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This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.
Book Synopsis Musical Collaboration Between Indigenous and Non-Indigenous People in Australia by : Katelyn Barney
Download or read book Musical Collaboration Between Indigenous and Non-Indigenous People in Australia written by Katelyn Barney and published by Taylor & Francis. This book was released on 2022-12-22 with total page 163 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.
Collaborative Ethnomusicology explores the processes, benefits and challenges of collaborative ethnomusicological research between Indigenous and non-Indigenous people in Australia. While there are many examples of research and recordings that demonstrate close collaboration between Indigenous and non-Indigenous Australians, this volume is the first to focus on the ways these processes allow Indigenous and non-Indigenous music researchers to work together and learn from each other. Drawing on case studies from across Australia, each chapter brings significant insights into the many positives and some of the discomforts in collaborative spaces, highlighting the ongoing dialogue needed in order to improve relationships between Indigenous and non-Indigenous people and inform the future of ethnomusicological research in Australia.
Book Synopsis Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians by : Katelyn Barney
Download or read book Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians written by Katelyn Barney and published by Lyrebird Press lyrebirdpress.music.unimelb.edu.au. This book was released on 2014-12-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collaborative Ethnomusicology explores the processes, benefits and challenges of collaborative ethnomusicological research between Indigenous and non-Indigenous people in Australia. While there are many examples of research and recordings that demonstrate close collaboration between Indigenous and non-Indigenous Australians, this volume is the first to focus on the ways these processes allow Indigenous and non-Indigenous music researchers to work together and learn from each other. Drawing on case studies from across Australia, each chapter brings significant insights into the many positives and some of the discomforts in collaborative spaces, highlighting the ongoing dialogue needed in order to improve relationships between Indigenous and non-Indigenous people and inform the future of ethnomusicological research in Australia.
This open access book examines the political structures and processes that frame and produce understandings of diversity in and through music education. Recent surges in nationalist, fundamentalist, protectionist and separatist tendencies highlight the imperative for music education to extend beyond nominal policy agendas or wholly celebratory diversity discourses. Bringing together high-level theorisation of the ways in which music education upholds or unsettles understandings of society and empirical analyses of the complex situations that arise when negotiating diversity in practice, the chapters in this volume explore the politics of inquiry in research; examine music teachers’ navigations of the shifting political landscapes of society and state; extend conceptualisations of diversity in music education beyond familiar boundaries; and critically consider the implications of diversity for music education leadership. Diversity is thus not approached as a label applied to certain individuals or musical repertoires, but as socially organized difference, produced and manifest in various ways as part of everyday relations and interactions. This compelling collection serves as an invitation to ongoing reflexive inquiry; to deliberate the politics of diversity in a fast-changing and pluralist world; and together work towards more informed and ethically sound understandings of how diversity in music education policy, practice, and research is framed and conditioned both locally and globally.
Book Synopsis The Politics of Diversity in Music Education by : Alexis Anja Kallio
Download or read book The Politics of Diversity in Music Education written by Alexis Anja Kallio and published by Springer Nature. This book was released on 2021-03-19 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: This open access book examines the political structures and processes that frame and produce understandings of diversity in and through music education. Recent surges in nationalist, fundamentalist, protectionist and separatist tendencies highlight the imperative for music education to extend beyond nominal policy agendas or wholly celebratory diversity discourses. Bringing together high-level theorisation of the ways in which music education upholds or unsettles understandings of society and empirical analyses of the complex situations that arise when negotiating diversity in practice, the chapters in this volume explore the politics of inquiry in research; examine music teachers’ navigations of the shifting political landscapes of society and state; extend conceptualisations of diversity in music education beyond familiar boundaries; and critically consider the implications of diversity for music education leadership. Diversity is thus not approached as a label applied to certain individuals or musical repertoires, but as socially organized difference, produced and manifest in various ways as part of everyday relations and interactions. This compelling collection serves as an invitation to ongoing reflexive inquiry; to deliberate the politics of diversity in a fast-changing and pluralist world; and together work towards more informed and ethically sound understandings of how diversity in music education policy, practice, and research is framed and conditioned both locally and globally.
For artists, scholars, researchers, educators and students of arts theory interested in culture and the arts, a proper understanding of the questions surrounding ‘interculturality’ and the arts requires a full understanding of the creative, methodological and interconnected possibilities of theory, practice and research. The International Handbook of Intercultural Arts Research provides concise and comprehensive reviews and overviews of the convergences and divergences of intercultural arts practice and theory, offering a consolidation of the breadth of scholarship, practices and the contemporary research methodologies, methods and multi-disciplinary analyses that are emerging within this new field.
Book Synopsis The Routledge International Handbook of Intercultural Arts Research by : Pamela Burnard
Download or read book The Routledge International Handbook of Intercultural Arts Research written by Pamela Burnard and published by Routledge. This book was released on 2016-01-08 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: For artists, scholars, researchers, educators and students of arts theory interested in culture and the arts, a proper understanding of the questions surrounding ‘interculturality’ and the arts requires a full understanding of the creative, methodological and interconnected possibilities of theory, practice and research. The International Handbook of Intercultural Arts Research provides concise and comprehensive reviews and overviews of the convergences and divergences of intercultural arts practice and theory, offering a consolidation of the breadth of scholarship, practices and the contemporary research methodologies, methods and multi-disciplinary analyses that are emerging within this new field.
Through the struggles of Indigenous Australians for recognitionand self-determination it has become common sense tounderstand Australia as made up of both Indigenous and non-Indigenous people and things. But in what ways is the Indigenous on-Indigenous distinction being used and understood? In The Difference Identity Makes, thirteen Indigenous and non-Indigenousacademics examine how this distinction structures the work ofcultural production and how Indigenous producers and their worksare recognised and valued. The editors introduce this innovative collection of essays with a path-finding argument that 'Indigenous cultural capital' nowchallenges all Australians to re-position themselves within arevised scale of values. Each chapter looks at one of five fields of Australian cultural production: sport, television, heritage,visual arts and music, revealing that in each the Indigenous on-Indigenous distinction has effects that are specific. This brings new depth and richness to our understanding of what'Indigeneity' can mean in contemporary Australia. In demonstratingthe variety of ways that 'the Indigenous' is made visible and valuedthe essays provide a powerful alternative to the 'deficit' theme thathas continued to haunt the representation of Indigeneity.
Book Synopsis The Difference Identity Makes by : Lawrence Bamblett
Download or read book The Difference Identity Makes written by Lawrence Bamblett and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through the struggles of Indigenous Australians for recognitionand self-determination it has become common sense tounderstand Australia as made up of both Indigenous and non-Indigenous people and things. But in what ways is the Indigenous on-Indigenous distinction being used and understood? In The Difference Identity Makes, thirteen Indigenous and non-Indigenousacademics examine how this distinction structures the work ofcultural production and how Indigenous producers and their worksare recognised and valued. The editors introduce this innovative collection of essays with a path-finding argument that 'Indigenous cultural capital' nowchallenges all Australians to re-position themselves within arevised scale of values. Each chapter looks at one of five fields of Australian cultural production: sport, television, heritage,visual arts and music, revealing that in each the Indigenous on-Indigenous distinction has effects that are specific. This brings new depth and richness to our understanding of what'Indigeneity' can mean in contemporary Australia. In demonstratingthe variety of ways that 'the Indigenous' is made visible and valuedthe essays provide a powerful alternative to the 'deficit' theme thathas continued to haunt the representation of Indigeneity.
Print edition of multi-author work on Indigenous song. This is the first volume devoted specifically to the revitalisation of ancestral Indigenous singing practices in Australia. These traditions are at severe risk in many parts of the country, and this book investigates the strategies currently being implemented to reverse the damage. In some areas the ancestral musical culture is still transmitted across the generations; in others it is partially remembered, and being revitalised with the assistance of heritage recording and written documentation; but in many parts of Australia, the transmission of songs has been interrupted, and in those places revitalisation relies on research and restoration. The authors, Indigenous and non-Indigenous, consider these issues across a broad range of geographical locations, and from a number of different theoretical and methodological angles. The chapters provide helpful insights for Indigenous people and communities, researchers and educators, and anyone interested in the song traditions of Indigenous Australia.
Book Synopsis Recirculating Songs by : James William Wafer
Download or read book Recirculating Songs written by James William Wafer and published by . This book was released on 2017 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Print edition of multi-author work on Indigenous song. This is the first volume devoted specifically to the revitalisation of ancestral Indigenous singing practices in Australia. These traditions are at severe risk in many parts of the country, and this book investigates the strategies currently being implemented to reverse the damage. In some areas the ancestral musical culture is still transmitted across the generations; in others it is partially remembered, and being revitalised with the assistance of heritage recording and written documentation; but in many parts of Australia, the transmission of songs has been interrupted, and in those places revitalisation relies on research and restoration. The authors, Indigenous and non-Indigenous, consider these issues across a broad range of geographical locations, and from a number of different theoretical and methodological angles. The chapters provide helpful insights for Indigenous people and communities, researchers and educators, and anyone interested in the song traditions of Indigenous Australia.
Musical Visions presents a unique way of thinking about and debating the many facets of contemporary popular music. Under the theme of music as sound, image and movement, this book brings together a vibrant range of perspectives.
Book Synopsis Musical Visions by : Gerry Bloustien
Download or read book Musical Visions written by Gerry Bloustien and published by Wakefield Press. This book was released on 1999 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Visions presents a unique way of thinking about and debating the many facets of contemporary popular music. Under the theme of music as sound, image and movement, this book brings together a vibrant range of perspectives.
Circulating Cultures is an edited book about the transformation of cultural materials through the Australian landscape. The book explores cultural circulation, exchange and transit, through events such as the geographical movement of song series across the Kimberley and Arnhem Land; the transformation of Australian Aboriginal dance in the hands of an American choreographer; and the indigenisation of symbolic meanings in heavy metal music. Circulating Cultures crosses disciplinary boundaries, with contributions from historians, musicologists, linguists and dance historians, to depict shifts of cultural materials through time, place and interventions from people. It looks at the way Indigenous and non-Indigenous performing arts have changed through intercultural influence and collaboration.
Book Synopsis Circulating Cultures by : Amanda Harris
Download or read book Circulating Cultures written by Amanda Harris and published by ANU Press. This book was released on 2014-12-18 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Circulating Cultures is an edited book about the transformation of cultural materials through the Australian landscape. The book explores cultural circulation, exchange and transit, through events such as the geographical movement of song series across the Kimberley and Arnhem Land; the transformation of Australian Aboriginal dance in the hands of an American choreographer; and the indigenisation of symbolic meanings in heavy metal music. Circulating Cultures crosses disciplinary boundaries, with contributions from historians, musicologists, linguists and dance historians, to depict shifts of cultural materials through time, place and interventions from people. It looks at the way Indigenous and non-Indigenous performing arts have changed through intercultural influence and collaboration.
An autobiography by Henry 'Seaman' Dan, which explores his working life as musician, pearl-shell diver, boat skipper, drover, prospector and taxi driver.
Book Synopsis Steady Steady by : Henry 'Seaman' Dan
Download or read book Steady Steady written by Henry 'Seaman' Dan and published by Aboriginal Studies Press. This book was released on 2013 with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt: An autobiography by Henry 'Seaman' Dan, which explores his working life as musician, pearl-shell diver, boat skipper, drover, prospector and taxi driver.
Shortlisted for the 2021 Prime Minister's Literary Award for Australian History. Representing Australian Aboriginal Music and Dance 1930-1970 offers a rethinking of recent Australian music history. Amanda Harris presents accounts of Aboriginal music and dance by Aboriginal performers on public stages. Harris also historicizes the practices of non-Indigenous art music composers evoking Aboriginal music in their works, placing this in the context of emerging cultural institutions and policy frameworks. Centralizing auditory worlds and audio-visual evidence, Harris shows the direct relationship between the limits on Aboriginal people's mobility and non-Indigenous representations of Aboriginal culture. This book seeks to listen to Aboriginal accounts of disruption and continuation of Aboriginal cultural practices and features contributions from Aboriginal scholars Shannon Foster, Tiriki Onus and Nardi Simpson as personal interpretations of their family and community histories. Contextualizing recent music and dance practices in broader histories of policy, settler colonial structures, and postcolonizing efforts, the book offers a new lens on the development of Australian musical cultures.
Book Synopsis Representing Australian Aboriginal Music and Dance 1930-1970 by : Amanda Harris
Download or read book Representing Australian Aboriginal Music and Dance 1930-1970 written by Amanda Harris and published by Bloomsbury Publishing USA. This book was released on 2022-01-27 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shortlisted for the 2021 Prime Minister's Literary Award for Australian History. Representing Australian Aboriginal Music and Dance 1930-1970 offers a rethinking of recent Australian music history. Amanda Harris presents accounts of Aboriginal music and dance by Aboriginal performers on public stages. Harris also historicizes the practices of non-Indigenous art music composers evoking Aboriginal music in their works, placing this in the context of emerging cultural institutions and policy frameworks. Centralizing auditory worlds and audio-visual evidence, Harris shows the direct relationship between the limits on Aboriginal people's mobility and non-Indigenous representations of Aboriginal culture. This book seeks to listen to Aboriginal accounts of disruption and continuation of Aboriginal cultural practices and features contributions from Aboriginal scholars Shannon Foster, Tiriki Onus and Nardi Simpson as personal interpretations of their family and community histories. Contextualizing recent music and dance practices in broader histories of policy, settler colonial structures, and postcolonizing efforts, the book offers a new lens on the development of Australian musical cultures.
