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To what extent do religious lyrics also participate in and reflect the social, political, and cultural contexts of the period in which they were written? These essays offer new insights into the religious poetry of Donne, Herbert, Crashaw, Jonson, Herrick, Vaughan, and Marvell. In addition, modern theoretical criticism is discussed, and the editor has provided a selective, though extensive, bibliography of modern studies of the seventeenth-century religious lyric.
Book Synopsis New Perspectives on the Seventeenth-century English Religious Lyric by : John Richard Roberts
Download or read book New Perspectives on the Seventeenth-century English Religious Lyric written by John Richard Roberts and published by . This book was released on 1994 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: To what extent do religious lyrics also participate in and reflect the social, political, and cultural contexts of the period in which they were written? These essays offer new insights into the religious poetry of Donne, Herbert, Crashaw, Jonson, Herrick, Vaughan, and Marvell. In addition, modern theoretical criticism is discussed, and the editor has provided a selective, though extensive, bibliography of modern studies of the seventeenth-century religious lyric.
As the twelve original essays collected in this volume demonstrate, to study the wit of seventeenth-century poetry is necessarily to address concerns at the very heart of the period's shifting literary culture. It is a topic that raises persistent questions of thematics and authorial intent, even as it interrogates a wide spectrum of cultural practices. These essays by some of the most renowned scholars in seventeenth-century studies illuminate important authors and engage issues of politics and religion, of secular and sacred love, of literary theory and poetic technique, of gender relations and historical consciousness, of literary history and social change, as well as larger concerns of literary production and smaller ones of local effects. Collectively, they illustrate the vitality of the topic, both in its own right and as a means of understanding the complexity and range of seventeenth-century English poetry.
Book Synopsis The Wit of Seventeenth-century Poetry by : Claude J. Summers
Download or read book The Wit of Seventeenth-century Poetry written by Claude J. Summers and published by University of Missouri Press. This book was released on 1995 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the twelve original essays collected in this volume demonstrate, to study the wit of seventeenth-century poetry is necessarily to address concerns at the very heart of the period's shifting literary culture. It is a topic that raises persistent questions of thematics and authorial intent, even as it interrogates a wide spectrum of cultural practices. These essays by some of the most renowned scholars in seventeenth-century studies illuminate important authors and engage issues of politics and religion, of secular and sacred love, of literary theory and poetic technique, of gender relations and historical consciousness, of literary history and social change, as well as larger concerns of literary production and smaller ones of local effects. Collectively, they illustrate the vitality of the topic, both in its own right and as a means of understanding the complexity and range of seventeenth-century English poetry.
Wounds, Flesh and Metaphor in Seventeenth-Century England explores the theme of physical and symbolic woundedness in mid-seventeenth century English literature. This book demonstrates the ways in which writers attempted to represent the politically and religiously fractured state of the time and re-imagined the nation through language and metaphor in the process. By examining the creative permutations of the wound metaphor, Covington argues for the centrality of the charged imagery, and language itself, in shaping the self-representations of an age.
Book Synopsis Wounds, Flesh, and Metaphor in Seventeenth-Century England by : S. Covington
Download or read book Wounds, Flesh, and Metaphor in Seventeenth-Century England written by S. Covington and published by Springer. This book was released on 2009-08-31 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wounds, Flesh and Metaphor in Seventeenth-Century England explores the theme of physical and symbolic woundedness in mid-seventeenth century English literature. This book demonstrates the ways in which writers attempted to represent the politically and religiously fractured state of the time and re-imagined the nation through language and metaphor in the process. By examining the creative permutations of the wound metaphor, Covington argues for the centrality of the charged imagery, and language itself, in shaping the self-representations of an age.
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.
Book Synopsis Magical Transformations on the Early Modern English Stage by : Lisa Hopkins
Download or read book Magical Transformations on the Early Modern English Stage written by Lisa Hopkins and published by Routledge. This book was released on 2016-05-13 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.
First published in 1998, this title provides for the reader of the renowned metaphysical poet and politician a valuable reference and resource volume. It is a compendium of useful information for any reader of Andrew Marvell, including crucial biographical material, historical contextualisation, and details about his life’s work. The intention throughout is to enhance understanding and appreciation, without being exhaustive. The major portion of the volume, in both importance and size, is ‘A Marvell Dictionary’. Its entries are arranged alphabetically: they identify, describe and explain the most influential persons in Marvell’s life and works, as well as places, characters, allusions, ideas, concepts, individual words, phrases and literary terms that are relevant to a rounded appreciation of his poetry and prose. An Andrew Marvell Companion will prove invaluable for all students of English poetry and seventeenth-century political history.
Book Synopsis An Andrew Marvell Companion (Routledge Revivals) by : Robert H. Ray
Download or read book An Andrew Marvell Companion (Routledge Revivals) written by Robert H. Ray and published by Routledge. This book was released on 2014-05-01 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998, this title provides for the reader of the renowned metaphysical poet and politician a valuable reference and resource volume. It is a compendium of useful information for any reader of Andrew Marvell, including crucial biographical material, historical contextualisation, and details about his life’s work. The intention throughout is to enhance understanding and appreciation, without being exhaustive. The major portion of the volume, in both importance and size, is ‘A Marvell Dictionary’. Its entries are arranged alphabetically: they identify, describe and explain the most influential persons in Marvell’s life and works, as well as places, characters, allusions, ideas, concepts, individual words, phrases and literary terms that are relevant to a rounded appreciation of his poetry and prose. An Andrew Marvell Companion will prove invaluable for all students of English poetry and seventeenth-century political history.
This book explores the resistance of three English poets to Francis Bacon's project to restore humanity to Adamic mastery over nature, moving beyond a discussion of the tension between Bacon and these poetic voices to suggest theywere also debating the narrative of humanity's intellectual path.
Book Synopsis Francis Bacon and the Seventeenth-Century Intellectual Discourse by : A. Funari
Download or read book Francis Bacon and the Seventeenth-Century Intellectual Discourse written by A. Funari and published by Springer. This book was released on 2011-10-10 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the resistance of three English poets to Francis Bacon's project to restore humanity to Adamic mastery over nature, moving beyond a discussion of the tension between Bacon and these poetic voices to suggest theywere also debating the narrative of humanity's intellectual path.
Innovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.
Book Synopsis Verse and Poetics in George Herbert and John Donne by : Frances Cruickshank
Download or read book Verse and Poetics in George Herbert and John Donne written by Frances Cruickshank and published by Routledge. This book was released on 2016-02-17 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: Innovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
Book Synopsis The Variorum Edition of the Poetry of John Donne by : John Donne
Download or read book The Variorum Edition of the Poetry of John Donne written by John Donne and published by Indiana University Press. This book was released on 2021-01-05 with total page 1012 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
In the first book for over a decade to deal with the issue of conscience in metaphysical poetry, Ceri Sullivan draws on theology, poetics, and rhetoric in detailed readings of the works of Donne, Herbert, and Vaughan. She shows that these poets see the conscience as part theirs, part God's, and respond uncomfortably to failures in its workings.
Book Synopsis The Rhetoric of the Conscience in Donne, Herbert, and Vaughan by : Ceri Sullivan
Download or read book The Rhetoric of the Conscience in Donne, Herbert, and Vaughan written by Ceri Sullivan and published by Oxford University Press. This book was released on 2008-09-11 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first book for over a decade to deal with the issue of conscience in metaphysical poetry, Ceri Sullivan draws on theology, poetics, and rhetoric in detailed readings of the works of Donne, Herbert, and Vaughan. She shows that these poets see the conscience as part theirs, part God's, and respond uncomfortably to failures in its workings.
This first book-length feminist study of Donne argues that his sacred subject-position is ambivalently and illustratively invested in cultural archetypes of mothers, daughters, and brides. The chapters focus on baptism, marriage, and death as key moments in Donne's and his culture's construction of the gendered soul.
Book Synopsis Gender and the Sacred Self in John Donne by : Elizabeth M. A. Hodgson
Download or read book Gender and the Sacred Self in John Donne written by Elizabeth M. A. Hodgson and published by University of Delaware Press. This book was released on 1999 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first book-length feminist study of Donne argues that his sacred subject-position is ambivalently and illustratively invested in cultural archetypes of mothers, daughters, and brides. The chapters focus on baptism, marriage, and death as key moments in Donne's and his culture's construction of the gendered soul.
