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Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. In twelve essays written by an international array of scholars, this book explores the social, cultural, and musical aspects of the industry, including both the traditional center of "Bollywood" and regional film-making. Concentrating on films and songs created in contemporary, post-liberalization India, this book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films.
Book Synopsis Music in Contemporary Indian Film by : Jayson Beaster-Jones
Download or read book Music in Contemporary Indian Film written by Jayson Beaster-Jones and published by Taylor & Francis. This book was released on 2016-10-04 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. In twelve essays written by an international array of scholars, this book explores the social, cultural, and musical aspects of the industry, including both the traditional center of "Bollywood" and regional film-making. Concentrating on films and songs created in contemporary, post-liberalization India, this book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films.
Bollywood movies have long been known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But these exciting and often amusing films rarely reflect the reality of life on the Indian subcontinent. Exploring the nature of mainstream Hindi cinema, the strikingly illustrated Bollywood’s Indiaexamines its nonrealistic depictions of everyday life in India and what it reveals about Indian society. Showing how escapism and entertainment function in Bollywood cinema, Rachel Dwyer argues that Hindi cinema’s interpretations of India over the last two decades are a reliable guide to understanding the nation’s changing hopes and dreams. She looks at the ways Bollywood has imagined and portrayed the unity and diversity of the country—what it believes and feels, as well as life at home and in public. Using Dwyer’s two decades spent working with filmmakers and discussing movies with critics and moviegoers,Bollywood’s India is an illuminating look at Hindi cinema.
Book Synopsis Bollywood's India by : Rachel Dwyer
Download or read book Bollywood's India written by Rachel Dwyer and published by Reaktion Books. This book was released on 2014-06-15 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bollywood movies have long been known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But these exciting and often amusing films rarely reflect the reality of life on the Indian subcontinent. Exploring the nature of mainstream Hindi cinema, the strikingly illustrated Bollywood’s Indiaexamines its nonrealistic depictions of everyday life in India and what it reveals about Indian society. Showing how escapism and entertainment function in Bollywood cinema, Rachel Dwyer argues that Hindi cinema’s interpretations of India over the last two decades are a reliable guide to understanding the nation’s changing hopes and dreams. She looks at the ways Bollywood has imagined and portrayed the unity and diversity of the country—what it believes and feels, as well as life at home and in public. Using Dwyer’s two decades spent working with filmmakers and discussing movies with critics and moviegoers,Bollywood’s India is an illuminating look at Hindi cinema.
From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.
Book Synopsis Indian Sound Cultures, Indian Sound Citizenship by : Laura Brueck
Download or read book Indian Sound Cultures, Indian Sound Citizenship written by Laura Brueck and published by University of Michigan Press. This book was released on 2020-05-14 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.
This is the first book to tackle the diverse styles and multiple histories of popular musics in India. It brings together fourteen of the world's leading scholars on Indian popular music to contribute chapters on a range of topics from the classic songs of Bollywood to contemporary remixes, summarized by a reflective afterword by popular music scholar Timothy Taylor. The chapters in this volume address the impact of media and technology on contemporary music, the variety of industrial developments and contexts for Indian popular music, and historical trends in popular music development both before and after the Indian Independence in 1947. The book identifies new ways of engaging popular music in India beyond the Bollywood musical canon, and offers several case studies of local and regional styles of music. The contributors address the subcontinent's historical relationships with colonialism, the transnational market economies, local governmental factors, international conventions, and a host of other circumstances to shed light on the development of popular music throughout India. To illustrate each chapter author's points, and to make available music not easily accessible in North America, the book features an Oxford web music companion website of audio and video tracks.
Book Synopsis More Than Bollywood by : Gregory D. Booth
Download or read book More Than Bollywood written by Gregory D. Booth and published by Oxford University Press. This book was released on 2014 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to tackle the diverse styles and multiple histories of popular musics in India. It brings together fourteen of the world's leading scholars on Indian popular music to contribute chapters on a range of topics from the classic songs of Bollywood to contemporary remixes, summarized by a reflective afterword by popular music scholar Timothy Taylor. The chapters in this volume address the impact of media and technology on contemporary music, the variety of industrial developments and contexts for Indian popular music, and historical trends in popular music development both before and after the Indian Independence in 1947. The book identifies new ways of engaging popular music in India beyond the Bollywood musical canon, and offers several case studies of local and regional styles of music. The contributors address the subcontinent's historical relationships with colonialism, the transnational market economies, local governmental factors, international conventions, and a host of other circumstances to shed light on the development of popular music throughout India. To illustrate each chapter author's points, and to make available music not easily accessible in North America, the book features an Oxford web music companion website of audio and video tracks.
Exploring the evolution of song and dance in the popular Hindi film, this book examines how these quintessential elements have been and continue to be theorized. As song ‘picturizations’, as they are frequently called, have evolved, shifting from little more than impromptu moves around tree trunks to highly choreographed affairs featuring scores of professional dancers and exotic backgrounds, their theorization has also developed beyond the initial, peremptory dismissals of earlier critics. Featuring a landmark collection of essays from leading theorists, as well as newer contributions from up-and-coming scholars, this book develops new and exciting ways of thinking about song and dance in Hindi cinema and, in turn, explores how these elements work to (re)define popular Hindi cinema in the twenty-first century. This collection will be of interest to students and scholars of Hindi cinema, musicals, and global popular cultures. It was originally published as a special issue of South Asian Popular Culture.
Book Synopsis The Evolution of Song and Dance in Hindi Cinema by : Ajay Gehlawat
Download or read book The Evolution of Song and Dance in Hindi Cinema written by Ajay Gehlawat and published by Routledge. This book was released on 2020-05-21 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the evolution of song and dance in the popular Hindi film, this book examines how these quintessential elements have been and continue to be theorized. As song ‘picturizations’, as they are frequently called, have evolved, shifting from little more than impromptu moves around tree trunks to highly choreographed affairs featuring scores of professional dancers and exotic backgrounds, their theorization has also developed beyond the initial, peremptory dismissals of earlier critics. Featuring a landmark collection of essays from leading theorists, as well as newer contributions from up-and-coming scholars, this book develops new and exciting ways of thinking about song and dance in Hindi cinema and, in turn, explores how these elements work to (re)define popular Hindi cinema in the twenty-first century. This collection will be of interest to students and scholars of Hindi cinema, musicals, and global popular cultures. It was originally published as a special issue of South Asian Popular Culture.
A broad-ranging introduction to politics and society in India, set in a historical and cultural context. Written by two expert authors it assumes no prior knowledge but aims to provide a balanced and nuanced understanding of the key issues that have faced India since independence and the challenges it confronts in the 21st century.
Book Synopsis Contemporary India by : Katharine Adeney
Download or read book Contemporary India written by Katharine Adeney and published by Bloomsbury Publishing. This book was released on 2017-08-24 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A broad-ranging introduction to politics and society in India, set in a historical and cultural context. Written by two expert authors it assumes no prior knowledge but aims to provide a balanced and nuanced understanding of the key issues that have faced India since independence and the challenges it confronts in the 21st century.
Contemporary India: The Basics provides readers with a clear and accessible guide through the richness, diversity and complexity of twenty-first century India. It explores the reality of the country’s cultural diversity which creates both harmony and tension. Covering issues the country faces both domestically and on the global stage, this book analyzes the political, social, cultural and economic landscape of India and investigates how the future might look for India. The book addresses key questions such as: How has India risen to be a major economic power? What role does sectarianism play in the world’s largest democracy? How do caste and gender affect the structure of Indian society? What is the domestic and international impact of Bollywood? Featuring maps, discussion questions and suggestions for further reading, this is the ideal introduction to India for those who are new to the study of this most fascinating and complex of countries.
Book Synopsis Contemporary India: The Basics by : Rekha Datta
Download or read book Contemporary India: The Basics written by Rekha Datta and published by Routledge. This book was released on 2017-12-14 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary India: The Basics provides readers with a clear and accessible guide through the richness, diversity and complexity of twenty-first century India. It explores the reality of the country’s cultural diversity which creates both harmony and tension. Covering issues the country faces both domestically and on the global stage, this book analyzes the political, social, cultural and economic landscape of India and investigates how the future might look for India. The book addresses key questions such as: How has India risen to be a major economic power? What role does sectarianism play in the world’s largest democracy? How do caste and gender affect the structure of Indian society? What is the domestic and international impact of Bollywood? Featuring maps, discussion questions and suggestions for further reading, this is the ideal introduction to India for those who are new to the study of this most fascinating and complex of countries.
"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
Book Synopsis Film Music: a Very Short Introduction by : Kathryn Kalinak
Download or read book Film Music: a Very Short Introduction written by Kathryn Kalinak and published by Oxford University Press. This book was released on 2023 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave them unanswered and unsettled, proposing that there is value in examining the unstable edges of genre. This collection explores the marginal musical in a diverse range of historical and global contexts. It encompasses a range of different forms of marginality including boundary texts (films/media that are sort of/not quite musicals), musical sequences (marginalized sequences in musicals; musical sequences in non-musicals), music films, musicals of the margins (musicals produced from social, cultural, geographical, and geopolitical margins), and musicals across media (television and new media). Ultimately these essays argue that marginal genre texts tell us a great deal about the musical specifically and genre more broadly.
Book Synopsis Musicals at the Margins by : Julie Lobalzo Wright
Download or read book Musicals at the Margins written by Julie Lobalzo Wright and published by Bloomsbury Publishing USA. This book was released on 2021-04-22 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave them unanswered and unsettled, proposing that there is value in examining the unstable edges of genre. This collection explores the marginal musical in a diverse range of historical and global contexts. It encompasses a range of different forms of marginality including boundary texts (films/media that are sort of/not quite musicals), musical sequences (marginalized sequences in musicals; musical sequences in non-musicals), music films, musicals of the margins (musicals produced from social, cultural, geographical, and geopolitical margins), and musicals across media (television and new media). Ultimately these essays argue that marginal genre texts tell us a great deal about the musical specifically and genre more broadly.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 01 OCTOBER, 1967 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 81 VOLUME NUMBER: Vol. XXXII, No.40 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-79 ARTICLE: 1.Abanindra Nath and The Bengal School of Painting 2. Family Planning 3. In The Andamans AUTHOR: 1. Prodosh Dasgupta 2. R. K. Chatterjee 3. G. Docherty KEYWORDS : 1. Two Vital Happenings, Criticism By Moderns 2. Heading Towards Disaster, Main Reasons, Common Concern Of All, A Conscious Effort, People's Cooperation 3. Intensely Beautiful, When War Came, As in Internee, Back to Port Blair Document ID : APE-1967(Oct-Dec)Vol-IV-01 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Book Synopsis AKASHVANI by : All India Radio (AIR), New Delhi
Download or read book AKASHVANI written by All India Radio (AIR), New Delhi and published by All India Radio (AIR),New Delhi . This book was released on 1967-10-01 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 01 OCTOBER, 1967 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 81 VOLUME NUMBER: Vol. XXXII, No.40 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-79 ARTICLE: 1.Abanindra Nath and The Bengal School of Painting 2. Family Planning 3. In The Andamans AUTHOR: 1. Prodosh Dasgupta 2. R. K. Chatterjee 3. G. Docherty KEYWORDS : 1. Two Vital Happenings, Criticism By Moderns 2. Heading Towards Disaster, Main Reasons, Common Concern Of All, A Conscious Effort, People's Cooperation 3. Intensely Beautiful, When War Came, As in Internee, Back to Port Blair Document ID : APE-1967(Oct-Dec)Vol-IV-01 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
