Philosophy and Literary Modernism

Philosophy and Literary Modernism

Author: Robert P. McParland

Publisher: Cambridge Scholars Publishing

Published: 2018-10-01

Total Pages: 255

ISBN-13: 1527517845

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Philosophy and Literary Modernism probes the relationship of authors with the thought of their time. The authors studied here include Conrad, Eliot, Faulkner, Forster, Hemingway, Hesse, Kafka, Joyce, Lawrence, Williams, and Woolf, among others. Literary modernism engaged with explorations of literary form, language, ways of knowing the world, identity, commitment, chance, truth, and beauty. The book considers how writers participated in the intellectual spirit of their time and with the thought of philosophers like Henri Bergson, G.E. Moore, Bertrand Russell, Alfred North Whitehead, and Ludwig Wittgenstein.


Book Synopsis Philosophy and Literary Modernism by : Robert P. McParland

Download or read book Philosophy and Literary Modernism written by Robert P. McParland and published by Cambridge Scholars Publishing. This book was released on 2018-10-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philosophy and Literary Modernism probes the relationship of authors with the thought of their time. The authors studied here include Conrad, Eliot, Faulkner, Forster, Hemingway, Hesse, Kafka, Joyce, Lawrence, Williams, and Woolf, among others. Literary modernism engaged with explorations of literary form, language, ways of knowing the world, identity, commitment, chance, truth, and beauty. The book considers how writers participated in the intellectual spirit of their time and with the thought of philosophers like Henri Bergson, G.E. Moore, Bertrand Russell, Alfred North Whitehead, and Ludwig Wittgenstein.


Modernism and the Language of Philosophy

Modernism and the Language of Philosophy

Author: Anat Matar

Publisher: Routledge

Published: 2006-04-18

Total Pages: 225

ISBN-13: 1134260091

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With a unique approach to the 'linguistic turn' in twentieth-century philosophy, this fascinating work addresses both analytic and continental philosophy, therefore ensuring its appeal to scholars from both fields.


Book Synopsis Modernism and the Language of Philosophy by : Anat Matar

Download or read book Modernism and the Language of Philosophy written by Anat Matar and published by Routledge. This book was released on 2006-04-18 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a unique approach to the 'linguistic turn' in twentieth-century philosophy, this fascinating work addresses both analytic and continental philosophy, therefore ensuring its appeal to scholars from both fields.


Modernist Idealism

Modernist Idealism

Author: Michael J. Subialka

Publisher: University of Toronto Press

Published: 2021

Total Pages: 401

ISBN-13: 1487528655

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Modernist Idealism develops a framework for understanding modernist production as the artistic realization of philosophical concepts elaborated in German idealism.


Book Synopsis Modernist Idealism by : Michael J. Subialka

Download or read book Modernist Idealism written by Michael J. Subialka and published by University of Toronto Press. This book was released on 2021 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernist Idealism develops a framework for understanding modernist production as the artistic realization of philosophical concepts elaborated in German idealism.


Wittgenstein and Modernism

Wittgenstein and Modernism

Author: Michael LeMahieu

Publisher: University of Chicago Press

Published: 2017

Total Pages: 310

ISBN-13: 022642040X

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Wittgenstein and Modernism is the first collection to address the rich, vexed, and often contradictory relationship between modernism, the 20th century s predominant cultural and artistic movement, and Wittgenstein, the most preeminent and enduring philosopher of the period. Although Wittgenstein famously declared that philosophy ought really to be written only as a form of poetry, we have yet to fully consider how Wittgenstein s philosophy relates to the poetic, literary, and artistic production that exemplifies the modernist era in which he lived and worked. Featuring contributions from scholars of philosophy and literature, the contributors put Wittgenstein s writing in dialogue with work by poets and novelists (James, Woolf, Kafka, Musil, Rilke, Hofmannsthal, Beckett, Bellow and Robinson) as well as philosophers and theorists (Karl Kraus, John Stuart Mill, Walter Benjamin, Michael Fried, Stanley Cavell). The volume illuminates two important aspects of Wittgenstein s work related to modernism and postmodernism: form and medium. Each of Wittgenstein s two major works not only advanced a revolutionary conception of philosophy, but also developed a revolutionary philosophical form to engage his readers in a mode of philosophical practice. As a whole this volume comprises an overarching argument about the importance of Wittgenstein for understanding modernism, and the importance of modernism for understanding Wittgenstein."


Book Synopsis Wittgenstein and Modernism by : Michael LeMahieu

Download or read book Wittgenstein and Modernism written by Michael LeMahieu and published by University of Chicago Press. This book was released on 2017 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wittgenstein and Modernism is the first collection to address the rich, vexed, and often contradictory relationship between modernism, the 20th century s predominant cultural and artistic movement, and Wittgenstein, the most preeminent and enduring philosopher of the period. Although Wittgenstein famously declared that philosophy ought really to be written only as a form of poetry, we have yet to fully consider how Wittgenstein s philosophy relates to the poetic, literary, and artistic production that exemplifies the modernist era in which he lived and worked. Featuring contributions from scholars of philosophy and literature, the contributors put Wittgenstein s writing in dialogue with work by poets and novelists (James, Woolf, Kafka, Musil, Rilke, Hofmannsthal, Beckett, Bellow and Robinson) as well as philosophers and theorists (Karl Kraus, John Stuart Mill, Walter Benjamin, Michael Fried, Stanley Cavell). The volume illuminates two important aspects of Wittgenstein s work related to modernism and postmodernism: form and medium. Each of Wittgenstein s two major works not only advanced a revolutionary conception of philosophy, but also developed a revolutionary philosophical form to engage his readers in a mode of philosophical practice. As a whole this volume comprises an overarching argument about the importance of Wittgenstein for understanding modernism, and the importance of modernism for understanding Wittgenstein."


Philosophy in the Condition of Modernism

Philosophy in the Condition of Modernism

Author: Ana Falcato

Publisher: Springer

Published: 2018-05-03

Total Pages: 419

ISBN-13: 3319770780

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Produced on the fringes of philosophy and literary criticism, this book is a pioneering study which aims to explicitly address and thematize what may be called a “critical philosophy in the condition of modernism”. Its most important and original contribution to both disciplines is a self-conscious reflection on possible modes of writing philosophy today, and a systematic comparison with what happened in literary modernism at the beginning of the twentieth-century. The volume is divided into six sections, where internationally renowned scholars discuss such pressing topics as the role of an unreliable narrator in a major philosophical treatise, the different mediums of art-production and how these impact on our perception of the Work itself, the role of narrative in animal ethics and the filmic adaption of a Modernist classic.


Book Synopsis Philosophy in the Condition of Modernism by : Ana Falcato

Download or read book Philosophy in the Condition of Modernism written by Ana Falcato and published by Springer. This book was released on 2018-05-03 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Produced on the fringes of philosophy and literary criticism, this book is a pioneering study which aims to explicitly address and thematize what may be called a “critical philosophy in the condition of modernism”. Its most important and original contribution to both disciplines is a self-conscious reflection on possible modes of writing philosophy today, and a systematic comparison with what happened in literary modernism at the beginning of the twentieth-century. The volume is divided into six sections, where internationally renowned scholars discuss such pressing topics as the role of an unreliable narrator in a major philosophical treatise, the different mediums of art-production and how these impact on our perception of the Work itself, the role of narrative in animal ethics and the filmic adaption of a Modernist classic.


Michael Fried and Philosophy

Michael Fried and Philosophy

Author: Mathew Abbott

Publisher: Routledge

Published: 2018-01-29

Total Pages: 268

ISBN-13: 1317191846

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This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.


Book Synopsis Michael Fried and Philosophy by : Mathew Abbott

Download or read book Michael Fried and Philosophy written by Mathew Abbott and published by Routledge. This book was released on 2018-01-29 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.


Modernist Fiction and Vagueness: The art of vagueness; 2. The two pragmatisms and Henry James's criticism; 3. 'Guess my riddle': Watch and Ward; 4. The vengeance of the 'great vagueness': 'The Beast in the Jungle'; 5. The bad pragmatist: The Sacred Fount's narrator; 6. 'Vague values': Strether's dilemma in The Ambassadors; 7. Mush and the telescope; 8. Vagueness and vagabonds in 'Craftsmanship'; 9. Night and Day and the 'semi-transparent envelope'; 10. Jacob's shadow; 11. 'I begin to doubt the fixity of tables': solipsism and The Waves; 12. 'The study of languages': logical versus natural languages; 13. Wittgenstein the poet and Joyce the 'philosophist'; 14. Learning vague language: A Portrait of the Artist as a Young Man; 15. Throwing away the ladder, losing the keys: Siopold and Boom in Ulysses; 16. Blasphemy and nonsense: Finnegans Wake in Basic; 17. Eliot's critical influence; 18. Eliot and Russell: 'wobbliness' and 'the scientific paradise'; 19. 'Fuzzy studies' and fuzzy fictions

Modernist Fiction and Vagueness: The art of vagueness; 2. The two pragmatisms and Henry James's criticism; 3. 'Guess my riddle': Watch and Ward; 4. The vengeance of the 'great vagueness': 'The Beast in the Jungle'; 5. The bad pragmatist: The Sacred Fount's narrator; 6. 'Vague values': Strether's dilemma in The Ambassadors; 7. Mush and the telescope; 8. Vagueness and vagabonds in 'Craftsmanship'; 9. Night and Day and the 'semi-transparent envelope'; 10. Jacob's shadow; 11. 'I begin to doubt the fixity of tables': solipsism and The Waves; 12. 'The study of languages': logical versus natural languages; 13. Wittgenstein the poet and Joyce the 'philosophist'; 14. Learning vague language: A Portrait of the Artist as a Young Man; 15. Throwing away the ladder, losing the keys: Siopold and Boom in Ulysses; 16. Blasphemy and nonsense: Finnegans Wake in Basic; 17. Eliot's critical influence; 18. Eliot and Russell: 'wobbliness' and 'the scientific paradise'; 19. 'Fuzzy studies' and fuzzy fictions

Author: Megan Quigley

Publisher:

Published: 2014

Total Pages:

ISBN-13: 9781316204924

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"Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction"--


Book Synopsis Modernist Fiction and Vagueness: The art of vagueness; 2. The two pragmatisms and Henry James's criticism; 3. 'Guess my riddle': Watch and Ward; 4. The vengeance of the 'great vagueness': 'The Beast in the Jungle'; 5. The bad pragmatist: The Sacred Fount's narrator; 6. 'Vague values': Strether's dilemma in The Ambassadors; 7. Mush and the telescope; 8. Vagueness and vagabonds in 'Craftsmanship'; 9. Night and Day and the 'semi-transparent envelope'; 10. Jacob's shadow; 11. 'I begin to doubt the fixity of tables': solipsism and The Waves; 12. 'The study of languages': logical versus natural languages; 13. Wittgenstein the poet and Joyce the 'philosophist'; 14. Learning vague language: A Portrait of the Artist as a Young Man; 15. Throwing away the ladder, losing the keys: Siopold and Boom in Ulysses; 16. Blasphemy and nonsense: Finnegans Wake in Basic; 17. Eliot's critical influence; 18. Eliot and Russell: 'wobbliness' and 'the scientific paradise'; 19. 'Fuzzy studies' and fuzzy fictions by : Megan Quigley

Download or read book Modernist Fiction and Vagueness: The art of vagueness; 2. The two pragmatisms and Henry James's criticism; 3. 'Guess my riddle': Watch and Ward; 4. The vengeance of the 'great vagueness': 'The Beast in the Jungle'; 5. The bad pragmatist: The Sacred Fount's narrator; 6. 'Vague values': Strether's dilemma in The Ambassadors; 7. Mush and the telescope; 8. Vagueness and vagabonds in 'Craftsmanship'; 9. Night and Day and the 'semi-transparent envelope'; 10. Jacob's shadow; 11. 'I begin to doubt the fixity of tables': solipsism and The Waves; 12. 'The study of languages': logical versus natural languages; 13. Wittgenstein the poet and Joyce the 'philosophist'; 14. Learning vague language: A Portrait of the Artist as a Young Man; 15. Throwing away the ladder, losing the keys: Siopold and Boom in Ulysses; 16. Blasphemy and nonsense: Finnegans Wake in Basic; 17. Eliot's critical influence; 18. Eliot and Russell: 'wobbliness' and 'the scientific paradise'; 19. 'Fuzzy studies' and fuzzy fictions written by Megan Quigley and published by . This book was released on 2014 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction"--


Philosophy Beside Itself

Philosophy Beside Itself

Author: Stephen W. Melville

Publisher: Manchester University Press

Published: 1986

Total Pages: 236

ISBN-13: 9780719019203

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"Philosophy Beside Itself " was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The writings of French philosopher Jacques Derrida have been the single most powerful influence on critical theory and practice in the United States over the past decade. But with few exceptions American philosophers have taken little or no interest in Derrida's work, and the task of reception, translation, and commentary has been left to literary critics. As a result, Derrida has appeared as a figure already defined by essentially literary critical activities and interests. Stephen Melville's aim in "Philosophy Beside Itself " is to insist upon and clarify the distinctions between philosophy and criticism. He argues that until we grasp Derrida's philosophical project as such, we remain fundamentally unable to see his significance for criticism. In terms derived from Stanley Cavell's writings on modernism, Melville develops a case for Derrida as a modernist philosopher, working at once within and against that tradition and discipline. Melville first places Derrida in a Hegelian context, the structure of which he explores by examining the work of Heidegger, Lacan, and Bataille. With this foundation, he is able to reappraise the project of deconstructive criticism as developed in Paul de Man's "Blindness and Insight "and further articulated by other Yale critics. Central to this critique is the ambivalent relationship between deconstructive criticism and Lacanian psychoanalysis. Criticism--radical self-criticism--is a central means through which the difficult facts of human community come to recognition, and Melville argues for criticism as an activity intimately bound to the ways in which we do and do not belong in time and in community. Derrida's achievement has been to find a new and necessary way to assert that the task of philosophy is criticism; the task of literary criticism is to assume the burden of that achievement. Stephen Melville is an assistant professor of English at Syracuse University, and Donald Marshall is a professor of English at the University of Iowa.


Book Synopsis Philosophy Beside Itself by : Stephen W. Melville

Download or read book Philosophy Beside Itself written by Stephen W. Melville and published by Manchester University Press. This book was released on 1986 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Philosophy Beside Itself " was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The writings of French philosopher Jacques Derrida have been the single most powerful influence on critical theory and practice in the United States over the past decade. But with few exceptions American philosophers have taken little or no interest in Derrida's work, and the task of reception, translation, and commentary has been left to literary critics. As a result, Derrida has appeared as a figure already defined by essentially literary critical activities and interests. Stephen Melville's aim in "Philosophy Beside Itself " is to insist upon and clarify the distinctions between philosophy and criticism. He argues that until we grasp Derrida's philosophical project as such, we remain fundamentally unable to see his significance for criticism. In terms derived from Stanley Cavell's writings on modernism, Melville develops a case for Derrida as a modernist philosopher, working at once within and against that tradition and discipline. Melville first places Derrida in a Hegelian context, the structure of which he explores by examining the work of Heidegger, Lacan, and Bataille. With this foundation, he is able to reappraise the project of deconstructive criticism as developed in Paul de Man's "Blindness and Insight "and further articulated by other Yale critics. Central to this critique is the ambivalent relationship between deconstructive criticism and Lacanian psychoanalysis. Criticism--radical self-criticism--is a central means through which the difficult facts of human community come to recognition, and Melville argues for criticism as an activity intimately bound to the ways in which we do and do not belong in time and in community. Derrida's achievement has been to find a new and necessary way to assert that the task of philosophy is criticism; the task of literary criticism is to assume the burden of that achievement. Stephen Melville is an assistant professor of English at Syracuse University, and Donald Marshall is a professor of English at the University of Iowa.


The Decline of Modernism

The Decline of Modernism

Author: Peter Bürger

Publisher: Penn State Press

Published: 1992

Total Pages: 202

ISBN-13: 9780271008905

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In this book, the author addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century.


Book Synopsis The Decline of Modernism by : Peter Bürger

Download or read book The Decline of Modernism written by Peter Bürger and published by Penn State Press. This book was released on 1992 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, the author addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century.


The Turning Word

The Turning Word

Author: Joseph N. Riddel

Publisher: University of Pennsylvania Press

Published: 1996-09

Total Pages: 196

ISBN-13: 9780812216004

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A collection of essays on literary theory and modern American literature, developing the theme of the relation of philosophy to literature and of conceptual thought to poetic form. After a chapter on Heidegger and Derrida and poetic language, essays focus on four philosopher-poet relationships: Freud and analysand/poet H.D., Hegel and Hart Crane, Bergson and Gertrude Stein, and poststructuralism and modernist-postmodern poetry, mainly Charles Olson. Paper edition (unseen), $16.50. Annotation copyright by Book News, Inc., Portland, OR


Book Synopsis The Turning Word by : Joseph N. Riddel

Download or read book The Turning Word written by Joseph N. Riddel and published by University of Pennsylvania Press. This book was released on 1996-09 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays on literary theory and modern American literature, developing the theme of the relation of philosophy to literature and of conceptual thought to poetic form. After a chapter on Heidegger and Derrida and poetic language, essays focus on four philosopher-poet relationships: Freud and analysand/poet H.D., Hegel and Hart Crane, Bergson and Gertrude Stein, and poststructuralism and modernist-postmodern poetry, mainly Charles Olson. Paper edition (unseen), $16.50. Annotation copyright by Book News, Inc., Portland, OR