Modes of Representation

Modes of Representation

Author: Richard Kimberly Heck

Publisher: Oxford University Press

Published: 2024-03-04

Total Pages: 444

ISBN-13: 0192606069

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Lois Lane knows that Superman can fly, but she does not know that Clark Kent can fly. How can that be, given that Superman and Clark are one and the same? To answer this question, Frege famously distinguished the reference of a name (the thing it is a name of) from what he called its 'sense' or 'mode of presentation'. The sense was meant to capture our (necessarily limited) perspective on reference and to explain the difference in 'cognitive value' between "Superman can fly" and "Clark can fly". Frege's distinction has been widely discussed in the last century, but much about it remains unclear. In this collection, Richard Kimberly Heck, one of the world's foremost experts on Frege's philosophy, distinguishes three aspects of Frege's famous 'puzzle' and explores the connections between them. Their wide-ranging discussion touches on issues in philosophy of mind, philosophy of language, philosophy of logic, the history of analytic philosophy, and meta-philosophy. Heck argues that, while many of the details of Frege's position cannot be defended, his famous puzzle still has much to teach us both about the foundations of cognition and about the nature of linguistic communication. Modes of Presentation presents eight previously published papers, two of which are significantly expanded. There are also three new chapters, three new postscripts responding to criticisms, and a substantial overview that introduces the issues and traces connections between the chapters.


Book Synopsis Modes of Representation by : Richard Kimberly Heck

Download or read book Modes of Representation written by Richard Kimberly Heck and published by Oxford University Press. This book was released on 2024-03-04 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lois Lane knows that Superman can fly, but she does not know that Clark Kent can fly. How can that be, given that Superman and Clark are one and the same? To answer this question, Frege famously distinguished the reference of a name (the thing it is a name of) from what he called its 'sense' or 'mode of presentation'. The sense was meant to capture our (necessarily limited) perspective on reference and to explain the difference in 'cognitive value' between "Superman can fly" and "Clark can fly". Frege's distinction has been widely discussed in the last century, but much about it remains unclear. In this collection, Richard Kimberly Heck, one of the world's foremost experts on Frege's philosophy, distinguishes three aspects of Frege's famous 'puzzle' and explores the connections between them. Their wide-ranging discussion touches on issues in philosophy of mind, philosophy of language, philosophy of logic, the history of analytic philosophy, and meta-philosophy. Heck argues that, while many of the details of Frege's position cannot be defended, his famous puzzle still has much to teach us both about the foundations of cognition and about the nature of linguistic communication. Modes of Presentation presents eight previously published papers, two of which are significantly expanded. There are also three new chapters, three new postscripts responding to criticisms, and a substantial overview that introduces the issues and traces connections between the chapters.


Tools and Modes of Representation in the Laboratory Sciences

Tools and Modes of Representation in the Laboratory Sciences

Author: U. Klein

Publisher: Springer Science & Business Media

Published: 2013-04-17

Total Pages: 290

ISBN-13: 9401597375

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constitutive of reference in laboratory sciences as cultural sign systems and their manipulation and superposition, collectively shared classifications and associated conceptual frameworks,· and various fonns of collective action and social institutions. This raises the question of how much modes of representation, and specific types of sign systems mobilized to construct them, contribute to reference. Semioticians have argued that sign systems are not merely passive media for expressing preconceived ideas but actively contribute to meaning. Sign systems are culturally loaded with meaning stemming from previous practical applications and social traditions of applications. In new local contexts of application they not only transfer stabilized meaning but also can be used as active resources to add new significance and modify previous meaning. This view is supported by several analyses presented in this volume. Sign systems can be implemented like tools that are manipulated and superposed with other types of signs to forge new representations. The mode of representation, made possible by applying and manipulating specific types of representational tools, such as diagrammatic rather than mathematical representations, or Berzelian fonnulas rather than verbal language, contributes to meaning and forges fine-grained differentiations between scientists' concepts. Taken together, the essays contained in this volume give us a multifaceted picture of the broad variety of modes of representation in nineteenth-century and twentieth-century laboratory sciences, of the way scientists juxtaposed and integrated various representations, and of their pragmatic use as tools in scientific and industrial practice.


Book Synopsis Tools and Modes of Representation in the Laboratory Sciences by : U. Klein

Download or read book Tools and Modes of Representation in the Laboratory Sciences written by U. Klein and published by Springer Science & Business Media. This book was released on 2013-04-17 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: constitutive of reference in laboratory sciences as cultural sign systems and their manipulation and superposition, collectively shared classifications and associated conceptual frameworks,· and various fonns of collective action and social institutions. This raises the question of how much modes of representation, and specific types of sign systems mobilized to construct them, contribute to reference. Semioticians have argued that sign systems are not merely passive media for expressing preconceived ideas but actively contribute to meaning. Sign systems are culturally loaded with meaning stemming from previous practical applications and social traditions of applications. In new local contexts of application they not only transfer stabilized meaning but also can be used as active resources to add new significance and modify previous meaning. This view is supported by several analyses presented in this volume. Sign systems can be implemented like tools that are manipulated and superposed with other types of signs to forge new representations. The mode of representation, made possible by applying and manipulating specific types of representational tools, such as diagrammatic rather than mathematical representations, or Berzelian fonnulas rather than verbal language, contributes to meaning and forges fine-grained differentiations between scientists' concepts. Taken together, the essays contained in this volume give us a multifaceted picture of the broad variety of modes of representation in nineteenth-century and twentieth-century laboratory sciences, of the way scientists juxtaposed and integrated various representations, and of their pragmatic use as tools in scientific and industrial practice.


Sign Language and Mythology as Primitive Modes of Representation

Sign Language and Mythology as Primitive Modes of Representation

Author: Gerald Massey

Publisher: Cosimo, Inc.

Published: 2008-01-01

Total Pages: 50

ISBN-13: 1605203033

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Myth-making Man did not create the Gods in his own image. The primary divinities of Egypt, such as Sut, Sebek, and Shu, three of the earliest, were represented in the likeness of the Hippopotamus, the Crocodile, and the Lion; whilst Hapi was imaged as an Ape, Anup as a Jackal, Ptah as a Beetle, Taht as an Ibis, Seb as a Goose. So it was the Goddesses. They are the likenesses of powers that were super-human, not human.... A huge mistake has hitherto been made in assuming that the Myth-Makers began by fashioning the Nature-Powers in their own human likeness. from Sign Language and Mythology as Primitive Modes of Representation It goes unappreciated by modern Egyptologists, but it is embraced by those who savor the concept of a hidden history of humanity, and those who approach all human knowledge from the perspective of the esoteric. Gerard Massey 's massive Ancient Egypt: The Light of the World first published in 1907 and the crowning achievement of the self-taught scholar redefines the roots of Christianity via Egypt, proposing that Egyptian mythology was the basis for Jewish and Christian beliefs. Here, Cosimo proudly presents Book 1 of Ancient Egypt, in which Massey argues that primitive man found no human agency in the phenomena of the natural world, which led to a woeful misinterpretation of Egyptian hieroglyphics by the Greeks and Romans as well as a misunderstanding of the essence of Egyptian mythology. As a consequence, Massey contends, a deep fount of wisdom of the ancients has been lost, and he goes on to reveal how it can be rediscovered. Peculiar and profound, this work will intrigue and delight readers of history, religion, and mythology. British author GERALD MASSEY (1828 1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and The Natural Genesis.


Book Synopsis Sign Language and Mythology as Primitive Modes of Representation by : Gerald Massey

Download or read book Sign Language and Mythology as Primitive Modes of Representation written by Gerald Massey and published by Cosimo, Inc.. This book was released on 2008-01-01 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt: Myth-making Man did not create the Gods in his own image. The primary divinities of Egypt, such as Sut, Sebek, and Shu, three of the earliest, were represented in the likeness of the Hippopotamus, the Crocodile, and the Lion; whilst Hapi was imaged as an Ape, Anup as a Jackal, Ptah as a Beetle, Taht as an Ibis, Seb as a Goose. So it was the Goddesses. They are the likenesses of powers that were super-human, not human.... A huge mistake has hitherto been made in assuming that the Myth-Makers began by fashioning the Nature-Powers in their own human likeness. from Sign Language and Mythology as Primitive Modes of Representation It goes unappreciated by modern Egyptologists, but it is embraced by those who savor the concept of a hidden history of humanity, and those who approach all human knowledge from the perspective of the esoteric. Gerard Massey 's massive Ancient Egypt: The Light of the World first published in 1907 and the crowning achievement of the self-taught scholar redefines the roots of Christianity via Egypt, proposing that Egyptian mythology was the basis for Jewish and Christian beliefs. Here, Cosimo proudly presents Book 1 of Ancient Egypt, in which Massey argues that primitive man found no human agency in the phenomena of the natural world, which led to a woeful misinterpretation of Egyptian hieroglyphics by the Greeks and Romans as well as a misunderstanding of the essence of Egyptian mythology. As a consequence, Massey contends, a deep fount of wisdom of the ancients has been lost, and he goes on to reveal how it can be rediscovered. Peculiar and profound, this work will intrigue and delight readers of history, religion, and mythology. British author GERALD MASSEY (1828 1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and The Natural Genesis.


Continuity and Change in Art

Continuity and Change in Art

Author: Sidney J. Blatt

Publisher: Routledge

Published: 2014-04-04

Total Pages: 432

ISBN-13: 1317769015

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The representation of the form of objects and of space in painting, from paleolithic through contemporary time, has become increasingly integrated, complex, and abstract. Based on a synthesis of concepts drawn from the theories of Piaget and Freud, this book demonstrates that modes of representation in art evolve in a natural developmental order and are expressions of the predominant mode of thought in their particular cultural epoch. They reflect important features of the social order and are expressed in other intellectual endeavors as well, especially in concepts of science. A fascinating evaluation of the development of cognitive processes and the formal properties of art, this work should appeal to professionals and graduate students in developmental, cognitive, aesthetic, personality, and clinical psychology; to psychoanalysts interested in developmental theory; and to anyone interested in cultural history -- especially the history of art and the history of science.


Book Synopsis Continuity and Change in Art by : Sidney J. Blatt

Download or read book Continuity and Change in Art written by Sidney J. Blatt and published by Routledge. This book was released on 2014-04-04 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: The representation of the form of objects and of space in painting, from paleolithic through contemporary time, has become increasingly integrated, complex, and abstract. Based on a synthesis of concepts drawn from the theories of Piaget and Freud, this book demonstrates that modes of representation in art evolve in a natural developmental order and are expressions of the predominant mode of thought in their particular cultural epoch. They reflect important features of the social order and are expressed in other intellectual endeavors as well, especially in concepts of science. A fascinating evaluation of the development of cognitive processes and the formal properties of art, this work should appeal to professionals and graduate students in developmental, cognitive, aesthetic, personality, and clinical psychology; to psychoanalysts interested in developmental theory; and to anyone interested in cultural history -- especially the history of art and the history of science.


Modes of Representation in Spanish Cinema

Modes of Representation in Spanish Cinema

Author: Jenaro Talens

Publisher: U of Minnesota Press

Published: 1998

Total Pages: 380

ISBN-13: 9780816629749

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Isolated by the repressions and censorship of Franco's regime, Spanish cinema developed distinctive style and content from the 1930s to the 1970s, largely without reference to its international counterparts. Through a series of close readings of films made in the Republican period under Franco and more recently under socialism, contributors here seek to present a clearer picture of Spanish national cinema.


Book Synopsis Modes of Representation in Spanish Cinema by : Jenaro Talens

Download or read book Modes of Representation in Spanish Cinema written by Jenaro Talens and published by U of Minnesota Press. This book was released on 1998 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Isolated by the repressions and censorship of Franco's regime, Spanish cinema developed distinctive style and content from the 1930s to the 1970s, largely without reference to its international counterparts. Through a series of close readings of films made in the Republican period under Franco and more recently under socialism, contributors here seek to present a clearer picture of Spanish national cinema.


Multiple Representations in Chemical Education

Multiple Representations in Chemical Education

Author: John K. Gilbert

Publisher: Springer Science & Business Media

Published: 2009-02-28

Total Pages: 369

ISBN-13: 1402088728

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Chemistry seeks to provide qualitative and quantitative explanations for the observed behaviour of elements and their compounds. Doing so involves making use of three types of representation: the macro (the empirical properties of substances); the sub-micro (the natures of the entities giving rise to those properties); and the symbolic (the number of entities involved in any changes that take place). Although understanding this triplet relationship is a key aspect of chemical education, there is considerable evidence that students find great difficulty in achieving mastery of the ideas involved. In bringing together the work of leading chemistry educators who are researching the triplet relationship at the secondary and university levels, the book discusses the learning involved, the problems that students encounter, and successful approaches to teaching. Based on the reported research, the editors argue for a coherent model for understanding the triplet relationship in chemical education.


Book Synopsis Multiple Representations in Chemical Education by : John K. Gilbert

Download or read book Multiple Representations in Chemical Education written by John K. Gilbert and published by Springer Science & Business Media. This book was released on 2009-02-28 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chemistry seeks to provide qualitative and quantitative explanations for the observed behaviour of elements and their compounds. Doing so involves making use of three types of representation: the macro (the empirical properties of substances); the sub-micro (the natures of the entities giving rise to those properties); and the symbolic (the number of entities involved in any changes that take place). Although understanding this triplet relationship is a key aspect of chemical education, there is considerable evidence that students find great difficulty in achieving mastery of the ideas involved. In bringing together the work of leading chemistry educators who are researching the triplet relationship at the secondary and university levels, the book discusses the learning involved, the problems that students encounter, and successful approaches to teaching. Based on the reported research, the editors argue for a coherent model for understanding the triplet relationship in chemical education.


Studies in Cognitive Growth

Studies in Cognitive Growth

Author: Jerome Seymour Bruner

Publisher:

Published: 1967

Total Pages: 0

ISBN-13:

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Book Synopsis Studies in Cognitive Growth by : Jerome Seymour Bruner

Download or read book Studies in Cognitive Growth written by Jerome Seymour Bruner and published by . This book was released on 1967 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Performing Metaphoric Creativity across Modes and Contexts

Performing Metaphoric Creativity across Modes and Contexts

Author: Laura Hidalgo-Downing

Publisher: John Benjamins Publishing Company

Published: 2020-06-15

Total Pages: 360

ISBN-13: 9027261210

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The creative potentiality of metaphor is one of the central themes in research on creativity. The present volume offers a space for the interdisciplinary discussion of the relationship between metaphor and creativity by focusing on (re)contextualization across modes and socio-cultural contexts and on the performative dimension of creative discourse practices. The volume brings together insights from Conceptual Metaphor Theory, (Critical) Discourse approaches to metaphor and Multimodal discourse analysis. Creativity as a process is explored in how it emerges in the flow of experience when talking about or reacting to creative acts such as dance, painting or music, and in subjects’ responses to advertisements in experimental studies. Creativity as product is explored by analyzing the choice, occurrence and patterning of creative metaphors in various types of (multimodal and multisensorial) discourses such as political cartoons, satire, films, children’s storybooks, music and songs, videos, scientific discourse, architectural reviews and the performance of classical Indian rasa.


Book Synopsis Performing Metaphoric Creativity across Modes and Contexts by : Laura Hidalgo-Downing

Download or read book Performing Metaphoric Creativity across Modes and Contexts written by Laura Hidalgo-Downing and published by John Benjamins Publishing Company. This book was released on 2020-06-15 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: The creative potentiality of metaphor is one of the central themes in research on creativity. The present volume offers a space for the interdisciplinary discussion of the relationship between metaphor and creativity by focusing on (re)contextualization across modes and socio-cultural contexts and on the performative dimension of creative discourse practices. The volume brings together insights from Conceptual Metaphor Theory, (Critical) Discourse approaches to metaphor and Multimodal discourse analysis. Creativity as a process is explored in how it emerges in the flow of experience when talking about or reacting to creative acts such as dance, painting or music, and in subjects’ responses to advertisements in experimental studies. Creativity as product is explored by analyzing the choice, occurrence and patterning of creative metaphors in various types of (multimodal and multisensorial) discourses such as political cartoons, satire, films, children’s storybooks, music and songs, videos, scientific discourse, architectural reviews and the performance of classical Indian rasa.


The Oxford Handbook of International Criminal Law

The Oxford Handbook of International Criminal Law

Author: Darryl Robinson

Publisher: Oxford University Press

Published: 2020-02-24

Total Pages: 896

ISBN-13: 0192558889

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In the past twenty years, international criminal law has become one of the main areas of international legal scholarship and practice. Most textbooks in the field describe the evolution of international criminal tribunals, the elements of the core international crimes, the applicable modes of liability and defences, and the role of states in prosecuting international crimes. The Oxford Handbook of International Criminal Law, however, takes a theoretically informed and refreshingly critical look at the most controversial issues in international criminal law, challenging prevailing practices, orthodoxies, and received wisdoms. Some of the contributions to the Handbook come from scholars within the field, but many come from outside of international criminal law, or indeed from outside law itself. The chapters are grounded in history, geography, philosophy, and international relations. The result is a Handbook that expands the discipline and should fundamentally alter how international criminal law is understood.


Book Synopsis The Oxford Handbook of International Criminal Law by : Darryl Robinson

Download or read book The Oxford Handbook of International Criminal Law written by Darryl Robinson and published by Oxford University Press. This book was released on 2020-02-24 with total page 896 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the past twenty years, international criminal law has become one of the main areas of international legal scholarship and practice. Most textbooks in the field describe the evolution of international criminal tribunals, the elements of the core international crimes, the applicable modes of liability and defences, and the role of states in prosecuting international crimes. The Oxford Handbook of International Criminal Law, however, takes a theoretically informed and refreshingly critical look at the most controversial issues in international criminal law, challenging prevailing practices, orthodoxies, and received wisdoms. Some of the contributions to the Handbook come from scholars within the field, but many come from outside of international criminal law, or indeed from outside law itself. The chapters are grounded in history, geography, philosophy, and international relations. The result is a Handbook that expands the discipline and should fundamentally alter how international criminal law is understood.


Models

Models

Author: Marx W. Wartofsky

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 422

ISBN-13: 9400993579

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Marx Wartofsky has been working for many years within an unusual confluence of philosophical problems. He brings to these intersecting problems his comprehensive intelligence, at once imaginative and rigorous, analytic and historical. He is a philosopher's philosopher, but also Everyman's. Wartofsky is philosopher of the natural and the social sciences, of perception, esthetics and the creative arts, of the 18th century French and the 19th century Germans, of politics and morality, ofthe methods and morals of medicine, and it is plain, of all human existence. To a colleague, he seems Jack-of-all-philosophical-trades, and master of them too. The reader soon will learn that Wartofsky is a genial, lucid and relaxed philosophical companion, deeply serious but without noticeable anxiety. I need not highlight these selected epistemological papers gathered as, and about, Models, since Wartofsky's own introductory remarks are helpful and stimulating in that respect. I need only, after 21 years of friendship and collaboration with him, warn the reader to beware of how profound and provocative these papers will show themselves to be beneath their good-humored and swiftly-flowing surface. And I must publicly note the pleasure with which I welcome Marx Wartofsky's volume to our Boston Studies. Boston University R.S.C. Center for the Philosophy and History of Science September 1979 vii TABLE OF CONTENTS EDITORIAL PREFACE VII xi AC K NOWLEDGEMENTS xiii INTRODUCTION The Model Muddle: Proposals for an Immodest Realism 1.


Book Synopsis Models by : Marx W. Wartofsky

Download or read book Models written by Marx W. Wartofsky and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marx Wartofsky has been working for many years within an unusual confluence of philosophical problems. He brings to these intersecting problems his comprehensive intelligence, at once imaginative and rigorous, analytic and historical. He is a philosopher's philosopher, but also Everyman's. Wartofsky is philosopher of the natural and the social sciences, of perception, esthetics and the creative arts, of the 18th century French and the 19th century Germans, of politics and morality, ofthe methods and morals of medicine, and it is plain, of all human existence. To a colleague, he seems Jack-of-all-philosophical-trades, and master of them too. The reader soon will learn that Wartofsky is a genial, lucid and relaxed philosophical companion, deeply serious but without noticeable anxiety. I need not highlight these selected epistemological papers gathered as, and about, Models, since Wartofsky's own introductory remarks are helpful and stimulating in that respect. I need only, after 21 years of friendship and collaboration with him, warn the reader to beware of how profound and provocative these papers will show themselves to be beneath their good-humored and swiftly-flowing surface. And I must publicly note the pleasure with which I welcome Marx Wartofsky's volume to our Boston Studies. Boston University R.S.C. Center for the Philosophy and History of Science September 1979 vii TABLE OF CONTENTS EDITORIAL PREFACE VII xi AC K NOWLEDGEMENTS xiii INTRODUCTION The Model Muddle: Proposals for an Immodest Realism 1.