Download Popular Music In England 1840 1914 full books in PDF, epub, and Kindle. Read online Popular Music In England 1840 1914 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
In this important study, Dave Russell explores a wide range of Victorian and Edwardian musical life including brass bands, choral societies, music hall and popular concerts. He analyzes the way in which popular cultural practice was shaped by and, in turn, helped shape social and economic structures. Critically acclaimed on publication in 1987, the book has been fully revised in order to consider recent work in the field.
Book Synopsis Popular Music in England 1840-1914 by : Dave Russell
Download or read book Popular Music in England 1840-1914 written by Dave Russell and published by Manchester University Press. This book was released on 1997 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this important study, Dave Russell explores a wide range of Victorian and Edwardian musical life including brass bands, choral societies, music hall and popular concerts. He analyzes the way in which popular cultural practice was shaped by and, in turn, helped shape social and economic structures. Critically acclaimed on publication in 1987, the book has been fully revised in order to consider recent work in the field.
Russell's discussion reflects the broad categories of popular music activity during this period. His first section describes the musical activity generated by moral crusaders, philanthropists, educationalists, and reformers who sought to use music as a method of instilling habits of mind and body in the English working classes. The second studies the musical forms developed by entrepreneurs, particularly in the music halls. The third section focuses on the music and musical institutions produced by the community, illustrating the popular capacity for making as well as enjoying music. Perhaps most important, in this first thorough social history of popular music Russell shows how ideas and experiences gained through various forms of popular musical activity influenced popular political life.
Book Synopsis Popular Music in England, 1840-1914 by : Dave Russell
Download or read book Popular Music in England, 1840-1914 written by Dave Russell and published by McGill-Queen's Press - MQUP. This book was released on 1987-11-01 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russell's discussion reflects the broad categories of popular music activity during this period. His first section describes the musical activity generated by moral crusaders, philanthropists, educationalists, and reformers who sought to use music as a method of instilling habits of mind and body in the English working classes. The second studies the musical forms developed by entrepreneurs, particularly in the music halls. The third section focuses on the music and musical institutions produced by the community, illustrating the popular capacity for making as well as enjoying music. Perhaps most important, in this first thorough social history of popular music Russell shows how ideas and experiences gained through various forms of popular musical activity influenced popular political life.
The rise of the brass band in 19th-century Britain is a historical, social and cultural phenomenon which represents the foundation of the modern international brass band movement. Authors such as Trevor Herbert, Arnold Myers and Roy Newsome mention and acknowledge the relevance of the Distin Family brass ensemble; however, extensive research has produced new information. This book examines the various Distin projects as the main reason why brass bands of today are established in their current form.
Book Synopsis The Distin Legacy by : Ray Farr
Download or read book The Distin Legacy written by Ray Farr and published by Cambridge Scholars Publishing. This book was released on 2014-08-11 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rise of the brass band in 19th-century Britain is a historical, social and cultural phenomenon which represents the foundation of the modern international brass band movement. Authors such as Trevor Herbert, Arnold Myers and Roy Newsome mention and acknowledge the relevance of the Distin Family brass ensemble; however, extensive research has produced new information. This book examines the various Distin projects as the main reason why brass bands of today are established in their current form.
Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.
Book Synopsis The Show Must Go On! Popular Song in Britain During the First World War by : John Mullen
Download or read book The Show Must Go On! Popular Song in Britain During the First World War written by John Mullen and published by Routledge. This book was released on 2016-03-03 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.
With the exception of the occasional local case study, music-hall history has until now been presented as the history of the London halls. This book attempts to redress the balance by setting music-hall history within a national perspective. Kift also sheds a new light on the roles of managements, performers and audiences. For example, the author confutes the commonly held assumption that most women in the halls were prostitutes and shows them to have been working women accompanied by workmates of both sexes or by their families. She argues that before the 1890s the halls catered predominantly to working-class and lower middle-class audiences of men and women of all ages and were instrumental in giving them a strong and self-confident identity. The hall's ability to sustain a distinct class-awareness was one of their greatest strengths - but this factor was also at the root of many of the controversies which surrounded them. These controversies are at the centre of the book and Kift treats them as test cases for social relations which provide fresh insights into nineteenth-century British society and politics.
Book Synopsis The Victorian Music Hall by : Dagmar Kift
Download or read book The Victorian Music Hall written by Dagmar Kift and published by Cambridge University Press. This book was released on 1996-10-24 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the exception of the occasional local case study, music-hall history has until now been presented as the history of the London halls. This book attempts to redress the balance by setting music-hall history within a national perspective. Kift also sheds a new light on the roles of managements, performers and audiences. For example, the author confutes the commonly held assumption that most women in the halls were prostitutes and shows them to have been working women accompanied by workmates of both sexes or by their families. She argues that before the 1890s the halls catered predominantly to working-class and lower middle-class audiences of men and women of all ages and were instrumental in giving them a strong and self-confident identity. The hall's ability to sustain a distinct class-awareness was one of their greatest strengths - but this factor was also at the root of many of the controversies which surrounded them. These controversies are at the centre of the book and Kift treats them as test cases for social relations which provide fresh insights into nineteenth-century British society and politics.
Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. He considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of their working-class audiences. He assesses the different genres of musical entertainment which were common in the war years and presents a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.
Book Synopsis The Show Must Go On! Popular Song in Britain During the First World War by : Dr John Mullen
Download or read book The Show Must Go On! Popular Song in Britain During the First World War written by Dr John Mullen and published by Ashgate Publishing, Ltd.. This book was released on 2015-08-28 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. He considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of their working-class audiences. He assesses the different genres of musical entertainment which were common in the war years and presents a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.
Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about? Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius.
Book Synopsis The Triumph of Music by : Tim Blanning
Download or read book The Triumph of Music written by Tim Blanning and published by Penguin UK. This book was released on 2013-03-07 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about? Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius.
The period 1700-1900, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history, while research into British music of the period has tended to concentrate on London. However, it is becoming increasingly clear that by 1750 Britain had a highly distinctive musical culture, in terms of its reach, the way it was organised, and its size, richness and quality. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period.
Book Synopsis Music in the British Provinces, 1690-1914 by : Rachel Cowgill
Download or read book Music in the British Provinces, 1690-1914 written by Rachel Cowgill and published by Ashgate Publishing, Ltd.. This book was released on 2007-01-01 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: The period 1700-1900, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history, while research into British music of the period has tended to concentrate on London. However, it is becoming increasingly clear that by 1750 Britain had a highly distinctive musical culture, in terms of its reach, the way it was organised, and its size, richness and quality. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period.
Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
Book Synopsis Brass Bands of the British Isles 1800-2018 - a historical directory by : Gavin Holman
Download or read book Brass Bands of the British Isles 1800-2018 - a historical directory written by Gavin Holman and published by Gavin Holman. This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfasts thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfasts musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfasts prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
Book Synopsis The Musical Life of Nineteenth-Century Belfast by : Roy Johnston
Download or read book The Musical Life of Nineteenth-Century Belfast written by Roy Johnston and published by Routledge. This book was released on 2017-07-05 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfasts thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfasts musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfasts prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
