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This work examines the unique and ever-changing relationship between politics and comedy through an analysis of several popular American television programs. Focusing on close readings of the work of Ernie Kovacs, Soupy Sales, and Andy Kaufman, as well as Green Acres and The Gong Show, the author provides a unique glimpse at the often subversive nature of avant-garde television comedy. The crisis in American television during the political unrest of the late 1960s is also studied, as represented by individual analyses of The Monkees, The Smothers Brothers Comedy Hour, Rowan and Martin's Laugh-In, and All in the Family. The author also focuses on more contemporary American television, drawing a comparative analysis between the referential postmodernism of The Simpsons and the confrontational absurdity of South Park.
Book Synopsis Politics and the American Television Comedy by : Doyle Greene
Download or read book Politics and the American Television Comedy written by Doyle Greene and published by McFarland. This book was released on 2015-01-28 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work examines the unique and ever-changing relationship between politics and comedy through an analysis of several popular American television programs. Focusing on close readings of the work of Ernie Kovacs, Soupy Sales, and Andy Kaufman, as well as Green Acres and The Gong Show, the author provides a unique glimpse at the often subversive nature of avant-garde television comedy. The crisis in American television during the political unrest of the late 1960s is also studied, as represented by individual analyses of The Monkees, The Smothers Brothers Comedy Hour, Rowan and Martin's Laugh-In, and All in the Family. The author also focuses on more contemporary American television, drawing a comparative analysis between the referential postmodernism of The Simpsons and the confrontational absurdity of South Park.
This work examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programmes, from 'The Daily Show' to 'South Park'.
Book Synopsis Satire TV by : Jonathan Gray
Download or read book Satire TV written by Jonathan Gray and published by NYU Press. This book was released on 2009-04 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programmes, from 'The Daily Show' to 'South Park'.
Thought-provoking and “undeniably interesting” essays on this cultural institution of comedy and what it says about our society (Booklist). Since 1975, “Live from New York, it’s Saturday Night!” has greeted late night–TV viewers looking for the best in sketch comedy and popular music. SNL is the variety show that launched the careers of countless comedians, including Dan Aykroyd, Chevy Chase, Chris Farley, Will Ferrell, Tina Fey, Amy Poehler, and Adam Sandler. Week after week, SNL has produced everything from unforgettable parodies to provocative political satire—adapting to changing times decade after decade while staying true to its original vision of performing timely topical humor. With essays that address issues ranging from race and gender to authorship and comedic performance, Saturday Night Live and American TV follows the history of this iconic show, and its place in the shifting social and media landscape of American television.
Book Synopsis Saturday Night Live & American TV by : Nick Marx
Download or read book Saturday Night Live & American TV written by Nick Marx and published by Indiana University Press. This book was released on 2013-10-02 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thought-provoking and “undeniably interesting” essays on this cultural institution of comedy and what it says about our society (Booklist). Since 1975, “Live from New York, it’s Saturday Night!” has greeted late night–TV viewers looking for the best in sketch comedy and popular music. SNL is the variety show that launched the careers of countless comedians, including Dan Aykroyd, Chevy Chase, Chris Farley, Will Ferrell, Tina Fey, Amy Poehler, and Adam Sandler. Week after week, SNL has produced everything from unforgettable parodies to provocative political satire—adapting to changing times decade after decade while staying true to its original vision of performing timely topical humor. With essays that address issues ranging from race and gender to authorship and comedic performance, Saturday Night Live and American TV follows the history of this iconic show, and its place in the shifting social and media landscape of American television.
In this original study, Thompson explores the complicated relationships between Americans and television during the 1950s, as seen and effected through popular humor. Parody and Taste in Postwar American Television Culture documents how Americans grew accustomed to understanding politics, current events, and popular culture through comedy that is simultaneously critical, commercial, and funny. Along with the rapid growth of television in the 1950s, an explosion of satire and parody took place across a wide field of American culture—in magazines, comic books, film, comedy albums, and on television itself. Taken together, these case studies don’t just analyze and theorize the production and consumption of parody and television, but force us to revisit and revise our notions of postwar "consensus" culture as well.
Book Synopsis Parody and Taste in Postwar American Television Culture by : Ethan Thompson
Download or read book Parody and Taste in Postwar American Television Culture written by Ethan Thompson and published by Routledge. This book was released on 2010-12-14 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this original study, Thompson explores the complicated relationships between Americans and television during the 1950s, as seen and effected through popular humor. Parody and Taste in Postwar American Television Culture documents how Americans grew accustomed to understanding politics, current events, and popular culture through comedy that is simultaneously critical, commercial, and funny. Along with the rapid growth of television in the 1950s, an explosion of satire and parody took place across a wide field of American culture—in magazines, comic books, film, comedy albums, and on television itself. Taken together, these case studies don’t just analyze and theorize the production and consumption of parody and television, but force us to revisit and revise our notions of postwar "consensus" culture as well.
Bringing together well-established scholars of media, political science, sociology, and film to investigate the representation of Washington politics on U.S. television from the mid-2000s to the present, this volume offers stimulating perspectives on the status of representations of contemporary US politics, the role of government and the machinations and intrigue often associated with politicians and governmental institutions. The authors help to locate these representations both in the context of the history of earlier television shows that portrayed the political culture of Washington as well as within the current political culture transpiring both inside and outside of "The Beltway." With close attention to issues of gender, race and class and offering studies from contemporary quality television, including popular programmes such as The West Wing, Veep, House of Cards, The Americans, The Good Wife and Scandal, the authors examine the ways in which televisual representations reveal changing attitudes towards Washington culture, shedding light on the role of the media in framing the public’s changing perception of politics and politicians. Exploring the new era in which television finds itself, with new production practices and the possible emergence of a new ’political genre’ emerging, Politics and Politicians in Contemporary U.S. Television also considers the ’humanizing’ of political characters on television, asking what that representation of politicians as human beings says about the national political culture. A fascinating study that sits at the intersection of politics and television, this book will appeal to scholars of popular culture, sociology, cultural and media studies.
Book Synopsis Politics and Politicians in Contemporary US Television by : Betty Kaklamanidou
Download or read book Politics and Politicians in Contemporary US Television written by Betty Kaklamanidou and published by Taylor & Francis. This book was released on 2016-10-04 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together well-established scholars of media, political science, sociology, and film to investigate the representation of Washington politics on U.S. television from the mid-2000s to the present, this volume offers stimulating perspectives on the status of representations of contemporary US politics, the role of government and the machinations and intrigue often associated with politicians and governmental institutions. The authors help to locate these representations both in the context of the history of earlier television shows that portrayed the political culture of Washington as well as within the current political culture transpiring both inside and outside of "The Beltway." With close attention to issues of gender, race and class and offering studies from contemporary quality television, including popular programmes such as The West Wing, Veep, House of Cards, The Americans, The Good Wife and Scandal, the authors examine the ways in which televisual representations reveal changing attitudes towards Washington culture, shedding light on the role of the media in framing the public’s changing perception of politics and politicians. Exploring the new era in which television finds itself, with new production practices and the possible emergence of a new ’political genre’ emerging, Politics and Politicians in Contemporary U.S. Television also considers the ’humanizing’ of political characters on television, asking what that representation of politicians as human beings says about the national political culture. A fascinating study that sits at the intersection of politics and television, this book will appeal to scholars of popular culture, sociology, cultural and media studies.
A history of sketch comedy on American television and analysis of what it says about American culture and society. In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media. “An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University “A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi
Book Synopsis Sketch Comedy by : Nick Marx
Download or read book Sketch Comedy written by Nick Marx and published by Indiana University Press. This book was released on 2019-11-01 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of sketch comedy on American television and analysis of what it says about American culture and society. In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media. “An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University “A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi
In 1975 Saturday Night Live came out of the gate swinging, with a daring, bold, and rebellious vibe that was new to television back then. With a cast of comedic actors known as the Not Ready for Prime Time Players, television producer Lorne Michaels launched a style of live television comedy that appealed specifically to young viewers with a taste for questioning authority?and that style stood the test of time. From hilarious characters?the Conehead family, Wayne Campbell, the Spartan cheerleaders, the Target Lady, and Stefon?to impressions of US presidents and politicians performed with spot-on precision, the late-night comedy show has shaped American comedy for four decades. With millions of loyal fans across a wide range of viewership demographics, Saturday Night Live has made a significant impact on American culture. It introduced catchphrases such as "Well, isn?t that special?" and "More cowbell!" It influenced public opinion through satirical political sketches and news commentary. It provided rich material for box office hits such as The Blues Brothers and Wayne?s World. It created megastars out of dozens of comedians. And in the process, the show earned an impressive roster of accolades including thirty-six Primetime Emmy Awards, a Peabody Award, and three Writers Guild of America Awards. It's been ranked as one of the greatest shows of all time and has been inducted into the National Association of Broadcasters (NAB) Broadcasting Hall of Fame. Discover how the SNL brand of raucous humor has stayed meaningful and fresh over the years and continues to draw audiences today.
Book Synopsis Saturday Night Live by : Arie Kaplan
Download or read book Saturday Night Live written by Arie Kaplan and published by Lerner Publishing Group. This book was released on 2014-08-01 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1975 Saturday Night Live came out of the gate swinging, with a daring, bold, and rebellious vibe that was new to television back then. With a cast of comedic actors known as the Not Ready for Prime Time Players, television producer Lorne Michaels launched a style of live television comedy that appealed specifically to young viewers with a taste for questioning authority?and that style stood the test of time. From hilarious characters?the Conehead family, Wayne Campbell, the Spartan cheerleaders, the Target Lady, and Stefon?to impressions of US presidents and politicians performed with spot-on precision, the late-night comedy show has shaped American comedy for four decades. With millions of loyal fans across a wide range of viewership demographics, Saturday Night Live has made a significant impact on American culture. It introduced catchphrases such as "Well, isn?t that special?" and "More cowbell!" It influenced public opinion through satirical political sketches and news commentary. It provided rich material for box office hits such as The Blues Brothers and Wayne?s World. It created megastars out of dozens of comedians. And in the process, the show earned an impressive roster of accolades including thirty-six Primetime Emmy Awards, a Peabody Award, and three Writers Guild of America Awards. It's been ranked as one of the greatest shows of all time and has been inducted into the National Association of Broadcasters (NAB) Broadcasting Hall of Fame. Discover how the SNL brand of raucous humor has stayed meaningful and fresh over the years and continues to draw audiences today.
Does late night political humor matter? Are late-night comedians merely entertaining, or do they have the power to influence the way we think about politics and politicians? Politics is a Joke! situates late night comedy in the historical context of political humor and demonstrates how the public turn to this venue for political information, and are in turn affected by it. Using exclusive data collected by the Center for Media and Public Affairs, the authors conduct a detailed and exhaustive analysis of political jokes on late night TV shows dating back to 1992 in order to pinpoint the main targets and themes of late-night comedy. Politics is a Joke! uses a wide range of examples, from jokes about politicians' physical appearance and sex scandals to jokes about Congress and even the news media, to assess and understand the impact of political humor on political institutions, politicians and their policies and behavior. Engagingly written with analysis of jokes from comedians like Jay Leno, Conan O'Brien, Jon Stewart and Stephen Colbert, Politics is a Joke! is essential reading for anyone who wants to understand the crucial role late night comedy plays in our political universe—and anyone who enjoys a good laugh.
Book Synopsis Politics Is a Joke! by : S. Robert Lichter
Download or read book Politics Is a Joke! written by S. Robert Lichter and published by Hachette UK. This book was released on 2014-07-01 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Does late night political humor matter? Are late-night comedians merely entertaining, or do they have the power to influence the way we think about politics and politicians? Politics is a Joke! situates late night comedy in the historical context of political humor and demonstrates how the public turn to this venue for political information, and are in turn affected by it. Using exclusive data collected by the Center for Media and Public Affairs, the authors conduct a detailed and exhaustive analysis of political jokes on late night TV shows dating back to 1992 in order to pinpoint the main targets and themes of late-night comedy. Politics is a Joke! uses a wide range of examples, from jokes about politicians' physical appearance and sex scandals to jokes about Congress and even the news media, to assess and understand the impact of political humor on political institutions, politicians and their policies and behavior. Engagingly written with analysis of jokes from comedians like Jay Leno, Conan O'Brien, Jon Stewart and Stephen Colbert, Politics is a Joke! is essential reading for anyone who wants to understand the crucial role late night comedy plays in our political universe—and anyone who enjoys a good laugh.
The issues of our presidential elections and the virtues and flaws of our candidates come into sharp focus when illuminated by the wit of political observers. America's humorists brighten the electoral scene, reminding us that we needn't always look at presidential campaigns with a solemn air. Thanks to the satiric insights of America's wits, we are able to keep a sense of perspective about the candidates, particularly when their follies and foibles are most intolerable. It is the presidential campaign humor created by America's comedians, humorists, journalists, editorial cartoonists, and the candidates themselves that writer Gerald Gardner celebrates in Campaign Comedy. He reviews the humor, from the caustic to the comedic, that most recently targeted Bill Clinton, George Bush, and Ross Perot in the explosive 1992 election. He also focuses, in a campaign-by-campaign format, on the humor generated by the presidential campaigns ranging back to the epochal struggle between John Kennedy and Richard Nixon in 1960. Candidates including Ronald Reagan, Jimmy Carter, and Lyndon Johnson, and the men they defeated are also the subject of the hilarious or vicious wit that is chronicled here. Campaign Comedy is brimming with relevant and pithy humor from Johnny Carson, Jay Leno, Art Buchwald, Mark Russell, Bob Hope, Mort Sahl, Garry Trudeau, and the closet wits who supplied the presidential candidates with the "spontaneous humor" that they employed during their campaigns. Gardner also highlights the campaign humor of television's most famous political shows, "That Was the Week That Was," "The Smothers Brothers Comedy Hour," and "Saturday Night Live." Gerald Gardner provides a delightful reminder that humor is a basic form of communication through which the media, the humorists, and the candidates convey their skepticism, anger, and differences. He makes it clear why humor is the most essential element in a democracy and why it is the one ingredient that no totalitarian society seems to possess.
Book Synopsis Campaign Comedy by : Gerald Gardner
Download or read book Campaign Comedy written by Gerald Gardner and published by Wayne State University Press. This book was released on 1994 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The issues of our presidential elections and the virtues and flaws of our candidates come into sharp focus when illuminated by the wit of political observers. America's humorists brighten the electoral scene, reminding us that we needn't always look at presidential campaigns with a solemn air. Thanks to the satiric insights of America's wits, we are able to keep a sense of perspective about the candidates, particularly when their follies and foibles are most intolerable. It is the presidential campaign humor created by America's comedians, humorists, journalists, editorial cartoonists, and the candidates themselves that writer Gerald Gardner celebrates in Campaign Comedy. He reviews the humor, from the caustic to the comedic, that most recently targeted Bill Clinton, George Bush, and Ross Perot in the explosive 1992 election. He also focuses, in a campaign-by-campaign format, on the humor generated by the presidential campaigns ranging back to the epochal struggle between John Kennedy and Richard Nixon in 1960. Candidates including Ronald Reagan, Jimmy Carter, and Lyndon Johnson, and the men they defeated are also the subject of the hilarious or vicious wit that is chronicled here. Campaign Comedy is brimming with relevant and pithy humor from Johnny Carson, Jay Leno, Art Buchwald, Mark Russell, Bob Hope, Mort Sahl, Garry Trudeau, and the closet wits who supplied the presidential candidates with the "spontaneous humor" that they employed during their campaigns. Gardner also highlights the campaign humor of television's most famous political shows, "That Was the Week That Was," "The Smothers Brothers Comedy Hour," and "Saturday Night Live." Gerald Gardner provides a delightful reminder that humor is a basic form of communication through which the media, the humorists, and the candidates convey their skepticism, anger, and differences. He makes it clear why humor is the most essential element in a democracy and why it is the one ingredient that no totalitarian society seems to possess.
Comic Visions by David Marc is the most influential critical history of American television comedy. This Second Edition updates the subject matter and takes into account how new technology, especially cable TV, has affected this popular form of home entertainment.Marc examines the roots of television comedy beginning with the influence of Vaudeville, cinema and radio on the variety shows and sitcoms of the 1940's and 1950's. He then moves into television's response to the turbulent 1960's and the great expansion of situational comedy popular in the 1970's. A completely new chapter looks at recent developments such as Comedy Central and the proliferation of stand-up comedy and also includes an engaging analysis of why shows like Seinfeld and The Simpsons are such major hits in the 1990s.Witty, lucid, and engaging, Marc combines historical research with cultural analysis to provide a study of television comedy that is deeply rooted in the diversity in American society.
Book Synopsis Comic Visions by : David Marc
Download or read book Comic Visions written by David Marc and published by . This book was released on 1989 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comic Visions by David Marc is the most influential critical history of American television comedy. This Second Edition updates the subject matter and takes into account how new technology, especially cable TV, has affected this popular form of home entertainment.Marc examines the roots of television comedy beginning with the influence of Vaudeville, cinema and radio on the variety shows and sitcoms of the 1940's and 1950's. He then moves into television's response to the turbulent 1960's and the great expansion of situational comedy popular in the 1970's. A completely new chapter looks at recent developments such as Comedy Central and the proliferation of stand-up comedy and also includes an engaging analysis of why shows like Seinfeld and The Simpsons are such major hits in the 1990s.Witty, lucid, and engaging, Marc combines historical research with cultural analysis to provide a study of television comedy that is deeply rooted in the diversity in American society.
