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Mythic Paradigms in Literature, Philosophy, and the Arts

Author: Robert G. Eisenhauer

Publisher: Peter Lang

Published: 2004

Total Pages: 404

ISBN-13: 9780820472522

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Mythic Paradigms in Literature, Philosophy, and the Arts approaches literary and visual texts from the perspective of Hesperian identification and representation. Included is the first translation into English of Fichte's Supplement of 1801, a document whose content sheds light not only on the atheism controversy of the 1790s, but also on literary/philosophical polarizations in the «Republic of Letters». Condensed from the Hesperian atmospherics of Italy and Latin elegy, Faust II entails a Goethean celebration of auditory and visual sensation. In a text devoted to Shelley, Gregory Corso is seen elaborating a prosopopoeia involving Hypnos, god of sleep, a figure dispelling the effects of reading - the hypnoticon. Eisenhauer reads Hölderlin in the context of Pindar, philosophical idealism, and autobiographical projection.

Book Synopsis Mythic Paradigms in Literature, Philosophy, and the Arts by : Robert G. Eisenhauer

Download or read book Mythic Paradigms in Literature, Philosophy, and the Arts written by Robert G. Eisenhauer and published by Peter Lang. This book was released on 2004 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mythic Paradigms in Literature, Philosophy, and the Arts approaches literary and visual texts from the perspective of Hesperian identification and representation. Included is the first translation into English of Fichte's Supplement of 1801, a document whose content sheds light not only on the atheism controversy of the 1790s, but also on literary/philosophical polarizations in the «Republic of Letters». Condensed from the Hesperian atmospherics of Italy and Latin elegy, Faust II entails a Goethean celebration of auditory and visual sensation. In a text devoted to Shelley, Gregory Corso is seen elaborating a prosopopoeia involving Hypnos, god of sleep, a figure dispelling the effects of reading - the hypnoticon. Eisenhauer reads Hölderlin in the context of Pindar, philosophical idealism, and autobiographical projection.

The Fate of Translation

Author: Robert G. Eisenhauer

Publisher: Peter Lang

Published: 2006

Total Pages: 276

ISBN-13: 9780820463438

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With two essays devoted to Wordsworth, The Fate of Translation reframes the discussion of Hesperian aesthetics initiated in Robert Eisenhauer's Mythic Paradigms, suggesting how the question of translation poses itself at the crossing of textual high- and low-roads: on the one hand, in the critical and scholarly debate concerning the relevance of Goethe's «Der Wandrer» (in the English version by William Taylor) to the primal/primary scene of autobiography and, on the other, in the reprojection of supernatural agency (numen) in the context of the Literature of Power. Confrontational deixis and a hermeneutic counterturn energize Wordsworth's self-assertive resensing of antiquity and modernity via satire, pastoral, and the sonnet. The third essay, ranging from Pindarizing texts by Cowley, Goethe, and Hölderlin to the films of Matthew Barney, shifts the focus to mimetic enthusiasms among translators and replicators of the «full fan-experience.» John Barth's intriguing analogy between metafiction and fractal geometry serves as the catalyst for a reading of texts by Thomas Browne and Friedrich Schlegel, a major painting by Philipp Otto Runge, and The Arabian Nights as malignly received by Poe. The arabesque and grotesque are seen as engaged in a problematics of passion at the utopian end of art, a consensualist paradigm akin to the Dionysian liberation of the subject/player/fan in baseball - one whose field of implication includes Nietzsche and contemporary novelists. Eisenhauer reads Padgett Powell's Edisto as a declamatory mini-epic divergent in its muthos from the tradition of the «American hieroglyphic». Edisto's fictive reinvention of the South suggests a revisiting of the Literature of Power as priviledged, emancipative counterfacticity of «other truth» congruent with the fictive worlds of Cable, Faulkner, and Günther Grass.

Book Synopsis The Fate of Translation by : Robert G. Eisenhauer

Download or read book The Fate of Translation written by Robert G. Eisenhauer and published by Peter Lang. This book was released on 2006 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: With two essays devoted to Wordsworth, The Fate of Translation reframes the discussion of Hesperian aesthetics initiated in Robert Eisenhauer's Mythic Paradigms, suggesting how the question of translation poses itself at the crossing of textual high- and low-roads: on the one hand, in the critical and scholarly debate concerning the relevance of Goethe's «Der Wandrer» (in the English version by William Taylor) to the primal/primary scene of autobiography and, on the other, in the reprojection of supernatural agency (numen) in the context of the Literature of Power. Confrontational deixis and a hermeneutic counterturn energize Wordsworth's self-assertive resensing of antiquity and modernity via satire, pastoral, and the sonnet. The third essay, ranging from Pindarizing texts by Cowley, Goethe, and Hölderlin to the films of Matthew Barney, shifts the focus to mimetic enthusiasms among translators and replicators of the «full fan-experience.» John Barth's intriguing analogy between metafiction and fractal geometry serves as the catalyst for a reading of texts by Thomas Browne and Friedrich Schlegel, a major painting by Philipp Otto Runge, and The Arabian Nights as malignly received by Poe. The arabesque and grotesque are seen as engaged in a problematics of passion at the utopian end of art, a consensualist paradigm akin to the Dionysian liberation of the subject/player/fan in baseball - one whose field of implication includes Nietzsche and contemporary novelists. Eisenhauer reads Padgett Powell's Edisto as a declamatory mini-epic divergent in its muthos from the tradition of the «American hieroglyphic». Edisto's fictive reinvention of the South suggests a revisiting of the Literature of Power as priviledged, emancipative counterfacticity of «other truth» congruent with the fictive worlds of Cable, Faulkner, and Günther Grass.

Masculinity and Place in American Literature since 1950

Author: Vidya Ravi

Publisher: Rowman & Littlefield

Published: 2019-05-15

Total Pages: 173

ISBN-13: 149858733X

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American literature has long celebrated the figure of the self-made man and the idea of establishing selfhood, particularly male selfhood, in nature. However, during the crisis of masculinity that swept across America in the middle of the twentieth century, a generation of writers started exploring a different kind of a man. This was a figure who was concerned not so much with the loss of the West or the desire to recover a wilderness, but with how to live in an ordinary, domesticated continent. Masculinity and Place in American Literature since 1950 explores the role of place in negotiating, reinforcing, and subverting articulations of hegemonic masculinity in the work of four American writers from the latter part of the 20th century—John Cheever, John Updike, Raymond Carver, and Richard Ford. The book argues that American fiction by white male writers between the 1950s and the present day is compelled by the troubled and troubling relationship between masculinity and place. This relationship is deeply embedded in how ideals of masculinity are predicated upon the experience of the physical world, and how the symbolic logic of masculinity is continually subverted by alternative conceptions of dwelling and ecological consciousness.

Book Synopsis Masculinity and Place in American Literature since 1950 by : Vidya Ravi

Download or read book Masculinity and Place in American Literature since 1950 written by Vidya Ravi and published by Rowman & Littlefield. This book was released on 2019-05-15 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: American literature has long celebrated the figure of the self-made man and the idea of establishing selfhood, particularly male selfhood, in nature. However, during the crisis of masculinity that swept across America in the middle of the twentieth century, a generation of writers started exploring a different kind of a man. This was a figure who was concerned not so much with the loss of the West or the desire to recover a wilderness, but with how to live in an ordinary, domesticated continent. Masculinity and Place in American Literature since 1950 explores the role of place in negotiating, reinforcing, and subverting articulations of hegemonic masculinity in the work of four American writers from the latter part of the 20th century—John Cheever, John Updike, Raymond Carver, and Richard Ford. The book argues that American fiction by white male writers between the 1950s and the present day is compelled by the troubled and troubling relationship between masculinity and place. This relationship is deeply embedded in how ideals of masculinity are predicated upon the experience of the physical world, and how the symbolic logic of masculinity is continually subverted by alternative conceptions of dwelling and ecological consciousness.

Paradox and Perspicacity

Author: Robert G. Eisenhauer

Publisher: Peter Lang

Published: 2005

Total Pages: 360

ISBN-13: 9780820474960

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Paradox and Perspicacity: Horizons of Knowledge in the Literary Text enters into a dialogue with recent scholarship on a number of fronts. Taking into full account the role played by esotericism in shaping the thought of Leibniz, Cardano, and the Helmonts, Robert Eisenhauer elaborates Lessing's «cybernetic» view of historical evolution. The essay on Jean Paul's ars recombinatoria discusses how the discourses of travel, cosmology, and millennial speculation are applied to a Diderot-inspired project of encyclopedic emancipation, concluding with remarks on the author's pedagogical relevance to German-speaking Jews. At mid-century, Margaret Fuller's feminist texts place a Fourierist edge on the consensual reading of Richter, while The Blithedale Romance represents pastoral utopia as a site of mesmeric or, indeed, entropic dislocation. Henry James's The Europeans revisits «Blithedale» as a «ship of fools», where the vehicular provides a metaphor for fiction and narrative itself becomes identified with iconic distress. The remaining essays treat Pound in the context of gemology and courtliness, quasi-direct discourse in Dostoevsky, and the role of Zeno's paradox in Claude Simon's fiction.

Book Synopsis Paradox and Perspicacity by : Robert G. Eisenhauer

Download or read book Paradox and Perspicacity written by Robert G. Eisenhauer and published by Peter Lang. This book was released on 2005 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paradox and Perspicacity: Horizons of Knowledge in the Literary Text enters into a dialogue with recent scholarship on a number of fronts. Taking into full account the role played by esotericism in shaping the thought of Leibniz, Cardano, and the Helmonts, Robert Eisenhauer elaborates Lessing's «cybernetic» view of historical evolution. The essay on Jean Paul's ars recombinatoria discusses how the discourses of travel, cosmology, and millennial speculation are applied to a Diderot-inspired project of encyclopedic emancipation, concluding with remarks on the author's pedagogical relevance to German-speaking Jews. At mid-century, Margaret Fuller's feminist texts place a Fourierist edge on the consensual reading of Richter, while The Blithedale Romance represents pastoral utopia as a site of mesmeric or, indeed, entropic dislocation. Henry James's The Europeans revisits «Blithedale» as a «ship of fools», where the vehicular provides a metaphor for fiction and narrative itself becomes identified with iconic distress. The remaining essays treat Pound in the context of gemology and courtliness, quasi-direct discourse in Dostoevsky, and the role of Zeno's paradox in Claude Simon's fiction.

Parables of Disfiguration

Author: Robert G. Eisenhauer

Publisher: Peter Lang

Published: 2005

Total Pages: 426

ISBN-13: 9780820478876

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Parables of Disfiguration examines literary and cinematic texts from the Romantic period forward, offering fresh perspectives on the vicissitudes of reason and excess - seen as moments leading to a seizure by sophia (wisdom). Reading canonical works by Percy Bysshe Shelley, but also less familiar poems such as The Revolt of Islam, Robert Eisenhauer draws attention to a series of transits involving the operation of chance and the playful distortions of the scholarly anagram. Hart Crane and Walt Whitman are seen pursuing Dionysiac vocations in the attempt to advance a poetics of melancholy anatomy. Fellini's landmark film La Dolce Vita recuperates or «re-Vamps» Roman and more exotic (American) character-types, while parabolically excavating ancient names. Further essays are devoted to William Burroughs's representation of the Arab underclass (with reference to the Egyptian novelist Naguib Mahfouz), Edward Dorn's Heideggerian epic Gunslinger, the city in twentieth-century utopian vision, and the concept of the ephemeral in modernist aesthetics. Parables of Disfiguration concludes by reading Wallace Stevens's wintry and complex «Thirteen Ways of Looking at a Blackbird» tropically - in the context of haiku verse, the Yucatán, Hunter Thompson's «Gonzo» journalism, Plutarch, and an exquisite vehicle combining excess with vindictive righteousness, the Vincent Black Shadow motorcycle.

Book Synopsis Parables of Disfiguration by : Robert G. Eisenhauer

Download or read book Parables of Disfiguration written by Robert G. Eisenhauer and published by Peter Lang. This book was released on 2005 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Parables of Disfiguration examines literary and cinematic texts from the Romantic period forward, offering fresh perspectives on the vicissitudes of reason and excess - seen as moments leading to a seizure by sophia (wisdom). Reading canonical works by Percy Bysshe Shelley, but also less familiar poems such as The Revolt of Islam, Robert Eisenhauer draws attention to a series of transits involving the operation of chance and the playful distortions of the scholarly anagram. Hart Crane and Walt Whitman are seen pursuing Dionysiac vocations in the attempt to advance a poetics of melancholy anatomy. Fellini's landmark film La Dolce Vita recuperates or «re-Vamps» Roman and more exotic (American) character-types, while parabolically excavating ancient names. Further essays are devoted to William Burroughs's representation of the Arab underclass (with reference to the Egyptian novelist Naguib Mahfouz), Edward Dorn's Heideggerian epic Gunslinger, the city in twentieth-century utopian vision, and the concept of the ephemeral in modernist aesthetics. Parables of Disfiguration concludes by reading Wallace Stevens's wintry and complex «Thirteen Ways of Looking at a Blackbird» tropically - in the context of haiku verse, the Yucatán, Hunter Thompson's «Gonzo» journalism, Plutarch, and an exquisite vehicle combining excess with vindictive righteousness, the Vincent Black Shadow motorcycle.

Big Tradition and Chinese Mythological Studies

Author: Jiansheng Hu

Publisher: Springer Nature

Published: 2020-08-11

Total Pages: 254

ISBN-13: 9811546347

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This book focuses on reinterpreting mythical China from the perspective of the cultural theory of big tradition. It is divided into two parts: the first explains the theoretical development and features of the Chinese version of big tradition, identifying the differences between the Eastern and Western cultural traditions (big tradition and great tradition). The second part then reinterprets the core values and mythical ideas of Chinese civilization and traditional culture from the perspective of big tradition. Moving beyond the small tradition of text centrism and using new methods and materials, the book reveals the original meaning and the cultural coding function of big tradition during the preliterate period. Drawing on integrated evidence from literature handed down from ancient times, oral and intangible cultural heritage, tangible culture, cross-cultures, image culture and unearthed documents, the book interprets Chinese cultural traditions and spiritual values from local, archaeological, experiential and survival perspectives, to help readers better understand the mythical codes and genes of early Chinese culture.

Book Synopsis Big Tradition and Chinese Mythological Studies by : Jiansheng Hu

Download or read book Big Tradition and Chinese Mythological Studies written by Jiansheng Hu and published by Springer Nature. This book was released on 2020-08-11 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on reinterpreting mythical China from the perspective of the cultural theory of big tradition. It is divided into two parts: the first explains the theoretical development and features of the Chinese version of big tradition, identifying the differences between the Eastern and Western cultural traditions (big tradition and great tradition). The second part then reinterprets the core values and mythical ideas of Chinese civilization and traditional culture from the perspective of big tradition. Moving beyond the small tradition of text centrism and using new methods and materials, the book reveals the original meaning and the cultural coding function of big tradition during the preliterate period. Drawing on integrated evidence from literature handed down from ancient times, oral and intangible cultural heritage, tangible culture, cross-cultures, image culture and unearthed documents, the book interprets Chinese cultural traditions and spiritual values from local, archaeological, experiential and survival perspectives, to help readers better understand the mythical codes and genes of early Chinese culture.

Historical-critical Introduction to the Philosophy of Mythology

Author: F. W. J. Schelling

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 266

ISBN-13: 079147996X

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Translated here into English for the first time, F. W. J. Schelling's 1842 lectures on the Philosophy of Mythology are an early example of interdisciplinary thinking. In seeking to show the development of the concept of the divine Godhead in and through various mythological systems (particularly of ancient Greece, Egypt, and the Near East), Schelling develops the idea that many philosophical concepts are born of religious-mythological notions. In so doing, he brings together the essential relatedness of the development of philosophical systems, human language, history, ancient art forms, and religious thought. Along the way, he engages in analyses of modern philosophical views about the origins of philosophy's conceptual abstractions, as well as literary and philological analyses of ancient literature and poetry.

Book Synopsis Historical-critical Introduction to the Philosophy of Mythology by : F. W. J. Schelling

Download or read book Historical-critical Introduction to the Philosophy of Mythology written by F. W. J. Schelling and published by State University of New York Press. This book was released on 2012-02-01 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Translated here into English for the first time, F. W. J. Schelling's 1842 lectures on the Philosophy of Mythology are an early example of interdisciplinary thinking. In seeking to show the development of the concept of the divine Godhead in and through various mythological systems (particularly of ancient Greece, Egypt, and the Near East), Schelling develops the idea that many philosophical concepts are born of religious-mythological notions. In so doing, he brings together the essential relatedness of the development of philosophical systems, human language, history, ancient art forms, and religious thought. Along the way, he engages in analyses of modern philosophical views about the origins of philosophy's conceptual abstractions, as well as literary and philological analyses of ancient literature and poetry.

The Anatomy of Myth

Author: Michael W. Herren

Publisher: Oxford University Press

Published: 2017

Total Pages: 249

ISBN-13: 019060669X

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The Anatomy of Myth is a comprehensive study of the different methods of interpreting myths developed by the Greeks, adopted by the Romans, and eventually passed on to Jewish and Christian interpreters of the Bible. Greek thinkers only rarely saw "myth" as a category of thought in its own right. Most often they viewed myths as the creation of poets, or else as an ancient revelation that had been corrupted by them. In the first instance, critics attempted to find in the intention of the authors some deeper truth, whether physical or spiritual; in the second, they deemed it necessary to clear away poetic falsehoods in order to recapture an ancient revelation. Parallel to the philosophical critiques were the efforts of early historians to explain myths as exaggerated history; myths could be purified by logos (reason) and rendered believable. Practically all of these early methods could be lumped under the term "allegory"--to intend something different from what one expressed. Only occasionally did philosophers veer from a concern for the literal truth of myths but a few thinkers, while acknowledging myths as fictions, defended their value for the examples of good and bad human behavior they offered. These early efforts were invaluable for the development of critical thinking, enabling public criticism of even the most authoritative texts. The Church Fathers took the interpretative methods of their pagan contemporaries and applied them vigorously to their reading of the scriptures. Pagan Greek methods of myth interpretation passed into the Middle Ages and beyond, serving as a perennial defense against the damaging effects of scriptural literalism and fundamentalism.

Book Synopsis The Anatomy of Myth by : Michael W. Herren

Download or read book The Anatomy of Myth written by Michael W. Herren and published by Oxford University Press. This book was released on 2017 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Anatomy of Myth is a comprehensive study of the different methods of interpreting myths developed by the Greeks, adopted by the Romans, and eventually passed on to Jewish and Christian interpreters of the Bible. Greek thinkers only rarely saw "myth" as a category of thought in its own right. Most often they viewed myths as the creation of poets, or else as an ancient revelation that had been corrupted by them. In the first instance, critics attempted to find in the intention of the authors some deeper truth, whether physical or spiritual; in the second, they deemed it necessary to clear away poetic falsehoods in order to recapture an ancient revelation. Parallel to the philosophical critiques were the efforts of early historians to explain myths as exaggerated history; myths could be purified by logos (reason) and rendered believable. Practically all of these early methods could be lumped under the term "allegory"--to intend something different from what one expressed. Only occasionally did philosophers veer from a concern for the literal truth of myths but a few thinkers, while acknowledging myths as fictions, defended their value for the examples of good and bad human behavior they offered. These early efforts were invaluable for the development of critical thinking, enabling public criticism of even the most authoritative texts. The Church Fathers took the interpretative methods of their pagan contemporaries and applied them vigorously to their reading of the scriptures. Pagan Greek methods of myth interpretation passed into the Middle Ages and beyond, serving as a perennial defense against the damaging effects of scriptural literalism and fundamentalism.

Art and Aesthetics of Modern Mythopoeia V2

Author: Ritushree Sengupta & Ashish Kumar Gupta

Publisher: Rudra Publication

Published: 2021-05-15

Total Pages: 371

ISBN-13: 8194599512

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Human culture has always weaved myths around its pattern of existence for multiple purposes. The interplay of religion and social practices have found their own space within the sphere of mythology. It is possible to read mythical texts to probe into the greater picture of human civilization. The contribution of myths towards the shaping of human beliefs, behavioural patterns are evident and assessing them often reveals a plethora of cultural histories unexplored and therefore unacknowledged before. The contribution of mythopoeia towards the construct of human socio-cultural identity has been largely accepted. Modern academia has thus taken a strong interest in revisionist literature to understand the hitherto unknown nuances of human civilization. In the edited anthology, Art and Aesthetics of Modern Mythopoeia: Literatures, Myths and Revisionism (Vol-II), like the first volume, an attempt has been made to anthologize the works of a large number of authors who have talked about pertinent issues in the context of myth-making, the latent politics of mythopoeia and has taken into account several under-explored texts that are rich in mythical content. This volume offers a wide range of critical studies involving classical as well as modern myths around the globe.

Book Synopsis Art and Aesthetics of Modern Mythopoeia V2 by : Ritushree Sengupta & Ashish Kumar Gupta

Download or read book Art and Aesthetics of Modern Mythopoeia V2 written by Ritushree Sengupta & Ashish Kumar Gupta and published by Rudra Publication. This book was released on 2021-05-15 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Human culture has always weaved myths around its pattern of existence for multiple purposes. The interplay of religion and social practices have found their own space within the sphere of mythology. It is possible to read mythical texts to probe into the greater picture of human civilization. The contribution of myths towards the shaping of human beliefs, behavioural patterns are evident and assessing them often reveals a plethora of cultural histories unexplored and therefore unacknowledged before. The contribution of mythopoeia towards the construct of human socio-cultural identity has been largely accepted. Modern academia has thus taken a strong interest in revisionist literature to understand the hitherto unknown nuances of human civilization. In the edited anthology, Art and Aesthetics of Modern Mythopoeia: Literatures, Myths and Revisionism (Vol-II), like the first volume, an attempt has been made to anthologize the works of a large number of authors who have talked about pertinent issues in the context of myth-making, the latent politics of mythopoeia and has taken into account several under-explored texts that are rich in mythical content. This volume offers a wide range of critical studies involving classical as well as modern myths around the globe.