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Book Synopsis Painting in Cinquecento Venice by : David Rosand
Download or read book Painting in Cinquecento Venice written by David Rosand and published by . This book was released on 1982 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Painting in Cinquecento Venice by : David Rosand
Download or read book Painting in Cinquecento Venice written by David Rosand and published by . This book was released on 1982 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Dolce's Dialogo della pittura first appeared in Venice in 1557 and consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and Donatello.
Book Synopsis Dolce's Aretino and Venetian Art Theory of the Cinquecento by : Mark W. Roskill
Download or read book Dolce's Aretino and Venetian Art Theory of the Cinquecento written by Mark W. Roskill and published by University of Toronto Press. This book was released on 2000-01-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dolce's Dialogo della pittura first appeared in Venice in 1557 and consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and Donatello.
Above all others in Renaissance Italy, the painters of sixteenth-century Venice were renowned for their depictions of the eroticized female nude. Indeed, the sensually painted flesh of these figures, as seen in Titian’s famous Venus of Urbino, still beckon the modern beholder’s gaze and activate a desire to touch. Most scholars of art history have largely agreed that the Italian Renaissance nude figure served as a status symbol for elite men to collect and salaciously enjoy in private. While I concur that many of these paintings were produced for the delectation of the male gaze, my dissertation proposes that certain depictions of the nude, especially those from late Renaissance Venice, also constituted a response to women’s rising influence in early modern society. Furthermore, these paintings depict not only nude women, but also nude men, in compositions and situations that speak to period anxieties over what we now refer to as gender politics. In the mid-sixteenth century, artists of the Veneto began to more frequently paint the ancient gods, goddesses, and heroes of their secular compositions performing illicit sexual acts that were, to contemporary Venetians’ eyes, immoral and/or illegal. More specifically, these depictions of the nude, which were often anachronistically painted in contemporary Venetian surroundings, mirrored the city’s own inhabitants acting out improper sex acts such as adultery, rape, and prostitution. In closely examining four examples of this phenomena from circa 1550–1610, my dissertation project demonstrates how these works of art would have provoked unease in the eyes of contemporary Venetian viewers, especially affluent males. In illustrating these scenes of social disorder, I argue that painters of late-sixteenth-century Venice ultimately exposed as well as prompted men’s fears of losing sexual and societal control over to women.
Book Synopsis Beyond Titian's Venus by : Caroline Delia Koncz
Download or read book Beyond Titian's Venus written by Caroline Delia Koncz and published by . This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Above all others in Renaissance Italy, the painters of sixteenth-century Venice were renowned for their depictions of the eroticized female nude. Indeed, the sensually painted flesh of these figures, as seen in Titian’s famous Venus of Urbino, still beckon the modern beholder’s gaze and activate a desire to touch. Most scholars of art history have largely agreed that the Italian Renaissance nude figure served as a status symbol for elite men to collect and salaciously enjoy in private. While I concur that many of these paintings were produced for the delectation of the male gaze, my dissertation proposes that certain depictions of the nude, especially those from late Renaissance Venice, also constituted a response to women’s rising influence in early modern society. Furthermore, these paintings depict not only nude women, but also nude men, in compositions and situations that speak to period anxieties over what we now refer to as gender politics. In the mid-sixteenth century, artists of the Veneto began to more frequently paint the ancient gods, goddesses, and heroes of their secular compositions performing illicit sexual acts that were, to contemporary Venetians’ eyes, immoral and/or illegal. More specifically, these depictions of the nude, which were often anachronistically painted in contemporary Venetian surroundings, mirrored the city’s own inhabitants acting out improper sex acts such as adultery, rape, and prostitution. In closely examining four examples of this phenomena from circa 1550–1610, my dissertation project demonstrates how these works of art would have provoked unease in the eyes of contemporary Venetian viewers, especially affluent males. In illustrating these scenes of social disorder, I argue that painters of late-sixteenth-century Venice ultimately exposed as well as prompted men’s fears of losing sexual and societal control over to women.
A study of sixteenth-century Venetian painting, concentrating on the work of Titian, Veronese, and Tintoretto.
Book Synopsis Painting in Sixteenth-century Venice by : David Rosand
Download or read book Painting in Sixteenth-century Venice written by David Rosand and published by . This book was released on 1997 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of sixteenth-century Venetian painting, concentrating on the work of Titian, Veronese, and Tintoretto.
The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.
Book Synopsis Painting in Renaissance Venice by : Peter Humfrey
Download or read book Painting in Renaissance Venice written by Peter Humfrey and published by Yale University Press. This book was released on 1995-01-01 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.
Venetian artistic giants of the sixteenth century, such as Giorgione, Vittore Carpaccio, Titian, Jacopo Sansovino, Jacopo Tintoretto, Paolo Veronese, and their contemporaries, continued to shape artistic development, tastes in collecting, and modes of display long after their own practices ended. The robust reverberation of the Venetian Renaissance spread far beyond the borders of the lagoon to inform and influence artists, authors, and collectors who spent very little or even no time in Venice proper. The Enduring Legacy of Venetian Renaissance Art investigates the historical resonance of Venetian sixteenth-century art and explores its afterlife and its reinvention by artists working in its shadow. Despite being a frequently acknowledged truism, the pervasive legacy of Venetian sixteenth-century art has not received comprehensive treatment in recent publication history. The broad scope of the topics covered in these essays, from Titian's profound influence on the development of landscape painting to the effects of Carpaccio's historical paintings on early twentieth-century fashion, illustrates the persistence and adaptability of the Venetian Renaissance's legacy. In addition to analyzing the effects of individual artists on each other, this volume offers insight into the shifting characterizations and reception of Venice as a center for artistic innovation and inspiration throughout the early modern period, providing a nuanced and multifaceted view of the singular lagoon city and its indelible imprint on the history of art.
Book Synopsis The Enduring Legacy of Venetian Renaissance Art by : AndaleebBadiee Banta
Download or read book The Enduring Legacy of Venetian Renaissance Art written by AndaleebBadiee Banta and published by Routledge. This book was released on 2017-07-05 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Venetian artistic giants of the sixteenth century, such as Giorgione, Vittore Carpaccio, Titian, Jacopo Sansovino, Jacopo Tintoretto, Paolo Veronese, and their contemporaries, continued to shape artistic development, tastes in collecting, and modes of display long after their own practices ended. The robust reverberation of the Venetian Renaissance spread far beyond the borders of the lagoon to inform and influence artists, authors, and collectors who spent very little or even no time in Venice proper. The Enduring Legacy of Venetian Renaissance Art investigates the historical resonance of Venetian sixteenth-century art and explores its afterlife and its reinvention by artists working in its shadow. Despite being a frequently acknowledged truism, the pervasive legacy of Venetian sixteenth-century art has not received comprehensive treatment in recent publication history. The broad scope of the topics covered in these essays, from Titian's profound influence on the development of landscape painting to the effects of Carpaccio's historical paintings on early twentieth-century fashion, illustrates the persistence and adaptability of the Venetian Renaissance's legacy. In addition to analyzing the effects of individual artists on each other, this volume offers insight into the shifting characterizations and reception of Venice as a center for artistic innovation and inspiration throughout the early modern period, providing a nuanced and multifaceted view of the singular lagoon city and its indelible imprint on the history of art.
"Ludovico Dolce's Dialogo della pittura first appeared in Venice in 1557. L'Aretino, by which the work is known today, consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and Donatello. It is based largely on Aretino's letters". --Publisher.
Book Synopsis Dolce's Aretino and Venetian Art Theory of the Cinquecento by : Mark Wentworth Roskill
Download or read book Dolce's Aretino and Venetian Art Theory of the Cinquecento written by Mark Wentworth Roskill and published by . This book was released on 1968 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Ludovico Dolce's Dialogo della pittura first appeared in Venice in 1557. L'Aretino, by which the work is known today, consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and Donatello. It is based largely on Aretino's letters". --Publisher.
Book Synopsis 'Storie Romane' in Cinquecento Painting of Venice and the Veneto by : Pramit Chaudhuri
Download or read book 'Storie Romane' in Cinquecento Painting of Venice and the Veneto written by Pramit Chaudhuri and published by . This book was released on 2002 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
Book Synopsis Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting by : David Alan Brown
Download or read book Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting written by David Alan Brown and published by Yale University Press. This book was released on 2006-01-01 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.