ebooks, audiobooks, and more for reads
Download Portrait Of A Binary full books in PDF, epub, and Kindle. Read online Portrait Of A Binary ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author: Sylvia L. Boyd
Publisher:
Published: 2014
Total Pages: 507
ISBN-13: 9780897259422
DOWNLOAD EBOOKDownload or read book Portrait of a Binary written by Sylvia L. Boyd and published by . This book was released on 2014 with total page 507 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Michal Peled Ginsburg
Publisher: Fordham Univ Press
Published: 2014-12-15
Total Pages: 224
ISBN-13: 0823262618
DOWNLOAD EBOOKWhat makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision.
Download or read book Portrait Stories written by Michal Peled Ginsburg and published by Fordham Univ Press. This book was released on 2014-12-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision.
Author: Patrick Grant
Publisher: Athabasca University Press
Published: 2015-05-01
Total Pages: 198
ISBN-13: 1771990457
DOWNLOAD EBOOKArt historians, biographers, and other researchers have long drawn on Van Gogh’s voluminous correspondence—more than eight hundred letters—for insights into both his personal struggles and his art. But the letters, while often admired for their literary quality, have rarely been approached as literature. In this volume, Patrick Grant sets out to explore the question, “By what criteria do we judge Van Gogh's letters to be, specifically, literary?” Drawing, especially, on Mikhail Bakhtin’s conceptualization of self-awareness as an ongoing dialogue between “self” and “other,” Grant examines the ways in which Van Gogh’s letters raise, from within themselves, questions and issues to which they also respond. Their literary quality, he argues, derives in part from this “double-voiced discourse”—from the power of the letters to thematize, through their own internal dialogues, the very structure of self-fashioning itself. Far from merely reproducing the narrative of the artist’s personal progress, “the letters enable readers to recognize how necessary yet open-ended, constrained yet liberating, confined yet unpredictable, are the means by which people seek to shape a place for themselves in the world.” This volume builds on Grant’s earlier analysis of Van Gogh’s correspondence, The Letters of Vincent van Gogh: A Critical Study (AU Press, 2014), a study in which he approached the letters from a literary critical standpoint, delving into key patterns of metaphors and concepts. In the present volume, he provides instead a literary theoretical analysis of the letters, one that draws them more fully into the domain of modern literary studies. In his deft and keenly perceptive reading, Grant deconstructs the binaries that surface in both Van Gogh’s writing and painting, discusses the narrative dimensions of the letter-sketches and the recurring themes of fantasy, belief, and self-surrender, and draws attention to Van Gogh’s own understanding of the permeable boundary between words and visual art. Viewing the letters as an integrated body of discourse, “My Own Portrait in Writing” offers a theoretically informed interpretation of Van Gogh’s literary achievement that is, quite literally, without precedent.
Download or read book “My Own Portrait in Writing” written by Patrick Grant and published by Athabasca University Press. This book was released on 2015-05-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art historians, biographers, and other researchers have long drawn on Van Gogh’s voluminous correspondence—more than eight hundred letters—for insights into both his personal struggles and his art. But the letters, while often admired for their literary quality, have rarely been approached as literature. In this volume, Patrick Grant sets out to explore the question, “By what criteria do we judge Van Gogh's letters to be, specifically, literary?” Drawing, especially, on Mikhail Bakhtin’s conceptualization of self-awareness as an ongoing dialogue between “self” and “other,” Grant examines the ways in which Van Gogh’s letters raise, from within themselves, questions and issues to which they also respond. Their literary quality, he argues, derives in part from this “double-voiced discourse”—from the power of the letters to thematize, through their own internal dialogues, the very structure of self-fashioning itself. Far from merely reproducing the narrative of the artist’s personal progress, “the letters enable readers to recognize how necessary yet open-ended, constrained yet liberating, confined yet unpredictable, are the means by which people seek to shape a place for themselves in the world.” This volume builds on Grant’s earlier analysis of Van Gogh’s correspondence, The Letters of Vincent van Gogh: A Critical Study (AU Press, 2014), a study in which he approached the letters from a literary critical standpoint, delving into key patterns of metaphors and concepts. In the present volume, he provides instead a literary theoretical analysis of the letters, one that draws them more fully into the domain of modern literary studies. In his deft and keenly perceptive reading, Grant deconstructs the binaries that surface in both Van Gogh’s writing and painting, discusses the narrative dimensions of the letter-sketches and the recurring themes of fantasy, belief, and self-surrender, and draws attention to Van Gogh’s own understanding of the permeable boundary between words and visual art. Viewing the letters as an integrated body of discourse, “My Own Portrait in Writing” offers a theoretically informed interpretation of Van Gogh’s literary achievement that is, quite literally, without precedent.
Author: Agnes Lugo-Ortiz
Publisher: Cambridge University Press
Published: 2013-09-30
Total Pages: 489
ISBN-13: 1107354781
DOWNLOAD EBOOKSlave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Download or read book Slave Portraiture in the Atlantic World written by Agnes Lugo-Ortiz and published by Cambridge University Press. This book was released on 2013-09-30 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Author: Edmond Manahasa
Publisher: Springer Nature
Published:
Total Pages: 255
ISBN-13: 3031566076
DOWNLOAD EBOOKDownload or read book COVID-19 (Forced) Innovations written by Edmond Manahasa and published by Springer Nature. This book was released on with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Christina Walter
Publisher: JHU Press
Published: 2014-07-08
Total Pages: 352
ISBN-13: 1421413639
DOWNLOAD EBOOK"Christina Walter brings the next offering to the Hopkins Studies in Modernism series. Her work looks at the influence of the modern science of visual perception a variety of modernist writers. Walter focuses in particular on the way in which writers like H.D., Virgina Woolf, Walter Pater, and T.S. Eliot developed an alternative conception of the self in light of the developing neuro-scientific account of our inner workings. Critics have long seen modernist writers as being concerned with an 'impersonal' form of writing that rejects the earlier Romantic notion that literature was a direct expression of an author's subjective personality. Walter argues that the charge of impersonality has been overblown and that the modernists did not want to entirely evacuate the self from writing. Rather, she argues, modernist writers embraced the kind of material and embodied notion of the self that resulted from the then-emerging physiological sciences. This work will appeal to scholars and advanced students of modernist literature, as well as scholars interested in the influence of science on literature."--Provided by publisher.
Download or read book Optical Impersonality written by Christina Walter and published by JHU Press. This book was released on 2014-07-08 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Christina Walter brings the next offering to the Hopkins Studies in Modernism series. Her work looks at the influence of the modern science of visual perception a variety of modernist writers. Walter focuses in particular on the way in which writers like H.D., Virgina Woolf, Walter Pater, and T.S. Eliot developed an alternative conception of the self in light of the developing neuro-scientific account of our inner workings. Critics have long seen modernist writers as being concerned with an 'impersonal' form of writing that rejects the earlier Romantic notion that literature was a direct expression of an author's subjective personality. Walter argues that the charge of impersonality has been overblown and that the modernists did not want to entirely evacuate the self from writing. Rather, she argues, modernist writers embraced the kind of material and embodied notion of the self that resulted from the then-emerging physiological sciences. This work will appeal to scholars and advanced students of modernist literature, as well as scholars interested in the influence of science on literature."--Provided by publisher.
Author: Mark Hinchman
Publisher: U of Nebraska Press
Published: 2015
Total Pages: 432
ISBN-13: 0803280890
DOWNLOAD EBOOKThe once famous trading center of Gorée, Sénégal today lies in the busy harbor of the modern city of Dakar. From its beginnings as a modest outpost, Gorée became one of the intersections which linked African trading routes to the European Atlantic trade. Then, as now, people of all nationalities poured into the island; Dutch, English, French, and Portuguese came to trade with the Mande, Moor, Tukor, and Wolf tribes. Trading parties brought gold, horses, firewood, mirrors, books, and more. They built houses of various forms, using American lumber, French roof tiles, freshly‑cut straw, and pulverized seashells, and furnished them in as cosmopolitan a fashion as the city itself. Mark Hinchman's Portrait of an Island: The Architecture and Material Culture of Gorée, Sénégal, 1758‑1837 considers the houses, portraits, and furnishings of the island's early modern inhabitants. Multiple features of eighteenth‑century Gorée‑‑its demographic diversity, the prominence of women leaders, the phenomenon of identities in flux, and the importance of commerce, fashion, and international trade‑‑argue for its place in the construction of an early global modernity. In an examination of the built and natural landscape, Portrait of an Island deciphers the material culture involved in the ever‑changing relationships amongst male, female, rich, poor, and slave.
Download or read book Portrait of an Island written by Mark Hinchman and published by U of Nebraska Press. This book was released on 2015 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: The once famous trading center of Gorée, Sénégal today lies in the busy harbor of the modern city of Dakar. From its beginnings as a modest outpost, Gorée became one of the intersections which linked African trading routes to the European Atlantic trade. Then, as now, people of all nationalities poured into the island; Dutch, English, French, and Portuguese came to trade with the Mande, Moor, Tukor, and Wolf tribes. Trading parties brought gold, horses, firewood, mirrors, books, and more. They built houses of various forms, using American lumber, French roof tiles, freshly‑cut straw, and pulverized seashells, and furnished them in as cosmopolitan a fashion as the city itself. Mark Hinchman's Portrait of an Island: The Architecture and Material Culture of Gorée, Sénégal, 1758‑1837 considers the houses, portraits, and furnishings of the island's early modern inhabitants. Multiple features of eighteenth‑century Gorée‑‑its demographic diversity, the prominence of women leaders, the phenomenon of identities in flux, and the importance of commerce, fashion, and international trade‑‑argue for its place in the construction of an early global modernity. In an examination of the built and natural landscape, Portrait of an Island deciphers the material culture involved in the ever‑changing relationships amongst male, female, rich, poor, and slave.
Author: Alice M. Colby
Publisher: Librairie Droz
Published: 1965
Total Pages: 220
ISBN-13: 9782600034722
DOWNLOAD EBOOKDownload or read book The Portrait in Twelfth-century French Literature written by Alice M. Colby and published by Librairie Droz. This book was released on 1965 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Sergey V. Gaponenko
Publisher: Cambridge University Press
Published: 2010-04-08
Total Pages: 485
ISBN-13: 0521763754
DOWNLOAD EBOOKGraduate-level textbook describing the principles of nanophotonics, for students in physics, optical and electronic engineering and materials science.
Download or read book Introduction to Nanophotonics written by Sergey V. Gaponenko and published by Cambridge University Press. This book was released on 2010-04-08 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: Graduate-level textbook describing the principles of nanophotonics, for students in physics, optical and electronic engineering and materials science.
Author: Christopher Michael Blakley
Publisher: LSU Press
Published: 2023-08-23
Total Pages: 249
ISBN-13: 0807181013
DOWNLOAD EBOOKIn the early modern British Atlantic world, the comparison of enslaved people to animals, particularly dogs, cattle, or horses, was a common device used by enslavers to dehumanize and otherwise reduce the existence of the enslaved. Letters, memoirs, and philosophical treatises of the enslaved and formerly enslaved bear testament to the methods used to dehumanize them. In Empire of Brutality, Christopher Michael Blakley explores how material relationships between enslaved people and animals bolstered the intellectual dehumanization of the enslaved. By reconsidering dehumanization in the light of human–animal relations, Blakley offers new insights into the horrific institution later challenged by Black intellectuals in multiple ways. Using the correspondence of the Royal African Company, specimen catalogs and scientific papers of the Royal Society, plantation inventories and manuals, and diaries kept by slaveholders, Blakley describes human–animal networks spanning from Britain’s slave castles and outposts throughout western Africa to plantations in the Caribbean and American Southeast. They combine approaches from environmental history, history of science, and philosophy to examine slavery from the ground up and from the perspectives of the enslaved. Blakley’s work reveals how African captives who became commodified through exchanges of cowry sea snails between slavers in the Bight of Benin later went on to collect zoological specimens in Barbados and Virginia for institutions such as the Royal Society. On plantations, where enslaved people labored alongside cattle, donkeys, horses, and other animals to make the agricultural fortunes of slaveholders, Blakley shows how the enslaved resisted these human–animal pairings by stealing animals for their own purposes—such as fugitives who escaped their slaveholder’s grasp by riding stolen horses. Because of experiences like these, writers and thinkers of African descent who survived slavery later attacked the institution in public as fundamentally dehumanizing, one that corrupted the humanity of both slaveholders and the enslaved.
Download or read book Empire of Brutality written by Christopher Michael Blakley and published by LSU Press. This book was released on 2023-08-23 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early modern British Atlantic world, the comparison of enslaved people to animals, particularly dogs, cattle, or horses, was a common device used by enslavers to dehumanize and otherwise reduce the existence of the enslaved. Letters, memoirs, and philosophical treatises of the enslaved and formerly enslaved bear testament to the methods used to dehumanize them. In Empire of Brutality, Christopher Michael Blakley explores how material relationships between enslaved people and animals bolstered the intellectual dehumanization of the enslaved. By reconsidering dehumanization in the light of human–animal relations, Blakley offers new insights into the horrific institution later challenged by Black intellectuals in multiple ways. Using the correspondence of the Royal African Company, specimen catalogs and scientific papers of the Royal Society, plantation inventories and manuals, and diaries kept by slaveholders, Blakley describes human–animal networks spanning from Britain’s slave castles and outposts throughout western Africa to plantations in the Caribbean and American Southeast. They combine approaches from environmental history, history of science, and philosophy to examine slavery from the ground up and from the perspectives of the enslaved. Blakley’s work reveals how African captives who became commodified through exchanges of cowry sea snails between slavers in the Bight of Benin later went on to collect zoological specimens in Barbados and Virginia for institutions such as the Royal Society. On plantations, where enslaved people labored alongside cattle, donkeys, horses, and other animals to make the agricultural fortunes of slaveholders, Blakley shows how the enslaved resisted these human–animal pairings by stealing animals for their own purposes—such as fugitives who escaped their slaveholder’s grasp by riding stolen horses. Because of experiences like these, writers and thinkers of African descent who survived slavery later attacked the institution in public as fundamentally dehumanizing, one that corrupted the humanity of both slaveholders and the enslaved.
