and published by Routledge. This book was released on 2021-06-14 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 1960s. Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism. This book will be of particular interest to scholars in art history, Cold War studies, and Middle East studies.


East-West Artistic Transfer through Rome, Armenia and the Silk Road

East-West Artistic Transfer through Rome, Armenia and the Silk Road

Author: Christiane Esche-Ramshorn

Publisher: Routledge

Published: 2021-09-05

Total Pages: 273

ISBN-13: 100043463X

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This book examines the arts and artistic exchanges at the ‘Christian Oriental’ fringes of Europe, especially Armenia. It starts with the architecture, history and inhabitants of the lesser known pilgrim compounds at the Vatican in the Middle Ages and Renaissance, of Hungary, Germany, but namely those of the most ancient of Churches, the Churches of the Christian Orient Ethiopia and Armenia. Without taking an Eurocentric view, this book explores the role of missionaries, merchants, artists (for example Momik, Giotto, Minas, Domenico Veneziano, Duerer), and artefacts (such as fabrics, inscriptions and symbols) travelling into both directions along the western stretch of the Silk Road between Ayas (Cilicia), ancient Armenia and North-western Iran. This area was truly global before globalization, was a site of intense cultural exchanges and East-West cultural transmissions. This book opens a new research window into the culturally mixed landscapes in the Christian Orient, the Middle East and North-eastern Africa by taking into consideration their many indigenous and foreign artistic components and embeds Armenian arts into today’s wider art historical discourse. This book will be of interest to scholars in art history, architectural history, missions, trade, Middle Eastern arts and the arts of the Southern Caucasus.


Book Synopsis East-West Artistic Transfer through Rome, Armenia and the Silk Road by : Christiane Esche-Ramshorn

Download or read book East-West Artistic Transfer through Rome, Armenia and the Silk Road written by Christiane Esche-Ramshorn and published by Routledge. This book was released on 2021-09-05 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the arts and artistic exchanges at the ‘Christian Oriental’ fringes of Europe, especially Armenia. It starts with the architecture, history and inhabitants of the lesser known pilgrim compounds at the Vatican in the Middle Ages and Renaissance, of Hungary, Germany, but namely those of the most ancient of Churches, the Churches of the Christian Orient Ethiopia and Armenia. Without taking an Eurocentric view, this book explores the role of missionaries, merchants, artists (for example Momik, Giotto, Minas, Domenico Veneziano, Duerer), and artefacts (such as fabrics, inscriptions and symbols) travelling into both directions along the western stretch of the Silk Road between Ayas (Cilicia), ancient Armenia and North-western Iran. This area was truly global before globalization, was a site of intense cultural exchanges and East-West cultural transmissions. This book opens a new research window into the culturally mixed landscapes in the Christian Orient, the Middle East and North-eastern Africa by taking into consideration their many indigenous and foreign artistic components and embeds Armenian arts into today’s wider art historical discourse. This book will be of interest to scholars in art history, architectural history, missions, trade, Middle Eastern arts and the arts of the Southern Caucasus.


Public Statues Across Time and Cultures

Public Statues Across Time and Cultures

Author: Christopher P. Dickenson

Publisher: Routledge

Published: 2021-04-08

Total Pages: 266

ISBN-13: 1000368246

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This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself. The meaning of public statues is examined through discussion of their appearance and their spatial context and of written discourses having to do with how they were experienced. Bringing together experts working on statues in different cultures, the book sheds light on similarities and differences in the role that public statues had in different times and places throughout history. The book will also provide insight into the diverse methods and approaches that scholars working on these different periods use to investigate statues. The book will appeal to historians, art historians and archaeologists of all periods who have an interest in the display of sculpture, the reception of public art or the significance of public monuments.


Book Synopsis Public Statues Across Time and Cultures by : Christopher P. Dickenson

Download or read book Public Statues Across Time and Cultures written by Christopher P. Dickenson and published by Routledge. This book was released on 2021-04-08 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself. The meaning of public statues is examined through discussion of their appearance and their spatial context and of written discourses having to do with how they were experienced. Bringing together experts working on statues in different cultures, the book sheds light on similarities and differences in the role that public statues had in different times and places throughout history. The book will also provide insight into the diverse methods and approaches that scholars working on these different periods use to investigate statues. The book will appeal to historians, art historians and archaeologists of all periods who have an interest in the display of sculpture, the reception of public art or the significance of public monuments.