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Traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change
Book Synopsis Picturing History at the Ottoman Court by : Emine Fetvacı
Download or read book Picturing History at the Ottoman Court written by Emine Fetvacı and published by Indiana University Press. This book was released on 2013 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change
Ottoman historical writing of the 15th and 16th centuries played a significant role in fashioning Ottoman identity and institutionalizing the dynastic state structure during this period of rapid imperial expansion. This volume shows how the writing of history achieved these effects by examining the implicit messages conveyed by the texts and illustrations of key manuscripts. It answers such questions as how the Ottomans understood themselves within their court and in relation to non-Ottoman others; how they visualized the ideal ruler; how they defined their culture and place in the world; and what the significance of Islam was in their self-definition.
Book Synopsis Writing History at the Ottoman Court by : H. Erdem Cipa
Download or read book Writing History at the Ottoman Court written by H. Erdem Cipa and published by Indiana University Press. This book was released on 2013-06-06 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ottoman historical writing of the 15th and 16th centuries played a significant role in fashioning Ottoman identity and institutionalizing the dynastic state structure during this period of rapid imperial expansion. This volume shows how the writing of history achieved these effects by examining the implicit messages conveyed by the texts and illustrations of key manuscripts. It answers such questions as how the Ottomans understood themselves within their court and in relation to non-Ottoman others; how they visualized the ideal ruler; how they defined their culture and place in the world; and what the significance of Islam was in their self-definition.
The first study of album-making in the Ottoman empire during the seventeenth century, demonstrating the period’s experimentation, eclecticism, and global outlook The Album of the World Emperor examines an extraordinary piece of art: an album of paintings, drawings, calligraphy, and European prints compiled for the Ottoman sultan Ahmed I (r. 1603–17) by his courtier Kalender Paşa (d. 1616). In this detailed study of one of the most important works of seventeenth-century Ottoman art, Emine Fetvacı uses the album to explore questions of style, iconography, foreign inspiration, and the very meaning of the visual arts in the Islamic world. The album’s thirty-two folios feature artworks that range from intricate paper cutouts to the earliest examples of Islamic genre painting, and contents as eclectic as Persian and Persian-influenced calligraphy, studies of men and women of different ethnicities and backgrounds, depictions of popular entertainment and urban life, and European prints depicting Christ on the cross that in turn served as models for apocalyptic Ottoman paintings. Through the album, Fetvacı sheds light on imperial ideals as well as relationships between court life and popular culture, and shows that the boundaries between Ottoman art and the art of Iran and Western Europe were much more porous than has been assumed. Rather than perpetuating the established Ottoman idiom of the sixteenth century, the album shows that this was a time of openness to new models, outside sources, and fresh forms of expression. Beautifully illustrated and featuring all the folios of the original seventy-page album, The Album of the World Emperor revives a neglected yet significant artwork to demonstrate the distinctive aesthetic innovations of the Ottoman court.
Book Synopsis The Album of the World Emperor by : Emine Fetvacı
Download or read book The Album of the World Emperor written by Emine Fetvacı and published by Princeton University Press. This book was released on 2020-01-07 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first study of album-making in the Ottoman empire during the seventeenth century, demonstrating the period’s experimentation, eclecticism, and global outlook The Album of the World Emperor examines an extraordinary piece of art: an album of paintings, drawings, calligraphy, and European prints compiled for the Ottoman sultan Ahmed I (r. 1603–17) by his courtier Kalender Paşa (d. 1616). In this detailed study of one of the most important works of seventeenth-century Ottoman art, Emine Fetvacı uses the album to explore questions of style, iconography, foreign inspiration, and the very meaning of the visual arts in the Islamic world. The album’s thirty-two folios feature artworks that range from intricate paper cutouts to the earliest examples of Islamic genre painting, and contents as eclectic as Persian and Persian-influenced calligraphy, studies of men and women of different ethnicities and backgrounds, depictions of popular entertainment and urban life, and European prints depicting Christ on the cross that in turn served as models for apocalyptic Ottoman paintings. Through the album, Fetvacı sheds light on imperial ideals as well as relationships between court life and popular culture, and shows that the boundaries between Ottoman art and the art of Iran and Western Europe were much more porous than has been assumed. Rather than perpetuating the established Ottoman idiom of the sixteenth century, the album shows that this was a time of openness to new models, outside sources, and fresh forms of expression. Beautifully illustrated and featuring all the folios of the original seventy-page album, The Album of the World Emperor revives a neglected yet significant artwork to demonstrate the distinctive aesthetic innovations of the Ottoman court.
“A comprehensive study of Ottoman illuminated histories and their readers, makers, intended meanings and political uses.” —Bulletin of the School of Oriental and African Studies The Ottoman court of the late sixteenth century produced an unprecedented number of sumptuously illustrated chronicles. While usually dismissed as imperial eulogies, Emine Fetvaci demonstrates that these books commented on contemporary events, promoted the political agendas of courtiers as well as the sultan, and presented their patrons and creators in ways that helped shape the perspectives of their elite audience. Picturing History at the Ottoman Court traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change. “An absolutely original work, full of good ideas and important points. Fascinating.” —Pamela Brummett, University of Tennessee “One of the most profound examples of new directions in scholarship dealing with “the book” and “the text” of the past few decades. It shows an exceptional breadth of vision.” —Walter G. Andrews, University of Washington “[Fetvaci’s] book, an exhaustive and richly illustrated study based on secondary literature and primary sources, among them some documents in the Topkapi Palace archive, will no doubt remain the standard study on the topic for many years to come.” —Bibliotheca Orientalis “A welcome addition to the work of scholars who are studying these manuscripts in relation to the context of their production. This is a handsome book.” —International Journal of Islamic Architecture “This is a book for the specialist as well as the intelligent undergraduate, as its exceptional clarity of organization and exposition makes complex and overlapping dynamics readily meaningful. The lavish illustration (102 colour plates) and the author’s interest in comparative imperial practices add to its depth.” —*Bulletin of the School of Oriental and African Studies
Book Synopsis Picturing History at the Ottoman Court by : Emine Fetvaci
Download or read book Picturing History at the Ottoman Court written by Emine Fetvaci and published by Indiana University Press. This book was released on 2013-02-06 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A comprehensive study of Ottoman illuminated histories and their readers, makers, intended meanings and political uses.” —Bulletin of the School of Oriental and African Studies The Ottoman court of the late sixteenth century produced an unprecedented number of sumptuously illustrated chronicles. While usually dismissed as imperial eulogies, Emine Fetvaci demonstrates that these books commented on contemporary events, promoted the political agendas of courtiers as well as the sultan, and presented their patrons and creators in ways that helped shape the perspectives of their elite audience. Picturing History at the Ottoman Court traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change. “An absolutely original work, full of good ideas and important points. Fascinating.” —Pamela Brummett, University of Tennessee “One of the most profound examples of new directions in scholarship dealing with “the book” and “the text” of the past few decades. It shows an exceptional breadth of vision.” —Walter G. Andrews, University of Washington “[Fetvaci’s] book, an exhaustive and richly illustrated study based on secondary literature and primary sources, among them some documents in the Topkapi Palace archive, will no doubt remain the standard study on the topic for many years to come.” —Bibliotheca Orientalis “A welcome addition to the work of scholars who are studying these manuscripts in relation to the context of their production. This is a handsome book.” —International Journal of Islamic Architecture “This is a book for the specialist as well as the intelligent undergraduate, as its exceptional clarity of organization and exposition makes complex and overlapping dynamics readily meaningful. The lavish illustration (102 colour plates) and the author’s interest in comparative imperial practices add to its depth.” —*Bulletin of the School of Oriental and African Studies
What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.
Book Synopsis Picturing Russia by : Valerie Ann Kivelson
Download or read book Picturing Russia written by Valerie Ann Kivelson and published by Yale University Press. This book was released on 2008-01-01 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.
This book examines how Ottomans were mapped in the narrative and visual imagination of early modern Europe's Christian kingdoms.
Book Synopsis Mapping the Ottomans by : Palmira Brummett
Download or read book Mapping the Ottomans written by Palmira Brummett and published by Cambridge University Press. This book was released on 2015-05-19 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how Ottomans were mapped in the narrative and visual imagination of early modern Europe's Christian kingdoms.
A study of the chief of the African eunuchs who guarded the sultan's harem in Istanbul under the Ottoman Empire.
Book Synopsis The Chief Eunuch of the Ottoman Harem by : Jane Hathaway
Download or read book The Chief Eunuch of the Ottoman Harem written by Jane Hathaway and published by Cambridge University Press. This book was released on 2018-08-30 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the chief of the African eunuchs who guarded the sultan's harem in Istanbul under the Ottoman Empire.
In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.
Book Synopsis Global Interests by : Lisa Jardine
Download or read book Global Interests written by Lisa Jardine and published by Cornell University Press. This book was released on 2000 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.
Book Synopsis The Sultan's Portrait by : Selmin Kangal
Download or read book The Sultan's Portrait written by Selmin Kangal and published by . This book was released on 2000 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The Armenian contribution to Ottoman photography is supposedly well known, with histories documenting the famous Ottoman Armenian-run studios of the imperial capital that produced Orientalist visions for tourists and images of modernity for a domestic elite. Neglected, however, have been the practitioners of the eastern provinces where the majority of Ottoman Armenians were to be found, with the result that their role in the medium has been obscured and wider Armenian history and experience distorted. Photography in the Ottoman East was grounded in very different concerns, with the work of studios rooted in the seismic social, political and cultural shifts that reshaped the region and Armenian lives during the empire's last decades. The first study of its kind, this book examines photographic activity in three sites on the Armenian plateau: Erzurum, Harput and Van. Arguing that local photographic practices were marked by the dominant activities and movements of these places, it describes a medium bound up in educational endeavours, mass migration and revolutionary politics. The camera both responded to and became the instrument of these phenomena. Light is shone on previously unknown practitioners and, more vitally, a perspective gained on the communities that they served. The book suggests that by contemplating the ways in which photographs were made, used, circulated and seen, we might form a picture of the Ottoman Armenian world.
Book Synopsis Picturing the Ottoman Armenian World by : David Low
Download or read book Picturing the Ottoman Armenian World written by David Low and published by Bloomsbury Publishing. This book was released on 2022-06-30 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Armenian contribution to Ottoman photography is supposedly well known, with histories documenting the famous Ottoman Armenian-run studios of the imperial capital that produced Orientalist visions for tourists and images of modernity for a domestic elite. Neglected, however, have been the practitioners of the eastern provinces where the majority of Ottoman Armenians were to be found, with the result that their role in the medium has been obscured and wider Armenian history and experience distorted. Photography in the Ottoman East was grounded in very different concerns, with the work of studios rooted in the seismic social, political and cultural shifts that reshaped the region and Armenian lives during the empire's last decades. The first study of its kind, this book examines photographic activity in three sites on the Armenian plateau: Erzurum, Harput and Van. Arguing that local photographic practices were marked by the dominant activities and movements of these places, it describes a medium bound up in educational endeavours, mass migration and revolutionary politics. The camera both responded to and became the instrument of these phenomena. Light is shone on previously unknown practitioners and, more vitally, a perspective gained on the communities that they served. The book suggests that by contemplating the ways in which photographs were made, used, circulated and seen, we might form a picture of the Ottoman Armenian world.
