Download Operatic China full books in PDF, epub, and Kindle. Read online Operatic China ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
In this study Lei focuses on the notion of 'performing Chinese' in traditional opera in the 'contact zones', where two or more cultures, ethnicities, and/or ideologies meet and clash. This work seeks to create discourse among theatre and performance studies, Asian and Asian American studies, and transnational and diasporic studies.
Book Synopsis Operatic China by : D. Lei
Download or read book Operatic China written by D. Lei and published by Springer. This book was released on 2016-09-23 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study Lei focuses on the notion of 'performing Chinese' in traditional opera in the 'contact zones', where two or more cultures, ethnicities, and/or ideologies meet and clash. This work seeks to create discourse among theatre and performance studies, Asian and Asian American studies, and transnational and diasporic studies.
"Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda.Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time."
Book Synopsis Opera, Society, and Politics in Modern China by : Hsiao-t'i Li
Download or read book Opera, Society, and Politics in Modern China written by Hsiao-t'i Li and published by BRILL. This book was released on 2020-10-26 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda.Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time."
Since Singapore declared independence from Malaysia in 1965, Chinese street opera has played a significant role in defining Singaporean identity. Carefully tracing the history of amateur and professional performances in Singapore, Tong Soon Lee reflects on the role of street performance in fostering cultural nationalism and entrepreneurship. He explains that the government welcomes Chinese street opera performances because they combine tradition and modernism and promote a national culture that brings together Singapore's four main ethnic groups--Eurasian, Malay, Chinese, and South Asian. Chinese Street Opera in Singapore documents the ways in which this politically motivated art form continues to be influenced and transformed by Singaporean politics, ideology, and context in the twenty-first century. By performing Chinese street opera, amateur troupes preserve their rich heritage, underscoring the Confucian mind-set that a learned person engages in the arts for moral and unselfish purposes. Educated performers also control behavior, emotions, and values. They are creative and innovative, and their use of new technologies indicates a modern, entrepreneurial spirit. Their performances bring together diverse ethnic groups to watch and perform, Lee argues, while also encouraging a national attitude focused on both remembering the past and preparing for the future in Singapore.
Book Synopsis Chinese Street Opera in Singapore by : Tong Soon Lee
Download or read book Chinese Street Opera in Singapore written by Tong Soon Lee and published by University of Illinois Press. This book was released on 2024-02-12 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since Singapore declared independence from Malaysia in 1965, Chinese street opera has played a significant role in defining Singaporean identity. Carefully tracing the history of amateur and professional performances in Singapore, Tong Soon Lee reflects on the role of street performance in fostering cultural nationalism and entrepreneurship. He explains that the government welcomes Chinese street opera performances because they combine tradition and modernism and promote a national culture that brings together Singapore's four main ethnic groups--Eurasian, Malay, Chinese, and South Asian. Chinese Street Opera in Singapore documents the ways in which this politically motivated art form continues to be influenced and transformed by Singaporean politics, ideology, and context in the twenty-first century. By performing Chinese street opera, amateur troupes preserve their rich heritage, underscoring the Confucian mind-set that a learned person engages in the arts for moral and unselfish purposes. Educated performers also control behavior, emotions, and values. They are creative and innovative, and their use of new technologies indicates a modern, entrepreneurial spirit. Their performances bring together diverse ethnic groups to watch and perform, Lee argues, while also encouraging a national attitude focused on both remembering the past and preparing for the future in Singapore.
Chinese Opera looks at Chinese society through an exciting series of photographs of operatic performances from many regions of the country. The book introduces the reader to this unique theatrical form and tells the traditional stories that are its narrative foundation. Siu Wang-Ngai's extraordinary images, taken in natural light during performances, lovingly reveal the visual excitement of Chinese opera and point to the differences in costuming and presentation that distinguish each regional style and character type.
Book Synopsis Chinese Opera by : Peter Lovrick
Download or read book Chinese Opera written by Peter Lovrick and published by UBC Press. This book was released on 2011-11-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese Opera looks at Chinese society through an exciting series of photographs of operatic performances from many regions of the country. The book introduces the reader to this unique theatrical form and tells the traditional stories that are its narrative foundation. Siu Wang-Ngai's extraordinary images, taken in natural light during performances, lovingly reveal the visual excitement of Chinese opera and point to the differences in costuming and presentation that distinguish each regional style and character type.
John Adams' opera, "Nixon in China", is one of the most frequently performed operas in the contemporary literature. This title illuminates the opera and enhances listeners' and scholars' appreciation for this landmark work. It presents a detailed analysis of the music tied to historical and political contexts.
Book Synopsis John Adams's Nixon in China by : Timothy A. Johnson
Download or read book John Adams's Nixon in China written by Timothy A. Johnson and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Adams' opera, "Nixon in China", is one of the most frequently performed operas in the contemporary literature. This title illuminates the opera and enhances listeners' and scholars' appreciation for this landmark work. It presents a detailed analysis of the music tied to historical and political contexts.
Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese 'opera' in locations around the Pacific Rim, including Hong Kong, Taiwan and California.
Book Synopsis Alternative Chinese Opera in the Age of Globalization by : D. Lei
Download or read book Alternative Chinese Opera in the Age of Globalization written by D. Lei and published by Springer. This book was released on 2011-02-08 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese 'opera' in locations around the Pacific Rim, including Hong Kong, Taiwan and California.
Writing in the early nineteenth century, the French traveler and cleric Abbé Huc exclaimed: "There is, perhaps, not a people in the world who carry so far their taste and passion for theatrical entertainments as the Chinese.” This taste and passion for the theater was not restricted to the stage, but permeated the visual and material world of everyday life from the village to the court. The visual spectacle of this theater is well known, displayed primarily through colorful costumes, props, and face painting. What is less known is the extent to which operatic characters and stories were favored as pictorial and decorative motifs across the full spectrum of visual mediums, from courtly scroll paintings, popular New Year prints, illustrated woodblock books and painted fans to carved utensils, ceramics, textiles, and dioramas.
Book Synopsis Performing Images by : Judith T. Zeitlin
Download or read book Performing Images written by Judith T. Zeitlin and published by Smart Museum of Art, the University of C. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Writing in the early nineteenth century, the French traveler and cleric Abbé Huc exclaimed: "There is, perhaps, not a people in the world who carry so far their taste and passion for theatrical entertainments as the Chinese.” This taste and passion for the theater was not restricted to the stage, but permeated the visual and material world of everyday life from the village to the court. The visual spectacle of this theater is well known, displayed primarily through colorful costumes, props, and face painting. What is less known is the extent to which operatic characters and stories were favored as pictorial and decorative motifs across the full spectrum of visual mediums, from courtly scroll paintings, popular New Year prints, illustrated woodblock books and painted fans to carved utensils, ceramics, textiles, and dioramas.
The enchantment of the figure of the "male dan" – female impersonator – remains a residual element in the cultural imagination of many contemporary Chinese societies. The various kinds of interpretive possibilities in the commanding tradition of cross-dressing Chinese opera have yet to be examined in-depth. In order to discuss "mistaken identity" and gender issues as they relate to cross-dressing on the Chinese operatic stage, this book examines a wide range of materials, including traditional dramatic texts, modern literary writings, critical writings (for example, quhua), opera paintings, and contemporary movies. The book explores gendering and gender differences that are constructed, reproduced, dismantled, and contested in this particularly rich site of Chinese culture.
Book Synopsis Cross-Dressing in Chinese Opera by : Siu Leung Li
Download or read book Cross-Dressing in Chinese Opera written by Siu Leung Li and published by Hong Kong University Press. This book was released on 2003-04-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The enchantment of the figure of the "male dan" – female impersonator – remains a residual element in the cultural imagination of many contemporary Chinese societies. The various kinds of interpretive possibilities in the commanding tradition of cross-dressing Chinese opera have yet to be examined in-depth. In order to discuss "mistaken identity" and gender issues as they relate to cross-dressing on the Chinese operatic stage, this book examines a wide range of materials, including traditional dramatic texts, modern literary writings, critical writings (for example, quhua), opera paintings, and contemporary movies. The book explores gendering and gender differences that are constructed, reproduced, dismantled, and contested in this particularly rich site of Chinese culture.
In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values. It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.
Book Synopsis Opera and the City by : Andrea Goldman
Download or read book Opera and the City written by Andrea Goldman and published by Stanford University Press. This book was released on 2013-12-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values. It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.
The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.
Book Synopsis The Operatic State by : Ruth Bereson
Download or read book The Operatic State written by Ruth Bereson and published by Routledge. This book was released on 2003-09-02 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.
