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After discerning the social and historical factors surrounding its first appearance in the 1960s, Neo-Slave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent cultural debates that arose during the sixties."--BOOK JACKET.
Book Synopsis Neo-slave Narratives by : Ashraf H. A. Rushdy
Download or read book Neo-slave Narratives written by Ashraf H. A. Rushdy and published by Oxford University Press, USA. This book was released on 1999 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: After discerning the social and historical factors surrounding its first appearance in the 1960s, Neo-Slave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent cultural debates that arose during the sixties."--BOOK JACKET.
This History is intended for a broad audience seeking knowledge of how novels interact with and influence their cultural landscape. Its interdisciplinary approach will appeal to those interested in novels and film, graphic novels, novels and popular culture, transatlantic blackness, and the interfacing of race, class, gender, and aesthetics.
Book Synopsis A History of the African American Novel by : Valerie Babb
Download or read book A History of the African American Novel written by Valerie Babb and published by Cambridge University Press. This book was released on 2017-07-31 with total page 499 pages. Available in PDF, EPUB and Kindle. Book excerpt: This History is intended for a broad audience seeking knowledge of how novels interact with and influence their cultural landscape. Its interdisciplinary approach will appeal to those interested in novels and film, graphic novels, novels and popular culture, transatlantic blackness, and the interfacing of race, class, gender, and aesthetics.
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
Book Synopsis The Cambridge Companion to the African American Slave Narrative by : Audrey Fisch
Download or read book The Cambridge Companion to the African American Slave Narrative written by Audrey Fisch and published by Cambridge University Press. This book was released on 2007-05-31 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
Winner, 2021 René Wellek Prize, given by the American Comparative Literature Association Winner, 2021 Barbara Perkins and George Perkins Award, given by the International Society for the Study of Narrative Honorable Mention, 2020 James Russell Lowell Prize, given by the Modern Language Association Argues that the slave narrative is a new world literary genre In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal’s argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave. Goyal argues that in order to fathom forms of freedom and bondage today—from unlawful detention to sex trafficking to the refugee crisis to genocide—we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
Book Synopsis Runaway Genres by : Yogita Goyal
Download or read book Runaway Genres written by Yogita Goyal and published by NYU Press. This book was released on 2019-10-29 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner, 2021 René Wellek Prize, given by the American Comparative Literature Association Winner, 2021 Barbara Perkins and George Perkins Award, given by the International Society for the Study of Narrative Honorable Mention, 2020 James Russell Lowell Prize, given by the Modern Language Association Argues that the slave narrative is a new world literary genre In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal’s argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave. Goyal argues that in order to fathom forms of freedom and bondage today—from unlawful detention to sex trafficking to the refugee crisis to genocide—we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
This collection of essays and interviews provides a frank look at the nature and purposes of prisons in the United States from the perspective of the prisoners. Written by Native American, African American, Latino, Asian, and European American prisoners, the book examines captivity and democracy, the racial "other," gender and violence, and the stigma of a suspect humanity. Contributors include those incarcerated for social and political acts, such as conscientious objection, antiwar activism, black liberation, and gang activities. Among those interviewed are Philip Berrigan, Marilyn Buck, Angela Y. Davis, George Jackson, and Laura Whitehorn.
Book Synopsis The New Abolitionists by : Joy James
Download or read book The New Abolitionists written by Joy James and published by State University of New York Press. This book was released on 2005-07-14 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays and interviews provides a frank look at the nature and purposes of prisons in the United States from the perspective of the prisoners. Written by Native American, African American, Latino, Asian, and European American prisoners, the book examines captivity and democracy, the racial "other," gender and violence, and the stigma of a suspect humanity. Contributors include those incarcerated for social and political acts, such as conscientious objection, antiwar activism, black liberation, and gang activities. Among those interviewed are Philip Berrigan, Marilyn Buck, Angela Y. Davis, George Jackson, and Laura Whitehorn.
Edited by Kimberly Drake, who directs the writing program and teaches writing and American literature and culture at Scripps College, this volume includes chapters on the more widely read slave narratives, including those by Frederick Douglass, Harriet Jacobs, and Solomon Northup, but also relatively lesser-known narratives, such as neo-slave narrative novels and slave narratives about slavery outside the U.S. Individual chapters will provide researchers with a wide range of approaches to the slave narrative genre, and the volume's Preface will discuss the history of the slave narrative genre from its origins to the present day, where it makes its way into popular films and novels.
Book Synopsis The Slave Narrative by : Kimberly Drake
Download or read book The Slave Narrative written by Kimberly Drake and published by Salem Press. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edited by Kimberly Drake, who directs the writing program and teaches writing and American literature and culture at Scripps College, this volume includes chapters on the more widely read slave narratives, including those by Frederick Douglass, Harriet Jacobs, and Solomon Northup, but also relatively lesser-known narratives, such as neo-slave narrative novels and slave narratives about slavery outside the U.S. Individual chapters will provide researchers with a wide range of approaches to the slave narrative genre, and the volume's Preface will discuss the history of the slave narrative genre from its origins to the present day, where it makes its way into popular films and novels.
The neo-slave narrative is an important development in American literary history and has serious revisionist intentions at its foundation. This book examines how contemporary African American women writers have shaped the genre. These authors have written neo-slave narratives to reinscribe history from the perspective of the African American woman, most specifically the nineteenth century enslaved mother. The writers considered in this study—Sherley Anne Williams, Toni Morrison, J. California Cooper, Gayl Jones, and Octavia Butler—explore American slavery through the lens of gender, both to interrogate the myth that enslaved women, denied the privilege of having a gender identity by the institution of slavery, were in fact genderless, and to celebrate the acts of resistance which enabled enslaved women to mother in the fullest sense of the term. The volume begins with an overview of historical representations of slavery in America, from the slave narrative itself to the revisionist scholarship of the 1960s. The book then examines several individual neo-slave narratives, such as Margaret Walker's Jubilee (1966), Williams' Dessa Rose (1986), Morrison's Beloved (1987), Cooper's Family (1991), Jones' Corregidora (1975), and Butler's Kindred (1979). What the women in these novels have in common is the fact that they mother; what the writers have in common is a tendency to utilize subversive strategies such as reversal, blurring, and the creation of myth to dramatize gender identity and to highlight the varied nature of motherhood as enslaved women experienced it. The final chapter evaluates the influence of the neo-slave narrative on American literature in general and on popular perceptions and misperceptions of African American women.
Book Synopsis Black Women Writers and the American Neo-Slave Narrative by : Elizabeth A. Beaulieu
Download or read book Black Women Writers and the American Neo-Slave Narrative written by Elizabeth A. Beaulieu and published by Praeger. This book was released on 1999-03-30 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The neo-slave narrative is an important development in American literary history and has serious revisionist intentions at its foundation. This book examines how contemporary African American women writers have shaped the genre. These authors have written neo-slave narratives to reinscribe history from the perspective of the African American woman, most specifically the nineteenth century enslaved mother. The writers considered in this study—Sherley Anne Williams, Toni Morrison, J. California Cooper, Gayl Jones, and Octavia Butler—explore American slavery through the lens of gender, both to interrogate the myth that enslaved women, denied the privilege of having a gender identity by the institution of slavery, were in fact genderless, and to celebrate the acts of resistance which enabled enslaved women to mother in the fullest sense of the term. The volume begins with an overview of historical representations of slavery in America, from the slave narrative itself to the revisionist scholarship of the 1960s. The book then examines several individual neo-slave narratives, such as Margaret Walker's Jubilee (1966), Williams' Dessa Rose (1986), Morrison's Beloved (1987), Cooper's Family (1991), Jones' Corregidora (1975), and Butler's Kindred (1979). What the women in these novels have in common is the fact that they mother; what the writers have in common is a tendency to utilize subversive strategies such as reversal, blurring, and the creation of myth to dramatize gender identity and to highlight the varied nature of motherhood as enslaved women experienced it. The final chapter evaluates the influence of the neo-slave narrative on American literature in general and on popular perceptions and misperceptions of African American women.
From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images. A V Ethel Willis White Book
Book Synopsis Slavery and the Post-Black Imagination by : Bertram D. Ashe
Download or read book Slavery and the Post-Black Imagination written by Bertram D. Ashe and published by University of Washington Press. This book was released on 2020-01-06 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images. A V Ethel Willis White Book
This book concentrates on six neo-slave narratives written by late 20th and early 21st century black American women: Octavia Butler’s Kindred, Phyllis Alesia Perry’s Stigmata and A Sunday in June, Gayl Jones’ Corregidora, Joan California Cooper’s Family, and Athena Lark’s Avenue of Palms. It explores the process of re(-)membering of the black female characters in these novels, and shows how these authors manage to both write the transgenerational trauma of slavery and write through it, enabling black American women’s voices to be heard. This analysis of famous classics, as well as less-known books, demonstrates how black American women’s traumatic memory of slavery is inscribed in a transgenerational black female body. Conjuring up questions of narratology and intertextuality, it highlights how working-through takes the form of a narrativization of this traumatic memory by diverse means. This book also reflects upon the links between the collective and personal psyches by laying emphasis on the ineluctable intertwining of national history and individual destiny.
Book Synopsis Black American Women’s Voices and Transgenerational Trauma by : Valérie Croisille
Download or read book Black American Women’s Voices and Transgenerational Trauma written by Valérie Croisille and published by Cambridge Scholars Publishing. This book was released on 2021-11-18 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book concentrates on six neo-slave narratives written by late 20th and early 21st century black American women: Octavia Butler’s Kindred, Phyllis Alesia Perry’s Stigmata and A Sunday in June, Gayl Jones’ Corregidora, Joan California Cooper’s Family, and Athena Lark’s Avenue of Palms. It explores the process of re(-)membering of the black female characters in these novels, and shows how these authors manage to both write the transgenerational trauma of slavery and write through it, enabling black American women’s voices to be heard. This analysis of famous classics, as well as less-known books, demonstrates how black American women’s traumatic memory of slavery is inscribed in a transgenerational black female body. Conjuring up questions of narratology and intertextuality, it highlights how working-through takes the form of a narrativization of this traumatic memory by diverse means. This book also reflects upon the links between the collective and personal psyches by laying emphasis on the ineluctable intertwining of national history and individual destiny.
Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Wuppertal, course: Black British Neo-Slave Narratives, language: English, abstract: This paper focuses on the importance of remembering the slave trade in all his cruel facets. Therefore, the genre of the original slave narrative and the genre of the neo-slave narrative is introduced. The second part of the paper provides an analysis of the novel 'Blonde Roots', by Bernardine Evaristo (2009). The colonial era and the legacy of slavery left a serious mark on the whole world; Especially present-day Great Britain has to face the consequences of its role in colonialism ever since. Between 1500 and 1900, nearly 12 million African slaves were brought from their homeland to America and to Europe. Via the Transatlantic Slave Trade, British ships sent rare cargoes, like rum, cotton wool and gunpowder to Africa, in exchange for potential slaves. When the slave ships arrived in the 'New World'2, African slaves were forced brutally to harvest coffee, sugar and tobacco on plantations. Eventually, the British ships, filled with the plantation yield, settled to their home ports in Europe.
Book Synopsis The Genres of Slave Narratives and Neo-Slave Narratives. Development, Characteristics and Functions by : Jana Olejniczak
Download or read book The Genres of Slave Narratives and Neo-Slave Narratives. Development, Characteristics and Functions written by Jana Olejniczak and published by GRIN Verlag. This book was released on 2021-07-30 with total page 23 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Wuppertal, course: Black British Neo-Slave Narratives, language: English, abstract: This paper focuses on the importance of remembering the slave trade in all his cruel facets. Therefore, the genre of the original slave narrative and the genre of the neo-slave narrative is introduced. The second part of the paper provides an analysis of the novel 'Blonde Roots', by Bernardine Evaristo (2009). The colonial era and the legacy of slavery left a serious mark on the whole world; Especially present-day Great Britain has to face the consequences of its role in colonialism ever since. Between 1500 and 1900, nearly 12 million African slaves were brought from their homeland to America and to Europe. Via the Transatlantic Slave Trade, British ships sent rare cargoes, like rum, cotton wool and gunpowder to Africa, in exchange for potential slaves. When the slave ships arrived in the 'New World'2, African slaves were forced brutally to harvest coffee, sugar and tobacco on plantations. Eventually, the British ships, filled with the plantation yield, settled to their home ports in Europe.
