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In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011.
Book Synopsis Operas in English by : Margaret Ross Griffel
Download or read book Operas in English written by Margaret Ross Griffel and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Book Synopsis Operas in English by : Margaret Ross Griffel
Download or read book Operas in English written by Margaret Ross Griffel and published by Scarecrow Press. This book was released on 2012-12-21 with total page 1015 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Book Synopsis English Dramatick Opera, 1661–1706 by : Andrew R. Walkling
Download or read book English Dramatick Opera, 1661–1706 written by Andrew R. Walkling and published by Routledge. This book was released on 2019-03-19 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
This volume covers aspects of opera translation within the Western world and in Asia, as well as some of opera’s many travels between continents, countries, languages and cultures—and also between genres and media. The concept of ‘adaptation’ is a thread running through the sixteen contributions, which encompass a variety of composers, operas, periods and national traditions. Sung translation, libretto translation, surtitling, subtitling are discussed from a range of theoretical and methodological perspectives. Exploration of aspects such as the relationship between language and music, multimodality, intertextuality, cultural and linguistic transfer, multilingualism, humour, identity and stereotype, political ideology, the translator’s voice and the role of the audience is driven by a shared motivation: a love of opera and of the beauty it has never ceased to provide through the centuries, and admiration for the people who write, compose, perform, direct, translate, or otherwise contribute to making the joy of opera a part of our lives.
Book Synopsis Opera in Translation by : Adriana Şerban
Download or read book Opera in Translation written by Adriana Şerban and published by John Benjamins Publishing Company. This book was released on 2020-10-15 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume covers aspects of opera translation within the Western world and in Asia, as well as some of opera’s many travels between continents, countries, languages and cultures—and also between genres and media. The concept of ‘adaptation’ is a thread running through the sixteen contributions, which encompass a variety of composers, operas, periods and national traditions. Sung translation, libretto translation, surtitling, subtitling are discussed from a range of theoretical and methodological perspectives. Exploration of aspects such as the relationship between language and music, multimodality, intertextuality, cultural and linguistic transfer, multilingualism, humour, identity and stereotype, political ideology, the translator’s voice and the role of the audience is driven by a shared motivation: a love of opera and of the beauty it has never ceased to provide through the centuries, and admiration for the people who write, compose, perform, direct, translate, or otherwise contribute to making the joy of opera a part of our lives.
Original Italian texts with English translations of 145 arias from 50 operas, including Rigoletto, The Marriage of Figaro, Lucia di Lammermoor, Madama Butterfly, La Bohème, and more. Introduction.
Book Synopsis Famous Italian Opera Arias by : Ellen H. Bleiler
Download or read book Famous Italian Opera Arias written by Ellen H. Bleiler and published by Courier Corporation. This book was released on 2012-12-11 with total page 127 pages. Available in PDF, EPUB and Kindle. Book excerpt: Original Italian texts with English translations of 145 arias from 50 operas, including Rigoletto, The Marriage of Figaro, Lucia di Lammermoor, Madama Butterfly, La Bohème, and more. Introduction.
Operas in English have a long, rich, and varied history encompassing everything from the English masques of the 17th century to today's crossover music dramas such as Harvey Milk and Rent. This book covers in detail more than 3,500 English-texted operas by composers including Purcell, Handel, Britten, Bernstein, and Musgrave. Most were born in English-speaking countries, but the list also includes such composers as Weill (his American stage works) and Henze (his operas with dual English-German texts). The work provides specific information not accessible in the usual sources, such as premiere details, plots, characters, and casts. The work begins with an historical overview. Many entries include scores, librettos, bibliographies, and discographies. Cross-references four appendixes (composers, librettists, authors and sources, and a chronology), and three indexes (characters, performers, and general) make this an exceptionally useful reference tool.
Book Synopsis Operas in English by : Margaret R. Griffel
Download or read book Operas in English written by Margaret R. Griffel and published by Greenwood. This book was released on 1999-10-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Operas in English have a long, rich, and varied history encompassing everything from the English masques of the 17th century to today's crossover music dramas such as Harvey Milk and Rent. This book covers in detail more than 3,500 English-texted operas by composers including Purcell, Handel, Britten, Bernstein, and Musgrave. Most were born in English-speaking countries, but the list also includes such composers as Weill (his American stage works) and Henze (his operas with dual English-German texts). The work provides specific information not accessible in the usual sources, such as premiere details, plots, characters, and casts. The work begins with an historical overview. Many entries include scores, librettos, bibliographies, and discographies. Cross-references four appendixes (composers, librettists, authors and sources, and a chronology), and three indexes (characters, performers, and general) make this an exceptionally useful reference tool.
Next to Verdi's Ada, Giacomo Puccini's La Bohme is the most popular opera ever written. Performances of Ada, La Bohme, Carmen, and Don Giovanni ? the four operas most often performed ? constitute approximately 75 percent of the yearly schedule of operas throughout the world. This volume contains everything the opera goer needs to derive full satisfaction from La Bohme except the musical score itself. Most important, it provides the complete text of the Italian libretto, just as it is actually sung; that is, where a singer repeats a phrase several times, each of the repetitions is given here. And facing the Italian text is a completely new translation of the libretto into modern, idiomatic English. In addition to the libretto and English translation, this edition provides a careful, concise summary of the plot of La Bohme and a complete list of the opera's characters. There is also a brief, highly informative introduction by the translator that traces Puccini's masterpiece back to its source in Henry Murger's autobiographical novel La Vie Bohme, illuminating the early history of the opera and its later development. Opera lovers can use this book with their own recordings of the opera, read it before attending a performance, or can easily take it along to the performance itself. Those who have regretted the lack of a good, authentic, readable edition of the Italian libretto of La Bohme, and have complained of the stodginess of existing English translations, will recognize in this book a first-rate aid to the understanding of one of Puccini's most celebrated operas.
Book Synopsis Puccini's La Boheme (the Dover Opera Libretto Series) by : Giacomo Puccini
Download or read book Puccini's La Boheme (the Dover Opera Libretto Series) written by Giacomo Puccini and published by Courier Corporation. This book was released on 1984-01-01 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: Next to Verdi's Ada, Giacomo Puccini's La Bohme is the most popular opera ever written. Performances of Ada, La Bohme, Carmen, and Don Giovanni ? the four operas most often performed ? constitute approximately 75 percent of the yearly schedule of operas throughout the world. This volume contains everything the opera goer needs to derive full satisfaction from La Bohme except the musical score itself. Most important, it provides the complete text of the Italian libretto, just as it is actually sung; that is, where a singer repeats a phrase several times, each of the repetitions is given here. And facing the Italian text is a completely new translation of the libretto into modern, idiomatic English. In addition to the libretto and English translation, this edition provides a careful, concise summary of the plot of La Bohme and a complete list of the opera's characters. There is also a brief, highly informative introduction by the translator that traces Puccini's masterpiece back to its source in Henry Murger's autobiographical novel La Vie Bohme, illuminating the early history of the opera and its later development. Opera lovers can use this book with their own recordings of the opera, read it before attending a performance, or can easily take it along to the performance itself. Those who have regretted the lack of a good, authentic, readable edition of the Italian libretto of La Bohme, and have complained of the stodginess of existing English translations, will recognize in this book a first-rate aid to the understanding of one of Puccini's most celebrated operas.
Book Synopsis Rossini's Opera William Tell by : Gioacchino Rossini
Download or read book Rossini's Opera William Tell written by Gioacchino Rossini and published by . This book was released on 1864 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Oberon written by James Robinson Planché and published by . This book was released on 1860 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Mozart's Operas by : Edward Joseph Dent
Download or read book Mozart's Operas written by Edward Joseph Dent and published by . This book was released on 1913 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:
