Author: Alexandra Hardwick
Publisher: Oxford University Press
Published: 2024-01-17
Total Pages: 262
ISBN-13: 0198887248
DOWNLOAD EBOOKDespite the crucial roles they often play, no study yet compares the off-stage assemblies, armies, and populations found in surviving Athenian dramatic works. Covering fifth- and early fourth-century tragedy and comedy, Off-Stage Groups in Athenian Drama analyses how off-stage groups influence and respond to events on stage, and how characters interact with these groups. Drama exploits these groups' off-stage nature by depicting them through different characters' viewpoints: characters often struggle to define, predict, or control off-stage groups, which obscures and challenges the audience's ability to interpret them. The interaction between multivalent and sometimes contradictory narratives of off-stage groups demands a new interpretive framework. Off-Stage Groups in Athenian Drama provides this framework, offering new readings of several prominent comedies and tragedies. However, the importance of this framework extends beyond drama. The first chapter surveys depictions of group decision-making in fifth-century prose, in order to demonstrate how Athenian drama responds to prose depictions of group psychology. Athenian drama engages with the early ideas of group psychology circulating in fifth- and early fourth-century Athens; it creates fictive worlds where stereotypical depictions of collective emotion can be probed, explored and taken to their logical extremes. Studying off-stage groups therefore allows us to rethink our understanding of narrative, politics, and social psychology in drama, and the ways in which these fields intersect.
Book Synopsis Off-Stage Groups in Athenian Drama by : Alexandra Hardwick
Download or read book Off-Stage Groups in Athenian Drama written by Alexandra Hardwick and published by Oxford University Press. This book was released on 2024-01-17 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the crucial roles they often play, no study yet compares the off-stage assemblies, armies, and populations found in surviving Athenian dramatic works. Covering fifth- and early fourth-century tragedy and comedy, Off-Stage Groups in Athenian Drama analyses how off-stage groups influence and respond to events on stage, and how characters interact with these groups. Drama exploits these groups' off-stage nature by depicting them through different characters' viewpoints: characters often struggle to define, predict, or control off-stage groups, which obscures and challenges the audience's ability to interpret them. The interaction between multivalent and sometimes contradictory narratives of off-stage groups demands a new interpretive framework. Off-Stage Groups in Athenian Drama provides this framework, offering new readings of several prominent comedies and tragedies. However, the importance of this framework extends beyond drama. The first chapter surveys depictions of group decision-making in fifth-century prose, in order to demonstrate how Athenian drama responds to prose depictions of group psychology. Athenian drama engages with the early ideas of group psychology circulating in fifth- and early fourth-century Athens; it creates fictive worlds where stereotypical depictions of collective emotion can be probed, explored and taken to their logical extremes. Studying off-stage groups therefore allows us to rethink our understanding of narrative, politics, and social psychology in drama, and the ways in which these fields intersect.
