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This work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers' accounts and iconography, to present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music from the early 17th to the mid-18th centuries.
Book Synopsis Music of the Ottoman Court by : Walter Feldman
Download or read book Music of the Ottoman Court written by Walter Feldman and published by Handbook of Oriental Studies. This book was released on 2023-12-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers' accounts and iconography, to present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music from the early 17th to the mid-18th centuries.
A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion
Book Synopsis Greek Orthodox Music in Ottoman Istanbul by : Merih Erol
Download or read book Greek Orthodox Music in Ottoman Istanbul written by Merih Erol and published by Indiana University Press. This book was released on 2015-12-07 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion
This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.
Book Synopsis Mixing Musics by : Maureen Jackson
Download or read book Mixing Musics written by Maureen Jackson and published by Stanford University Press. This book was released on 2013-07-24 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.
Book Synopsis Sufism, Music and Society in Turkey and the Middle East by :
Download or read book Sufism, Music and Society in Turkey and the Middle East written by and published by Routledge. This book was released on with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Western Classical Music in the Ottoman Empire by : Vedat Kosal
Download or read book Western Classical Music in the Ottoman Empire written by Vedat Kosal and published by . This book was released on 1999 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change
Book Synopsis Picturing History at the Ottoman Court by : Emine Fetvacı
Download or read book Picturing History at the Ottoman Court written by Emine Fetvacı and published by Indiana University Press. This book was released on 2013 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change
Typically Dismissed as the Remnants of Ottoman Nostalgia, the diverse melancholies intentionally cultivated by contemporary Turkish classical musicians is a central aspect of their socialization. Melancholic Modalities is the first in-depth study of the affective and sonic practices developed and sustained by professional musicians who teach and perform a present-day genre substantially rooted in the musics of the elite Ottoman court and Mevlevi Sufi lodges. Through extensive archival and ethnographic research, author Denise Gill analyzes how melancholic music-making emerges as pleasurable, spiritually redeeming, and reparative. Focusing on the diverse practices of musicians who deploy and circulate melancholy in sound, Gill interrogates the constitutive elements of these musicians' affective modalities in the context of neoliberalism, secularism, political Islamism, public manifestations of Sunni Islamic piety in Istanbul, diverse Sufi devotionals, and the politics of psychological health in Turkey today. In an essential contribution to the study of ethnomusicology and to theories on sound and affect, Gill develops rhizomatic analyses to allow for musicians' multiple interpretations and experiences to be heard. With her innovative concept of "bi-aurality," Melancholic Modalities forges new possibilities for the historical and ethnographic analyses of musics, affective practices, and ideologies of listening for music scholars. Book jacket.
Book Synopsis Melancholic Modalities by : Denise Gill
Download or read book Melancholic Modalities written by Denise Gill and published by Oxford University Press. This book was released on 2017 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Typically Dismissed as the Remnants of Ottoman Nostalgia, the diverse melancholies intentionally cultivated by contemporary Turkish classical musicians is a central aspect of their socialization. Melancholic Modalities is the first in-depth study of the affective and sonic practices developed and sustained by professional musicians who teach and perform a present-day genre substantially rooted in the musics of the elite Ottoman court and Mevlevi Sufi lodges. Through extensive archival and ethnographic research, author Denise Gill analyzes how melancholic music-making emerges as pleasurable, spiritually redeeming, and reparative. Focusing on the diverse practices of musicians who deploy and circulate melancholy in sound, Gill interrogates the constitutive elements of these musicians' affective modalities in the context of neoliberalism, secularism, political Islamism, public manifestations of Sunni Islamic piety in Istanbul, diverse Sufi devotionals, and the politics of psychological health in Turkey today. In an essential contribution to the study of ethnomusicology and to theories on sound and affect, Gill develops rhizomatic analyses to allow for musicians' multiple interpretations and experiences to be heard. With her innovative concept of "bi-aurality," Melancholic Modalities forges new possibilities for the historical and ethnographic analyses of musics, affective practices, and ideologies of listening for music scholars. Book jacket.
Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir’s seminal “Book of the Science of Music” from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers’ accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski—from fifty years earlier—together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.
Book Synopsis Music of the Ottoman Court by : Walter Feldman
Download or read book Music of the Ottoman Court written by Walter Feldman and published by BRILL. This book was released on 2023-12-18 with total page 587 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir’s seminal “Book of the Science of Music” from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers’ accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski—from fifty years earlier—together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.
Book Synopsis Writing the History of "Ottoman Music" by : Martin Greve
Download or read book Writing the History of "Ottoman Music" written by Martin Greve and published by . This book was released on 2015-07-13 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt:
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
Book Synopsis The Singing Turk by : Larry Wolff
Download or read book The Singing Turk written by Larry Wolff and published by Stanford University Press. This book was released on 2016-08-30 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
