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An Advanced Piano Duet for 2 Pianos, 4 hands, composed by Felix Mendelssohn. Two copies are required for performance.
Book Synopsis Piano Concerto No. 2 in D Minor, Opus 40 by : Felix Mendelssohn
Download or read book Piano Concerto No. 2 in D Minor, Opus 40 written by Felix Mendelssohn and published by Alfred Music. This book was released on 1996-02-01 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Advanced Piano Duet for 2 Pianos, 4 hands, composed by Felix Mendelssohn. Two copies are required for performance.
Book Synopsis Piano Concerto No. 2 in D Minor Op. 40 (Edition for 2 Pianos) by :
Download or read book Piano Concerto No. 2 in D Minor Op. 40 (Edition for 2 Pianos) written by and published by Edition Peters. This book was released on 2022-05 with total page 999 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Piano concerto no. 2 in D minor, op. 40 by : Felix Mendelssohn-Bartholdy
Download or read book Piano concerto no. 2 in D minor, op. 40 written by Felix Mendelssohn-Bartholdy and published by . This book was released on 1900 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This historic reference edition of Sergei Rachmaninoff's Piano Concerto No. 4, in G Minor, Op. 40 is the complete and final revised form, as last played by the composer in 1942. It is composed of three movements: Allegro vivace (Alla breve), Largo and Allegro vivace. Also included is an outstanding CD recording, from the Naxos label, by internationally renowned artist, Idil Biret, with the Polish National Radio Symphony Orchestra, Antoni Wit conducting. Biret has made more than 70 recordings and has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and many others.
Book Synopsis Piano concerto no. 4 in G major, op. 40 (1941, rev. version) by : Sergei Rachmaninoff
Download or read book Piano concerto no. 4 in G major, op. 40 (1941, rev. version) written by Sergei Rachmaninoff and published by Alfred Music Publishing. This book was released on 2006 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: This historic reference edition of Sergei Rachmaninoff's Piano Concerto No. 4, in G Minor, Op. 40 is the complete and final revised form, as last played by the composer in 1942. It is composed of three movements: Allegro vivace (Alla breve), Largo and Allegro vivace. Also included is an outstanding CD recording, from the Naxos label, by internationally renowned artist, Idil Biret, with the Polish National Radio Symphony Orchestra, Antoni Wit conducting. Biret has made more than 70 recordings and has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and many others.
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Book Synopsis The Concerto by : Stephan D. Lindeman
Download or read book The Concerto written by Stephan D. Lindeman and published by Taylor & Francis. This book was released on 2006 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Book Synopsis The Cambridge Companion to the Concerto by : Simon P. Keefe
Download or read book The Cambridge Companion to the Concerto written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2005-10-27 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A rare volume dedicated entirely to scholarship on the genre of the concerto.
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Book Synopsis Bending the Rules of Music Theory by : Timothy Cutler
Download or read book Bending the Rules of Music Theory written by Timothy Cutler and published by Routledge. This book was released on 2019-02-04 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Book Synopsis Graphic Music Analysis by : Eric Wen
Download or read book Graphic Music Analysis written by Eric Wen and published by Rowman & Littlefield. This book was released on 2019-02-14 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
This study of the composition, reception, extramusical implications and stylistic eclecticism of Mendelssohn's Italian Symphony devotes extensive attention to the differences between the posthumously published familiar version of the work and the composer's revision, which remained unpublised until 2001.
Book Synopsis Mendelssohn's 'Italian' Symphony by : John Michael Cooper
Download or read book Mendelssohn's 'Italian' Symphony written by John Michael Cooper and published by Oxford University Press, USA. This book was released on 2003 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the composition, reception, extramusical implications and stylistic eclecticism of Mendelssohn's Italian Symphony devotes extensive attention to the differences between the posthumously published familiar version of the work and the composer's revision, which remained unpublised until 2001.
Since the publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, research has proliferated in the area of music for the piano during the late eighteenth and nineteenth centuries and into developments in the musical life of London, for a time the centre of piano manufacturing, publishing and performance. But none has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring. Topics covered include: the piano trade and how piano manufacturing affected a major provincial town; the reception of Bach's Well-Tempered Clavier and Clementi's Gradus ad Parnassum during the nineteenth century; the shift from composer-pianists to pianist-interpreters in the first half of the century that triggered crucial changes in piano performance and concert structure; the growth of musical life in the peripheries outside major musical centres; the pianist as advocate for contemporary composers as well as for historical repertory; the status of British pianists both in relation to foreigners on tour in Britain and as welcomed star performers in outposts of the Empire; marketing forces that had an impact on piano sales, concerts and piano careers; leading virtuosos, writers and critics; the important role played by women pianists and the development of the recording industry, bringing the volume into the early twentieth century.
Book Synopsis The Piano in Nineteenth-Century British Culture by : Susan Wollenberg
Download or read book The Piano in Nineteenth-Century British Culture written by Susan Wollenberg and published by Routledge. This book was released on 2017-09-29 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, research has proliferated in the area of music for the piano during the late eighteenth and nineteenth centuries and into developments in the musical life of London, for a time the centre of piano manufacturing, publishing and performance. But none has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring. Topics covered include: the piano trade and how piano manufacturing affected a major provincial town; the reception of Bach's Well-Tempered Clavier and Clementi's Gradus ad Parnassum during the nineteenth century; the shift from composer-pianists to pianist-interpreters in the first half of the century that triggered crucial changes in piano performance and concert structure; the growth of musical life in the peripheries outside major musical centres; the pianist as advocate for contemporary composers as well as for historical repertory; the status of British pianists both in relation to foreigners on tour in Britain and as welcomed star performers in outposts of the Empire; marketing forces that had an impact on piano sales, concerts and piano careers; leading virtuosos, writers and critics; the important role played by women pianists and the development of the recording industry, bringing the volume into the early twentieth century.
