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The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Book Synopsis Painting in Florence and Siena After the Black Death by : Millard Meiss
Download or read book Painting in Florence and Siena After the Black Death written by Millard Meiss and published by Princeton University Press. This book was released on 1978 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Book Synopsis Painting in Florence and Siena After the Black Death by : Millard Meiss
Download or read book Painting in Florence and Siena After the Black Death written by Millard Meiss and published by Princeton University Press. This book was released on 1978 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Book Synopsis Painting in Florence and Siena After the Black Death by : Millard Meiss
Download or read book Painting in Florence and Siena After the Black Death written by Millard Meiss and published by . This book was released on 1978 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Book Synopsis Painting in Florence and Siena After the Black Death by : Millard Meiss
Download or read book Painting in Florence and Siena After the Black Death written by Millard Meiss and published by . This book was released on 1973 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change effect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change.
Book Synopsis Sienese Painting After the Black Death by : Judith Steinhoff
Download or read book Sienese Painting After the Black Death written by Judith Steinhoff and published by Cambridge University Press. This book was released on 2007-04-23 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change effect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change.
This book is a revisionist account of central Italian painting in the period 1260 - 1370.
Book Synopsis Painting in the Age of Giotto by : Hayden B. J. Maginnis
Download or read book Painting in the Age of Giotto written by Hayden B. J. Maginnis and published by Penn State University Press. This book was released on 1997 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a revisionist account of central Italian painting in the period 1260 - 1370.
The bubonic plague ravaged early modern Europe from the mid-fourteenth to the early eighteenth centuries, striking so often and in so many localities that people constantly were on guard against the scourge. Hope and Healing explores the response of the visual arts to this omnipresent aura of death, decay, and tragedy in the early modern European experience, focusing on Italy between the sixteenth and eighteenth centuries. An esteemed group of contributors draws on a wide range of materials, including diaries, medical and devotional treatises, poetry, sermons, letters, and chapbooks to illuminate the various aesthetic, social, and religious concerns that preoccupied artists, patrons, and the general populace. This vibrant and fascinating volume ultimately offers a fresh and intriguing perspective on the forces and concerns that shaped early modern Italian art.
Book Synopsis Hope and Healing by : Gauvin A. Bailey
Download or read book Hope and Healing written by Gauvin A. Bailey and published by Worchester Art Museum. This book was released on 2005 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The bubonic plague ravaged early modern Europe from the mid-fourteenth to the early eighteenth centuries, striking so often and in so many localities that people constantly were on guard against the scourge. Hope and Healing explores the response of the visual arts to this omnipresent aura of death, decay, and tragedy in the early modern European experience, focusing on Italy between the sixteenth and eighteenth centuries. An esteemed group of contributors draws on a wide range of materials, including diaries, medical and devotional treatises, poetry, sermons, letters, and chapbooks to illuminate the various aesthetic, social, and religious concerns that preoccupied artists, patrons, and the general populace. This vibrant and fascinating volume ultimately offers a fresh and intriguing perspective on the forces and concerns that shaped early modern Italian art.
In his award-winning study, Death and Property in Siena, historian Samuel K. Cohn, Jr., used close analysis of last wills to chart transformations in mentalities over a six-hundred-year history. Now, in The Cult of Remembrance and the Black Death, Cohn applies the same methodology to fashion a comparative history of six Italian city-states - Arezzo, Florence, Perugia, Assisi, Pisa, and Siena - showing the rise of a new Renaissance cult of remembrance. In 1363 the Black Death devastated central Italy for the second time, causing a detectable shift in notions of afterlife and patterns of charitable giving. Throughout Tuscany and Umbria, patricians and peasants alike abandoned the practice of dividing their bequests into small sums, combining them instead into last gifts to enhance their "fame and glory". But this new cult of remembrance, Cohn argues, does not support Burckhardt's thesis of Renaissance "individualism". Instead, the new piety grew in tandem with reverence for ancestors and a strong sense of family identity founded on the importance of male blood lines. But rather than retreat into the religious pessimism of earlier times, survivors of the plague would develop into a new generation of art patrons, albeit one with a taste for distinctively cruder and more regimented forms of religious art. From the supposed center of Renaissance culture - Florence - to the citadel of Franciscan devotion - Assisi - the widespread change of sentiment created a new demand for monumental burials, testamentary commissions for art, and other efforts to exert control over the living from beyond the grave.
Book Synopsis The Cult of Remembrance and the Black Death by : Samuel Kline Cohn
Download or read book The Cult of Remembrance and the Black Death written by Samuel Kline Cohn and published by JHU Press. This book was released on 1997-06-15 with total page 900 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his award-winning study, Death and Property in Siena, historian Samuel K. Cohn, Jr., used close analysis of last wills to chart transformations in mentalities over a six-hundred-year history. Now, in The Cult of Remembrance and the Black Death, Cohn applies the same methodology to fashion a comparative history of six Italian city-states - Arezzo, Florence, Perugia, Assisi, Pisa, and Siena - showing the rise of a new Renaissance cult of remembrance. In 1363 the Black Death devastated central Italy for the second time, causing a detectable shift in notions of afterlife and patterns of charitable giving. Throughout Tuscany and Umbria, patricians and peasants alike abandoned the practice of dividing their bequests into small sums, combining them instead into last gifts to enhance their "fame and glory". But this new cult of remembrance, Cohn argues, does not support Burckhardt's thesis of Renaissance "individualism". Instead, the new piety grew in tandem with reverence for ancestors and a strong sense of family identity founded on the importance of male blood lines. But rather than retreat into the religious pessimism of earlier times, survivors of the plague would develop into a new generation of art patrons, albeit one with a taste for distinctively cruder and more regimented forms of religious art. From the supposed center of Renaissance culture - Florence - to the citadel of Franciscan devotion - Assisi - the widespread change of sentiment created a new demand for monumental burials, testamentary commissions for art, and other efforts to exert control over the living from beyond the grave.
Examines the complex relationships between religion, society and charity in private and public life in Florence - Development of confraternities.
Book Synopsis Piety and Charity in Late Medieval Florence by : John Henderson
Download or read book Piety and Charity in Late Medieval Florence written by John Henderson and published by University of Chicago Press. This book was released on 1997-05-15 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the complex relationships between religion, society and charity in private and public life in Florence - Development of confraternities.
In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
Book Synopsis Art as Politics in Late Medieval and Renaissance Siena by : TimothyB. Smith
Download or read book Art as Politics in Late Medieval and Renaissance Siena written by TimothyB. Smith and published by Routledge. This book was released on 2017-07-05 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.