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Opera Indigene: Re/presenting First Nations and Indigenous Cultures

Author: Pamela Karantonis

Publisher: Routledge

Published: 2016-05-13

Total Pages: 398

ISBN-13: 1317085418

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The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices. This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.

Book Synopsis Opera Indigene: Re/presenting First Nations and Indigenous Cultures by : Pamela Karantonis

Download or read book Opera Indigene: Re/presenting First Nations and Indigenous Cultures written by Pamela Karantonis and published by Routledge. This book was released on 2016-05-13 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices. This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.

Opera Indigene: Re/presenting First Nations and Indigenous Cultures

Author: Pamela Karantonis

Publisher: Routledge

Published: 2016-05-13

Total Pages: 392

ISBN-13: 1317085426

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Book Synopsis Opera Indigene: Re/presenting First Nations and Indigenous Cultures by : Pamela Karantonis

Download or read book Opera Indigene: Re/presenting First Nations and Indigenous Cultures written by Pamela Karantonis and published by Routledge. This book was released on 2016-05-13 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices. This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.

National Identity in Contemporary Australian Opera

Author: Michael Halliwell

Publisher: Routledge

Published: 2017-09-11

Total Pages: 208

ISBN-13: 1317090810

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Opera has been performed in Australia for more than two hundred years, yet none of the operas written before the Second World War have become part of the repertoire. It is only in the late 1970s and early 1980s that there is evidence of the successful systematic production of indigenous opera. The premiere of Voss by Richard Meale and David Malouf in 1986 was a watershed in the staging and reception of new opera, and there has been a diverse series of new works staged in the last thirty years, not only by the national company, but also by thriving regional institutions. The emergence of a thriving operatic tradition in contemporary Australia is inextricably enmeshed in Australian cultural consciousness and issues of national identity. In this study of eighteen representative contemporary operas, Michael Halliwell elucidates the ways in which the operas reflect and engage with the issues facing contemporary Australians. Stylistically these eighteen operas vary greatly. The musical idiom is diverse, ranging from works in a modernist idiom such as The Ghost Wife, Whitsunday, Fly Away Peter, Black River and Bride of Fortune, to Voss, Batavia, Bliss, Lindy, Midnight Son, The Riders, The Summer of the Seventeenth Doll and The Children’s Bach being works which straddle several musical styles. A number of operas draw strongly on musical theatre including The Eighth Wonder, Pecan Summer, The Rabbits and Cloudstreet, and Love in the Age of Therapy is couched in a predominantly jazz idiom. While some of them are overtly political, all, at least tangentially, deal with recent cultural politics in Australia and offer sharply differing perspectives.

Book Synopsis National Identity in Contemporary Australian Opera by : Michael Halliwell

Download or read book National Identity in Contemporary Australian Opera written by Michael Halliwell and published by Routledge. This book was released on 2017-09-11 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has been performed in Australia for more than two hundred years, yet none of the operas written before the Second World War have become part of the repertoire. It is only in the late 1970s and early 1980s that there is evidence of the successful systematic production of indigenous opera. The premiere of Voss by Richard Meale and David Malouf in 1986 was a watershed in the staging and reception of new opera, and there has been a diverse series of new works staged in the last thirty years, not only by the national company, but also by thriving regional institutions. The emergence of a thriving operatic tradition in contemporary Australia is inextricably enmeshed in Australian cultural consciousness and issues of national identity. In this study of eighteen representative contemporary operas, Michael Halliwell elucidates the ways in which the operas reflect and engage with the issues facing contemporary Australians. Stylistically these eighteen operas vary greatly. The musical idiom is diverse, ranging from works in a modernist idiom such as The Ghost Wife, Whitsunday, Fly Away Peter, Black River and Bride of Fortune, to Voss, Batavia, Bliss, Lindy, Midnight Son, The Riders, The Summer of the Seventeenth Doll and The Children’s Bach being works which straddle several musical styles. A number of operas draw strongly on musical theatre including The Eighth Wonder, Pecan Summer, The Rabbits and Cloudstreet, and Love in the Age of Therapy is couched in a predominantly jazz idiom. While some of them are overtly political, all, at least tangentially, deal with recent cultural politics in Australia and offer sharply differing perspectives.

Performative Inter-Actions in African Theatre 1

Author: Kene Igweonu

Publisher: Cambridge Scholars Publishing

Published: 2014-01-14

Total Pages: 209

ISBN-13: 1443855928

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This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 1: Diaspora Representations and the Interweaving of Cultures explores the idea that, in and from their various locations around the world, the plays of the African diaspora acknowledge and pay homage to the cultures of home, while simultaneously articulating a sense of their Africanness in their various inter-actions with their host cultures. Contributions in Diaspora Representations and the Interweaving of Cultures equally attest to the notion that the diaspora – as we see it – is not solely located outside of the African continent itself, but can be found in those performances in the continent that engage performatively with the West and other parts of the world in that process of articulating identity.

Book Synopsis Performative Inter-Actions in African Theatre 1 by : Kene Igweonu

Download or read book Performative Inter-Actions in African Theatre 1 written by Kene Igweonu and published by Cambridge Scholars Publishing. This book was released on 2014-01-14 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 1: Diaspora Representations and the Interweaving of Cultures explores the idea that, in and from their various locations around the world, the plays of the African diaspora acknowledge and pay homage to the cultures of home, while simultaneously articulating a sense of their Africanness in their various inter-actions with their host cultures. Contributions in Diaspora Representations and the Interweaving of Cultures equally attest to the notion that the diaspora – as we see it – is not solely located outside of the African continent itself, but can be found in those performances in the continent that engage performatively with the West and other parts of the world in that process of articulating identity.

Opera, Emotion, and the Antipodes Volume I

Author: Jane W. Davidson

Publisher: Routledge

Published: 2020-12-29

Total Pages: 253

ISBN-13: 1000299864

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There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.

Book Synopsis Opera, Emotion, and the Antipodes Volume I by : Jane W. Davidson

Download or read book Opera, Emotion, and the Antipodes Volume I written by Jane W. Davidson and published by Routledge. This book was released on 2020-12-29 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.

African Theatre

Author: Christine Matzke

Publisher: Boydell & Brewer

Published: 2020

Total Pages: 289

ISBN-13: 1847012574

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Compelling inside views of what characterises opera and music theatre in African and African diasporic contexts.

Book Synopsis African Theatre by : Christine Matzke

Download or read book African Theatre written by Christine Matzke and published by Boydell & Brewer. This book was released on 2020 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compelling inside views of what characterises opera and music theatre in African and African diasporic contexts.

Language and Decolonisation

Author: Finex Ndhlovu

Publisher: Taylor & Francis

Published: 2024-07-23

Total Pages: 334

ISBN-13: 1040039685

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Language and Decolonisation is the first collection to bring together views from across scholarly communities that are committed to the agenda of decolonising knowledge in language study. Edited by leading figures in the field, the chapters offer new insights on how ‘decolonising’ can be adopted as a methodology for charting the next steps in solving practical language-related problems in educational and related social policy areas. Divided into two sections, the book covers the coloniality of language, the materiality of culture and colonial scripts, the decolonisation imperative, multilingualism discourse and decolonisation, and decolonising languages in public discourse. With 20 chapters authored by experts from across the globe, this pioneering collection is an essential reference and resource for advanced students, scholars, and researchers of language and culture, sociolinguistics, decolonial studies, racial studies, and related areas.

Book Synopsis Language and Decolonisation by : Finex Ndhlovu

Download or read book Language and Decolonisation written by Finex Ndhlovu and published by Taylor & Francis. This book was released on 2024-07-23 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Language and Decolonisation is the first collection to bring together views from across scholarly communities that are committed to the agenda of decolonising knowledge in language study. Edited by leading figures in the field, the chapters offer new insights on how ‘decolonising’ can be adopted as a methodology for charting the next steps in solving practical language-related problems in educational and related social policy areas. Divided into two sections, the book covers the coloniality of language, the materiality of culture and colonial scripts, the decolonisation imperative, multilingualism discourse and decolonisation, and decolonising languages in public discourse. With 20 chapters authored by experts from across the globe, this pioneering collection is an essential reference and resource for advanced students, scholars, and researchers of language and culture, sociolinguistics, decolonial studies, racial studies, and related areas.

The Cambridge Companion to Opera Studies

Author: Nicholas Till

Publisher: Cambridge University Press

Published: 2012-10-18

Total Pages: 365

ISBN-13: 0521855616

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The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.

Book Synopsis The Cambridge Companion to Opera Studies by : Nicholas Till

Download or read book The Cambridge Companion to Opera Studies written by Nicholas Till and published by Cambridge University Press. This book was released on 2012-10-18 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.

Red Bird, Red Power

Author: Tadeusz Lewandowski

Publisher: University of Oklahoma Press

Published: 2016-05-26

Total Pages: 285

ISBN-13: 0806155159

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Red Bird, Red Power tells the story of one of the most influential—and controversial—American Indian activists of the twentieth century. Zitkala-Ša (1876–1938), also known as Gertrude Simmons Bonnin, was a highly gifted writer, editor, and musician who dedicated her life to achieving justice for Native peoples. Here, Tadeusz Lewandowski offers the first full-scale biography of the woman whose passionate commitment to improving the lives of her people propelled her to the forefront of Progressive-era reform movements. Lewandowski draws on a vast array of sources, including previously unpublished letters and diaries, to recount Zitkala-Ša’s unique life journey. Her story begins on the Dakota plains, where she was born to a Yankton Sioux mother and a white father. Zitkala-Ša, whose name translates as “Red Bird” in English, left home at age eight to attend a Quaker boarding school, eventually working as a teacher at Carlisle Indian Industrial School. By her early twenties, she was the toast of East Coast literary society. Her short stories for the Atlantic Monthly (1900) are, to this day, the focus of scholarly analysis and debate. In collaboration with William F. Hanson, she wrote the libretto and songs for the innovative Sun Dance Opera (1913). And yet, as Lewandowski demonstrates, Zitkala-Ša’s successes could not fill the void of her lost cultural heritage, nor dampen her fury toward the Euro-American establishment that had robbed her people of their land. In 1926, she founded the National Council of American Indians with the aim of redressing American Indian grievances. Zitkala-Ša’s complex identity has made her an intriguing—if elusive—subject for scholars. In Lewandowski’s sensitive interpretation, she emerges as a multifaceted human being whose work entailed constant negotiation. In the end, Lewandowski argues, Zitkala-Ša’s achievements distinguish her as a forerunner of the Red Power movement and an important agent of change.

Book Synopsis Red Bird, Red Power by : Tadeusz Lewandowski

Download or read book Red Bird, Red Power written by Tadeusz Lewandowski and published by University of Oklahoma Press. This book was released on 2016-05-26 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Red Bird, Red Power tells the story of one of the most influential—and controversial—American Indian activists of the twentieth century. Zitkala-Ša (1876–1938), also known as Gertrude Simmons Bonnin, was a highly gifted writer, editor, and musician who dedicated her life to achieving justice for Native peoples. Here, Tadeusz Lewandowski offers the first full-scale biography of the woman whose passionate commitment to improving the lives of her people propelled her to the forefront of Progressive-era reform movements. Lewandowski draws on a vast array of sources, including previously unpublished letters and diaries, to recount Zitkala-Ša’s unique life journey. Her story begins on the Dakota plains, where she was born to a Yankton Sioux mother and a white father. Zitkala-Ša, whose name translates as “Red Bird” in English, left home at age eight to attend a Quaker boarding school, eventually working as a teacher at Carlisle Indian Industrial School. By her early twenties, she was the toast of East Coast literary society. Her short stories for the Atlantic Monthly (1900) are, to this day, the focus of scholarly analysis and debate. In collaboration with William F. Hanson, she wrote the libretto and songs for the innovative Sun Dance Opera (1913). And yet, as Lewandowski demonstrates, Zitkala-Ša’s successes could not fill the void of her lost cultural heritage, nor dampen her fury toward the Euro-American establishment that had robbed her people of their land. In 1926, she founded the National Council of American Indians with the aim of redressing American Indian grievances. Zitkala-Ša’s complex identity has made her an intriguing—if elusive—subject for scholars. In Lewandowski’s sensitive interpretation, she emerges as a multifaceted human being whose work entailed constant negotiation. In the end, Lewandowski argues, Zitkala-Ša’s achievements distinguish her as a forerunner of the Red Power movement and an important agent of change.

Aging Femininities

Author: Josephine Dolan

Publisher: Cambridge Scholars Publishing

Published: 2020-05-15

Total Pages: 255

ISBN-13: 1527551121

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Older women have never been so visible, or so problematised, in popular media culture as now; but what kinds of representations are being offered, and how can we make sense of them in the context of post-feminism and global economic change? Aging Femininities: Troubling Representations offers a timely intervention into the hiatus between the visibility of aging femininity in contemporary circuits of culture and its marginalisation in cultural theory. From “graceful agers” and Saga subscribers, to make-over models and pop divas, each of the essays in this collection interrogates the different manifestations of “aging femininity” in terms of both its historic invisibility and its new visibility. The book forges links between contemporary “lived” experience and feminist cultural theory and research, often through the direct and autobiographical knowledge of the writers themselves. Divided into four sections – Cultural Herstories, Regulations and Transgressions, Problematic Postfeminists? and Divas and Dolls – plus a thought-provoking photo essay, it wrests the discourse of aging away from the twin hegemonies of consumer culture and gerontology to present a diverse selection of essays and positions. Aging Femininities: Troubling Representations establishes the long overlooked richness and the complexity of this field of study.

Book Synopsis Aging Femininities by : Josephine Dolan

Download or read book Aging Femininities written by Josephine Dolan and published by Cambridge Scholars Publishing. This book was released on 2020-05-15 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Older women have never been so visible, or so problematised, in popular media culture as now; but what kinds of representations are being offered, and how can we make sense of them in the context of post-feminism and global economic change? Aging Femininities: Troubling Representations offers a timely intervention into the hiatus between the visibility of aging femininity in contemporary circuits of culture and its marginalisation in cultural theory. From “graceful agers” and Saga subscribers, to make-over models and pop divas, each of the essays in this collection interrogates the different manifestations of “aging femininity” in terms of both its historic invisibility and its new visibility. The book forges links between contemporary “lived” experience and feminist cultural theory and research, often through the direct and autobiographical knowledge of the writers themselves. Divided into four sections – Cultural Herstories, Regulations and Transgressions, Problematic Postfeminists? and Divas and Dolls – plus a thought-provoking photo essay, it wrests the discourse of aging away from the twin hegemonies of consumer culture and gerontology to present a diverse selection of essays and positions. Aging Femininities: Troubling Representations establishes the long overlooked richness and the complexity of this field of study.