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Explores concepts of performance, modernity and progress by combining performance studies and historical research with contextualised readings of Synge's plays.
Book Synopsis Performance, Modernity and the Plays of J. M. Synge by : Hélène Lecossois
Download or read book Performance, Modernity and the Plays of J. M. Synge written by Hélène Lecossois and published by Cambridge University Press. This book was released on 2020-11-26 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores concepts of performance, modernity and progress by combining performance studies and historical research with contextualised readings of Synge's plays.
Irish Revivalist playwright J. M. Synge is often regarded as a realist. Yet what happens when his work is analysed through wider performance studies and situated alongside less familiar historical contexts? By addressing this question, Hélène Lecossois offers new and valuable perspectives on Synge's plays while at the same time engaging with the complexity of his treatment of a range of performance practices – from keening at rural funerals to the performances of 'native villagers' in the entertainment section of International Exhibitions. What emerges from her study is a dramatist acutely aware of the ability of theatre in performance to counteract relentless forward-moving narratives of modernity. Through detailed, contextualized case studies, the book simultaneously makes meaningful contributions to performance studies and opens up theoretical questions of performance relating to the status of the object on stage, the body on stage and theatrical time.
Book Synopsis Performance, Modernity and the Plays of J. M. Synge by : Hélène Lecossois
Download or read book Performance, Modernity and the Plays of J. M. Synge written by Hélène Lecossois and published by Cambridge University Press. This book was released on 2020-11-26 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Irish Revivalist playwright J. M. Synge is often regarded as a realist. Yet what happens when his work is analysed through wider performance studies and situated alongside less familiar historical contexts? By addressing this question, Hélène Lecossois offers new and valuable perspectives on Synge's plays while at the same time engaging with the complexity of his treatment of a range of performance practices – from keening at rural funerals to the performances of 'native villagers' in the entertainment section of International Exhibitions. What emerges from her study is a dramatist acutely aware of the ability of theatre in performance to counteract relentless forward-moving narratives of modernity. Through detailed, contextualized case studies, the book simultaneously makes meaningful contributions to performance studies and opens up theoretical questions of performance relating to the status of the object on stage, the body on stage and theatrical time.
Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault’s entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish. Each chapter provides a brief plot outline along with informed analysis and, alert to the cultural and critical context of each play, an account of the key roles that they played in the developing story of Irish drama. While the core of the collection is based on the critical canon, including work by J. M. Synge, Lady Gregory, Teresa Deevy, and Brian Friel, plays such as Tom Mac Intyre’s The Great Hunger and ANU Productions’ Laundry, which illuminate routes away from the mainstream, are also included. With a focus on the development of form as well as theme, the collection guides the reader to an informed overview of Irish theatre via succinct and insightful essays by an international team of academics. This invaluable collection will be of particular interest to undergraduate students of theatre and performance studies and to lay readers looking to expand their appreciation of Irish drama.
Book Synopsis Fifty Key Irish Plays by : Shaun Richards
Download or read book Fifty Key Irish Plays written by Shaun Richards and published by Taylor & Francis. This book was released on 2022-08-25 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault’s entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish. Each chapter provides a brief plot outline along with informed analysis and, alert to the cultural and critical context of each play, an account of the key roles that they played in the developing story of Irish drama. While the core of the collection is based on the critical canon, including work by J. M. Synge, Lady Gregory, Teresa Deevy, and Brian Friel, plays such as Tom Mac Intyre’s The Great Hunger and ANU Productions’ Laundry, which illuminate routes away from the mainstream, are also included. With a focus on the development of form as well as theme, the collection guides the reader to an informed overview of Irish theatre via succinct and insightful essays by an international team of academics. This invaluable collection will be of particular interest to undergraduate students of theatre and performance studies and to lay readers looking to expand their appreciation of Irish drama.
Book Synopsis The Cambridge Companion to Twentieth-Century Irish Drama by : Shaun Richards
Download or read book The Cambridge Companion to Twentieth-Century Irish Drama written by Shaun Richards and published by Cambridge University Press. This book was released on 2004-01-29 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Introduces students to the work of one of Ireland's most important playwrights.
Book Synopsis The Cambridge Companion to J. M. Synge by : P. J. Mathews
Download or read book The Cambridge Companion to J. M. Synge written by P. J. Mathews and published by Cambridge University Press. This book was released on 2009-11-19 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduces students to the work of one of Ireland's most important playwrights.
What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century. James Moran begins this book with John Millington Synge's Riders to the Sea (1904), which shows how environmental awareness might be expressed through tragic drama. Moran also looks at Brecht's reworking of Synge's drama in the 1937 play Señora Carrar's Rifles, and situates Brecht's script in the light of the theatre practitioner's broader ideas about tragedy. Brecht's tragic thinking – informed by Hegel and Marx – is contrasted with the Schopenhauerian approach of Samuel Beckett. The volume goes on to examine theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge's Riders to the Sea to postcolonial contexts. Looking at Derek Walcott's The Sea at Dauphin (1954), and J.P. Clark's The Goat (1961), Modern Tragedy explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of authors and audiences of colour.
Book Synopsis Modern Tragedy by : James Moran
Download or read book Modern Tragedy written by James Moran and published by Bloomsbury Publishing. This book was released on 2023-02-23 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century. James Moran begins this book with John Millington Synge's Riders to the Sea (1904), which shows how environmental awareness might be expressed through tragic drama. Moran also looks at Brecht's reworking of Synge's drama in the 1937 play Señora Carrar's Rifles, and situates Brecht's script in the light of the theatre practitioner's broader ideas about tragedy. Brecht's tragic thinking – informed by Hegel and Marx – is contrasted with the Schopenhauerian approach of Samuel Beckett. The volume goes on to examine theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge's Riders to the Sea to postcolonial contexts. Looking at Derek Walcott's The Sea at Dauphin (1954), and J.P. Clark's The Goat (1961), Modern Tragedy explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of authors and audiences of colour.
This book considers the cultural residue from pre-Christian Ireland in Synge’s plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be “modern” at the beginning of the twentieth century. The book draws extensively on Synge’s archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge’s plays is considered in an individual chapter, and they identify how Synge’s dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual.
Book Synopsis Theatre and Residual Culture by : Christopher Collins
Download or read book Theatre and Residual Culture written by Christopher Collins and published by Springer. This book was released on 2016-06-29 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the cultural residue from pre-Christian Ireland in Synge’s plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be “modern” at the beginning of the twentieth century. The book draws extensively on Synge’s archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge’s plays is considered in an individual chapter, and they identify how Synge’s dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual.
This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
Book Synopsis Irish Drama, Modernity and the Passion Play by : Alexandra Poulain
Download or read book Irish Drama, Modernity and the Passion Play written by Alexandra Poulain and published by Springer. This book was released on 2017-01-19 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
A thorough re-assessment of one of Ireland's major playwrights, J.M. Synge (1871-1909). Using much previously-undiscussed archival material, the book takes each of Synge's plays and prose works, tracing his journey from an early Romanticism to a later, more combative modernism.
Book Synopsis J. M. Synge by : Seán Hewitt
Download or read book J. M. Synge written by Seán Hewitt and published by Oxford University Press, USA. This book was released on 2021-01-07 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A thorough re-assessment of one of Ireland's major playwrights, J.M. Synge (1871-1909). Using much previously-undiscussed archival material, the book takes each of Synge's plays and prose works, tracing his journey from an early Romanticism to a later, more combative modernism.
Examines the role that spectators play in the reception and perpetuation of ableist stereotypes about blindness in the theatre.
Book Synopsis Blindness and Spectatorship in Ancient and Modern Theatres by : Marchella Ward
Download or read book Blindness and Spectatorship in Ancient and Modern Theatres written by Marchella Ward and published by Cambridge University Press. This book was released on 2023-11-30 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the role that spectators play in the reception and perpetuation of ableist stereotypes about blindness in the theatre.
