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Download or read book Jazz written by Paul Whiteman and published by . This book was released on 1926 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Don Rayno
Publisher: Scarecrow Press
Published: 2012-12-19
Total Pages: 894
ISBN-13: 0810883228
DOWNLOAD EBOOKIn a career that spanned 60 years, Paul Whiteman changed the landscape of American music, beginning with his million-selling recordings in the early 1920s of “Whispering,” “Japanese Sandman,” and “Three O’Clock in the Morning.” Whiteman would then introduce “symphonic jazz,” a powerful blend of the classical and jazz idioms that represented a whole new approach to modern American music, influencing generations of bandleaders and composers. While some hold that at the close of the Roaring Twenties Whiteman’s musical hegemony quickly waned, Don Rayno illustrates in this second volume of Paul Whiteman: Pioneer in American Music how much of a dominant figure Whiteman remained. A major figure on the American music scene for decades to come, he would continue to lead critically-acclaimed orchestras, filling theaters and concert halls alike and diligently seeking out and nurturing musical talent on the largest scale of any orchestra leader in the 20th century. In this second volume of Rayno’s magisterial treatment of the life and music of this remarkable maestro, Whiteman’s career during the second half of his life is explored in the fullest detail, as Whiteman conquers the worlds of theater and vaudeville, the concert hall, radio, motion pictures, and television, winning accolades in all of them. Through hundreds of interviews, extensive documentation, and exhaustive research of over nearly three decades, a portrait emerges of one of American music’s most important musical figures during the last century. Rayno paints a stunning portrait of Whiteman’s considerable accomplishments and far-reaching influence.
Download or read book Paul Whiteman written by Don Rayno and published by Scarecrow Press. This book was released on 2012-12-19 with total page 894 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a career that spanned 60 years, Paul Whiteman changed the landscape of American music, beginning with his million-selling recordings in the early 1920s of “Whispering,” “Japanese Sandman,” and “Three O’Clock in the Morning.” Whiteman would then introduce “symphonic jazz,” a powerful blend of the classical and jazz idioms that represented a whole new approach to modern American music, influencing generations of bandleaders and composers. While some hold that at the close of the Roaring Twenties Whiteman’s musical hegemony quickly waned, Don Rayno illustrates in this second volume of Paul Whiteman: Pioneer in American Music how much of a dominant figure Whiteman remained. A major figure on the American music scene for decades to come, he would continue to lead critically-acclaimed orchestras, filling theaters and concert halls alike and diligently seeking out and nurturing musical talent on the largest scale of any orchestra leader in the 20th century. In this second volume of Rayno’s magisterial treatment of the life and music of this remarkable maestro, Whiteman’s career during the second half of his life is explored in the fullest detail, as Whiteman conquers the worlds of theater and vaudeville, the concert hall, radio, motion pictures, and television, winning accolades in all of them. Through hundreds of interviews, extensive documentation, and exhaustive research of over nearly three decades, a portrait emerges of one of American music’s most important musical figures during the last century. Rayno paints a stunning portrait of Whiteman’s considerable accomplishments and far-reaching influence.
Author: Thomas A. DeLong
Publisher: New Win Publishing
Published: 1983
Total Pages: 426
ISBN-13:
DOWNLOAD EBOOKDownload or read book Pops written by Thomas A. DeLong and published by New Win Publishing. This book was released on 1983 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Joshua Berrett
Publisher: Yale University Press
Published: 2008-10-01
Total Pages: 256
ISBN-13: 0300127472
DOWNLOAD EBOOKIn Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners—Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman’s fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the “King of Jazz” in 1930 in a Universal Studios feature film, Whiteman’s imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king’s crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges—a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Download or read book Louis Armstrong and Paul Whiteman written by Joshua Berrett and published by Yale University Press. This book was released on 2008-10-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners—Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman’s fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the “King of Jazz” in 1930 in a Universal Studios feature film, Whiteman’s imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king’s crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges—a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Author: James Layton
Publisher: Media History Digital Library
Published: 2016
Total Pages: 0
ISBN-13: 9780997380101
DOWNLOAD EBOOK"King of Jazz: Paul Whiteman's Technicolor Revue" tells the story of the making, release, and restoration of Universal s 1930 Technicolor musical extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative of the film's production, with broader context on its diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes. "King of Jazz" was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country s top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film s highlights include a dazzling interpretation of George Gershwin's Rhapsody in Blue, which Whiteman had introduced to the public in 1924; Walter Lantz's A Fable in Jazz, the first cartoon in Technicolor; and Anderson's grand finale The Melting Pot of Music, a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America s leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes
Download or read book King of Jazz written by James Layton and published by Media History Digital Library. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "King of Jazz: Paul Whiteman's Technicolor Revue" tells the story of the making, release, and restoration of Universal s 1930 Technicolor musical extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative of the film's production, with broader context on its diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes. "King of Jazz" was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country s top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film s highlights include a dazzling interpretation of George Gershwin's Rhapsody in Blue, which Whiteman had introduced to the public in 1924; Walter Lantz's A Fable in Jazz, the first cartoon in Technicolor; and Anderson's grand finale The Melting Pot of Music, a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America s leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes
Author: Joshua Berrett
Publisher: Schirmer Trade Books
Published: 1999
Total Pages: 372
ISBN-13:
DOWNLOAD EBOOKDrawing on the rich resources of the Louis Armstrong Archives, jazz historian Joshua Berrett has compiled a wonderful tribute to the multitalented trumpeter, vocalist, and "Ambassador of Jazz". 20 photos.
Download or read book The Louis Armstrong Companion written by Joshua Berrett and published by Schirmer Trade Books. This book was released on 1999 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the rich resources of the Louis Armstrong Archives, jazz historian Joshua Berrett has compiled a wonderful tribute to the multitalented trumpeter, vocalist, and "Ambassador of Jazz". 20 photos.
Author: Jonathan O. Wipplinger
Publisher: University of Michigan Press
Published: 2017-05-16
Total Pages: 325
ISBN-13: 0472900811
DOWNLOAD EBOOKThe Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture. By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s. Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way.
Download or read book The Jazz Republic written by Jonathan O. Wipplinger and published by University of Michigan Press. This book was released on 2017-05-16 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture. By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s. Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way.
Author: Paul Lawrence Guthrie
Publisher:
Published: 1997-07-01
Total Pages: 104
ISBN-13: 9781564111227
DOWNLOAD EBOOKDownload or read book Making of the Whiteman written by Paul Lawrence Guthrie and published by . This book was released on 1997-07-01 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Ferde Grofé
Publisher: Alfred Music
Published: 1932
Total Pages: 176
ISBN-13: 9781457495861
DOWNLOAD EBOOKTitles: * Grand Canyon Suite: Sunrise * Painted Desert * On the Trail * Sunset * Cloudburst
Download or read book Grand Canyon Suite written by Ferde Grofé and published by Alfred Music. This book was released on 1932 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Titles: * Grand Canyon Suite: Sunrise * Painted Desert * On the Trail * Sunset * Cloudburst
Author: Frederick Turner
Publisher: Catapult
Published: 2004-04-21
Total Pages: 405
ISBN-13: 1582433097
DOWNLOAD EBOOKBy 1929, the brief, brilliant career of Bix Beiderbecke––self–taught cornetist, pianist, and composer––had already become legend. From the summer of '26 at Hudson Lake, Indiana, when his genius blazed forth with a strange, doomed incandescence, Bix's career tragically reflected the chaotic impulses of a country suddenly awash in wealth, power, and a profound cynicism. Shy, elusive, inarticulate, Bix was beloved by both the raccoon–coated campus crowd and the men who nightly played alongside him. He is still celebrated in a yearly festival in his hometown of Davenport, Iowa.And that is where the novel begins, Davenport and the Bix Fest. Then it travels back in time to focus on the highlights of a meteoric career: a Capone–controlled nightclub in 1926; the grueling cross–country tours with Paul Whiteman's Symphonic Jazz orchestra; the disastrous Whiteman trip to California to make the first all–color talkie musical; the stock market crash of 1929 that finds Bix in an asylum, victim of the era's signature product, bootleg gin; and finally, Bix's dying efforts to combine his piano compositions into a suite that would be the pinnacle of his life's work and his evocation of his time and place.Colored by some of the age's most popular characters––Maurice Ravel, Bing Crosby, Louis Armstrong, Duke Ellington, and Clara Bow–– 1929 brilliantly illuminates a period in history, personified in the gifted, compelling, and melancholy figure of Bix Beiderbecke.
Download or read book 1929 written by Frederick Turner and published by Catapult. This book was released on 2004-04-21 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: By 1929, the brief, brilliant career of Bix Beiderbecke––self–taught cornetist, pianist, and composer––had already become legend. From the summer of '26 at Hudson Lake, Indiana, when his genius blazed forth with a strange, doomed incandescence, Bix's career tragically reflected the chaotic impulses of a country suddenly awash in wealth, power, and a profound cynicism. Shy, elusive, inarticulate, Bix was beloved by both the raccoon–coated campus crowd and the men who nightly played alongside him. He is still celebrated in a yearly festival in his hometown of Davenport, Iowa.And that is where the novel begins, Davenport and the Bix Fest. Then it travels back in time to focus on the highlights of a meteoric career: a Capone–controlled nightclub in 1926; the grueling cross–country tours with Paul Whiteman's Symphonic Jazz orchestra; the disastrous Whiteman trip to California to make the first all–color talkie musical; the stock market crash of 1929 that finds Bix in an asylum, victim of the era's signature product, bootleg gin; and finally, Bix's dying efforts to combine his piano compositions into a suite that would be the pinnacle of his life's work and his evocation of his time and place.Colored by some of the age's most popular characters––Maurice Ravel, Bing Crosby, Louis Armstrong, Duke Ellington, and Clara Bow–– 1929 brilliantly illuminates a period in history, personified in the gifted, compelling, and melancholy figure of Bix Beiderbecke.
