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Music as Social and Cultural Practice

Author: Melania Bucciarelli

Publisher: Boydell & Brewer

Published: 2007

Total Pages: 465

ISBN-13: 1843833174

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"The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for 'work' and 'context' to challenge reigning theories of the meaning of these terms."--Publisher's website.

Book Synopsis Music as Social and Cultural Practice by : Melania Bucciarelli

Download or read book Music as Social and Cultural Practice written by Melania Bucciarelli and published by Boydell & Brewer. This book was released on 2007 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for 'work' and 'context' to challenge reigning theories of the meaning of these terms."--Publisher's website.

Music as Cultural Practice, 1800-1900

Author: Lawrence Kramer

Publisher: Univ of California Press

Published: 1993-11-24

Total Pages: 243

ISBN-13: 0520084438

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In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.

Book Synopsis Music as Cultural Practice, 1800-1900 by : Lawrence Kramer

Download or read book Music as Cultural Practice, 1800-1900 written by Lawrence Kramer and published by Univ of California Press. This book was released on 1993-11-24 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.

Repeating Ourselves

Author: Robert Fink

Publisher: Univ of California Press

Published: 2005-09-13

Total Pages: 297

ISBN-13: 0520938941

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Where did musical minimalism come from—and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education.

Book Synopsis Repeating Ourselves by : Robert Fink

Download or read book Repeating Ourselves written by Robert Fink and published by Univ of California Press. This book was released on 2005-09-13 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where did musical minimalism come from—and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education.

Music as Social Life

Author: Thomas Turino

Publisher: University of Chicago Press

Published: 2008-10-15

Total Pages: 278

ISBN-13: 0226816982

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In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.

Book Synopsis Music as Social Life by : Thomas Turino

Download or read book Music as Social Life written by Thomas Turino and published by University of Chicago Press. This book was released on 2008-10-15 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.

Ethnomusicology: A Very Short Introduction

Author: Timothy Rice

Publisher: Oxford University Press

Published: 2014

Total Pages: 168

ISBN-13: 0199794375

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Explaining that musicality is an essential touchstone of the human experience, a concise introduction to the study of the nature of music, its community and its cultural values explains the diverse work of today's ethnomusicologists and how researchers apply anthropological and other social disciplines to studies of human and cultural behaviors. Original.

Book Synopsis Ethnomusicology: A Very Short Introduction by : Timothy Rice

Download or read book Ethnomusicology: A Very Short Introduction written by Timothy Rice and published by Oxford University Press. This book was released on 2014 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explaining that musicality is an essential touchstone of the human experience, a concise introduction to the study of the nature of music, its community and its cultural values explains the diverse work of today's ethnomusicologists and how researchers apply anthropological and other social disciplines to studies of human and cultural behaviors. Original.

Music Learning and Teaching in Culturally and Socially Diverse Contexts

Author: Georgina Barton

Publisher:

Published: 2018

Total Pages:

ISBN-13: 9783319954097

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Book Synopsis Music Learning and Teaching in Culturally and Socially Diverse Contexts by : Georgina Barton

Download or read book Music Learning and Teaching in Culturally and Socially Diverse Contexts written by Georgina Barton and published by . This book was released on 2018 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music as Cultural Practice, 1800-1900

Author:

Publisher:

Published: 1990

Total Pages:

ISBN-13:

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Book Synopsis Music as Cultural Practice, 1800-1900 by :

Download or read book Music as Cultural Practice, 1800-1900 written by and published by . This book was released on 1990 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Philosophical and Cultural Theories of Music

Author: Eduardo De La Fuente

Publisher: BRILL

Published: 2010

Total Pages: 324

ISBN-13: 9004184341

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This collection brings together philosophers, sociologists, musicologists and students of culture who theorize music through cultural practices as diverse as opera and classical music, jazz and pop, avant-garde and DIY musical cultures, music festivals and isolated listening through the iPod, rock in urban heritage and the piano in East Asia.

Book Synopsis Philosophical and Cultural Theories of Music by : Eduardo De La Fuente

Download or read book Philosophical and Cultural Theories of Music written by Eduardo De La Fuente and published by BRILL. This book was released on 2010 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together philosophers, sociologists, musicologists and students of culture who theorize music through cultural practices as diverse as opera and classical music, jazz and pop, avant-garde and DIY musical cultures, music festivals and isolated listening through the iPod, rock in urban heritage and the piano in East Asia.

Music and Cultural Rights

Author: Andrew N. Weintraub

Publisher: University of Illinois Press

Published: 2024-04-22

Total Pages: 282

ISBN-13: 0252056469

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Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil. Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. Leon, Ana María Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung.

Book Synopsis Music and Cultural Rights by : Andrew N. Weintraub

Download or read book Music and Cultural Rights written by Andrew N. Weintraub and published by University of Illinois Press. This book was released on 2024-04-22 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil. Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. Leon, Ana María Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung.