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Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
Book Synopsis Painting and Sculpture in France, 1700-1789 by : Michael Levey
Download or read book Painting and Sculpture in France, 1700-1789 written by Michael Levey and published by Yale University Press. This book was released on 1993-01-01 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
Book Synopsis 1789: French art during the revolution by : Alan Wintermute
Download or read book 1789: French art during the revolution written by Alan Wintermute and published by . This book was released on 1989 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Michael Levey, former Director of the National Gallery in London, traces the major trends of European painting in the eighteenth century, taking as his theme the exciting evolution--and revolution--that took place in art from Watteau's birth to the death of Goya. 154 illus., 22 in color.
Book Synopsis World of Art Series Rococo To Revolution by : Michael Levey
Download or read book World of Art Series Rococo To Revolution written by Michael Levey and published by National Geographic Books. This book was released on 1985-02-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Levey, former Director of the National Gallery in London, traces the major trends of European painting in the eighteenth century, taking as his theme the exciting evolution--and revolution--that took place in art from Watteau's birth to the death of Goya. 154 illus., 22 in color.
This new edition of this highly successful and influential work includes two entirely new chapters - on Europe and the wider world and on the Revolutionary crisis - and is extensively revised throughout. It offers a wide-ranging thematic account of the century, that explores social, cultural and economic topics, as well as giving a clear analysis of the political events. Filled with fascinating detail and unusual examples, this absorbing history of eighteenth-century Europe will bring the period alive to students and teachers alike.
Book Synopsis Eighteenth Century Europe, 1700-1789 by : Jeremy Black
Download or read book Eighteenth Century Europe, 1700-1789 written by Jeremy Black and published by Bloomsbury Publishing. This book was released on 1999-10-04 with total page 619 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new edition of this highly successful and influential work includes two entirely new chapters - on Europe and the wider world and on the Revolutionary crisis - and is extensively revised throughout. It offers a wide-ranging thematic account of the century, that explores social, cultural and economic topics, as well as giving a clear analysis of the political events. Filled with fascinating detail and unusual examples, this absorbing history of eighteenth-century Europe will bring the period alive to students and teachers alike.
Book Synopsis French Art by : William Crary Brownell
Download or read book French Art written by William Crary Brownell and published by . This book was released on 1892 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis France in the Golden Age by : Pierre Rosenberg
Download or read book France in the Golden Age written by Pierre Rosenberg and published by Metropolitan Museum of Art. This book was released on 1982 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste Greuze (Broken Eggs), Hubert Robert (the Bagatelle decorations), Jacques Louis David (The Death of Socrates), the Van Blarenberghes (The Outer Port of Brest), and François Gérard (Charles Maurice de Talleyrand-Périgord). In the book’s introduction, author Katharine Baetjer provides a history of the Académie, its establishment, principles, and regulations, along with a discussion of the beginnings of public art discourse in France, taking us through the reforms unleashed by the Revolution. The consequent democratizing of the Salon, brought about by radicals under the leadership of Jacques Louis David, encouraged the formation of new publics with new tastes in subject matter and genres. The catalogue features 126 paintings by 50 artists. Each section includes a short biography of the artist and in-depth discussions of individual paintings incorporating the most up-to-date scholarship.
Book Synopsis French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution by : Katharine Baetjer
Download or read book French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution written by Katharine Baetjer and published by Metropolitan Museum of Art. This book was released on 2019-04-15 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste Greuze (Broken Eggs), Hubert Robert (the Bagatelle decorations), Jacques Louis David (The Death of Socrates), the Van Blarenberghes (The Outer Port of Brest), and François Gérard (Charles Maurice de Talleyrand-Périgord). In the book’s introduction, author Katharine Baetjer provides a history of the Académie, its establishment, principles, and regulations, along with a discussion of the beginnings of public art discourse in France, taking us through the reforms unleashed by the Revolution. The consequent democratizing of the Salon, brought about by radicals under the leadership of Jacques Louis David, encouraged the formation of new publics with new tastes in subject matter and genres. The catalogue features 126 paintings by 50 artists. Each section includes a short biography of the artist and in-depth discussions of individual paintings incorporating the most up-to-date scholarship.
Download or read book French Art written by Brownell and published by . This book was released on 1892 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis FRENCH ART CLASSIC AND CONTEMPORY PAINTING AND SCULPTURE by : W.C. BROWNELL
Download or read book FRENCH ART CLASSIC AND CONTEMPORY PAINTING AND SCULPTURE written by W.C. BROWNELL and published by . This book was released on 1905 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Taking a new approach to consideration of the sculpture created in France during the seventeenth and eighteenth centuries, this book is concerned with its societal roles and the ways in which it was received. The author draws on an extensive range of texts by artists, critics, art theoreticians and other writers as well as on images, setting contemporary conceptions of the nature and purposes of sculpture and individual works into the contexts of the elite and popular cultures of the time. Among topics included are investigations of the employment of statuary for political and religious communication, pictorial representations of sculpture, the comparative roles of painting and sculpture, and the social status of various kinds of sculptors. Previous treatments have dealt with these productions primarily in terms of stylistic developments or of the accomplishments of individual sculptors. This study however approaches its subject thematically rather than chronologically or biographically, while nevertheless acknowledging developments and variations that occurred during the period.
Book Synopsis A God Or a Bench by : Anne Betty Weinshenker
Download or read book A God Or a Bench written by Anne Betty Weinshenker and published by Peter Lang. This book was released on 2008 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking a new approach to consideration of the sculpture created in France during the seventeenth and eighteenth centuries, this book is concerned with its societal roles and the ways in which it was received. The author draws on an extensive range of texts by artists, critics, art theoreticians and other writers as well as on images, setting contemporary conceptions of the nature and purposes of sculpture and individual works into the contexts of the elite and popular cultures of the time. Among topics included are investigations of the employment of statuary for political and religious communication, pictorial representations of sculpture, the comparative roles of painting and sculpture, and the social status of various kinds of sculptors. Previous treatments have dealt with these productions primarily in terms of stylistic developments or of the accomplishments of individual sculptors. This study however approaches its subject thematically rather than chronologically or biographically, while nevertheless acknowledging developments and variations that occurred during the period.