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First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis North American Women Artists of the Twentieth Century by : Jules Heller
Download or read book North American Women Artists of the Twentieth Century written by Jules Heller and published by Routledge. This book was released on 2013-12-19 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis NORTH AMERICAN WOMEN ARTISTS OF THE TWENTIETH CENTURY. by : Jules Heller
Download or read book NORTH AMERICAN WOMEN ARTISTS OF THE TWENTIETH CENTURY. written by Jules Heller and published by . This book was released on 1995 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt:
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis North American Women Artists of the Twentieth Century by : Heller, Johnny
Download or read book North American Women Artists of the Twentieth Century written by Heller, Johnny and published by Routledge. This book was released on 1995-03-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
This work examines the art of 33 Latina American artists and the manner in which these artists have merged Latino and Norte Americano cultures in their work. Juana Alicia, Leonora Arye, Santa Barraza, Pura Cruz, Linda Vallejo, Theresa Rosado, Joyce de Guatemala, and 26 other Latina American artists are included. Their works are composed in a variety of media and styles. A critical discussion of the work of each artist is supplemented by photographs (some in color) of many works and a compilation of exhibitions in which they have participated.
Book Synopsis Latin American Women Artists of the United States by : Robert Henkes
Download or read book Latin American Women Artists of the United States written by Robert Henkes and published by . This book was released on 1999 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work examines the art of 33 Latina American artists and the manner in which these artists have merged Latino and Norte Americano cultures in their work. Juana Alicia, Leonora Arye, Santa Barraza, Pura Cruz, Linda Vallejo, Theresa Rosado, Joyce de Guatemala, and 26 other Latina American artists are included. Their works are composed in a variety of media and styles. A critical discussion of the work of each artist is supplemented by photographs (some in color) of many works and a compilation of exhibitions in which they have participated.
Numerous American women artists built successful professional careers in the mid-twentieth century while confronting challenging cultural transitions: shifts in stylistic avant-gardism, harsh political transformations, and changing gender expectations for both women and men. These social and political upheavals provoked complex intellectual and aesthetic tensions. Critical discourses about style and expressive value were also renegotiated, while still privileging masculinist concepts of aesthetic authenticity. In these contexts, women artists developed their careers by adopting innovative approaches to contemporary subjects, techniques, and media. However, while a few women working during these decades have gained significant recognition, many others are still consigned to historical obscurity. The essays in this volume take varied approaches to revising this historical silence. Two focus on evidence of gender biases in several exhibitions and contemporary critical writings; the rest discuss individual artists' complex relationships to mainstream developments, with attention to gender and political biases, cultural innovations, and the influence of racial/ethnic diversity. Several also explore new interpretative directions to open alternative possibilities for evaluating women's aesthetic and formal choices. Through its complex, nuanced approach to issues of gender and female agency, this volume offers valuable and exciting new scholarship in twentieth-century American art history and feminist studies.
Book Synopsis "American Women Artists, 1935-1970 " by : Helen Langa
Download or read book "American Women Artists, 1935-1970 " written by Helen Langa and published by Routledge. This book was released on 2017-07-05 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Numerous American women artists built successful professional careers in the mid-twentieth century while confronting challenging cultural transitions: shifts in stylistic avant-gardism, harsh political transformations, and changing gender expectations for both women and men. These social and political upheavals provoked complex intellectual and aesthetic tensions. Critical discourses about style and expressive value were also renegotiated, while still privileging masculinist concepts of aesthetic authenticity. In these contexts, women artists developed their careers by adopting innovative approaches to contemporary subjects, techniques, and media. However, while a few women working during these decades have gained significant recognition, many others are still consigned to historical obscurity. The essays in this volume take varied approaches to revising this historical silence. Two focus on evidence of gender biases in several exhibitions and contemporary critical writings; the rest discuss individual artists' complex relationships to mainstream developments, with attention to gender and political biases, cultural innovations, and the influence of racial/ethnic diversity. Several also explore new interpretative directions to open alternative possibilities for evaluating women's aesthetic and formal choices. Through its complex, nuanced approach to issues of gender and female agency, this volume offers valuable and exciting new scholarship in twentieth-century American art history and feminist studies.
Profiles more than 150 women artists of the nineteenth and twentieth centuries from the American West, offers fifteen interpretive essays, and includes nearly three hundred reproductions of their works.
Book Synopsis Women Artists of the American West by : Susan R. Ressler
Download or read book Women Artists of the American West written by Susan R. Ressler and published by McFarland. This book was released on 2003 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: Profiles more than 150 women artists of the nineteenth and twentieth centuries from the American West, offers fifteen interpretive essays, and includes nearly three hundred reproductions of their works.
Presents biographical profiles of American women of achievement in the field of visual arts, including birth and death dates, major accomplishments, and historical influence.
Book Synopsis A to Z of American Women in the Visual Arts by : Carol Kort
Download or read book A to Z of American Women in the Visual Arts written by Carol Kort and published by Infobase Publishing. This book was released on 2014-05-14 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents biographical profiles of American women of achievement in the field of visual arts, including birth and death dates, major accomplishments, and historical influence.
A critical discussion of the art works, lives, associates, and influences of over 90 20th-century female artists representative of four ethnic groups: African American, Asian-Pacific American, Latin American, and Native American.
Book Synopsis Women Artists of Color by : Phoebe Farris
Download or read book Women Artists of Color written by Phoebe Farris and published by Greenwood. This book was released on 1999-05-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A critical discussion of the art works, lives, associates, and influences of over 90 20th-century female artists representative of four ethnic groups: African American, Asian-Pacific American, Latin American, and Native American.
"I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."—The Reminiscences of Mary Hallock Foote Mary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art. Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society.
Book Synopsis Art Work by : April F. Masten
Download or read book Art Work written by April F. Masten and published by University of Pennsylvania Press. This book was released on 2014-10-31 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: "I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."—The Reminiscences of Mary Hallock Foote Mary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art. Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society.
"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
Book Synopsis After the Revolution by : Eleanor Heartney
Download or read book After the Revolution written by Eleanor Heartney and published by Prestel Verlag. This book was released on 2013-11-04 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
