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Music and Victorian Philanthropy

Author: Charles Edward McGuire

Publisher: Cambridge University Press

Published: 2009-07-16

Total Pages: 264

ISBN-13: 9780521449687

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Providing a fresh approach to the social history of the Victorian era, this book examines the history and development of the tonic sol-fa sight-singing system, and its impact on British society. Instead of focusing on the popular classical music canon, McGuire combines musicology, social history and theology to investigate the perceived power of music within the Victorian era. Through case studies on temperance, missionaries, and women's suffrage, the book traces how John Curwen and his son transformed Sarah Glover's sight-singing notation from a strictly local phenomenon into an internationally-used system. They built an infrastructure that promoted its use within Great Britain and beyond, to British colonies and other lands experiencing British influence, such as India, South Africa, and especially Madagascar. McGuire demonstrates how tonic sol-fa was believed to be of importance beyond music education - that music could improve the morals of individual singers and listeners, thus transforming society.

Book Synopsis Music and Victorian Philanthropy by : Charles Edward McGuire

Download or read book Music and Victorian Philanthropy written by Charles Edward McGuire and published by Cambridge University Press. This book was released on 2009-07-16 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a fresh approach to the social history of the Victorian era, this book examines the history and development of the tonic sol-fa sight-singing system, and its impact on British society. Instead of focusing on the popular classical music canon, McGuire combines musicology, social history and theology to investigate the perceived power of music within the Victorian era. Through case studies on temperance, missionaries, and women's suffrage, the book traces how John Curwen and his son transformed Sarah Glover's sight-singing notation from a strictly local phenomenon into an internationally-used system. They built an infrastructure that promoted its use within Great Britain and beyond, to British colonies and other lands experiencing British influence, such as India, South Africa, and especially Madagascar. McGuire demonstrates how tonic sol-fa was believed to be of importance beyond music education - that music could improve the morals of individual singers and listeners, thus transforming society.

Music and Victorian Liberalism

Author: Sarah Collins

Publisher: Cambridge University Press

Published: 2019-06-06

Total Pages: 269

ISBN-13: 1108480055

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Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.

Book Synopsis Music and Victorian Liberalism by : Sarah Collins

Download or read book Music and Victorian Liberalism written by Sarah Collins and published by Cambridge University Press. This book was released on 2019-06-06 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.

Philanthropy and the Construction of Victorian Women's Citizenship

Author: Andrea Geddes Poole

Publisher: University of Toronto Press

Published: 2014-02-05

Total Pages: 312

ISBN-13: 1442693541

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British social reformers Emma Cons (1838–1911) and Lucy Cavendish (1841–1924) broke new ground in their efforts to better the lot of the working poor in London: they hoped to transform these people’s lives through great art, music, high culture, and elite knowledge. Although they did not recognize it as such, their work was in many ways an affirmation and display of citizenship. This book uses Cons’s and Cavendish’s partnership and work as an illuminating point of departure for exploring the larger topic of women’s philanthropic campaigns in late Victorian and Edwardian society. Andrea Geddes Poole demonstrates that, beginning in the late 1860s, a shift was occurring from an emphasis on charity as a private, personal act of women’s virtuous duty to public philanthropy as evidence of citizenly, civic participation. She shows that, through philanthropic works, women were able to construct a separate public sphere through which they could speak directly to each other about how to affect matters of significant public policy – decades before women were finally granted the right to vote.

Book Synopsis Philanthropy and the Construction of Victorian Women's Citizenship by : Andrea Geddes Poole

Download or read book Philanthropy and the Construction of Victorian Women's Citizenship written by Andrea Geddes Poole and published by University of Toronto Press. This book was released on 2014-02-05 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: British social reformers Emma Cons (1838–1911) and Lucy Cavendish (1841–1924) broke new ground in their efforts to better the lot of the working poor in London: they hoped to transform these people’s lives through great art, music, high culture, and elite knowledge. Although they did not recognize it as such, their work was in many ways an affirmation and display of citizenship. This book uses Cons’s and Cavendish’s partnership and work as an illuminating point of departure for exploring the larger topic of women’s philanthropic campaigns in late Victorian and Edwardian society. Andrea Geddes Poole demonstrates that, beginning in the late 1860s, a shift was occurring from an emphasis on charity as a private, personal act of women’s virtuous duty to public philanthropy as evidence of citizenly, civic participation. She shows that, through philanthropic works, women were able to construct a separate public sphere through which they could speak directly to each other about how to affect matters of significant public policy – decades before women were finally granted the right to vote.

The Idea of Music in Victorian Fiction

Author: Nicky Losseff

Publisher: Routledge

Published: 2016-03-03

Total Pages: 320

ISBN-13: 1317028066

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The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.

Book Synopsis The Idea of Music in Victorian Fiction by : Nicky Losseff

Download or read book The Idea of Music in Victorian Fiction written by Nicky Losseff and published by Routledge. This book was released on 2016-03-03 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.

Bernarr Rainbow on Music

Author: Bernarr Rainbow

Publisher: Boydell & Brewer

Published: 2010

Total Pages: 420

ISBN-13: 1843835924

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A memoir by the renowned historian of music education, Bernarr Rainbow, including a selection of his writings and a biographical introduction by Peter Dickinson. Bernarr Rainbow's [1914-1998] Memoirs written in the last year or two of his life offers a fascinating read about the life of the man who became the leading historian of music education. The book answers questions about how his life and work developed and how he came to establish the Bernarr Rainbow Trust before he died in 1998. The collection will also bring together Rainbow's writings published in various magazines, some of very limited circulation. Thenotes by Peter Dickinson cover Rainbow's earlier life and career, from archival material including press cuttings and including areas he does not cover in his memoirs. There are introductions by Gordon Cox and Charles Plummeridge. PETER DICKINSON, the composer and pianist, is emeritus professor, University of Keele and University of London. He has written or edited several books about twentieth-century music, including Copland Connotations [2002], The Music of Lennox Berkeley [2003], CageTalk [2006], and the more recent Lord Berners and Samuel Barber Remembered.

Book Synopsis Bernarr Rainbow on Music by : Bernarr Rainbow

Download or read book Bernarr Rainbow on Music written by Bernarr Rainbow and published by Boydell & Brewer. This book was released on 2010 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: A memoir by the renowned historian of music education, Bernarr Rainbow, including a selection of his writings and a biographical introduction by Peter Dickinson. Bernarr Rainbow's [1914-1998] Memoirs written in the last year or two of his life offers a fascinating read about the life of the man who became the leading historian of music education. The book answers questions about how his life and work developed and how he came to establish the Bernarr Rainbow Trust before he died in 1998. The collection will also bring together Rainbow's writings published in various magazines, some of very limited circulation. Thenotes by Peter Dickinson cover Rainbow's earlier life and career, from archival material including press cuttings and including areas he does not cover in his memoirs. There are introductions by Gordon Cox and Charles Plummeridge. PETER DICKINSON, the composer and pianist, is emeritus professor, University of Keele and University of London. He has written or edited several books about twentieth-century music, including Copland Connotations [2002], The Music of Lennox Berkeley [2003], CageTalk [2006], and the more recent Lord Berners and Samuel Barber Remembered.

Music and Moral Management in the Nineteenth-Century English Lunatic Asylum

Author: Rosemary Golding

Publisher: Springer Nature

Published: 2021-09-01

Total Pages: 375

ISBN-13: 3030785254

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This book traces the role played by music within asylums, the participation of staff and patients in musical activity, and the links drawn between music, health, and wellbeing. In the first part of the book, the author draws on a wide range of sources to investigate the debates around moral management, entertainment, and music for patients, as well as the wider context of music and mental health. In the second part, a series of case studies bring to life the characters and contexts involved in asylum music, selected from a range of public and private institutions. From asylum bands to chapel choirs, smoking concerts to orchestras, the rich variety of musical activity presents new perspectives on music in everyday life. Aspects such as employment practices, musicians’ networks and the purchase and maintenance of musical instruments illuminate the ‘business’ of music as part of moral management. As a source of entertainment and occupation, a means of solace and self-control, and as a device for social gatherings and contact with the outside world, the place of music in the asylum offers valuable insight into its uses and meanings in nineteenth-century England.

Book Synopsis Music and Moral Management in the Nineteenth-Century English Lunatic Asylum by : Rosemary Golding

Download or read book Music and Moral Management in the Nineteenth-Century English Lunatic Asylum written by Rosemary Golding and published by Springer Nature. This book was released on 2021-09-01 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the role played by music within asylums, the participation of staff and patients in musical activity, and the links drawn between music, health, and wellbeing. In the first part of the book, the author draws on a wide range of sources to investigate the debates around moral management, entertainment, and music for patients, as well as the wider context of music and mental health. In the second part, a series of case studies bring to life the characters and contexts involved in asylum music, selected from a range of public and private institutions. From asylum bands to chapel choirs, smoking concerts to orchestras, the rich variety of musical activity presents new perspectives on music in everyday life. Aspects such as employment practices, musicians’ networks and the purchase and maintenance of musical instruments illuminate the ‘business’ of music as part of moral management. As a source of entertainment and occupation, a means of solace and self-control, and as a device for social gatherings and contact with the outside world, the place of music in the asylum offers valuable insight into its uses and meanings in nineteenth-century England.

Evolution and Victorian Musical Culture

Author: Bennett Zon

Publisher: Cambridge University Press

Published: 2017-10-12

Total Pages: 377

ISBN-13: 1108326269

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This engaging book explores the dynamic relationship between evolutionary science and musical culture in Victorian Britain, drawing upon a wealth of popular scientific and musical literature to contextualize evolutionary theories of the Darwinian and non-Darwinian revolutions. Bennett Zon uses musical culture to question the hegemonic role ascribed to Darwin by later thinkers, and interrogates the conceptual premise of modern debates in evolutionary musicology. Structured around the Great Chain of Being, chapters are organized by discipline in successively ascending order according to their object of study, from zoology and the study of animal music to theology and the music of God. Evolution and Victorian Musical Culture takes a non-Darwinian approach to the interpretation of Victorian scientific and musical interrelationships, debunking the idea that the arts had little influence on contemporary scientific ideas and, by probing the origins of musical interdisciplinarity, the volume shows how music helped ideas about evolution to evolve.

Book Synopsis Evolution and Victorian Musical Culture by : Bennett Zon

Download or read book Evolution and Victorian Musical Culture written by Bennett Zon and published by Cambridge University Press. This book was released on 2017-10-12 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: This engaging book explores the dynamic relationship between evolutionary science and musical culture in Victorian Britain, drawing upon a wealth of popular scientific and musical literature to contextualize evolutionary theories of the Darwinian and non-Darwinian revolutions. Bennett Zon uses musical culture to question the hegemonic role ascribed to Darwin by later thinkers, and interrogates the conceptual premise of modern debates in evolutionary musicology. Structured around the Great Chain of Being, chapters are organized by discipline in successively ascending order according to their object of study, from zoology and the study of animal music to theology and the music of God. Evolution and Victorian Musical Culture takes a non-Darwinian approach to the interpretation of Victorian scientific and musical interrelationships, debunking the idea that the arts had little influence on contemporary scientific ideas and, by probing the origins of musical interdisciplinarity, the volume shows how music helped ideas about evolution to evolve.

Music, Morality and Social Reform in Nineteenth-Century Britain

Author: Paul Watt

Publisher: Boydell & Brewer

Published: 2023-11-21

Total Pages: 229

ISBN-13: 1837650810

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A pioneering work which delves into and reveals the links between music, moral instruction and social reform. This book discusses the role of music in programmes of personal improvement and social reform in nineteenth-century Britain. The pursuit of morality through music was designed not just to improve personal and communal character but to affect social change and transformation. The book examines the musical education of children, women and men through a variety of literature published for various educational settings including mechanics' institutes. It also considers the role of music in narratives of social programs and community-building projects that sought to promote utility, well-being and freedom from the strictures of Christianity as the dominant moral and cultural force. The first book to connect the threads between music, moral instruction and social reform across the educational life cycle in nineteenth-century Britain, it shows how these threads are found in unlikely places, such as games, manners books, economics treatises and short stories. It deftly illustrates the links between everyday life, popular culture and discourses of morality and social reform of the period.

Book Synopsis Music, Morality and Social Reform in Nineteenth-Century Britain by : Paul Watt

Download or read book Music, Morality and Social Reform in Nineteenth-Century Britain written by Paul Watt and published by Boydell & Brewer. This book was released on 2023-11-21 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering work which delves into and reveals the links between music, moral instruction and social reform. This book discusses the role of music in programmes of personal improvement and social reform in nineteenth-century Britain. The pursuit of morality through music was designed not just to improve personal and communal character but to affect social change and transformation. The book examines the musical education of children, women and men through a variety of literature published for various educational settings including mechanics' institutes. It also considers the role of music in narratives of social programs and community-building projects that sought to promote utility, well-being and freedom from the strictures of Christianity as the dominant moral and cultural force. The first book to connect the threads between music, moral instruction and social reform across the educational life cycle in nineteenth-century Britain, it shows how these threads are found in unlikely places, such as games, manners books, economics treatises and short stories. It deftly illustrates the links between everyday life, popular culture and discourses of morality and social reform of the period.

The Musical Salvationist

Author: Gordon Cox

Publisher: Boydell & Brewer Ltd

Published: 2011

Total Pages: 250

ISBN-13: 1843836963

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The Musical Salvationist frames the Salvation Army's contribution to British musical life through the life story of composer, arranger and musical editor Richard Slater (1854-1939), popularly known as the 'Father of SalvationArmy Music', drawing on his detailed hand-written diaries. The Musical Salvationist frames the musical history of the Salvation Army through the life story of Richard Slater, popularly known as the 'Father of Salvation Army Music'. This book focuses upon the significant contribution of the Salvation Army to British musical life from the late Victorian era until the outbreak of the Second World War in 1939. It demonstrates links between the Army's music-making and working class popular culture, education and religion. Richard Slater [1854-1939] worked in the Army's Musical Department from 1883 until his retirement in 1913. His detailed hand-written diaries reveal new information about his background before he became a Salvationist at the age of 28. He then worked as the principal Salvationist composer, arranger and musical editor of the period and had contact with William Booth, the Army's Founder, who rejoiced in 'robbing the devil of his choicetunes'; George Bernard Shaw who wrote a penetrating critique of a band festival in 1905; and Eric Ball who was to become one of the Army's finest composers. The book illuminates rarely explored aspects of a vibrant Britishmusical tradition, and its adaptation to international contexts. GORDON COX is a former Senior Lecturer in Music Education, University of Reading. Foreword by Dr Ray Steadman-Allen.

Book Synopsis The Musical Salvationist by : Gordon Cox

Download or read book The Musical Salvationist written by Gordon Cox and published by Boydell & Brewer Ltd. This book was released on 2011 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Musical Salvationist frames the Salvation Army's contribution to British musical life through the life story of composer, arranger and musical editor Richard Slater (1854-1939), popularly known as the 'Father of SalvationArmy Music', drawing on his detailed hand-written diaries. The Musical Salvationist frames the musical history of the Salvation Army through the life story of Richard Slater, popularly known as the 'Father of Salvation Army Music'. This book focuses upon the significant contribution of the Salvation Army to British musical life from the late Victorian era until the outbreak of the Second World War in 1939. It demonstrates links between the Army's music-making and working class popular culture, education and religion. Richard Slater [1854-1939] worked in the Army's Musical Department from 1883 until his retirement in 1913. His detailed hand-written diaries reveal new information about his background before he became a Salvationist at the age of 28. He then worked as the principal Salvationist composer, arranger and musical editor of the period and had contact with William Booth, the Army's Founder, who rejoiced in 'robbing the devil of his choicetunes'; George Bernard Shaw who wrote a penetrating critique of a band festival in 1905; and Eric Ball who was to become one of the Army's finest composers. The book illuminates rarely explored aspects of a vibrant Britishmusical tradition, and its adaptation to international contexts. GORDON COX is a former Senior Lecturer in Music Education, University of Reading. Foreword by Dr Ray Steadman-Allen.

The Player Piano and the Edwardian Novel

Author: Cecilia Björkén-Nyberg

Publisher: Routledge

Published: 2016-03-03

Total Pages: 222

ISBN-13: 1317021223

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In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.

Book Synopsis The Player Piano and the Edwardian Novel by : Cecilia Björkén-Nyberg

Download or read book The Player Piano and the Edwardian Novel written by Cecilia Björkén-Nyberg and published by Routledge. This book was released on 2016-03-03 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.