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Opera and British Print Culture in the Long Nineteenth Century

Author: Christina Fuhrmann

Publisher: Liverpool University Press

Published: 2023-02-16

Total Pages: 392

ISBN-13: 1638040435

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Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.

Book Synopsis Opera and British Print Culture in the Long Nineteenth Century by : Christina Fuhrmann

Download or read book Opera and British Print Culture in the Long Nineteenth Century written by Christina Fuhrmann and published by Liverpool University Press. This book was released on 2023-02-16 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.

Opera & British Print Culture in the Long Nineteenth Century

Author: Christina Fuhrmann

Publisher:

Published: 2024

Total Pages: 0

ISBN-13: 9781802072518

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Book Synopsis Opera & British Print Culture in the Long Nineteenth Century by : Christina Fuhrmann

Download or read book Opera & British Print Culture in the Long Nineteenth Century written by Christina Fuhrmann and published by . This book was released on 2024 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print.

Nineteenth-Century Opera and the Scientific Imagination

Author: David Trippett

Publisher: Cambridge University Press

Published: 2019-08-22

Total Pages: 399

ISBN-13: 1107111250

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Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.

Book Synopsis Nineteenth-Century Opera and the Scientific Imagination by : David Trippett

Download or read book Nineteenth-Century Opera and the Scientific Imagination written by David Trippett and published by Cambridge University Press. This book was released on 2019-08-22 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.

The Arts of the Prima Donna in the Long Nineteenth Century

Author: Rachel Cowgill

Publisher: Oxford University Press

Published: 2012-07-12

Total Pages: 415

ISBN-13: 0195365887

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Female characters assumed increasing prominence in the narrative of 19th and early 20th century opera. This book shines a light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled doomed women onstage before an audience.

Book Synopsis The Arts of the Prima Donna in the Long Nineteenth Century by : Rachel Cowgill

Download or read book The Arts of the Prima Donna in the Long Nineteenth Century written by Rachel Cowgill and published by Oxford University Press. This book was released on 2012-07-12 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Female characters assumed increasing prominence in the narrative of 19th and early 20th century opera. This book shines a light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled doomed women onstage before an audience.

Opera Outside the Box

Author: Roberta Montemorra Marvin

Publisher: Taylor & Francis

Published: 2022-11-18

Total Pages: 145

ISBN-13: 1000775577

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Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic “experiences” outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and disseminated, by examining opera-related matters in publication and performance, in both musical and non-musical genres, outside the traditional approaches to transmission of operatic works and associated concepts. As a group, they exemplify the broad array of questions to be grappled with in seeking to identify commonalities that might shed light in new and imaginative ways on the experiences and manifestations of opera and notions of opera in Victorian Britain. In unpacking the significance, relevance, uses, and impacts of opera within British society, the collection seeks to enhance understanding of a few of the manifold ways in which the population learned about and experienced opera, how audiences and the broader public understood the genre and the aesthetics surrounding it, how familiarity with opera played out in British culture, and how British customs, values, and principles affected the genre of opera and perceptions of it.

Book Synopsis Opera Outside the Box by : Roberta Montemorra Marvin

Download or read book Opera Outside the Box written by Roberta Montemorra Marvin and published by Taylor & Francis. This book was released on 2022-11-18 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic “experiences” outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and disseminated, by examining opera-related matters in publication and performance, in both musical and non-musical genres, outside the traditional approaches to transmission of operatic works and associated concepts. As a group, they exemplify the broad array of questions to be grappled with in seeking to identify commonalities that might shed light in new and imaginative ways on the experiences and manifestations of opera and notions of opera in Victorian Britain. In unpacking the significance, relevance, uses, and impacts of opera within British society, the collection seeks to enhance understanding of a few of the manifold ways in which the population learned about and experienced opera, how audiences and the broader public understood the genre and the aesthetics surrounding it, how familiarity with opera played out in British culture, and how British customs, values, and principles affected the genre of opera and perceptions of it.

Consuming Culture in the Long Nineteenth Century

Author: Tamara S. Wagner

Publisher: Rowman & Littlefield

Published: 2010

Total Pages: 310

ISBN-13: 073914510X

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Consuming Culture in the Long Nineteenth Century aims to bring together detailed analyses of the cultural myths, or fictions, of consumption that have shaped discourses on consumer practices from the eighteenth century onwards. Individual essays provide an excitingly diverse range of perspectives, including musicology, philosophy, history, and art history, cultural and postcolonial studies as well as the study of literature in English, French, and German. The broad scope of this collection will engage audiences both inside and outside academia interested in the politics of food and consumption in eighteenth and nineteenth century culture.

Book Synopsis Consuming Culture in the Long Nineteenth Century by : Tamara S. Wagner

Download or read book Consuming Culture in the Long Nineteenth Century written by Tamara S. Wagner and published by Rowman & Littlefield. This book was released on 2010 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Consuming Culture in the Long Nineteenth Century aims to bring together detailed analyses of the cultural myths, or fictions, of consumption that have shaped discourses on consumer practices from the eighteenth century onwards. Individual essays provide an excitingly diverse range of perspectives, including musicology, philosophy, history, and art history, cultural and postcolonial studies as well as the study of literature in English, French, and German. The broad scope of this collection will engage audiences both inside and outside academia interested in the politics of food and consumption in eighteenth and nineteenth century culture.

Fashionable Acts

Author: Jennifer Hall-Witt

Publisher: UPNE

Published: 2007

Total Pages: 412

ISBN-13: 9781584656258

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A vibrant look at changes in British elite culture through the lens of opera-going

Book Synopsis Fashionable Acts by : Jennifer Hall-Witt

Download or read book Fashionable Acts written by Jennifer Hall-Witt and published by UPNE. This book was released on 2007 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vibrant look at changes in British elite culture through the lens of opera-going

Scripture and Song in Nineteenth-Century Britain

Author: James Grande

Publisher: Bloomsbury Publishing USA

Published: 2023-11-16

Total Pages: 169

ISBN-13: 1501376381

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This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

Book Synopsis Scripture and Song in Nineteenth-Century Britain by : James Grande

Download or read book Scripture and Song in Nineteenth-Century Britain written by James Grande and published by Bloomsbury Publishing USA. This book was released on 2023-11-16 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

Opera in the British Isles, 1875-1918

Author: Paul Rodmell

Publisher: Routledge

Published: 2016-05-13

Total Pages: 427

ISBN-13: 1317085442

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While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained largely elusive. Paul Rodmell argues that there were far more opportunities for composers, performers and audiences than one might expect, an assertion demonstrated by the fact that over one hundred serious operas by British composers were premiered between 1875 and 1918. Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the dominance of London's West End and the activities of touring companies in the provinces, and the position of British composers within this realm of activity. In doing so, he uncovers the undoubted challenges faced by opera in Britain in this period, and delves further into why it was especially difficult to make a breakthrough in this particular genre when other fields of compositional endeavour were enjoying a period of sustained growth. Whilst contemporaneous composers and commentators and later advocates of British music may have felt that the country's operatic life did not measure up to their aspirations or ambitions, there was still a great deal of activity and, even if this was not necessarily that which was always desired, it had a significant and lasting impact on musical culture in Britain.

Book Synopsis Opera in the British Isles, 1875-1918 by : Paul Rodmell

Download or read book Opera in the British Isles, 1875-1918 written by Paul Rodmell and published by Routledge. This book was released on 2016-05-13 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained largely elusive. Paul Rodmell argues that there were far more opportunities for composers, performers and audiences than one might expect, an assertion demonstrated by the fact that over one hundred serious operas by British composers were premiered between 1875 and 1918. Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the dominance of London's West End and the activities of touring companies in the provinces, and the position of British composers within this realm of activity. In doing so, he uncovers the undoubted challenges faced by opera in Britain in this period, and delves further into why it was especially difficult to make a breakthrough in this particular genre when other fields of compositional endeavour were enjoying a period of sustained growth. Whilst contemporaneous composers and commentators and later advocates of British music may have felt that the country's operatic life did not measure up to their aspirations or ambitions, there was still a great deal of activity and, even if this was not necessarily that which was always desired, it had a significant and lasting impact on musical culture in Britain.

Europe, Empire, and Spectacle in Nineteenth-century British Music

Author: Rachel Cowgill

Publisher: Ashgate Publishing, Ltd.

Published: 2006

Total Pages: 332

ISBN-13: 9780754652083

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This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The volume benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture.

Book Synopsis Europe, Empire, and Spectacle in Nineteenth-century British Music by : Rachel Cowgill

Download or read book Europe, Empire, and Spectacle in Nineteenth-century British Music written by Rachel Cowgill and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The volume benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture.