Download Music Archaeological Sources full books in PDF, epub, and Kindle. Read online Music Archaeological Sources ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
This volume presents 38 papers (the majority in English) from the 3rd symposium of the International Study Group on Music Archaeology held at Michaelstein Monastery in 2002, with an additional six papers honouring Ellen Hickmann. Divided into five sections, the contributions discuss: the universals of ancient music; the methodology of music archaeology; traditions and the cultural memory; musical instruments in traditional contexts and constructions; the written evidence. The case studies cover a broad geographical range, encompassing the Near and Middle East, Asia, Australia, prehistoric and medieval Europe, Greece and Rome, the Americas and Egypt. Twenty-seven papers in English, one in French, the rest in German.
Book Synopsis Music-archaeological sources by : Ellen Hickmann
Download or read book Music-archaeological sources written by Ellen Hickmann and published by Verlag Marie Leidorf. This book was released on 2004 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents 38 papers (the majority in English) from the 3rd symposium of the International Study Group on Music Archaeology held at Michaelstein Monastery in 2002, with an additional six papers honouring Ellen Hickmann. Divided into five sections, the contributions discuss: the universals of ancient music; the methodology of music archaeology; traditions and the cultural memory; musical instruments in traditional contexts and constructions; the written evidence. The case studies cover a broad geographical range, encompassing the Near and Middle East, Asia, Australia, prehistoric and medieval Europe, Greece and Rome, the Americas and Egypt. Twenty-seven papers in English, one in French, the rest in German.
This collection of eleven essays provides the reader with some valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome. The volume, then, offers a series of examinations of literary data and materials from different areas of the Classical World and the Near East in ancient times and in late Antiquity, examined both synchronically and diachronically, in some cases in dialogue with one another. This broad treatment makes this collection of interest to historians, archaeologists, philologists and musicians, providing them with a multi-faceted volume which guides them towards a fuller understanding of ancient societies and which heightens the awareness of the importance of music as a transversal phenomenon.
Book Synopsis The Study of Musical Performance in Antiquity by : Agnès Garcia Ventura
Download or read book The Study of Musical Performance in Antiquity written by Agnès Garcia Ventura and published by Cambridge Scholars Publishing. This book was released on 2018-11-07 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of eleven essays provides the reader with some valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome. The volume, then, offers a series of examinations of literary data and materials from different areas of the Classical World and the Near East in ancient times and in late Antiquity, examined both synchronically and diachronically, in some cases in dialogue with one another. This broad treatment makes this collection of interest to historians, archaeologists, philologists and musicians, providing them with a multi-faceted volume which guides them towards a fuller understanding of ancient societies and which heightens the awareness of the importance of music as a transversal phenomenon.
This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D. This is not a study of music in the Bible or music in biblical times but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings -- musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics -- with evidence drawn from written (mainly biblical) texts and anthropological, sociological, and linguistic sources. The portrait Braun assembles of this past musical world is both fascinating and innovative, suggesting a reconsideration of many views long accepted by tradition. Enhanced with numerous illustrations and photographs that bring the archaeological evidence to life, this exceptional work will be a valued resource for scholars, students, and general readers interested in the history of music, biblical studies, Jewish studies, and the cultures of the ancient Near East.
Book Synopsis Music in Ancient Israel/Palestine by : Joachim Braun
Download or read book Music in Ancient Israel/Palestine written by Joachim Braun and published by Wm. B. Eerdmans Publishing. This book was released on 2002 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D. This is not a study of music in the Bible or music in biblical times but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings -- musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics -- with evidence drawn from written (mainly biblical) texts and anthropological, sociological, and linguistic sources. The portrait Braun assembles of this past musical world is both fascinating and innovative, suggesting a reconsideration of many views long accepted by tradition. Enhanced with numerous illustrations and photographs that bring the archaeological evidence to life, this exceptional work will be a valued resource for scholars, students, and general readers interested in the history of music, biblical studies, Jewish studies, and the cultures of the ancient Near East.
Many tombs dating to the Eastern Zhou (770-221 BCE) and Han (206 BCE-220 AD) periods contain musical instruments or their visual representations in the form of wood, stone, and ceramic figures, tomb tiles, and engravings. These finds suggest that music was viewed as an important part of the afterlife. While bells have survived more frequently than wooden instruments, and therefore have received the most scholarly attention, strings, winds, and drums are the focus of discussion in this book. The book examines the use of these three instrument types in both solo and ensemble music, as well as the social, ritual, and entertainment functions of each. When combined with bells (and chime stones), strings, drums, and winds appear to have been associated with formal ritual ceremonies. However, when appearing alone or in assemblages with other wooden instruments during Zhou, they appear to be connected with warfare and entertainment. By Han times, strings, winds, and drums seem to be associated almost exclusively with entertainment, pointing to a shift in the social life of the times. Another topic explored in this book is the association of musical instruments with wealth. When combined with bells and chime stones, they are only found in the wealthiest tombs. However, when found by themselves, strings, winds, and drums appear in small to large, modest to wealthy tombs, suggesting that they were available to a broad range of peoples in early Chinese elite society. This book analyzes an often disregarded aspect of early Chinese music, the role of strings, winds, and drums. Music in Ancient China will be a valuable book for those interested in ethnomusicology and music history, Asian art history and archaeology, and Asian studies.
Book Synopsis Music in Ancient China by : Ingrid Maren Furniss
Download or read book Music in Ancient China written by Ingrid Maren Furniss and published by . This book was released on 2008 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many tombs dating to the Eastern Zhou (770-221 BCE) and Han (206 BCE-220 AD) periods contain musical instruments or their visual representations in the form of wood, stone, and ceramic figures, tomb tiles, and engravings. These finds suggest that music was viewed as an important part of the afterlife. While bells have survived more frequently than wooden instruments, and therefore have received the most scholarly attention, strings, winds, and drums are the focus of discussion in this book. The book examines the use of these three instrument types in both solo and ensemble music, as well as the social, ritual, and entertainment functions of each. When combined with bells (and chime stones), strings, drums, and winds appear to have been associated with formal ritual ceremonies. However, when appearing alone or in assemblages with other wooden instruments during Zhou, they appear to be connected with warfare and entertainment. By Han times, strings, winds, and drums seem to be associated almost exclusively with entertainment, pointing to a shift in the social life of the times. Another topic explored in this book is the association of musical instruments with wealth. When combined with bells and chime stones, they are only found in the wealthiest tombs. However, when found by themselves, strings, winds, and drums appear in small to large, modest to wealthy tombs, suggesting that they were available to a broad range of peoples in early Chinese elite society. This book analyzes an often disregarded aspect of early Chinese music, the role of strings, winds, and drums. Music in Ancient China will be a valuable book for those interested in ethnomusicology and music history, Asian art history and archaeology, and Asian studies.
This volume presents 38 papers (the majority in English) from the 3rd symposium of the International Study Group on Music Archaeology held at Michaelstein Monastery in 2002, with an additional six papers honouring Ellen Hickmann. Divided into five sections, the contributions discuss: the universals of ancient music; the methodology of music archaeology; traditions and the cultural memory; musical instruments in traditional contexts and constructions; the written evidence. The case studies cover a broad geographical range, encompassing the Near and Middle East, Asia, Australia, prehistoric and medieval Europe, Greece and Rome, the Americas and Egypt. Twenty-seven papers in English, one in French, the rest in German.
Book Synopsis Music-archaeological sources by : Ellen Hickmann
Download or read book Music-archaeological sources written by Ellen Hickmann and published by Verlag Marie Leidorf. This book was released on 2004 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents 38 papers (the majority in English) from the 3rd symposium of the International Study Group on Music Archaeology held at Michaelstein Monastery in 2002, with an additional six papers honouring Ellen Hickmann. Divided into five sections, the contributions discuss: the universals of ancient music; the methodology of music archaeology; traditions and the cultural memory; musical instruments in traditional contexts and constructions; the written evidence. The case studies cover a broad geographical range, encompassing the Near and Middle East, Asia, Australia, prehistoric and medieval Europe, Greece and Rome, the Americas and Egypt. Twenty-seven papers in English, one in French, the rest in German.
"Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet."--
Book Synopsis How Music Got Free by : Stephen Witt
Download or read book How Music Got Free written by Stephen Witt and published by Penguin. This book was released on 2015 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet."--
Book Synopsis Music In Ancient Israel/ Palestine by : Joachim Braun
Download or read book Music In Ancient Israel/ Palestine written by Joachim Braun and published by . This book was released on 2002 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
'This volume is a massive leap forward over any previous synthesis of the subject and includes at the very minimum so much information that its academic and scientific value is self evident. The freshness and profundity of Dumbrill's approach to the subject exceeds anything attempted before. 'The mythology of ancient Mesopotamia proves readable as tonal allegory when its numerology is decoded as tuning theory. By the third millennium BC both pentatonic and heptatonic tunings were quantified throughout the entire 12-tone gamut. Richard Dumbrill has documented the massive empirical experience with strings and pipes that makes this early musicalization of the universe believable.' The volume consists in 4 parts with foreword by Prof. Ernest McClain. The first is about the decipherment, translation and interpretation of the few theoretical cuneiform texts dating from the Old Babylonian period, about 2000 BC, to Neo Assyrian up to the mid first millennium BC. Dumbrill undertakes comparative analyses and criticism of various interpretations having preceded his own and introduces new material. The second part is about the Hurrian hymns, the earliest music ever written, circa 1400 BC, and are produced in their integrality. Attempts to the interpretation of Hymn H.6 are compared and followed by Dumbrill's methodology and interpretation. Each fragment of the collection is analyzed separately. The part concludes with statistical analyses attempting at the reconstruction of some Hurrian rules of composition. The third part consists in the organology with relevant philology and is the largest collection of the Mesopotamian instrumentarium. The last part is a unique lexicon of all known Mesopotamian terminology, with quotation of texts in which the philology appears. The book had been previously published under the title of 'The Musicology and Organology of the Ancient Near East' and now appears under its new title.
Book Synopsis The Archaeomusicology of the Ancient Near East by : Richard J. Dumbrill
Download or read book The Archaeomusicology of the Ancient Near East written by Richard J. Dumbrill and published by Trafford Publishing. This book was released on 2005 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'This volume is a massive leap forward over any previous synthesis of the subject and includes at the very minimum so much information that its academic and scientific value is self evident. The freshness and profundity of Dumbrill's approach to the subject exceeds anything attempted before. 'The mythology of ancient Mesopotamia proves readable as tonal allegory when its numerology is decoded as tuning theory. By the third millennium BC both pentatonic and heptatonic tunings were quantified throughout the entire 12-tone gamut. Richard Dumbrill has documented the massive empirical experience with strings and pipes that makes this early musicalization of the universe believable.' The volume consists in 4 parts with foreword by Prof. Ernest McClain. The first is about the decipherment, translation and interpretation of the few theoretical cuneiform texts dating from the Old Babylonian period, about 2000 BC, to Neo Assyrian up to the mid first millennium BC. Dumbrill undertakes comparative analyses and criticism of various interpretations having preceded his own and introduces new material. The second part is about the Hurrian hymns, the earliest music ever written, circa 1400 BC, and are produced in their integrality. Attempts to the interpretation of Hymn H.6 are compared and followed by Dumbrill's methodology and interpretation. Each fragment of the collection is analyzed separately. The part concludes with statistical analyses attempting at the reconstruction of some Hurrian rules of composition. The third part consists in the organology with relevant philology and is the largest collection of the Mesopotamian instrumentarium. The last part is a unique lexicon of all known Mesopotamian terminology, with quotation of texts in which the philology appears. The book had been previously published under the title of 'The Musicology and Organology of the Ancient Near East' and now appears under its new title.
Book Synopsis The Music of the Most Ancient Nations, Particularly of the Assyrians, Egyptians, and Hebrews by : Carl Engel
Download or read book The Music of the Most Ancient Nations, Particularly of the Assyrians, Egyptians, and Hebrews written by Carl Engel and published by . This book was released on 1864 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This volume investigates the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. It seeks to understand the relationship between our musical capabilities and the development of our social, emotional, and communicative abilities as a species.
Book Synopsis The Prehistory of Music by : Iain Morley
Download or read book The Prehistory of Music written by Iain Morley and published by . This book was released on 2013-10 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume investigates the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. It seeks to understand the relationship between our musical capabilities and the development of our social, emotional, and communicative abilities as a species.
