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Book Synopsis Instructions for the German Flute by : Tebaldo Monzani
Download or read book Instructions for the German Flute written by Tebaldo Monzani and published by . This book was released on 2008 with total page 61 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Button and Whitaker's New Instructions for the German Flute, containing the easiest&most modern methods for learning to play, etc by : Button and Whitaker
Download or read book Button and Whitaker's New Instructions for the German Flute, containing the easiest&most modern methods for learning to play, etc written by Button and Whitaker and published by . This book was released on 1810 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Newest Instructions for the German Flute by : Rebecca Harris-Warrick
Download or read book Newest Instructions for the German Flute written by Rebecca Harris-Warrick and published by . This book was released on 1977 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A New and Enlarged Edition of Monzani's Instructions for the German Flute. (3d Edition.). by : Tebaldo Monzani
Download or read book A New and Enlarged Edition of Monzani's Instructions for the German Flute. (3d Edition.). written by Tebaldo Monzani and published by . This book was released on 1820 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:
First published in 2004, this book demonstrates that while Britain produced many fewer instrumental virtuosi than its foreign neighbours, there developed a more serious and widespread interest in the cultivation of music throughout the nineteenth century. Taking a predominantly historical approach, the book moves from a discussion of general developments and issues to a detailed examination of violin pedagogy, method and content, which indicates society’s influence on cultural trends and informs the discussion of other instruments and institutional training that follows. In the first study of its kind, it examines in depth the inextricable links between trends in society, education and levels of achievement. It also extends beyond profession and ‘art’ music to amateur and ‘popular’ spheres. A useful chronology of developments in nineteenth-century British music education is also included. This book will be of interest to those studying the history of instrumental teaching and Victorian music.
Book Synopsis Instrumental Teaching in Nineteenth-Century Britain by : David Golby
Download or read book Instrumental Teaching in Nineteenth-Century Britain written by David Golby and published by Routledge. This book was released on 2016-06-17 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2004, this book demonstrates that while Britain produced many fewer instrumental virtuosi than its foreign neighbours, there developed a more serious and widespread interest in the cultivation of music throughout the nineteenth century. Taking a predominantly historical approach, the book moves from a discussion of general developments and issues to a detailed examination of violin pedagogy, method and content, which indicates society’s influence on cultural trends and informs the discussion of other instruments and institutional training that follows. In the first study of its kind, it examines in depth the inextricable links between trends in society, education and levels of achievement. It also extends beyond profession and ‘art’ music to amateur and ‘popular’ spheres. A useful chronology of developments in nineteenth-century British music education is also included. This book will be of interest to those studying the history of instrumental teaching and Victorian music.
Book Synopsis Three Solos, for a German Flute, in which are Introduced the Following Favte [favorite] Scots Airs, Corn Riggs, The Caledonian Hunts Delight, and Auld Lang Syne, with Variations, and a Violoncello Accompaniment ... Op. 9. [Score.] by : Johann Carl Weidner
Download or read book Three Solos, for a German Flute, in which are Introduced the Following Favte [favorite] Scots Airs, Corn Riggs, The Caledonian Hunts Delight, and Auld Lang Syne, with Variations, and a Violoncello Accompaniment ... Op. 9. [Score.] written by Johann Carl Weidner and published by . This book was released on 1810 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Compleat Tutor for the Violin. Containing the best and easiest instructions for learners to obtain a proficiency. To which is added a choice collection of the most celebrated Italian, English and Scotch tunes, with several choice pieces for 2 violins by :
Download or read book The Compleat Tutor for the Violin. Containing the best and easiest instructions for learners to obtain a proficiency. To which is added a choice collection of the most celebrated Italian, English and Scotch tunes, with several choice pieces for 2 violins written by and published by . This book was released on 1755 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Six Lectures on the Recorder and Other Flutes in Relation to Literature by : Christopher Welch
Download or read book Six Lectures on the Recorder and Other Flutes in Relation to Literature written by Christopher Welch and published by London ; New York : Oxford University Press. This book was released on 1911 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis An Annotated Bibliography of Woodwind Instruction Books, 1600-1830 by : Thomas E. Warner
Download or read book An Annotated Bibliography of Woodwind Instruction Books, 1600-1830 written by Thomas E. Warner and published by Information Coordinators, Incorporated. This book was released on 1967 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.
Book Synopsis Music Entries at Stationers' Hall, 1710–1818 by : Michael Kassler
Download or read book Music Entries at Stationers' Hall, 1710–1818 written by Michael Kassler and published by Routledge. This book was released on 2016-04-29 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.