Portraiture and Politics in Revolutionary France

Portraiture and Politics in Revolutionary France

Author: Amy Freund

Publisher: Penn State Press

Published: 2015-06-13

Total Pages: 312

ISBN-13: 0271065699

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Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.


Book Synopsis Portraiture and Politics in Revolutionary France by : Amy Freund

Download or read book Portraiture and Politics in Revolutionary France written by Amy Freund and published by Penn State Press. This book was released on 2015-06-13 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.


Portraiture and Politics in Revolutionary France

Portraiture and Politics in Revolutionary France

Author: Amy Freund

Publisher: Penn State Press

Published: 2015-06-13

Total Pages: 312

ISBN-13: 0271066733

DOWNLOAD EBOOK

Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.


Book Synopsis Portraiture and Politics in Revolutionary France by : Amy Freund

Download or read book Portraiture and Politics in Revolutionary France written by Amy Freund and published by Penn State Press. This book was released on 2015-06-13 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.


Facing the Public

Facing the Public

Author: Anthony Halliday

Publisher: Manchester University Press

Published: 2000

Total Pages: 244

ISBN-13: 9780719056185

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This work examines the effect of the French Revolution on portrait painting. Portraits were the most widely commissioned paintings in 18th-century France. But most portraits were produced for private consumptions, and were therefore seen as inferior to art designed for public exhibition. The Revolution endowed private values with an inprecedented significance, and the way people responded to portraits changed as a result.


Book Synopsis Facing the Public by : Anthony Halliday

Download or read book Facing the Public written by Anthony Halliday and published by Manchester University Press. This book was released on 2000 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work examines the effect of the French Revolution on portrait painting. Portraits were the most widely commissioned paintings in 18th-century France. But most portraits were produced for private consumptions, and were therefore seen as inferior to art designed for public exhibition. The Revolution endowed private values with an inprecedented significance, and the way people responded to portraits changed as a result.


The Politics of the Provisional

The Politics of the Provisional

Author: Richard Taws

Publisher: Penn State Press

Published: 2015-09-22

Total Pages: 230

ISBN-13: 0271061901

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In revolutionary France the life of things could not be assured. War, shortage of materials, and frequent changes in political authority meant that few large-scale artworks or permanent monuments to the Revolution’s memory were completed. On the contrary, visual practice in revolutionary France was characterized by the production and circulation of a range of transitional, provisional, ephemeral, and half-made images and objects, from printed paper money, passports, and almanacs to temporary festival installations and relics of the demolished Bastille. Addressing this mass of images conventionally ignored in art history, The Politics of the Provisional contends that they were at the heart of debates on the nature of political authenticity and historical memory during the French Revolution. Thinking about material durability, this book suggests, was one of the key ways in which revolutionaries conceptualized duration, and it was crucial to how they imagined the Revolution’s transformative role in history. The Politics of the Provisional is the first book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book is available on a variety of popular e-book platforms.


Book Synopsis The Politics of the Provisional by : Richard Taws

Download or read book The Politics of the Provisional written by Richard Taws and published by Penn State Press. This book was released on 2015-09-22 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: In revolutionary France the life of things could not be assured. War, shortage of materials, and frequent changes in political authority meant that few large-scale artworks or permanent monuments to the Revolution’s memory were completed. On the contrary, visual practice in revolutionary France was characterized by the production and circulation of a range of transitional, provisional, ephemeral, and half-made images and objects, from printed paper money, passports, and almanacs to temporary festival installations and relics of the demolished Bastille. Addressing this mass of images conventionally ignored in art history, The Politics of the Provisional contends that they were at the heart of debates on the nature of political authenticity and historical memory during the French Revolution. Thinking about material durability, this book suggests, was one of the key ways in which revolutionaries conceptualized duration, and it was crucial to how they imagined the Revolution’s transformative role in history. The Politics of the Provisional is the first book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book is available on a variety of popular e-book platforms.


Friendship and Politics in Post-Revolutionary France

Friendship and Politics in Post-Revolutionary France

Author: Sarah Horowitz

Publisher: Penn State Press

Published: 2015-06-10

Total Pages: 241

ISBN-13: 0271062509

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In Friendship and Politics in Post-Revolutionary France, Sarah Horowitz brings together the political and cultural history of post-revolutionary France to illuminate how French society responded to and recovered from the upheaval of the French Revolution. The Revolution led to a heightened sense of distrust and divided the nation along ideological lines. In the wake of the Terror, many began to express concerns about the atomization of French society. Friendship, though, was regarded as one bond that could restore trust and cohesion. Friends relied on each other to serve as confidants; men and women described friendship as a site of both pleasure and connection. Because trust and cohesion were necessary to the functioning of post-revolutionary parliamentary life, politicians turned to friends and ideas about friendship to create this solidarity. Relying on detailed analyses of politicians’ social networks, new tools arising from the digital humanities, and examinations of behind-the-scenes political transactions, Horowitz makes clear the connection between politics and emotions in the early nineteenth century, and she reevaluates the role of women in political life by showing the ways in which the personal was the political in the post-revolutionary era.


Book Synopsis Friendship and Politics in Post-Revolutionary France by : Sarah Horowitz

Download or read book Friendship and Politics in Post-Revolutionary France written by Sarah Horowitz and published by Penn State Press. This book was released on 2015-06-10 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Friendship and Politics in Post-Revolutionary France, Sarah Horowitz brings together the political and cultural history of post-revolutionary France to illuminate how French society responded to and recovered from the upheaval of the French Revolution. The Revolution led to a heightened sense of distrust and divided the nation along ideological lines. In the wake of the Terror, many began to express concerns about the atomization of French society. Friendship, though, was regarded as one bond that could restore trust and cohesion. Friends relied on each other to serve as confidants; men and women described friendship as a site of both pleasure and connection. Because trust and cohesion were necessary to the functioning of post-revolutionary parliamentary life, politicians turned to friends and ideas about friendship to create this solidarity. Relying on detailed analyses of politicians’ social networks, new tools arising from the digital humanities, and examinations of behind-the-scenes political transactions, Horowitz makes clear the connection between politics and emotions in the early nineteenth century, and she reevaluates the role of women in political life by showing the ways in which the personal was the political in the post-revolutionary era.


Extremities

Extremities

Author: Darcy Grimaldo Grigsby

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 420

ISBN-13: 9780300088878

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In the decades following the French Revolution, four artists - Girodet, Gros, Gericault, and Delacroix - painted works in their Parisian studios that vividly expressed violent events in faraway, colonial lands. This book examines six of these paintings and argues that their disturbing, erotic depictions of slavery, revolt, plague, decapitation, cannibalism, massacre, and abduction chart the history of France's empire and colonial politics. Darcy Grimaldo Grigsby shows that these paintings about occurrences in the West Indies, Syria, Egypt, Senegal, and Ottoman Empire Greece are preoccupied not with mastery and control but with loss, degradation, and failure, and she explains how such representations of crises in the colonies were able to answer the artists' longings as well as the needs of the government and the opposition parties at home. Empire made painters devoted to the representation of liberty and the new French nation confront liberty's antithesis: slavery. It also forced them to contend with cultural and racial difference. Young male artists responded, says Grigsby, by translating distant crises into images of challenges to the self, making history painting the site where geographic extremities and bodily extremities articulated one another.


Book Synopsis Extremities by : Darcy Grimaldo Grigsby

Download or read book Extremities written by Darcy Grimaldo Grigsby and published by Yale University Press. This book was released on 2002-01-01 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the decades following the French Revolution, four artists - Girodet, Gros, Gericault, and Delacroix - painted works in their Parisian studios that vividly expressed violent events in faraway, colonial lands. This book examines six of these paintings and argues that their disturbing, erotic depictions of slavery, revolt, plague, decapitation, cannibalism, massacre, and abduction chart the history of France's empire and colonial politics. Darcy Grimaldo Grigsby shows that these paintings about occurrences in the West Indies, Syria, Egypt, Senegal, and Ottoman Empire Greece are preoccupied not with mastery and control but with loss, degradation, and failure, and she explains how such representations of crises in the colonies were able to answer the artists' longings as well as the needs of the government and the opposition parties at home. Empire made painters devoted to the representation of liberty and the new French nation confront liberty's antithesis: slavery. It also forced them to contend with cultural and racial difference. Young male artists responded, says Grigsby, by translating distant crises into images of challenges to the self, making history painting the site where geographic extremities and bodily extremities articulated one another.


Politics and Portraits in the United States and France during the Age of Revolution

Politics and Portraits in the United States and France during the Age of Revolution

Author: T. Lawrence Larkin

Publisher: National Geographic Books

Published: 2019-02-26

Total Pages: 0

ISBN-13: 1944466207

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This collection of essays explore the way portraits intersected with politics during the Revolutionary and Imperial Eras in The United States and France. The portraits examined in this book highlight the challenges artists faced in the conceptualization, concretization, and promotion of political identity in the late eighteenth and early nineteenth century. Portrait scholars T. Lawrence Larkin, Brandon Brame Fortune, Philippe Bordes, Amy Freund, and Margaretta Lovell provide thematic introductions dedicated to separate trends in the fashioning of Revolutionary and Federal/Imperial identity including the challenges of representing a strong leader, republican assembly, free citizen, and the uncovering of overlooked people or patterns. These thematic introductions are followed by essays that offer case studies of artists negotiating the desires and interests of their prominent patrons including Louis XVI and Marie-Antoinette, George Washington, Napoleon Bonaparte, Thomas Jefferson, James Madison, among others. These essays analyze how artists in the United States and France grappled with how abstract notions of individual liberty, delegated powers, and collective governance can be invested in drawn, painted, printed, or mapped likenesses of high-ranking individuals during the Age of Revolution.


Book Synopsis Politics and Portraits in the United States and France during the Age of Revolution by : T. Lawrence Larkin

Download or read book Politics and Portraits in the United States and France during the Age of Revolution written by T. Lawrence Larkin and published by National Geographic Books. This book was released on 2019-02-26 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays explore the way portraits intersected with politics during the Revolutionary and Imperial Eras in The United States and France. The portraits examined in this book highlight the challenges artists faced in the conceptualization, concretization, and promotion of political identity in the late eighteenth and early nineteenth century. Portrait scholars T. Lawrence Larkin, Brandon Brame Fortune, Philippe Bordes, Amy Freund, and Margaretta Lovell provide thematic introductions dedicated to separate trends in the fashioning of Revolutionary and Federal/Imperial identity including the challenges of representing a strong leader, republican assembly, free citizen, and the uncovering of overlooked people or patterns. These thematic introductions are followed by essays that offer case studies of artists negotiating the desires and interests of their prominent patrons including Louis XVI and Marie-Antoinette, George Washington, Napoleon Bonaparte, Thomas Jefferson, James Madison, among others. These essays analyze how artists in the United States and France grappled with how abstract notions of individual liberty, delegated powers, and collective governance can be invested in drawn, painted, printed, or mapped likenesses of high-ranking individuals during the Age of Revolution.


Jacques-Louis David and Jean-Louis Prieur, Revolutionary Artists

Jacques-Louis David and Jean-Louis Prieur, Revolutionary Artists

Author: Warren Roberts

Publisher: SUNY Press

Published: 2000-01-01

Total Pages: 400

ISBN-13: 9780791442876

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A comparative study of the French Revolution's most famous artist and a little-known illustrator.


Book Synopsis Jacques-Louis David and Jean-Louis Prieur, Revolutionary Artists by : Warren Roberts

Download or read book Jacques-Louis David and Jean-Louis Prieur, Revolutionary Artists written by Warren Roberts and published by SUNY Press. This book was released on 2000-01-01 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comparative study of the French Revolution's most famous artist and a little-known illustrator.


Madame Roland

Madame Roland

Author: Mathilde Blind

Publisher: Good Press

Published: 2020-12-08

Total Pages: 197

ISBN-13:

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"Madame Roland" is a captivating biography penned by Mathilde Blind, delving into the life and times of the iconic French revolutionary figure. Set against the backdrop of Europe's tumultuous history in the 1880s, this work offers a deep exploration of Madame Roland's contributions to writing and her significant role in the political landscape. Blind's meticulous research and evocative prose bring to life the challenges and triumphs of this remarkable woman.


Book Synopsis Madame Roland by : Mathilde Blind

Download or read book Madame Roland written by Mathilde Blind and published by Good Press. This book was released on 2020-12-08 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Madame Roland" is a captivating biography penned by Mathilde Blind, delving into the life and times of the iconic French revolutionary figure. Set against the backdrop of Europe's tumultuous history in the 1880s, this work offers a deep exploration of Madame Roland's contributions to writing and her significant role in the political landscape. Blind's meticulous research and evocative prose bring to life the challenges and triumphs of this remarkable woman.


The Last Libertines

The Last Libertines

Author: Benedetta Craveri

Publisher: New York Review of Books

Published: 2020-10-20

Total Pages: 617

ISBN-13: 1681373408

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An enthralling work of history about the Libertine generation that came up during—and was eventually destroyed by—the French Revolution. The Last Libertines, as Benedetta Craveri writes in her preface to the book, is the story of a group of “seven aristocrats whose youth coincided with the French monarchy’s final moment of grace—a moment when it seemed to the nation’s elite that a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and in doing so reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet seven emblematic characters, whom Craveri has singled out not only for “the romantic character of their exploits and amours—but also by the keenness with which they experienced this crisis in the civilization of the ancien régime, of which they themselves were the emblem.” Displaying the aristocratic virtues of “dignity, courage, refinement of manners, culture, [and] wit,” the Duc de Lauzun, the Vicomte de Ségur, the Duc de Brissac, the Comte de Narbonne, the Chevalier de Boufflers, the Comte de Ségur, and the Comte de Vaudreuil were at the same time “irreducible individualists” and true “sons of the Enlightenment,” all of them ambitious to play their part in bringing around the great changes that were in the air. When the French Revolution came, however, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these seven dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own.


Book Synopsis The Last Libertines by : Benedetta Craveri

Download or read book The Last Libertines written by Benedetta Craveri and published by New York Review of Books. This book was released on 2020-10-20 with total page 617 pages. Available in PDF, EPUB and Kindle. Book excerpt: An enthralling work of history about the Libertine generation that came up during—and was eventually destroyed by—the French Revolution. The Last Libertines, as Benedetta Craveri writes in her preface to the book, is the story of a group of “seven aristocrats whose youth coincided with the French monarchy’s final moment of grace—a moment when it seemed to the nation’s elite that a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and in doing so reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet seven emblematic characters, whom Craveri has singled out not only for “the romantic character of their exploits and amours—but also by the keenness with which they experienced this crisis in the civilization of the ancien régime, of which they themselves were the emblem.” Displaying the aristocratic virtues of “dignity, courage, refinement of manners, culture, [and] wit,” the Duc de Lauzun, the Vicomte de Ségur, the Duc de Brissac, the Comte de Narbonne, the Chevalier de Boufflers, the Comte de Ségur, and the Comte de Vaudreuil were at the same time “irreducible individualists” and true “sons of the Enlightenment,” all of them ambitious to play their part in bringing around the great changes that were in the air. When the French Revolution came, however, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these seven dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own.