Nietzsche's Philosophy of Art

Nietzsche's Philosophy of Art

Author: Julian Young

Publisher: Cambridge University Press

Published: 1992

Total Pages: 196

ISBN-13: 9780521455756

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This is a clear and lucid account of Nietzsche's philosophy of art.


Book Synopsis Nietzsche's Philosophy of Art by : Julian Young

Download or read book Nietzsche's Philosophy of Art written by Julian Young and published by Cambridge University Press. This book was released on 1992 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a clear and lucid account of Nietzsche's philosophy of art.


Nietzsche on Art and Life

Nietzsche on Art and Life

Author: Daniel Came

Publisher: OUP Oxford

Published: 2014-04-24

Total Pages: 256

ISBN-13: 0191662895

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Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. For he regarded the significance of art to lie not in l'art pour l'art, but in the role that it might play in enabling us positively to 'revalue' the world and human experience. This volume brings together a number of distinguished figures in contemporary Anglo-American Nietzsche scholarship to examine his views on art and the aesthetic in the context of this wider philosophical project. All of the major themes of Nietzsche's aesthetics are discussed: art and the affirmation of life, the relationship between art and truth, music, tragedy, the nature of aesthetic experience, the role of art in Nietzsche's positive ethics, his critique of romanticism, and his ambivalent attitude towards Richard Wagner.


Book Synopsis Nietzsche on Art and Life by : Daniel Came

Download or read book Nietzsche on Art and Life written by Daniel Came and published by OUP Oxford. This book was released on 2014-04-24 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. For he regarded the significance of art to lie not in l'art pour l'art, but in the role that it might play in enabling us positively to 'revalue' the world and human experience. This volume brings together a number of distinguished figures in contemporary Anglo-American Nietzsche scholarship to examine his views on art and the aesthetic in the context of this wider philosophical project. All of the major themes of Nietzsche's aesthetics are discussed: art and the affirmation of life, the relationship between art and truth, music, tragedy, the nature of aesthetic experience, the role of art in Nietzsche's positive ethics, his critique of romanticism, and his ambivalent attitude towards Richard Wagner.


Plato and Nietzsche

Plato and Nietzsche

Author: Mark Anderson

Publisher: A&C Black

Published: 2014-08-28

Total Pages: 236

ISBN-13: 1472532899

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It is commonly known that Nietzsche is one of Plato's primary philosophical antagonists, yet there is no full-length treatment in English of their ideas in dialogue and debate. Plato and Nietzsche is an advanced introduction to these two thinkers, with original insights and arguments interspersed throughout the text. Through a rigorous exploration of their ideas on art, metaphysics, ethics, and the nature of philosophy, and by explaining and analyzing each man's distinctive approach, Mark Anderson demonstrates the many and varied ways they play off against one another. This book provides the background necessary to understanding the principle matters at issue between these two philosophers and to developing an awareness that Nietzsche's engagement with Plato is deeper and more nuanced than it is often presented as being.


Book Synopsis Plato and Nietzsche by : Mark Anderson

Download or read book Plato and Nietzsche written by Mark Anderson and published by A&C Black. This book was released on 2014-08-28 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is commonly known that Nietzsche is one of Plato's primary philosophical antagonists, yet there is no full-length treatment in English of their ideas in dialogue and debate. Plato and Nietzsche is an advanced introduction to these two thinkers, with original insights and arguments interspersed throughout the text. Through a rigorous exploration of their ideas on art, metaphysics, ethics, and the nature of philosophy, and by explaining and analyzing each man's distinctive approach, Mark Anderson demonstrates the many and varied ways they play off against one another. This book provides the background necessary to understanding the principle matters at issue between these two philosophers and to developing an awareness that Nietzsche's engagement with Plato is deeper and more nuanced than it is often presented as being.


Routledge Philosophy GuideBook to Nietzsche on Art

Routledge Philosophy GuideBook to Nietzsche on Art

Author: Aaron Ridley

Publisher: Routledge

Published: 2007-01-15

Total Pages: 270

ISBN-13: 1134375441

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Nietzsche is one of the most important modern philosophers and his writings on the nature of art are amongst the most influential of the nineteenth and twentieth centuries. This GuideBook introduces and assesses: Nietzsche's life and the background to his writings on art the ideas and texts of his works which contribute to art, including The Birth of Tragedy, Human, All Too Human and Thus Spoke Zarathustra Nietzsche's continuing importance to philosophy and contemporary thought. This GuideBook will be essential reading for all students coming to Nietzsche for the first time.


Book Synopsis Routledge Philosophy GuideBook to Nietzsche on Art by : Aaron Ridley

Download or read book Routledge Philosophy GuideBook to Nietzsche on Art written by Aaron Ridley and published by Routledge. This book was released on 2007-01-15 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nietzsche is one of the most important modern philosophers and his writings on the nature of art are amongst the most influential of the nineteenth and twentieth centuries. This GuideBook introduces and assesses: Nietzsche's life and the background to his writings on art the ideas and texts of his works which contribute to art, including The Birth of Tragedy, Human, All Too Human and Thus Spoke Zarathustra Nietzsche's continuing importance to philosophy and contemporary thought. This GuideBook will be essential reading for all students coming to Nietzsche for the first time.


Nietzsche and the Fate of Art

Nietzsche and the Fate of Art

Author: Philip Pothen

Publisher: Routledge

Published: 2017-08-03

Total Pages: 243

ISBN-13: 1351585037

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This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.


Book Synopsis Nietzsche and the Fate of Art by : Philip Pothen

Download or read book Nietzsche and the Fate of Art written by Philip Pothen and published by Routledge. This book was released on 2017-08-03 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.


End-of-Art Philosophy in Hegel, Nietzsche and Danto

End-of-Art Philosophy in Hegel, Nietzsche and Danto

Author: Stephen Snyder

Publisher: Springer

Published: 2018-11-04

Total Pages: 301

ISBN-13: 3319940724

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This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.


Book Synopsis End-of-Art Philosophy in Hegel, Nietzsche and Danto by : Stephen Snyder

Download or read book End-of-Art Philosophy in Hegel, Nietzsche and Danto written by Stephen Snyder and published by Springer. This book was released on 2018-11-04 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.


Nietzsche's Philosophy of Science

Nietzsche's Philosophy of Science

Author: Babette E. Babich

Publisher: SUNY Press

Published: 1994-01-01

Total Pages: 366

ISBN-13: 9780791418659

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Book Synopsis Nietzsche's Philosophy of Science by : Babette E. Babich

Download or read book Nietzsche's Philosophy of Science written by Babette E. Babich and published by SUNY Press. This book was released on 1994-01-01 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Nietzsche, Philosophy and the Arts

Nietzsche, Philosophy and the Arts

Author: Salim Kemal

Publisher: Cambridge University Press

Published: 2002-08-08

Total Pages: 372

ISBN-13: 9780521522724

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This collection of essays examines Nietzsche's aesthetic account of the origins and ends of philosophy.


Book Synopsis Nietzsche, Philosophy and the Arts by : Salim Kemal

Download or read book Nietzsche, Philosophy and the Arts written by Salim Kemal and published by Cambridge University Press. This book was released on 2002-08-08 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays examines Nietzsche's aesthetic account of the origins and ends of philosophy.


Nietzsche

Nietzsche

Author: Theresa Vishnevetskaya

Publisher:

Published: 2015-05-01

Total Pages: 24

ISBN-13: 9780692428313

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Abstract images and simple poetry introduce children to basic ideas about themselves and the world they live in.


Book Synopsis Nietzsche by : Theresa Vishnevetskaya

Download or read book Nietzsche written by Theresa Vishnevetskaya and published by . This book was released on 2015-05-01 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abstract images and simple poetry introduce children to basic ideas about themselves and the world they live in.


Friedrich Nietzsche and the Artists of the New Weimar

Friedrich Nietzsche and the Artists of the New Weimar

Author: Sebastian Schütze

Publisher: 5 Continents Editions

Published: 2019

Total Pages: 132

ISBN-13:

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"Around 1900, a small group of influential patrons, critics, writers, and artists turned Weimar, the capital of the small Duchy of Sachsen-Weimar-Eisenach in present-day Germany, into a utopian centre of modern art and thought. Artists like Max Klinger, Edvard Munch, and Ludwig von Hofmann, and writers like André Gide, Hugo von Hofmannsthal, and Rainer Maria Rilke sought to create a 'New Weimar and position Friedrich Nietzsche at its head as the radical prophet of modernity. Nietzsche's profound thinking, expressive language, and poignant aphoristic style made him the ideal philosopher of modernism. It is only as an aesthetic phenomenon that existence and the world are eternally justified. With philosophical maxims, such as this from The Birth of Tragedy, Nietzsche became an extraordinary influence on artists and critics in their search for a 'new art,' a 'new man,' and, ultimately, a 'new society.' In 1902, two years after the philosopher's death, Max Klinger was commissioned to carve his portrait for the Villa Silberblick in Weimar, where the cult of Nietzsche was organized. Starting from a heavily reworked death mask, he executed the famous marble herm that still today adorns the reception room of the Nietzsche Archive. Only three monumental bronze versions were cast, one of which is now in the collection of the National Gallery of Canada. With this sculpture in focus, accompanied by a series of paintings, drawings, plaster casts, and small bronzes, 'Radical Modernism' will show how Klinger and his patrons invented the 'official' Nietzsche, transforming a highly expressionist portrait into an idealized classical cult image."--publisher.


Book Synopsis Friedrich Nietzsche and the Artists of the New Weimar by : Sebastian Schütze

Download or read book Friedrich Nietzsche and the Artists of the New Weimar written by Sebastian Schütze and published by 5 Continents Editions. This book was released on 2019 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Around 1900, a small group of influential patrons, critics, writers, and artists turned Weimar, the capital of the small Duchy of Sachsen-Weimar-Eisenach in present-day Germany, into a utopian centre of modern art and thought. Artists like Max Klinger, Edvard Munch, and Ludwig von Hofmann, and writers like André Gide, Hugo von Hofmannsthal, and Rainer Maria Rilke sought to create a 'New Weimar and position Friedrich Nietzsche at its head as the radical prophet of modernity. Nietzsche's profound thinking, expressive language, and poignant aphoristic style made him the ideal philosopher of modernism. It is only as an aesthetic phenomenon that existence and the world are eternally justified. With philosophical maxims, such as this from The Birth of Tragedy, Nietzsche became an extraordinary influence on artists and critics in their search for a 'new art,' a 'new man,' and, ultimately, a 'new society.' In 1902, two years after the philosopher's death, Max Klinger was commissioned to carve his portrait for the Villa Silberblick in Weimar, where the cult of Nietzsche was organized. Starting from a heavily reworked death mask, he executed the famous marble herm that still today adorns the reception room of the Nietzsche Archive. Only three monumental bronze versions were cast, one of which is now in the collection of the National Gallery of Canada. With this sculpture in focus, accompanied by a series of paintings, drawings, plaster casts, and small bronzes, 'Radical Modernism' will show how Klinger and his patrons invented the 'official' Nietzsche, transforming a highly expressionist portrait into an idealized classical cult image."--publisher.