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Contains a collection of poetry that spans two centuries and provides a diverse point of view of American life. American Poetry offers a collection of 26 verses by our finest poets, all with their unique perspective on the land they loved and accompanied by remarkable paintings that enhance the meaning of the words. Here, beautifully illustrated, are such unforgettable works.
Book Synopsis American Poetry by : John Hollander
Download or read book American Poetry written by John Hollander and published by Sterling Publishing Company, Inc.. This book was released on 2004 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains a collection of poetry that spans two centuries and provides a diverse point of view of American life. American Poetry offers a collection of 26 verses by our finest poets, all with their unique perspective on the land they loved and accompanied by remarkable paintings that enhance the meaning of the words. Here, beautifully illustrated, are such unforgettable works.
The first critical collection of its kind devoted solely to this subject, this Companion covers both well-known and lesser-known poets.
Book Synopsis The Cambridge Companion to Nineteenth-Century American Poetry by : Kerry C. Larson
Download or read book The Cambridge Companion to Nineteenth-Century American Poetry written by Kerry C. Larson and published by Cambridge University Press. This book was released on 2011-12 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first critical collection of its kind devoted solely to this subject, this Companion covers both well-known and lesser-known poets.
In nineteenth-century America, poetry was an integral part of everyday life. The two volumes of The Library of America’s American Poetry: The Nineteenth Century reveal the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These extraordinary anthologies reassess America’s poetic legacy with a comprehensive sweep that no previous anthology has attempted. Extending chronologically from the classic couplets of Philip Freneau to the pioneering free verse of Walt Whitman, this first volume charts the formation of a distinctly American poetry. Here, in generous selections, are the major figures: Poe, Emerson, Bryant, Longfellow, Whittier—as well as such unexpected contributors as the landscape painter Thomas Cole, the actress Fanny Kemble, and the presidents John Quincy Adams and Abraham Lincoln. This collection offers the unique opportunity to appreciate anew such classics as Whittier’s “Snow-Bound,” Bryant’s “Forest Hymn,” and Emerson’s “Hamatreya,” while discovering a world of less familiar pleasures: the mystical sonnets of Jones Very, the Romantic fantasias of Maria Gowen Brooks, the stirring political poems of Joel Barlow and John Pierpont, and the somber and undervalued late lyrics of Longfellow. Woven among the poetry of the early nineteenth century is a wealth of popular ballads, recitations, and songs both secular and religious: “Home, Sweet Home,” “A Visit from St. Nicholas,” “It Came Upon the Midnight Clear,” “Battle Hymn of the Republic.” From Lydia Maria Child’s Thanksgiving poem (“Over the river and through the wood”) to George Pope Morris’s “The Oak” (“Woodman, spare that tree!”), these pages ring with the phrases that have become part of the national memory. Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Book Synopsis American Poetry: The Nineteenth Century Vol. 1 (LOA #66) by : Various
Download or read book American Poetry: The Nineteenth Century Vol. 1 (LOA #66) written by Various and published by National Geographic Books. This book was released on 1993-10-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In nineteenth-century America, poetry was an integral part of everyday life. The two volumes of The Library of America’s American Poetry: The Nineteenth Century reveal the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These extraordinary anthologies reassess America’s poetic legacy with a comprehensive sweep that no previous anthology has attempted. Extending chronologically from the classic couplets of Philip Freneau to the pioneering free verse of Walt Whitman, this first volume charts the formation of a distinctly American poetry. Here, in generous selections, are the major figures: Poe, Emerson, Bryant, Longfellow, Whittier—as well as such unexpected contributors as the landscape painter Thomas Cole, the actress Fanny Kemble, and the presidents John Quincy Adams and Abraham Lincoln. This collection offers the unique opportunity to appreciate anew such classics as Whittier’s “Snow-Bound,” Bryant’s “Forest Hymn,” and Emerson’s “Hamatreya,” while discovering a world of less familiar pleasures: the mystical sonnets of Jones Very, the Romantic fantasias of Maria Gowen Brooks, the stirring political poems of Joel Barlow and John Pierpont, and the somber and undervalued late lyrics of Longfellow. Woven among the poetry of the early nineteenth century is a wealth of popular ballads, recitations, and songs both secular and religious: “Home, Sweet Home,” “A Visit from St. Nicholas,” “It Came Upon the Midnight Clear,” “Battle Hymn of the Republic.” From Lydia Maria Child’s Thanksgiving poem (“Over the river and through the wood”) to George Pope Morris’s “The Oak” (“Woodman, spare that tree!”), these pages ring with the phrases that have become part of the national memory. Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
This publication marks the first time in a hundred years that a wide range of nineteenth-century American women's poetry has been accessible to the general public in a single volume. Included are the humorous parodies of Phoebe Cary and Mary Weston Fordham and the stirring abolitionist poems of Lydia Sigourney, Frances Harper, Maria Lowell, and Rose Terry Cooke. Included, too, are haunting reflections on madness, drug use, and suicide of women whose lives, as Cheryl Walker explains, were often as melodramatic as the poems they composed and published. In addition to works by more than two dozen poets, the anthology includes ample headnotes about each author's life and a brief critical evaluation of her work. Walker's introduction to the volume provides valuable contextual material to help readers understand the cultural background, economic necessities, literary conventions, and personal dynamics that governed women's poetic production in the nineteenth century.
Book Synopsis American Women Poets of the Nineteenth Century by : Cheryl Walker
Download or read book American Women Poets of the Nineteenth Century written by Cheryl Walker and published by Rutgers University Press. This book was released on 1992 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication marks the first time in a hundred years that a wide range of nineteenth-century American women's poetry has been accessible to the general public in a single volume. Included are the humorous parodies of Phoebe Cary and Mary Weston Fordham and the stirring abolitionist poems of Lydia Sigourney, Frances Harper, Maria Lowell, and Rose Terry Cooke. Included, too, are haunting reflections on madness, drug use, and suicide of women whose lives, as Cheryl Walker explains, were often as melodramatic as the poems they composed and published. In addition to works by more than two dozen poets, the anthology includes ample headnotes about each author's life and a brief critical evaluation of her work. Walker's introduction to the volume provides valuable contextual material to help readers understand the cultural background, economic necessities, literary conventions, and personal dynamics that governed women's poetic production in the nineteenth century.
Afro-Americans of the nineteenth century are the invisible poets of our national literature. This anthology brings together 171 poems by 35 poets, from the best known to the unknown, in one volume.
Book Synopsis African-American Poetry of the Nineteenth Century by : Joan R. Sherman
Download or read book African-American Poetry of the Nineteenth Century written by Joan R. Sherman and published by University of Illinois Press. This book was released on 1992 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afro-Americans of the nineteenth century are the invisible poets of our national literature. This anthology brings together 171 poems by 35 poets, from the best known to the unknown, in one volume.
Poetry occupied a complex position in the social life of nineteenth-century America. While some readers found in poems a resource for aesthetic pleasure and the enjoyment of linguistic complexity, many others turned to poems for spiritual and psychic wellbeing, adapted popular musical settings of poems to spread scandal and satire, or used poems as a medium for asserting personal and family memories as well as local and national affiliations. Poetry was not only read but memorized and quoted, rewritten and parodied, collected, anthologized, edited, and exchanged. Michael C. Cohen here explores the multiplicity of imaginative relationships forged between poems and those who made use of them from the post-Revolutionary era to the turn of the twentieth century. Organized along a careful genealogy of ballads in the Atlantic world, The Social Lives of Poems in Nineteenth-Century America demonstrates how the circulation of texts in songs, broadsides, letters, and newsprint as well as in books, anthologies, and critical essays enabled poetry to perform its many different tasks. Considering the media and modes of reading through which people encountered and made sense of poems, Cohen traces the lines of critical interpretations and tracks the emergence and disappearance of poetic genres in American literary culture. Examining well-known works by John Greenleaf Whittier and Walt Whitman as well as popular ballads, minstrel songs, and spirituals, Cohen shows how discourses on poetry served as sites for debates over history, literary culture, citizenship, and racial identity.
Book Synopsis The Social Lives of Poems in Nineteenth-Century America by : Michael C. Cohen
Download or read book The Social Lives of Poems in Nineteenth-Century America written by Michael C. Cohen and published by University of Pennsylvania Press. This book was released on 2015-05-28 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetry occupied a complex position in the social life of nineteenth-century America. While some readers found in poems a resource for aesthetic pleasure and the enjoyment of linguistic complexity, many others turned to poems for spiritual and psychic wellbeing, adapted popular musical settings of poems to spread scandal and satire, or used poems as a medium for asserting personal and family memories as well as local and national affiliations. Poetry was not only read but memorized and quoted, rewritten and parodied, collected, anthologized, edited, and exchanged. Michael C. Cohen here explores the multiplicity of imaginative relationships forged between poems and those who made use of them from the post-Revolutionary era to the turn of the twentieth century. Organized along a careful genealogy of ballads in the Atlantic world, The Social Lives of Poems in Nineteenth-Century America demonstrates how the circulation of texts in songs, broadsides, letters, and newsprint as well as in books, anthologies, and critical essays enabled poetry to perform its many different tasks. Considering the media and modes of reading through which people encountered and made sense of poems, Cohen traces the lines of critical interpretations and tracks the emergence and disappearance of poetic genres in American literary culture. Examining well-known works by John Greenleaf Whittier and Walt Whitman as well as popular ballads, minstrel songs, and spirituals, Cohen shows how discourses on poetry served as sites for debates over history, literary culture, citizenship, and racial identity.
Presents a collection of early American poetry in a tribute to the diversity and range of poetic traditions from the seventeenth and eighteenth centuries, and includes regional music ballads and Native American translations.
Book Synopsis American Poetry: The Seventeenth and Eighteenth Centuries (LOA #178) by : David Sheilds
Download or read book American Poetry: The Seventeenth and Eighteenth Centuries (LOA #178) written by David Sheilds and published by . This book was released on 2007-10-18 with total page 1000 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a collection of early American poetry in a tribute to the diversity and range of poetic traditions from the seventeenth and eighteenth centuries, and includes regional music ballads and Native American translations.
Book Synopsis American Poetry: The Nineteenth Century Vol. 2 (LOA #67) by : John Hollander
Download or read book American Poetry: The Nineteenth Century Vol. 2 (LOA #67) written by John Hollander and published by . This book was released on 1993-09 with total page 1096 pages. Available in PDF, EPUB and Kindle. Book excerpt: Freneau to Whitman.
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Book Synopsis Who Killed American Poetry? by : Karen L. Kilcup
Download or read book Who Killed American Poetry? written by Karen L. Kilcup and published by University of Michigan Press. This book was released on 2019-10-18 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
This Concise Companion gives readers a rich sense of how thepoetry produced in the United States during the twentieth centuryis connected to the country’s intellectual life more broadly. Helps readers to fully appreciate the poetry of the period bytracing its historical and cultural contexts. Written by prominent specialists in the field. Places the poetry of the period within contexts such as: war;feminism and the female poet; poetries of immigration andmigration; communism and anti-communism; philosophy andtheory. Each chapter ranges across the entire century, comparing poetsfrom one part of the century to those of another. New syntheses make the volume of interest to scholars as wellas students and general readers.
Book Synopsis A Concise Companion to Twentieth-Century American Poetry by : Stephen Fredman
Download or read book A Concise Companion to Twentieth-Century American Poetry written by Stephen Fredman and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Concise Companion gives readers a rich sense of how thepoetry produced in the United States during the twentieth centuryis connected to the country’s intellectual life more broadly. Helps readers to fully appreciate the poetry of the period bytracing its historical and cultural contexts. Written by prominent specialists in the field. Places the poetry of the period within contexts such as: war;feminism and the female poet; poetries of immigration andmigration; communism and anti-communism; philosophy andtheory. Each chapter ranges across the entire century, comparing poetsfrom one part of the century to those of another. New syntheses make the volume of interest to scholars as wellas students and general readers.
