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Impediments to performance come in many guises and forms, but they all spring from the same source: tension. In this book, Bill Connington shows the reader how the Alexander technique will allow them to do everything more easily and more naturally: from breathing more freely, and speaking more fluidly to moving more lightly and gracefully, releasing the best possible performance from your body and mind.
Book Synopsis Physical Expression on Stage and Screen by : Bill Connington
Download or read book Physical Expression on Stage and Screen written by Bill Connington and published by . This book was released on with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Impediments to performance come in many guises and forms, but they all spring from the same source: tension. In this book, Bill Connington shows the reader how the Alexander technique will allow them to do everything more easily and more naturally: from breathing more freely, and speaking more fluidly to moving more lightly and gracefully, releasing the best possible performance from your body and mind.
A practical book on the Alexander Technique for actors and acting/movement teachers.
Book Synopsis Physical Expression on Stage and Screen by : Bill Connington
Download or read book Physical Expression on Stage and Screen written by Bill Connington and published by A&C Black. This book was released on 2014-08-14 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: A practical book on the Alexander Technique for actors and acting/movement teachers.
A tight throat; held breath; stiff muscles; stage fright: impediments to performance come in many guises, but they all spring from the same source-tension. In Physical Expression on Stage and Screen Bill Connington, a renowned teacher of the Alexander Technique, shows you how to recognize and release the tension that keeps you from performing at your best. If you're ever not certain of what to do with your hands or how to make a meaningful gesture, or if your movement feels fine in daily life but then you suddenly become self-conscious when onstage or in front of a camera, this book is here to help. More than one hundred clear, accessible exercises-including many filmed tutorials available online-will enable you to • Move more naturally and easily • Breathe more freely • Speak more clearly • Free your creative impulses • Play a character with an unfamiliar physicality
Book Synopsis Physical Expression on Stage and Screen by : Bill Connington
Download or read book Physical Expression on Stage and Screen written by Bill Connington and published by Bloomsbury Publishing. This book was released on 2014-06-19 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: A tight throat; held breath; stiff muscles; stage fright: impediments to performance come in many guises, but they all spring from the same source-tension. In Physical Expression on Stage and Screen Bill Connington, a renowned teacher of the Alexander Technique, shows you how to recognize and release the tension that keeps you from performing at your best. If you're ever not certain of what to do with your hands or how to make a meaningful gesture, or if your movement feels fine in daily life but then you suddenly become self-conscious when onstage or in front of a camera, this book is here to help. More than one hundred clear, accessible exercises-including many filmed tutorials available online-will enable you to • Move more naturally and easily • Breathe more freely • Speak more clearly • Free your creative impulses • Play a character with an unfamiliar physicality
As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement on the stage and screen, how to conduct a class or learn on one's own, and choosing a movement style. Throughout the book and in the appendixes, Lust incorporates learning programs that cover the use of basic physical and expressive exercises for the entire body. In addition, she provides original solo and group pantomimes; improvisational exercises; examples of plays, fiction, poetry, and songs that may be interpreted with movement; a list of training centers in America and Europe; and an extensive bibliography and videography. With 15 interviews and essays by prominent stage and screen actors, mimes, clowns, dancers, and puppeteers who describe the importance of movement in their art and illustrated with dozens of photos of renowned world companies and artists, Bringing the Body to the Stage and Screen will be a valuable resource for theater teachers and students, as well as anyone engaged in the performing arts.
Book Synopsis Bringing the Body to the Stage and Screen by : Annette Lust
Download or read book Bringing the Body to the Stage and Screen written by Annette Lust and published by Scarecrow Press. This book was released on 2012 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement on the stage and screen, how to conduct a class or learn on one's own, and choosing a movement style. Throughout the book and in the appendixes, Lust incorporates learning programs that cover the use of basic physical and expressive exercises for the entire body. In addition, she provides original solo and group pantomimes; improvisational exercises; examples of plays, fiction, poetry, and songs that may be interpreted with movement; a list of training centers in America and Europe; and an extensive bibliography and videography. With 15 interviews and essays by prominent stage and screen actors, mimes, clowns, dancers, and puppeteers who describe the importance of movement in their art and illustrated with dozens of photos of renowned world companies and artists, Bringing the Body to the Stage and Screen will be a valuable resource for theater teachers and students, as well as anyone engaged in the performing arts.
Introduction to the Alexander Technique, part of the brand-new Acting Essentials series, is the first textbook about the Alexander Technique written specially for undergraduates. This eight-week program can be taught over the course of half a semester, a full semester, or dipped into as needed to address students' issues with physicality, movement, breathing, voice and performance habits. The Alexander Technique has been a vital part of training for performers since the early 20th century. It is a core part of the curriculum at most acting conservatories and in many BFA programs. Sometimes considered purely a movement discipline, the Alexander Technique in fact takes into consideration the entire person-mind, body, voice, emotions, and imagination. Introduction to the Alexander Technique addresses the student's self as a whole and is suitable for beginning acting students in any academic setting, including those who take performance classes as an elective. The book also includes more than 150 practical, easy-to-follow exercises that help students reduce tension and improve their alignment, flexibility, and poise. The textbook is supported by a range of online videos demonstrating key exercises described throughout the book.
Book Synopsis Introduction to the Alexander Technique by : Bill Connington
Download or read book Introduction to the Alexander Technique written by Bill Connington and published by Bloomsbury Publishing. This book was released on 2020-01-23 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction to the Alexander Technique, part of the brand-new Acting Essentials series, is the first textbook about the Alexander Technique written specially for undergraduates. This eight-week program can be taught over the course of half a semester, a full semester, or dipped into as needed to address students' issues with physicality, movement, breathing, voice and performance habits. The Alexander Technique has been a vital part of training for performers since the early 20th century. It is a core part of the curriculum at most acting conservatories and in many BFA programs. Sometimes considered purely a movement discipline, the Alexander Technique in fact takes into consideration the entire person-mind, body, voice, emotions, and imagination. Introduction to the Alexander Technique addresses the student's self as a whole and is suitable for beginning acting students in any academic setting, including those who take performance classes as an elective. The book also includes more than 150 practical, easy-to-follow exercises that help students reduce tension and improve their alignment, flexibility, and poise. The textbook is supported by a range of online videos demonstrating key exercises described throughout the book.
Actor Movement: Expression of the Physical Being is a textbook and video resource for the working actor, the student and all those who lead and witness movement for the actor, including movement tutors, movement directors and directors. Great actors are not simply great interpreters of text; they are also great interpreters of movement; able to 'embody' all aspects of a character's life, with body and imagination as their instruments. In their work they are expected to become many bodies, all behaving differently from their own. Actors have to construct, inhabit and offer each character's body, with its multiplicity of known and unknown physical expression. Featuring: Over 155 exercises Four full actor movement processes for creating character Over 20 illustrations and images Complementary online footage supporting 26 of the practical elements Inspiring confidence in the actor to make fully owned physical choices and develop a love of movement, this essential new textbook is ideal for those actors seeking to give to their movement all the complexity and range possible for great acting.
Book Synopsis Actor Movement by : Vanessa Ewan
Download or read book Actor Movement written by Vanessa Ewan and published by Bloomsbury Publishing. This book was released on 2014-11-20 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Actor Movement: Expression of the Physical Being is a textbook and video resource for the working actor, the student and all those who lead and witness movement for the actor, including movement tutors, movement directors and directors. Great actors are not simply great interpreters of text; they are also great interpreters of movement; able to 'embody' all aspects of a character's life, with body and imagination as their instruments. In their work they are expected to become many bodies, all behaving differently from their own. Actors have to construct, inhabit and offer each character's body, with its multiplicity of known and unknown physical expression. Featuring: Over 155 exercises Four full actor movement processes for creating character Over 20 illustrations and images Complementary online footage supporting 26 of the practical elements Inspiring confidence in the actor to make fully owned physical choices and develop a love of movement, this essential new textbook is ideal for those actors seeking to give to their movement all the complexity and range possible for great acting.
Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twenty-first century. Figures and companies studied include: Ira Aldridge Henry Francis Downing Paul Robeson Errol John Mustapha Matura Dark and Light Theatre The Keskidee Centre Indian Art and Dramatic Society Temba Edric and Pearl Connor Tara Arts Yvonne Brewster Tamasha Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Book Synopsis Black and Asian Theatre In Britain by : Colin Chambers
Download or read book Black and Asian Theatre In Britain written by Colin Chambers and published by Routledge. This book was released on 2020-12-17 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twenty-first century. Figures and companies studied include: Ira Aldridge Henry Francis Downing Paul Robeson Errol John Mustapha Matura Dark and Light Theatre The Keskidee Centre Indian Art and Dramatic Society Temba Edric and Pearl Connor Tara Arts Yvonne Brewster Tamasha Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
In this first handbook, and those to follow, my aim is to share my personal experiences with you, the actor, in hopes of helping you find your way and sustain yourself in this profession. The question of what we do and why we do it can be a challenging question, particularly when faced with certain audiences. As an actor, you may exude great confidence on stage, only to reveal yourself as an incredibly shy and private individual offstage. So what drives us to pursue this craft of assuming different personas and performing in front of audiences? This question has plagued me for over four decades, and I still don't have a concrete answer. Perhaps it's a need to explore ourselves or a desire to express ourselves to others from some sort of monophobia. Maybe it's an uncontrollable urge to reveal our innermost feelings from behind a mask. Or maybe it's just an innate passion for performing. Whatever the reason may be, as actors, we often face a host of challenges and complexities that are not immediately apparent to the outside world. Within these pages, I hope to provide some answers and guidance to help you navigate these challenges and find fulfillment in your chosen path.
Book Synopsis An Actor's Survival Guide by : Chas Burns
Download or read book An Actor's Survival Guide written by Chas Burns and published by Copy Real. This book was released on 2023-05-19 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first handbook, and those to follow, my aim is to share my personal experiences with you, the actor, in hopes of helping you find your way and sustain yourself in this profession. The question of what we do and why we do it can be a challenging question, particularly when faced with certain audiences. As an actor, you may exude great confidence on stage, only to reveal yourself as an incredibly shy and private individual offstage. So what drives us to pursue this craft of assuming different personas and performing in front of audiences? This question has plagued me for over four decades, and I still don't have a concrete answer. Perhaps it's a need to explore ourselves or a desire to express ourselves to others from some sort of monophobia. Maybe it's an uncontrollable urge to reveal our innermost feelings from behind a mask. Or maybe it's just an innate passion for performing. Whatever the reason may be, as actors, we often face a host of challenges and complexities that are not immediately apparent to the outside world. Within these pages, I hope to provide some answers and guidance to help you navigate these challenges and find fulfillment in your chosen path.
Responding to recent evolutions in the fields of dance and religious and secular studies, The Oxford Handbook of Jewishness and Dance documents and celebrates the significant impact of Jewish identity on a variety of communities and the dance world writ large. Focusing on North America, Europe, and Israel in the twentieth and twenty-first centuries, this Handbook highlights the sometimes surprising, often hidden and overlooked Jewish resonances within a range of styles from modern and postmodern dance to folk dance and flamenco. Privileging the historically marginalized voices of scholars, performers, and instructors the Handbook considers the powerful role of dance in addressing difference, such as between American and Israeli Jewish communities. In the process, contributors advocate values of social justice, like Tikkun Olam (repair of the world), debate, and humor, exploring the fascinating and potentially uncomfortable contradictions and ambiguities that characterize this robust area of research.
Book Synopsis The Oxford Handbook of Jewishness and Dance by : Naomi M. Jackson
Download or read book The Oxford Handbook of Jewishness and Dance written by Naomi M. Jackson and published by Oxford University Press. This book was released on 2021-11-16 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt: Responding to recent evolutions in the fields of dance and religious and secular studies, The Oxford Handbook of Jewishness and Dance documents and celebrates the significant impact of Jewish identity on a variety of communities and the dance world writ large. Focusing on North America, Europe, and Israel in the twentieth and twenty-first centuries, this Handbook highlights the sometimes surprising, often hidden and overlooked Jewish resonances within a range of styles from modern and postmodern dance to folk dance and flamenco. Privileging the historically marginalized voices of scholars, performers, and instructors the Handbook considers the powerful role of dance in addressing difference, such as between American and Israeli Jewish communities. In the process, contributors advocate values of social justice, like Tikkun Olam (repair of the world), debate, and humor, exploring the fascinating and potentially uncomfortable contradictions and ambiguities that characterize this robust area of research.
Download or read book Mainstream written by and published by . This book was released on 1954 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt:
