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Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics. Its scope is twofold: historical and systematic. In its historical aspect it develops an approach to Aristotle's Poetics, which brings his distinctive philosophy of being to bear on the reception of this text. In its systematic aspect it relates Aristotle's theory of art to the perennial desiderata of any theory of art, and particularly to Kandinsky's.
Book Synopsis Ontology and the Art of Tragedy by : Martha Husain
Download or read book Ontology and the Art of Tragedy written by Martha Husain and published by State University of New York Press. This book was released on 2012-02-01 with total page 163 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics. Its scope is twofold: historical and systematic. In its historical aspect it develops an approach to Aristotle's Poetics, which brings his distinctive philosophy of being to bear on the reception of this text. In its systematic aspect it relates Aristotle's theory of art to the perennial desiderata of any theory of art, and particularly to Kandinsky's.
Is philosophy, as the love of wisdom, inherently tragic? Must philosophy abolish its traditional modes of thinking if it is to attain the wisdom of tragedy? Sharing a common origin, even direction, does philosophy move beyond tragedy, epitomizing it? Is the action of tragedy analogous to the activity of philosophy? Have Hegel and Nietzsche distorted the tragic? Can there be a philosophy of the tragic? It is with such questions that the essays of this volume become involved, coming up with original interpretations of tragedy, new approaches to traditional views, and novel conceptions of philosophy. Their diversity and novelty emerge out of a common problematic, a theme they all address: the relation between philosophy and tragedy. By exploring this relation, this volume adds to our comprehension of both..
Book Synopsis Tragedy And Philosophy by : N Georgopoulis
Download or read book Tragedy And Philosophy written by N Georgopoulis and published by Springer. This book was released on 1993-09-12 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is philosophy, as the love of wisdom, inherently tragic? Must philosophy abolish its traditional modes of thinking if it is to attain the wisdom of tragedy? Sharing a common origin, even direction, does philosophy move beyond tragedy, epitomizing it? Is the action of tragedy analogous to the activity of philosophy? Have Hegel and Nietzsche distorted the tragic? Can there be a philosophy of the tragic? It is with such questions that the essays of this volume become involved, coming up with original interpretations of tragedy, new approaches to traditional views, and novel conceptions of philosophy. Their diversity and novelty emerge out of a common problematic, a theme they all address: the relation between philosophy and tragedy. By exploring this relation, this volume adds to our comprehension of both..
From Plato's Republic and Aristotle's Poetics to Nietzsche's The Birth of Tragedy, the theme of tragedy has been subject to radically conflicting philosophical interpretations. Despite being at the heart of philosophical debate from Ancient Greece to the Nineteenth Century, however, tragedy has yet to receive proper treatment as a philosophical tradition in its own right. Philosophy and Tragedy is a compelling contribution to that oversight and the first book to address the topic in a major way. Eleven new essays by internationally renowned philosophers clearly show how time and again, major thinkers have returned to tragedy in many of their key works. Philosophy and Tragedy aks why it is that thinkers as far apart as Hegel and Benjamin should make tragedy such an important theme in their work, and why, after Kant, an important strand of philosophy should present itself tragically. From Heidegger's reading of Sophocles' Antigone to Nietzsche and Benjamin's book-length studies of tragedy, Philosophy and Tragedy presents an outstanding and original study of this preoccupation. The five sections are organised clearly around five major philosophers: Hegel, Holderlin, Nietzsche, Heidegger, and Benjamin
Book Synopsis Philosophy and Tragedy by : Simon Sparks
Download or read book Philosophy and Tragedy written by Simon Sparks and published by Routledge. This book was released on 2005-08-04 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Plato's Republic and Aristotle's Poetics to Nietzsche's The Birth of Tragedy, the theme of tragedy has been subject to radically conflicting philosophical interpretations. Despite being at the heart of philosophical debate from Ancient Greece to the Nineteenth Century, however, tragedy has yet to receive proper treatment as a philosophical tradition in its own right. Philosophy and Tragedy is a compelling contribution to that oversight and the first book to address the topic in a major way. Eleven new essays by internationally renowned philosophers clearly show how time and again, major thinkers have returned to tragedy in many of their key works. Philosophy and Tragedy aks why it is that thinkers as far apart as Hegel and Benjamin should make tragedy such an important theme in their work, and why, after Kant, an important strand of philosophy should present itself tragically. From Heidegger's reading of Sophocles' Antigone to Nietzsche and Benjamin's book-length studies of tragedy, Philosophy and Tragedy presents an outstanding and original study of this preoccupation. The five sections are organised clearly around five major philosophers: Hegel, Holderlin, Nietzsche, Heidegger, and Benjamin
This book reconsiders the traditional correspondence theory of truth, which takes truth to be a matter of correctly representing objects. Drawing Heideggerian phenomenology into dialogue with American pragmatic naturalism, Christopher P. Long undertakes a rigorous reading of Aristotle that articulates the meaning of truth as a co-operative activity between human beings and the natural world that is rooted in our endeavours to do justice to the nature of things. By following a path of Aristotle's thinking that leads from our rudimentary encounters with things in perceiving through human communication to thinking, this book traces an itinerary that uncovers the nature of truth as ecological justice, and it finds the nature of justice in our attempts to articulate the truth of things.
Book Synopsis Aristotle on the Nature of Truth by : Christopher P. Long
Download or read book Aristotle on the Nature of Truth written by Christopher P. Long and published by Cambridge University Press. This book was released on 2010-11-22 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reconsiders the traditional correspondence theory of truth, which takes truth to be a matter of correctly representing objects. Drawing Heideggerian phenomenology into dialogue with American pragmatic naturalism, Christopher P. Long undertakes a rigorous reading of Aristotle that articulates the meaning of truth as a co-operative activity between human beings and the natural world that is rooted in our endeavours to do justice to the nature of things. By following a path of Aristotle's thinking that leads from our rudimentary encounters with things in perceiving through human communication to thinking, this book traces an itinerary that uncovers the nature of truth as ecological justice, and it finds the nature of justice in our attempts to articulate the truth of things.
This carefully crafted ebook: "THE BIRTH OF TRAGEDY" is formatted for your eReader with a functional and detailed table of contents. "The Birth of Tragedy" subtitled as "Hellenism and Pessimism" is a work of dramatic theory which discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian. Nietzsche believed that in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Friedrich Nietzsche (1844–1900) was a German philosopher, poet, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. Because of Nietzsche's evocative style and provocative ideas, his philosophy generates passionate reactions. His works remain controversial, due to varying interpretations and misinterpretations of his work. In the Western philosophy tradition, Nietzsche's writings have been described as the unique case of free revolutionary thought, that is, revolutionary in its structure and problems, although not tied to any revolutionary project.
Book Synopsis THE BIRTH OF TRAGEDY (Classical Art vs. Nihilism) by : Friedrich Nietzsche
Download or read book THE BIRTH OF TRAGEDY (Classical Art vs. Nihilism) written by Friedrich Nietzsche and published by Good Press. This book was released on 2024-01-16 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: This carefully crafted ebook: "THE BIRTH OF TRAGEDY" is formatted for your eReader with a functional and detailed table of contents. "The Birth of Tragedy" subtitled as "Hellenism and Pessimism" is a work of dramatic theory which discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian. Nietzsche believed that in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Friedrich Nietzsche (1844–1900) was a German philosopher, poet, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. Because of Nietzsche's evocative style and provocative ideas, his philosophy generates passionate reactions. His works remain controversial, due to varying interpretations and misinterpretations of his work. In the Western philosophy tradition, Nietzsche's writings have been described as the unique case of free revolutionary thought, that is, revolutionary in its structure and problems, although not tied to any revolutionary project.
Aristotle and the Arc of Tragedy is the latest of Leon Golden’s books to connect Ancient Greece to modern culture. In a world facing many pressing issues Classics professor Golden wants to champion the values and achievements of Classical Civilization. He asserts that Homeric Epic and Greek Tragedy are as relevant today as they were millennia ago because they are riveting and insightful studies of the human condition. Their universality grants them a contemporary relevance despite the passage of time and changes in custom and taste. In one of his previous books, Understanding the Iliad, Golden illuminated the relevance of The Iliad for modern readers. The Bryn Mawr Classical Review praised Understanding the Iliad because it, “achieves what it sets out to accomplish: to provide an interpretation of the Iliad that emphasizes its didactic aspects, its ability to improve its readers by presenting the spectacle of the evolution of a flawed warrior consumed by destructive anger to a legitimate hero who transcends his narcissism and grandiosity and reaches out to others and by doing so heals his own aching soul in the process.” Golden, making use of correspondence and personal contact with Joseph Heller, himself, argues convincingly in Achilles and Yossarian that Homer’s The Iliad exerted a profound influence over Heller as he wrote his modern classic, Catch-22. A Kirkus review acclaims Achilles and Yossarian in these words: “Golden combines impressive erudition with a sharp critical eye and a lucid prose style that laymen will find accessible and engaging. The result is an original and persuasive work of literary scholarship that finds much more than mere war stories in these classics.”
Book Synopsis Aristotle and the Arc of Tragedy by : Leon Golden
Download or read book Aristotle and the Arc of Tragedy written by Leon Golden and published by Radius Book Group. This book was released on 2017-08 with total page 107 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aristotle and the Arc of Tragedy is the latest of Leon Golden’s books to connect Ancient Greece to modern culture. In a world facing many pressing issues Classics professor Golden wants to champion the values and achievements of Classical Civilization. He asserts that Homeric Epic and Greek Tragedy are as relevant today as they were millennia ago because they are riveting and insightful studies of the human condition. Their universality grants them a contemporary relevance despite the passage of time and changes in custom and taste. In one of his previous books, Understanding the Iliad, Golden illuminated the relevance of The Iliad for modern readers. The Bryn Mawr Classical Review praised Understanding the Iliad because it, “achieves what it sets out to accomplish: to provide an interpretation of the Iliad that emphasizes its didactic aspects, its ability to improve its readers by presenting the spectacle of the evolution of a flawed warrior consumed by destructive anger to a legitimate hero who transcends his narcissism and grandiosity and reaches out to others and by doing so heals his own aching soul in the process.” Golden, making use of correspondence and personal contact with Joseph Heller, himself, argues convincingly in Achilles and Yossarian that Homer’s The Iliad exerted a profound influence over Heller as he wrote his modern classic, Catch-22. A Kirkus review acclaims Achilles and Yossarian in these words: “Golden combines impressive erudition with a sharp critical eye and a lucid prose style that laymen will find accessible and engaging. The result is an original and persuasive work of literary scholarship that finds much more than mere war stories in these classics.”
A Psychoanalytic Perspective on Tragedy, Theater and Death shines a spotlight on what theater, and especially tragedy, tells us about our ontological selves, by exploring both Euripides’ Bacchae and the work of Tadeusz Kantor. Focusing on the theatrical tradition of the West, the book examines Euripides’ Bacchae, a tragedy about the nature of tragedy, suggesting that the tragic can be defined as an ontological duality rooted in the early experience of the infant’s separation from mother, with whom s/he had, until then, formed a fused Unit. The traumatic rupture of this primal Unit is inscribed in the unconscious as death. The book then considers the defining binary structure of the theatrical setting – (spectator/spectated or fantasy/reality) – before arguing that in staging our ontological dividedness, theater shows its relation to death to be organic. The book concludes by examining in detail the principal works of Polish theater director Tadeusz Kantor, whose search for theater’s identity was, essentially, a search for human identity. Erudite and far-reaching, A Psychoanalytic Perspective on Tragedy, Theater and Death will interest psychoanalysts as well as students, scholars and researchers across the dramatic arts wishing to draw on psychoanalytic ideas.
Book Synopsis A Psychoanalytic Perspective on Tragedy, Theater and Death by : Konstantinos I. Arvanitakis
Download or read book A Psychoanalytic Perspective on Tragedy, Theater and Death written by Konstantinos I. Arvanitakis and published by Routledge. This book was released on 2019-02-14 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Psychoanalytic Perspective on Tragedy, Theater and Death shines a spotlight on what theater, and especially tragedy, tells us about our ontological selves, by exploring both Euripides’ Bacchae and the work of Tadeusz Kantor. Focusing on the theatrical tradition of the West, the book examines Euripides’ Bacchae, a tragedy about the nature of tragedy, suggesting that the tragic can be defined as an ontological duality rooted in the early experience of the infant’s separation from mother, with whom s/he had, until then, formed a fused Unit. The traumatic rupture of this primal Unit is inscribed in the unconscious as death. The book then considers the defining binary structure of the theatrical setting – (spectator/spectated or fantasy/reality) – before arguing that in staging our ontological dividedness, theater shows its relation to death to be organic. The book concludes by examining in detail the principal works of Polish theater director Tadeusz Kantor, whose search for theater’s identity was, essentially, a search for human identity. Erudite and far-reaching, A Psychoanalytic Perspective on Tragedy, Theater and Death will interest psychoanalysts as well as students, scholars and researchers across the dramatic arts wishing to draw on psychoanalytic ideas.
At the intersection of literary theory, philosophy of history and phenomenology, Arts of Connection: Poetry, History, Epochality explores the representation of connections between events in literary, historical and philosophical narratives. Events in a story can be seen as ordered according to proximate causation, which leads diachronically from one event to the next; and they can also be understood in view of the structure of the narrative as a whole – for instance in terms of the unity of plot. Feldman argues that there exists an essential narrative tension between these two kinds of connection, i.e. between the overarching arrangement or plot that holds together events from "outside," as it were, in order to produce an intelligible whole; and the portrayal of one-by-one, "interstitial" connections between events within the narrative. Arts of Connection demonstrates, by means of exemplary moments in Aristotle and classical German poetics, eighteenth-century philosophy of history, and twentieth-century phenomenology, that the task of connection is a fraught one, insofar as the formal unity of narrative competes or interferes with the representation of one-by-one connections between events, and vice versa.
Book Synopsis Arts of Connection by : Karen S. Feldman
Download or read book Arts of Connection written by Karen S. Feldman and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-08-05 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the intersection of literary theory, philosophy of history and phenomenology, Arts of Connection: Poetry, History, Epochality explores the representation of connections between events in literary, historical and philosophical narratives. Events in a story can be seen as ordered according to proximate causation, which leads diachronically from one event to the next; and they can also be understood in view of the structure of the narrative as a whole – for instance in terms of the unity of plot. Feldman argues that there exists an essential narrative tension between these two kinds of connection, i.e. between the overarching arrangement or plot that holds together events from "outside," as it were, in order to produce an intelligible whole; and the portrayal of one-by-one, "interstitial" connections between events within the narrative. Arts of Connection demonstrates, by means of exemplary moments in Aristotle and classical German poetics, eighteenth-century philosophy of history, and twentieth-century phenomenology, that the task of connection is a fraught one, insofar as the formal unity of narrative competes or interferes with the representation of one-by-one connections between events, and vice versa.
The book moves in a nonreductive way between literary and theological criticism to show how drama and religious thought discern the experience of evil. &"Tragic method&" refers to how tragic art functions as inquiry; &"tragic theology&" refers to how drama and theology render in thematic or symbolic form certain irreducible dimensions of evil and negativity. Bouchard defines no single tragic method or any single view of evil but searches for the distinctive interplay of tragic method of theology in each dramatist. The work opens by scrutinizing certain important interpretations of Greek tragedy. Paul Ricoeur's interpretation of &"the Wicked God and the Tragic Vision&" receives major focus, as does Sophocles, who as a tragedian dramatized the action of inquiry and interpretation. Bouchard then examines Augustine's views of evil and sin, Reinhold Niebuhr's critique of the ironies of history, and Tillich's conceptions of the demonic. By interpreting tragedy in terms of sin or the effects of sin, each theologian resists implications in his own thought pointing to a less resolvable tragic theology. And yet these theologians also contribute very creative understandings of the irreducible character of evil and tragic experience. Substantive and original readings of three playwrights are offered: Rolf Hochhuth's tragedy of vocation, The Deputy, Robert Lowell's trilogy of American historical blindness, The Old Glory, and Peter Shaffer's dreams of tragic awareness and accountability in Equus and Amadeus, revealing new permutations of the irreducibility of evil in contemporary Christian and Jewish religious thinkers who may be helpful in this task, and concludes with a description of the experience of perplexed thought, self-critical in view of tragedy's witness to irreducibility of evil.
Book Synopsis Tragic Method and Tragic Theology by : Larry D. Bouchard
Download or read book Tragic Method and Tragic Theology written by Larry D. Bouchard and published by Penn State Press. This book was released on 2010-11 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book moves in a nonreductive way between literary and theological criticism to show how drama and religious thought discern the experience of evil. &"Tragic method&" refers to how tragic art functions as inquiry; &"tragic theology&" refers to how drama and theology render in thematic or symbolic form certain irreducible dimensions of evil and negativity. Bouchard defines no single tragic method or any single view of evil but searches for the distinctive interplay of tragic method of theology in each dramatist. The work opens by scrutinizing certain important interpretations of Greek tragedy. Paul Ricoeur's interpretation of &"the Wicked God and the Tragic Vision&" receives major focus, as does Sophocles, who as a tragedian dramatized the action of inquiry and interpretation. Bouchard then examines Augustine's views of evil and sin, Reinhold Niebuhr's critique of the ironies of history, and Tillich's conceptions of the demonic. By interpreting tragedy in terms of sin or the effects of sin, each theologian resists implications in his own thought pointing to a less resolvable tragic theology. And yet these theologians also contribute very creative understandings of the irreducible character of evil and tragic experience. Substantive and original readings of three playwrights are offered: Rolf Hochhuth's tragedy of vocation, The Deputy, Robert Lowell's trilogy of American historical blindness, The Old Glory, and Peter Shaffer's dreams of tragic awareness and accountability in Equus and Amadeus, revealing new permutations of the irreducibility of evil in contemporary Christian and Jewish religious thinkers who may be helpful in this task, and concludes with a description of the experience of perplexed thought, self-critical in view of tragedy's witness to irreducibility of evil.
This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar’s contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar’s own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.
Book Synopsis Theological Aesthetics after von Balthasar by : James Fodor
Download or read book Theological Aesthetics after von Balthasar written by James Fodor and published by Routledge. This book was released on 2016-02-17 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar’s contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar’s own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.
