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Book Synopsis Music and the Bourgeois, Music and the Proletarian by : János Maróthy
Download or read book Music and the Bourgeois, Music and the Proletarian written by János Maróthy and published by Akademiai Kiads. This book was released on 1974 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music and the bourgeois, music and the proletarian (Zene és polgár, zene és proletár, engl. Transl. from the Hungarian by Ėva Róna.) by : János Maróthy
Download or read book Music and the bourgeois, music and the proletarian (Zene és polgár, zene és proletár, engl. Transl. from the Hungarian by Ėva Róna.) written by János Maróthy and published by . This book was released on 1974 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music and the bourgeois, Musci and the Proletarian by : János Maróthy
Download or read book Music and the bourgeois, Musci and the Proletarian written by János Maróthy and published by . This book was released on 1974 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music and the Bourgeois, Music and the Proletarian by : János Maróthy
Download or read book Music and the Bourgeois, Music and the Proletarian written by János Maróthy and published by Akademiai Kiads. This book was released on 1974 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Zene Es Polgar, Zene Es Proletar. English. Music and the Bourgeois, Music and the Proletarian by : János Maróthy
Download or read book Zene Es Polgar, Zene Es Proletar. English. Music and the Bourgeois, Music and the Proletarian written by János Maróthy and published by . This book was released on 1974 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The question of how music and politics interact has always aroused passionate debate, and it looms large in this study of the Soviet proletarian music movement. The proletarian music movement was the driving force behind many of the developments in early Soviet musical life, and its influence was felt long after the groups that belonged to it disbanded in 1932. It consisted of politicians, composers, musicologists, performers and educators who were united by their desire to create a dictatorship of the proletariat in musical life, and develop musical forms that responded to the needs of their new society. Based largely on primary and contemporary secondary sources, this book charts the history of the proletarian music movement, examines its beliefs, and discusses its work in the fields of musical education, amateur musical activities and composition. It discusses the origins of important characteristics of Soviet musical life, sheds light on a neglected area of early Soviet cultural history, examines how the cultural apparatus was mobilised to instil a political ideology, and challenges how Soviet musical life of the 1920s has traditionally been viewed.
Book Synopsis The Soviet Proletarian Music Movement by : Neil Edmunds
Download or read book The Soviet Proletarian Music Movement written by Neil Edmunds and published by Peter Lang Limited, International Academic Publishers. This book was released on 2000 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of how music and politics interact has always aroused passionate debate, and it looms large in this study of the Soviet proletarian music movement. The proletarian music movement was the driving force behind many of the developments in early Soviet musical life, and its influence was felt long after the groups that belonged to it disbanded in 1932. It consisted of politicians, composers, musicologists, performers and educators who were united by their desire to create a dictatorship of the proletariat in musical life, and develop musical forms that responded to the needs of their new society. Based largely on primary and contemporary secondary sources, this book charts the history of the proletarian music movement, examines its beliefs, and discusses its work in the fields of musical education, amateur musical activities and composition. It discusses the origins of important characteristics of Soviet musical life, sheds light on a neglected area of early Soviet cultural history, examines how the cultural apparatus was mobilised to instil a political ideology, and challenges how Soviet musical life of the 1920s has traditionally been viewed.
Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.
Book Synopsis Music for the Revolution by : Amy Nelson
Download or read book Music for the Revolution written by Amy Nelson and published by Penn State Press. This book was released on 2010-02-24 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Music and Marx by : Regula Qureshi
Download or read book Music and Marx written by Regula Qureshi and published by Psychology Press. This book was released on 2002 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Music and the Burgeois by : James Marothy
Download or read book Music and the Burgeois written by James Marothy and published by . This book was released on 1974 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Western classical music has become as Chinese as Peking Opera, and it has woven its way into the hearts and lives of ordinary Chinese people. This lucidly written account traces the biographies of the bold visionaries who carried out this musical merger. Rhapsody in Red is a history of classical music in China that revolves around a common theme: how Western classical music entered China, and how it became Chinese. China's oldest orchestra was founded in 1879, two years before the Boston Symphony. Since then, classical music has woven its way into the lives of ordinary Chinese people. Millions of Chinese children take piano and violin lessons every week. Yet, despite the importance of classical music in China - and of Chinese classical musicians and composers to the world - next to nothing has been written on this fascinating subject. The authors capture the events with the voice of an insider and the perspective of a Westerner, presenting new information, original research and insights into a topic that has barely been broached elsewhere. "Every chapter is as exiting as it is revealing. The book is thoroughly researched, with superb bibliography. I am ecstatic; my students will be electrified." - Clive M. Marks, Chairman, The London College of Music, Trestee, Trinity College of Music and The London Philarmonic Orchestra
Book Synopsis Rhapsody in Red by : Sheila Melvin
Download or read book Rhapsody in Red written by Sheila Melvin and published by Algora Publishing. This book was released on 2004 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Western classical music has become as Chinese as Peking Opera, and it has woven its way into the hearts and lives of ordinary Chinese people. This lucidly written account traces the biographies of the bold visionaries who carried out this musical merger. Rhapsody in Red is a history of classical music in China that revolves around a common theme: how Western classical music entered China, and how it became Chinese. China's oldest orchestra was founded in 1879, two years before the Boston Symphony. Since then, classical music has woven its way into the lives of ordinary Chinese people. Millions of Chinese children take piano and violin lessons every week. Yet, despite the importance of classical music in China - and of Chinese classical musicians and composers to the world - next to nothing has been written on this fascinating subject. The authors capture the events with the voice of an insider and the perspective of a Westerner, presenting new information, original research and insights into a topic that has barely been broached elsewhere. "Every chapter is as exiting as it is revealing. The book is thoroughly researched, with superb bibliography. I am ecstatic; my students will be electrified." - Clive M. Marks, Chairman, The London College of Music, Trestee, Trinity College of Music and The London Philarmonic Orchestra